Reed Waters keeps his small Washington, D.C. apartment tidy. In the morning he goes to his simple job and at night he heads straight home. Virtually his only real human contact comes through his friendship with a local boy, Will. Reed Waters is a quiet man. He has to be, because he is a man with secrets. One rain-drenched night a stranger steps into his life-Mauri Dyson, a teenage runaway who is as explosive and unpredictable as Reed is cautious and discreet. And yet she holds secrets, too. Secrets that will change both their lives forever. Adapted by the author from his acclaimed novel, Christopher Conlon's Midnight on Mourn Street is a searing theatrical experience.

Seven satirical unfilmable scripts for films. Experimental and imaginative. Full of humor and weirdness; as well as horror and terror. A total spoof of Hollywood scripts.

Sitting in the epicenter of our nations most densely populated region is a million square acre wilderness area known as the Pine Barrens. Composed of cedar rivers, sand roads, scrub oak and pine trees, this remote region of South Jersey is said to be the ancestral home of The Jersey Devil, an enduring creature from New Jersey folklore. In the year 1735, as legend has it, just after being born a normal baby boy, the thirteenth child of Mother Leeds transformed into a beastlike creature. Soon to be a major motion picture, designed as a science fiction/thriller, New Jersey's most famous legend comes alive in the 21st century. The dual core of the story exposes the life of a tormented creature (The Jersey Devil) who gets caught between two worlds and deals with the situation in his own unique way, and an old man whose belief in this beast has led him on a seventy year quest of faith, hope, and redemption.

"A Collection of Plays by Mark Frank: Volume II" introduces seven new plays by playwright Mark Frank.

In the powerful drama "No-Code," Matt Mitchell enters the cruel world of nursing homes. In the comedy, "Greek Soup," we meet famous tragic characters from Greek literature as they all work together to save their restaurant in Athens, New York, from being shut down by the Health Inspector. In the comedy "Just Being Barry White," Gunther Heimleck, has the spirit of Barry White enter his body to sweep the girl of his dreams off her feet. In the drama, "The Color of Slumber," Logan must try to escape the dream he is trapped in by the mysterious 'her" and fight off the evil Mr. Shroud. In the one-act drama, "The War Chest," a young girl falls into her grandfather's war chest and finds herself in Germany, World War II during the Jewish Holocaust. In the one-act comedy, "Remember the Audience" we find out what happens when the audience creates a play on the spot. In the one-act comedy, "Life, Cigarettes and the Great, Great Beyond" we join Hitler, Jesus, and Elvis for a smoke and conversation in the great beyond.

Following Phantom of the Opera (1943), in the middle of the Silver age of Universal Studio's monster movies, a new sequel to Frankenstein Meets the Wolfman was considered for a Technicolor production: Wolfman vs Dracula Lon Chaney Jr., who was the only actor to portray Universal's four classic monster roles; Dracula, frankenstein's monster, the mummy and the wolfman. At first Chaney was to play both roles, as his father Lon Chaney Sr. had done in several of his famous silent films. But Larry Talbot in his human phase would look exactly like Count Dracula so the role of Dracula was given to it's originator Bela Lugosi. A script was prepared by Bernard Shubert, who had written the screenplay for Tod Browning's London After Midnight(MGM 1927) remake Mark of the Vampire (MGM 1935). Shubert kept the settings very tight in its scenes, to keep the cost down to balance out for the extra expense of technicolor. But by 1944 Bela Lugosi was in his 60s and would have had to play part of his role as a giant bat much like in the Copolla Bram Stoker's Dracula in the 90s - and that would have been too much for him. And they couldn't have the Wolfman fighting an animated bat much like John Carradine's depiction of the Count or even Lugosi's portrayal in Abbott and Costello Meet Frankenstein. So they decided to make one of their Arabian Nights film on the Technicolor contract and all that remained of Wolfman vs Dracula are some color 8x10s of Chaney in both parts. This volume has a short biography of screenwriter/TV producer Bernard Shubert and comments from Shubert and special effects cinematographer David Stanley Horsley.

What's a proper Southern lady to do? Mae just wants to see her son Brian happily married. She's introduced him to every eligible girl in town. But for some reason, he never seems to hit it off with them. And then Mae learns the shocking truth: Her son is gay Oh my. They didn't cover this in charm school. But while Mae doesn't know much about gay men, she is sure of one thing-- her son deserves to be happy. And he won't spend his life alone if she has anything to say about it. She's gonna find that boy the perfect husband, even if she has to go up against her bridge club, her church, and the entire Daughters of the Confederacy to do it. But where does a nice Southern belle go to meet gay men? Shot in November 2009, starring Joanne McGee, Carol Goans, and Stewart Carrico.

1912. Poet, novelist, dramatist and journalist, Masefield's literary career was a varied one. He went to sea as a youth and his first volumes of poems earned him the title of Poet of the Sea. He was a prolific writer, publishing poetry and novels as well as taking on editorial tasks. In 1930 he became Poet Laureate, a post he retained until his death 37 years later. His plays, were written in both verse and prose. This volume contains: The Tragedy of Nan; The Campden Wonder; and Mrs. Harrison. See other titles by this author available from Kessinger Publishing.

It is 1967 and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him since she has fallen in love with one of his more pompous colleagues. His domestic woes accumulate: his unemployable brother Larry is sleeping on the couch, his son Danny is playing hooky from Hebrew school, and his daughter is sneaking money from his wallet in order to save up for a nose job.

Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation, thus putting in jeopardy Larry's chances for tenure at the university. As if all this wasn't enough, he is tormented by the sight of his beautiful next door neighbor sunbathing nude.

Larry's search for some kind of equilibrium is conveyed with the kind of humor, imagination, and verbal wit that have made the work of Ethan and Joel Coen so distinctive.

"Glorious 39" is the screenplay of the new blockbuster film by award-winning writer/director Stephen Poliakoff released in cinemas in November 2009. In this tense psychological thriller set on the eve of WWII, a young woman stumbles across evidence of a sinister Nazi appeasement plot that will stop at nothing to achieve its aims. As close friends die in suspicious circumstances, she finds herself in extreme danger from an increasingly menacing and powerful enemy.

Besides the screenplay the book features an exclusive Q&A with writer/director Stephen Polikoff, a colour photo section and full cast and production credits.

The film features a stellar cast of leading British actors: award-winning British actress Romola Garai ("Atonement"), alongside BAFTA-winning actor Bill Nighy ("Love Actually"). They are joined by Oscar-winning actress Julie Christie ("Finding Neverland"), Eddie Redmayne ("The Other Boleyn Girl"), David Tennant, Charlie Cox ("Stardust"), Jeremy Northam ("Gosford Park") and the legendary Christopher Lee ("Lord of The Rings") as Walter.

"Glorious 39" is writer/director Stephen Poliakoff's return to the cinema after an absence of a decade since his previous feature films which include the multi-award winning "Close My Eyes."

In 1974, screen legend Marlon Brando has made a dramatic return to form with The Godfather and Last Tango In Paris. But his family life is crumbling and his sanity begins to slip away. Only an imagined dialogue with his best friend, actor Wally Cox, can soothe the troubled actor and help him pull back from the brink of self-destruction. Cox, who died over a year before, is the perfect foil for Brando's drunken self-pity. Marlon and Wally relive memories of their Illinois childhood and their years sharing an apartment in 1950's New York. They discuss and dissect the dilapidation of their friendship in the '60's and '70's, as well as each man's career highs and lows. Politics and pop culture are touched upon as Marlon conjures another of their famously animated conversations. Ultimately, the great actor cannot escape facing his own lesser instincts and taking responsibility for the repeated cycles of destructive behavior in his family line. He must also face the harrowing prospect of what is to come for his children if he cannot change his ways. Last Tango With Marlon is a fast, funny, furious exchange that runs the gamut of human emotion and experience from the acclaimed writer of The Trial Of Davy Crockett.

Birth is a documentary-style play based on interviews playwright Karen Brody conducted with mothers across America. It tells the true birth stories of eight women painting a portrait of how low-risk, educated women are giving birth today. Since 2006 the play been performed around the world as part of BOLD, an arts-based global movement inspiring communities to create childbirth choices that work for mothers. This edition of the book includes the entire play, playwright's reflections, and the impact the play has had on BOLD communities. It also includes a foreword by Christiane Northrup, MD, FACOG, a well-known authority on women's health and wellness.

Every green-lighted screenplay travels a long and harrowing road from idea to script to celluloid. In this fascinating survey of contemporary film craft, David Cohen of Script and Variety magazines interviews screenwriters from across the board--Oscar winners and novices alike--to explore what sets blockbuster successes apart from downright disasters. Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers valuable insider access to the back lots and boardrooms, to the studio heads and directors, and to the overcaffeinated screenwriters themselves. Full of critical clues on how to sell a script--and avoid seeing it destroyed before the director calls "Action!"--Screen Plays is a book that both the aspiring screenwriter and curious cinephile will find irresistible.

For the first time, the American Revolution is presented as a feature drama with all the excitement of the stirring events that gave birth to a nation. It is not a docudrama or documentary, but is historically authentic with much of the original dialog as it was recorded. This exciting volume presents the whole story in 12 hour-long television episodes.

Unlike every Easter-Passover-Resurrection documentary, play of movie ever produced this book incorporates every text, every movement and every conceivable thought found within "the Bible." It is truly The Ultimate Harmony of the Gospels for Jesus' last days on Earth.

Working from numerous harmonies of the Gospel, Dr. Russell Earl Kelly has merged the four biblical accounts from Christ's arrest in the Garden of Gethsemane to His ascension into one continuous smooth story line. The many so-called discrepancies and contradictions melt away in these five acts written in conversational style.

Although some events are fictional they reflect what probably occurred between the lines of God's Word. Kelly has attempted to honestly portray the feelings behind the words that lead up to the gospel presentation when Jesus reveals Himself in the upper room. The final act suggests that a modern video presentation be used to dramatically portray both the ascension and return of Jesus in glory.

Russell Earl Kelly is also the author of "Should the Church Teach Tithing? A Theologian's Conclusions about a Taboo Doctrine" and "Exposing Seventh-day Adventism." His research and resources was reflected in "the Wall Street Journal" article, "The Backlash against Tithing" in November 2007.

Uniquely inspired by the work of mythologist Joseph Campbell and psychologist Jean Houston, The Soul of Screenwriting demonstrates how the "screenwriting by numbers" approach that offers templates into which the writer may mechanically drop his or her story idea is fundamentally incomplete. Keith Cunningham maintains that in doing so, one ignores the process of writing. Screenwriting is a long journey and even the most gifted screenwriters get lost along the way. Getting lost, Cunningham reminds us, is part of the process too. What the writer experiences in the act of writing has never been taken into account, yet this is where the screenplay comes from: the writer's here-and-now experience while working on the story. Information--left-brain concepts and techniques about plot structure, character development and orchestration, the dynamics of scenes and sequences--is all necessary. But it is what one does with the information that makes a truly great screenplay. In The Soul of Screenwriting, Cunningham demonstrates that good screenwriting is more than hitting the big "plot points" with exciting action. Good screenwriting also has integrity and authenticity. It has a "voice," and because it has a voice it speaks to the audience. To gain a voice, the writer needs the heat of creative imagination: passion, commitment, enthusiasm, a drive to know the truth of the characters, and an urge to get to the core of the dramatic conflict without resorting to escapism. These are qualities of the heart, and as Cunningham argues, screenwriting can indeed be, in Carlos Castaneda's phrase, a path with heart.

Macbethis a Tragedy written by English playwright William Shakespeare, who is widely considered to be the greatest writer of the English language. Macbeth is a play about the struggle of the Macbeths and Macduffs to gain power, and the madness that plagues the Macbeths caused by their decision to commit murder in order to get control of the throne. Macbeth is an important work of William Shakespeares, and is highly recommended for fans of his works as well as those discovering his plays for the first time.

When a lovesick postman stalks his nagging ex-girlfriend, he and the love-starved police lady who catches him, fall in love. - "What you won't do, you'll for love." When Postman Pete gets dumped by his nagging girlfriend of five years, she's becomes a bad habit he just can't kick. Through the poor advice of his estranged buddies, Pete embarks upon a series of dating misadventures, while secretly stalking his ex, betwixt each date from hell. Pete may be a professional postal worker, but a seasoned stalker he is not. A peculiar patrolwoman, and her pointed partner are always there to intervene. Pete, on the rebound, and the patrolwoman, fond of things she shouldn't have, take a liking to each other and plan a date. But, how will the story end? DO FOR LOVE is a Romantic Screwball Comedy along the lines of SOMETHING ABOUT MARY. A risque comedic glimpse of tangible and freaky, familiar circumstances, DO FOR LOVE is a story to which we can all relate, but try to forget.

When an ordinary guy takes a Swing Dance class to impress an extraordinary girl, he becomes "Big Town" the flavor of the month and is forced to choose between the dancing or two girls. - "It ain't what you do, it's the way that you do it." Benjamin Bradley moves from the Midwest to Los Angeles to make good in the big town. During his first week in L.A., Ben meets a vixen (Fate) and shy girl (Destiny). Begin the triangle. Fate is a fantastic dancer in the underground scene, but a lame person. Destiny is a great person, but a mediocre dancer. Who should he choose? Written by a Swing Dancer who once graced President Bill Clinton with the Lindyhop, BIG TOWN is a Romantic Comedy with the heart of STRICTLY BALLROOM and the flash of SATURDAY NIGHT FEVER. Rather than being a story with dancing taking the backseat, BIG TOWN is a screenplay written by a dancer, for dancers, where the dancing is the focus, and the story evolves organically from the dancing.

"I suppose for some, knitting is just a hobby. But to me, it's an art form. It's my passion. Where oils may be the medium of the painter, my medium is wool and cotton, angora and cashmere, bamboo or mohair in the most fantastic of shades and colors. I can't not knit. It's a necessary part of my being." Molly Gardner
Martha, a lonely young mother of two, finds herself isolated on Martha's Vineyard in a deteriorating marriage. When she reluctantly joins Molly Gardner's knitting group at Stitches to knit an afghan for charity, she finds herself among a group of women she can confide in. Through poignant stories of her eccentric Great Aunt Frieda, Molly imparts the lessons she learned about life, love and knitting. As Frieda takes center stage through an almost ghost-like presence, her Mae West style and strength of character embolden Martha to make a difficult choice.