ALEC MYERS is smart, good looking, rich ... and dead. After an accident, he winds up on "the other side," where he must face some unpleasant truths about himself. Just as he's about to get a second chance, his ex-wife donates his heart for transplant, complicating his return to life, his search for a lost romance, and his redemption in a daring act of courage.

Caesar and Cleopatra, a play written in 1898 by George Bernard Shaw, was first staged in 1901 and first published with Captain Brassbound's Conversion and The Devil's Disciple in his 1901 collection, Three Plays for Puritans. It was first performed at Newcastle-on-Tyne on March 15, 1899. The first London production was at the Savoy Theatre in 1907. The famous scene in which Cleopatra, concealed in a rolled-up carpet, is smuggled into Caesar's presence was credited by Otto Skorzeny as the inspiration for his doing the same to his kidnapping victim Miklos Horthy, Jr. in 1944 during Operation Panzerfaust. Shaw wants to prove that it was not love but politics that drew Cleopatra to Julius Caesar. He sees the Roman occupation of ancient Egypt as similar to the British occupation that was occurring during his time. Caesar understands the importance of good government, and values these things above art and love. Shaw's philosophy has often been compared to that of Nietzsche. Their shared admiration for men of action shows itself in Shaw's description of Caesar's struggle with Pompey. In the prologue, the god Ra says, "the blood and iron ye pin your faith on fell before the spirit of man; for the spirit of man is the will of the gods." A second theme, apparent both from the text of the play itself and from Shaw's lengthy notes after the play, is Shaw's belief that people have not been morally improved by civilization and technology. A line from the prologue clearly illustrates this point. The god Ra addresses the audience and says, "ye shall marvel, after your ignorant manner, that men twenty centuries ago were already just such as you, and spoke and lived as ye speak and live, no worse and no better, no wiser and no sillier." Another theme is the value of clemency. Caesar remarks that he will not stoop to vengeance when confronted with Septimius, the murderer of Pompey. Caesar throws away letters that would have identified his enemies in Rome, instead choosing to try to win them to his side. Pothinus remarks that Caesar doesn't torture his captives. At several points in the play, Caesar lets his enemies go instead of killing them. The wisdom of this approach is revealed when Cleopatra orders her nurse to kill Pothinus because of his "treachery and disloyalty" (but really because of his insults to her). This probably contrasts with historical fact. The murder enrages the Egyptian crowd, and but for Mithridates' reinforcements would have meant the death of all the protagonists. Caesar only endorses the retaliatory murder of Cleopatra's nurse because it was necessary and humane.

Comedy film and theatre project set inside a train. The whole story is set inside a train carriage. Due to an engine failure the journey is dragging on without knowing when it will end. The only information received is from the "camp" voice of the main train driver blasting away throughout the train at regular intervals. The passengers are forced to endure this, pushing them to the limits; into some deep agonizing fits and often deeply traumatic moments. During the journey they all speak to each other either together and in unison or they are responding to their own respective conversation without even acknowledging their receiver's end conversation all veering deep toward their own monologue. No one is really listening to what the other one has to say but the interaction is still vibrant, and often high-ended. Toward the end, it's almost like if all the passengers were talking to a brick wall; but the difference is of course that a brick hasn't got a face or a sound. All the groups share the same conversation but never interact between and with the different groups. They only share the same train of thoughts.

This book is a combination how-to for screenwriters and a memoir of a woman's journey to becoming a working writer in Hollywood. It is vital instruction for writers of all genres who want to learn to get to story fast. Filled with stories from the show biz trenches, it educates as well as entertains.

Grandpa sees monsters everywhere. Are they real? This creepy one act play for four actors can be performed, royalty free by educational institutes and non-profit theaters.

Have you ever gathered around a cowboy's campfire on a pitch black night, and felt like someone was standing beside you in the dark? Have you ever heard scratching on the side of your tent, and hoped it was only a tumbleweed? There are TWO ways to have fun with Creepers Mysteries. Enjoy reading the BOOK (in the front). Star in your own Movie for the Ear using the SCRIPT (in the back). You'll have a blast Harry, Gillian and Arvin visit Smokey Joe's Ranch and go on an authentic cattle drive. They find out just how authentic when they land in the middle of a century-old mystery between a bandit and a bounty hunter from the Old West.

When depressed and withdrawn Catharine meets a secretive boy online, she begins to come out of her shell. But is he a suitor or a stalker, a friend or foe? The mystery of his existence fuels obsession, denial and deceit, sending her to the point of no return. The film was inspired by the writer-director's own experience parenting his teenage daughter in the world of cyberspace. "@urFRENZ," writer-director Jeff Phillips' is the first narrative feature film to address the growing crisis of cyberbullying, the number one hot button issue between parents and teens today. The story about the lives of teens, their families and the lure and danger of social networking sites, @urFRENZ explores the themes of communication, the public and private self, obsession, and how we use technology to manipulate identity. The title (pronounced "at your friends") is derived from the name of the social networking site that connects all of the characters. In an accompanying journal, Jeff Phillips discusses the genesis of the idea for the film and the lengthy process it took to write and bring it to the screen. @urFRENZ: the shooting script also includes his production notes written exclusively for this edition, and a chapter on the film's festival history up to its theatrical release. With an introduction by Sean MacNamara, director of "Soul Surfer."

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ King Lear: With The Famous Temple Notes William Shakespeare Grosset, 1909

Filled by a joyous ride across West Texas history, intrigue, cowboys, and robots, this screenplay presents a future bright but fearful in its birth. Almost reality defined using today s technology, Christia is called into the role of a prophet for a new age an age of justice or "And Moses said unto God, 'Who am I, that I should go unto Pharaoh, and that I should bring forth the children of Israel out of Egypt?'" Exodus 2:11 A brilliant, young African-American student of computer science at the University of Texas, Christia is uneasy in her life. A successful husband, and a broad brave history of struggle dating back to the Buffalo Soldiers, yet her bright future is drawn back to the cowboy roots of her family in West Texas, another desert in the history of prophets. Menacing police and societal roles threaten her as she attempts to crystallize her dreams of transitions to our future of robotic surplus.

2011 Reprint of 1899 Edition. "The Importance of Being Earnest, A Trivial Comedy for Serious People" was first performed on 14 February 1895 at St. James's Theatre in London. It is a farcical comedy in which the protagonists maintain fictitious personae in order to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satirical treatment of Victorian manners and customs. Its high farce and witty dialogue have helped make it Wilde's most enduringly popular play.

A teacher takes on the pupil from hell only to learn what treachery means. This screenplay adapted from the novel of the same name tells the story of tenacious teacher, Sarah who takes on Josh, the pupil from hell. Dyslexic and older than she had expected, he takes pleasure in humiliating her at every opportunity. To make matters worse, her relationship with old school friend, Frank suffers at the hands of his commitment to a criminal clique, headed by psychopath, Kurt who operates in a derelict house known as the Hollows. Guilt-stricken over her dead brother, everything would appear stacked against her. But Sarah's troubles are just beginning as she forges on with her commission. Slowly she uncovers the dark secrets of Josh's family and the sinister workings of Kurt's tightly-knit circle. Ultimately, her past catches up with her, bringing her face-to-face with her greatest fear. A psychological tale of murky secrets, betrayal and sexual chemistry at its core, this story lasts approximately 100 minutes screen time. Properly formatted and easy to read. With a character list and guidance on reading screenplays. Book's statistics 8x5in 110 pages and 17,000 words approx.

'Fair is foul and foul is fair' - so said three weird women in ghoulish glee, predicting a subversion of order in fair Scotland...
In the reign of King Duncan, Scotland is a just and hospitable land, with loyal, warlike thanes guarding the best interests of people...
...'Till the very best among them, Macbeth, gives in to a fatal temptation and commits regicide. But will the crown of Scotland sit easy on his head? Will justice be restored to Scotland? Or will Macbeth remain invincible?
One of Shakespeare's most famous plays, "Macbeth" goes beyond a mere tragedy of moral order to a deeply psychological study of a mind preyed on by ambition, insecurities, fear, and regret.

Toe Eugene Marais deurtrek van malaria en morfien by 'n vreemde plaashuis in die Waterberg ingeneem word, verander daardie huishouding heeltemal. Twee vroue ding mee om sy aandag - Maria, die huisvrou, en Jane, 'n jong meisie onder die gesin se sorg. En op hulle beurt is daar twee jaloerse mans - Gys, die eggenoot, en hul seun, Adderjan. Oor die maande waarin Marais onder die sorg van die twee vroue herstel, verrig hy wat vir die plaasmense en hul bure na wonderwerke lyk. Hy versamel en ondersoek byna alles, maak diere mak en bring hulle in sy kamer in, genees besoekers. Hy "mesmeraais" mense en hou hom besig met dinge wat soos toordery lyk. Algaande bring sy teenwoordigheid in almal die verlange na iets onbereikbaars na vore, maar dis Marais se verlange na die jongmeisie, en hare na hom en na 'n ander lewe, wat al die verswee konflikte op die spits dryf.

2011 Reprint of 1899 Edition. "The Importance of Being Earnest, A Trivial Comedy for Serious People" was first performed on 14 February 1895 at St. James's Theatre in London. It is a farcical comedy in which the protagonists maintain fictitious personae in order to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satirical treatment of Victorian manners and customs. Its high farce and witty dialogue have helped make it Wilde's most enduringly popular play.

This is a screenplay; which eight friends want; to do a documentary; of an abandon mental institution; it seems that they meet some unsuspected; vistors; then; all of sudden; all hell breaks loose.

Inspired by a true story, HEAD OF THE CREEK embodies the essence of a Shakespearian Tragedy. When a brilliant bumpkin embarks upon lurid quest, his prize becomes his punishment. - "This above all: to thine own self be true..." (William Shakespeare, "Hamlet," Act I, Scene 3) Louis Wilson is a hayseed born with the aptitude of a Nobel Laureate. At the age of 8, someway, somehow Little Louis has it all figured out. He gets it. For some of us it takes our entire lives to get it. Others never get it. Louis got it, and maybe you'll get it, too. His goal is simple - take an early retirement and live out by the old creek. But Louis quickly learns what most of us already know - the simplest things in life are often the most complex and impossible to accomplish. HEAD OF THE CREEK is a gritty, glimpse of Louis's simple goal that becomes a 30-year Machiavellian quest for Nirvana. - "He had everything it took to live right, but he chose to live wrong."

Fire For Effect is a WWII story, but not of the ordinary kind. Based on a true incident, it involves a little known, but vitally important branch of Military Intelligence - the IPWs - Interrogators of Prisoners of War. It is the story of a battle of wits between two officers, good men both, with strong convictions, integrity and a firm sense of duty - but on opposite sides. And it concerns a potentially catastrophic event about to happen.

A test pilot, veteran of Desert Storm, crashes while testing a top secret military device. His injuries rob him of his memory, reducing him to the level of an animal - but an animal with the intelligence and reasoning power of a man, and the fear and desperation of a hunted beast. He leads the men who would save him on a fantastic chase through the desolate and hostile country of Death Valley, pitting animal instinct against sophisticated technology.

If you could change one thing about yourself, what would it be? Renew my body, set at 17. -Allen Ginsberg 1988, Chicago. Stare deeply into the watery blue eyes of an elderly and wheelchair bound man, pull back and you'll find yourself surrounded by the serenity of the manicured lawn of the Thousand Oaks Convalescent Hospital... his home for the past 30 years. Physical examinations must be done periodically, as with all of the elderly. For David Jason, it's an opportunity to briefly escape the confines of this limited world. Today's ambulance ride with his nurse and confidant, Angela Ryan, to Lakeview General Hospital will be unlike any other;...it will alter his life forever... embarking on man-kind's most impossible dream...a second.chance...to go through life again knowing what he knows now. On the way to the hospital there is a terrible accident, a collision between the ambulance and a careening eighteen wheeler out of control Angela is thrown clear, and David a concussion and deep lacerations; he is fortunate. Tests are done, and their conclusions are shocking. It seems as though David's cells are multiplying at an alarming rate, reversing metabolically to such an extent that he is actually regressing in age He may only have 6 months to live, as the physiological trauma of the regeneration process is determined to be too much for his life support systems. Further tests are performed: his condition constantly monitored by his faithful nurse. His injuries heal at an astonishing rate While visually he begins to appear noticeably younger, he goes through spells of strength and coherence then lapses into unexplainable periods of severe pain and near death states. Angela reviews his records, and finds nothing regarding his past no family contacts, no prior addresses, no medical information prior to his admittance on October 11, 1958. She suspects foul play and has him transferred out of Thousand Oaks. With the assistance of a retired ex-cop turned private investigator, Vince Carpeski, and a curious friend, Dr. Conrad Hoffman, an unresolved mysterious and suspenseful trail of a medical cover-up is revealed] The case was thought to have been sealed thirty years ago with the murder of a prominent hospital chief-of-staff surgeon who was on the verge of going public with damaging research fraud allegations. A multi-billion dollar pharmaceutical firm, Medtech, is implicated. A desperate man of corruption and greed, SydUnderwood, is found to have masterminded the scheme. As David and Angela race against time in their search for answers and truth, a once-in-a-lifetime love is rediscovered; a "fountain of youth" becomes a reality, giving love a chance to blossom again. If only for a moment, medical technology reaches into the future, sending shivering moments of enlightenment to strike deep into the soul, as justice is served The story moves between the forces of good and evil, eternal hope and despair as the PENDULUM swings to an engaging and masterfully written climax, offering our hearts and dreams...the possibility...of a second chance.

The play is based around the two lovers Mirabell and Millamant. In order for the two to get married and receive Millamant's full dowry, Mirabell must receive the blessing of Millamant's aunt, Lady Wishfort. Unfortunately, she is a very bitter lady, who despises Mirabell and wants her own nephew, Sir Wilful, to wed Millamant.

BLACK MAMBO is a sizzling hot, highly stylized, gritty crime story placed within the miry landscape of the Los Angeles underground crime world. When Police Detective Will Biggs and his crew attempt to infiltrate Black Mambo's counterfeit crime syndicate, Will's team gets made and all hell breaks loose.