|
|
Books > Language & Literature > Literature: texts > Drama texts, plays > From 1900
This book investigates how identities for West African women are
created and recreated through the broad interplay of Nollywood film
viewing on social and individual levels. Since many Nollywood films
are freely accessible online, the role of online communities
repurposes Nollywood films. Female Narratives in Nollywood
Melodramas addresses if this is a good or bad promoter of critical
consciousness, as many of the films depict the stifling of women.
The authors examine nine Nollywood melodramas through Black
feminist, cultivation, audience reception, and social identity
theories. Readers will gain an understanding of how Nollywood is a
product and contributor to evolving processes of globalization.
Recommended for scholars of film studies, communication, African
studies, and women studies.
Close to the Enemy is a seven-part television series, mostly set in
a bomb-damaged London hotel in the aftermath of the Second World
War. The drama follows intelligence officer Captain Callum Ferguson
whose last task for the Army is to ensure that a captured German
scientist, Dieter, starts working for the British RAF on urgently
developing the jet engine. With the background of the emerging Cold
War, it is clear to all that it's crucial for British national
security that cutting-edge technology is made available to the
armed forces as quickly as possible. Callum uses unorthodox methods
in his attempt to convince Dieter to work with the British and
eventually a friendship develops between the two men, but soon
tensions arise as all is not as it seems. Over the course of the
series, Callum encounters a number of other characters whose
stories all intertwine. These characters include Victor, Callum's
younger brother, struggling to deal with psychological trauma
caused by his experience in the fighting; Harold, a Foreign Office
official who reveals some startling truths about the outbreak of
the war; Rachel, an enchanting Anglophile American engaged to his
best friend; and Kathy, a tough young woman working for the War
Crimes Unit, fighting to bring war criminals who escaped
prosecution to justice. All these characters are trying to rebuild
and move their lives forward in the aftermath of the war, a war
that scarred them all so deeply. Close to the Enemy was first
screened on BBC2 in November 2016 in a production by Little Island
Productions. It starred Jim Sturgess, Freddie Highmore, Charlotte
Riley, Phoebe Fox, August Diehl, Robert Glenister, Alfie Allen,
Charity Wakefield, Angela Bassett, Lindsay Duncan and Alfred
Molina.
Three classic radio productions from the BBC archives starring
Nigel Hawthorne, Miriam Margolyes, Geraldine McEwan and a host of
celebrated acting talent. These three legendary plays, performed by
some of the best-known theatrical actors of the 20th Century, are
the perfect way to commemorate England's greatestdramatist. The
Taming of the Shrew: The controversial comedy about the battle of
the sexes and a very unconventional marriage, starring Fenella
Fielding as Katherine, with Miriam Margolyes as Bianca and Paul
Daneman as Petruchio. A Midsummer Night's Dream: One of
Shakespeare'sbest-loved plays, this tale of warring fairies,
eloping lovers and the magic and madness of love has bewitched
audiences since its very first performance. Starring Nigel
Hawthorne as Oberon with Maureen O'Brien as Titania. Twelfth Night:
Mistaken identity and a tangled love triangle lead to confusion
and, ultimately, happiness in this comic masterpiece. Starring
Dorothy Tutin as Viola, with Geraldine McEwan as Olivia and Stephen
Murray as Malvolio. Recorded at BBC Broadcasting House and
featuring the BBC Drama Repertory company, with specially composed
music including a score from the BBC Radiophonic Workshop, this is
classic radio drama at its finest.Duration: 7 hours approx.
Oxi (Gr. Determiner, lit. 'No', fig. 'Resistance', pronounced
'ochi') retells Sophocles' Antigone through the contemporary Greek
crisis and modern European philosophy. A collaboration between the
renowned British auteur Ken McMullen and the literary theorist
Martin McQuillan, the film draws upon and responds to the
importance of the Antigone of modern thought (Hegel, Arendt, Lacan,
Derrida, Butler), while coming up close to the politics of the
street and the malign effects of the austerity experiment in Greece
today. The screenplay weaves together a range of idioms, including
performance, fiction, documentary, interview and literary collage.
The result is an intensely moving reflection on the tragedy of
austerity today, with contributions from Helene Cixous, Etienne
Balibar and Antonio Negri, as well as several significant figures
in Greek cultural life. The volume includes full transcripts of the
interviews with Cixous, Balibar and Negri, and a previously
unpublished interview with Jacques Derrida on the question of
Oedipus, as well as critical commentary from the filmmakers.
This collection brings together three of Coward's most important
screenplays - In Which We Serve (1942), Brief Encounter (1945) and
The Astonished Heart (1950). The collection features the shooting
scripts for each film alongside contextual notes for each play, and
a general introduction, by Barry Day. In Which We Serve earned
Coward an Academy Honorary Award in 1943 as well as the New York
Film Critics Circle Award for Best Film. The film remains a classic
of wartime British cinema. Brief Encounter, the most famous
screenplay in this collection, is based on Coward's 1936 one-act
play Still Life. It remains one of the greatest love stories of all
time, coming second in a British Film Institute poll of the top 100
British films. The Astonished Heart tells the story of a
psychiatrist's growing obsession for a good-time girl and the
resulting tragedy this leads to. This collection features a
foreword by Laurence Kardish, Senior Curator Emeritus, Film, at New
York's MoMA, and an eight-page black and white plate section of
production stills.
This volume contains three new screenplays (Bedrock, Old World and
New, and Falling Angels) by the writer-director of the
prize-winning films Nothing But a Man, The Plot against Harry,
Vengeance Is Mine, and Pilgrim, Farewell.
|
|