In 1950, America pledged 15 million dollars in aid and the assignment of military advisors to French forces fighting in Vietnam. By the mid 50's, Americans began dying in a war that would go on to claim more than 58,000 of our bravest. Still, while Saigon had once been romantically dubbed "Paris of the Orient," very few Americans had yet heard of Vietnam. Their first introduction came in the early 60's, as they watched Buddhist Monks on the 6 o'clock news, publicly burning themselves to death in protest of their president's policies; and as Vietnam's First Lady - Madame Nhu - made headlines as an outspoken critic of the United States. Following the assassination of her husband and Vietnam's first president - Ngo Dinh Diem - Madame Nhu faded from view. Vietnam did not. 1964 brought the Tonkin Gulf incident, in which an American ship - the U.S.S. Maddox - was reportedly attacked by two North Vietnamese PT boats. For the next nine years, the Vietnam War and images of young soldiers dying, dominated the news. On April 30, 1975, two years after the official withdrawal of U.S. combat forces from Vietnam, Saigon fell to the Communist North. The last official American casualties were still to come. Those who survived, returned home to the sight of protests, flag burnings, chants of "Hell no, we won't go " and unfeeling questions of "So, how's it feel to be a baby killer?" Coming Home is written in honor of all those who served and whose lives were affected by the Vietnam War as well as those who lead the fight to create the Vietnam Memorial and to ensure that their sacrifices will never be forgotten. Reflections of Vietnam - a story told in verse by a then young Navy Journalist - reminds us all of the unforgettable, expansive, granite monument saluting each of more than 58,000 brave Americans who died in a far off place - 58,000 of our finest, who died honoring America's commitment to protect and preserve God's gift of freedom. Coming Home: Reflections of Vietnam is an American story. If you're a veteran (of any war) - if you feel chill bumps when you hear the National Anthem, or "Proud to be an American" - if you cannot walk past the Vietnam War Memorial without shedding a tear, this is your story.

No experience etched itself more deeply into Air Force thinking than the air campaigns over North Vietnam. Two decades later in the deserts of Southwest Asia, American airmen were able to avoid the gradualism that cost so many lives and planes in the jungles of Southeast Asia. Readers should come away from this book with a sympathetic understanding of the men who bombed North Vietnam. Those airmen handled tough problems in ways that ultimately reshaped the Air Force into the effective instrument on display in the Gulf War. This book is a sequel to Jacob Van Staaveren's Gradual Failure: The Air War over North Vietnam, 1965-1966, which we have also declassified and are publishing. Wayne Thompson tells how the Air Force used that failure to build a more capable service-a service which got a better opportunity to demonstrate the potential of air power in 1972. Dr. Thompson began to learn about his subject when he was an Army draftee assigned to an Air Force intelligence station in Taiwan during the Vietnam War. He took time out from writing To Hanoi and Back to serve in the Checkmate group that helped plan the Operation Desert Storm air campaign against Iraq. Later he visited Air Force pilots and commanders in Italy immediately after the Operation Deliberate Force air strikes in Bosnia. During Operation Allied Force over Serbia and its Kosovo province, he returned to Checkmate. Consequently, he is keenly aware of how much the Air Force has changed in some respects-how little in others. Although he pays ample attention to context, his book is about the Air Force. He has written a well-informed account that is both lively and thoughtful.

This is the third volume in a planned 10-volume operational and chronological series covering the Marine Corps' participation in the Vietnam War. This volume details the continued buildup in 1966 of the III Marine Amphibious Force in South Vietnam's northernmost corps area, I Corps, and the accelerated tempo of fighting during the year. The result was an "expanding war."

A work of creative nonfiction inspired by the true story of two South Dakota teenagers, Mark St. Pierre's Of Uncommon Birth draws upon extensive interviews and exhaustive research in military archives to present a harrowing story of two young men - one white, one Indian - caught in the vortex of the Vietnam War. Dale, a young middle-class white American from South Dakota, joins the army during the Vietnam War and dreams of serving his country. Frank, a young Lakota Indian, joins the army in an effort to flee the seemingly inescapable circumstances of his life and to follow his people's warrior tradition. Mark St. Pierre intimately weaves together the lives of these two men from different worlds, as each struggles with issues of loyalty, responsibility, sacrifice, and personal identity through his experiences in Vietnam. Of Uncommon Birth presents the ironic story of an American Indian soldier who lets himself become stereotyped as the Native ""good luck charm,"" even if the brave Indian scout stereotype carries with it the smell of death.

In the decades since the Vietnam War, veteran memoirs have influenced Americans' understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation's collective memory of the war and its aftermath. Instead, veterans' accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators. Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists' treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans' postwar troubles. He also examines the publishing industry's influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.

A book of the life of a Navy Seals while in Vietnam. The book is faction half fact and half fiction. All things might of and could of happened. It tells us how we never go to war alone. All things in this book have either been declassified or never classified to start with.

More than forty years have passed since the official end of the Vietnam War, yet the war's legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam. Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war's psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies. Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.