France, 1940. The once glittering boulevards of Paris teem with spies, collaborators, and the Gestapo now that France has fallen to Hitler's Wermacht. For Andre Breton, Max Ernst, Marc Chagall, Consuelo de Saint-Exupery, and scores of other cultural elite who have been denounced as enemies of the Third Reich the fear of imminent arrest, deportation, and death defines their daily life. Their only salvation is the Villa Air-Bel, a chateau outside Marseille where a group of young people will go to extraordinary lengths to keep them alive.

A powerfully told, meticulously researched true story filled with suspense, drama, and intrigue, "Villa Air-Bel" delves into a fascinating albeit hidden saga in our recent history. It is a remarkable account of how a diverse intelligentsia--intense, brilliant, and utterly terrified--was able to survive one of the darkest chapters of the twentieth century.

In this book, author Enrique Dick takes us into a whirlwind of family history as Samuel and Annie Andrew arrive from England, to the vast Pampas of Argentina. There the Andrew family prospers and grows. Silvano "Alfredo", Isabel, Wilfred, Ethel, Hilda, William and Edgar are born and raised and eventually all of them will have their share of love, adventure and tragedy. Told by Enrique Dick, this book is based entirely on his family's real life events; from the trials and tribulations that living in Argentina brings, to the journeys that the Andrew children have around the world. This book centres mainly around the tragedy of losing his relative Edgar Andrew on the Titanic. Armed with the extraordinary occurrence of retrieving Edgar's small suitcase and its contents from the Titanic, Enrique Dick embarked on a journey of discovery into his maternal family history. The result is a book that not only uncovers family secrets and historical facts, but also opens a window into lives that impacted history as it was being created.

Providing an indispensable resource for students and policy makers investigating the Bosnian catastrophes of the 1990s, this book provides a comprehensive survey of the leaders, ideas, movements, and events pertaining to one of the most devastating conflicts of contemporary times. In the three years of the Bosnian War, well over 100,000 people lost their lives, amid intense carnage. This led to unprecedented criminal prosecutions for genocide, war crimes, and crimes against humanity that are still taking place today. Bosnian Genocide: The Essential Reference Guide is the first encyclopedic treatment of the Balkan conflicts of the period from 1991 to 1999. It provides broad coverage of the nearly decade-long conflict, but with a major focus on the Bosnian War of 1992-1995. The book examines a variety of perspectives of the conflicts relating to Slovenia, Croatia, Bosnia-Herzegovina, Serbia, and Kosovo, among other developments that took place during the years spotlighted. The entries consider not only the leaders, ideas, movements, and events relating to the Bosnian War of 1992-1995 but also examine themes from before the war and after it. As such, coverage continues through to the Kosovo Intervention of 1999, arguing that this event, too, was part of the conflict that purportedly ended in 1995. This work will serve university students undertaking the study of genocide in the modern world and readers interested in modern wars, international crisis management, and peacekeeping and peacemaking. Provides nearly 150 entries-written in a clear and concise style by leading international authorities-that summarize the roles of the leaders involved in the Bosnian Conflict of 1992-1995 and beyond as well as contextualizing essays on various facets of the Bosnian Conflicts Considers and evaluates the various strategies adopted by members of the international community in trying to bring the war to an end Edited by renowned genocide scholar, Paul R. Bartrop, PhD

Since the 1960s, many influential Latin Americans, such as the leaders of student movements and unions, and political authorities, participated in exchange programs with the United States to learn about the American way of life. In Brazil, during the international context of the Cold War, when Brazil was governed by a military dictatorship ruled by generals who alternated in power, hundreds of union members were sent to the United States to take union education courses. Did they come back "Americanized" and able to introduce American trade unionism in Brazil? That is the question this book seeks to answer. It is a subject that is as yet little explored in the history of Latin American labor and international relations: the influence of foreign union organizations on national union politics and movements. Despite the US's investment in advertising, courses, films and trips offered to Brazilian union members, most of them were not convinced by the American ideas on how to organize an "authentic" union movement - or, at least, not committed to applying what they learned in the States.

An American journalist with the German Army
Until the United States of America came into the First World War on the side of the Allies in 1917, it was a neutral nation considered, in theory at least, to have no interest in the outcome of the war. This enabled American journalists to visit both sides of the battle lines and this in turn enabled the author of this book, Edward Lyell Fox, to gain access to the German war effort in considerable depth and detail. Accounts of the Great War from the German perspective are not common in the English language and so this book provides interesting insights from a neutral viewpoint. Fox visited the Western Front and was present as the conflict at Ypres broke out. He also accompanied the German Army through the Flanders campaign and later visited the Russian Front with German forces. He was an eyewitness at the Battle of Augustowo Wald in East Prussia-an overwhelming German victory. Fox concludes his book with an account of the work of the American Red Cross on the battle front. This is an interesting book for students who seek both a different view of the conflict and an examination of less familiar battles fronts.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This title presents new research highlighting the invention of new weaponry and its front-line combat use. No army went to war in 1914 ready to conduct trench warfare operations. All the armies of the First World War discovered that prolonged trench warfare required new types of munitions alongside the conventional howitzers, large-calibre guns and explosive shells. This volume examines how the British went about inventing and manufacturing new weaponry such as hand grenades, rifle grenades and trench mortars when no body of knowledge about trench warfare munitions existed. It also examines how tactics were developed for these new munitions. Based on new research, this is the first book to discuss the complexity of invention and manufacture of novel weapons such as the Mills grenade and the Stokes mortar, and to consider the relationship between technical design and operational tactics on the ground. In so doing the book presents a different model of the trench warfare conducted by the British Expeditionary Force on the Western Front, and also provides a blueprint to understanding the relationship between technology and tactics applicable to all types of weapons and warfare. "Continuum Studies in Military History" offers up-to-date, scholarly accounts of war and military history. Unrestricted by period or geography, the series aims to provide free-standing works that are attuned to conceptual and historiographical developments in the field while being based on original scholarship.

What were the consequences of the German occupation for the economy of occupied Europe? After Germany conquered major parts of the European continent, it was faced with a choice between plundering the suppressed countries and using their economies to produce what it needed. The decision made not only differed from country to country but also changed over the course of the war. Individual leaders; the economic needs of the Reich; the military situation; struggles between governors of occupied countries and Berlin officials, and finally racism all had an impact on the outcome. In the end, in Western Europe and the Czech Protectorate, emphasis was placed on production for German warfare, which kept these economies functioning. New research, presented for the first time in this book, shows that as a consequence the economic setback in these areas was limited, and therefore post-war recovery was relatively easy. However, plundering was characteristic in Eastern Europe and the Balkans, resulting in partisan activity, a collapse of normal society and a dramatic destruction not only of the economy but in some countries of a substantial proportion of the labour force. In these countries, post-war recovery was almost impossible.

This poignant history of the Tuskegee Airmen separates myth and legend from fact, placing them within the context of the growth of American airpower and the early stirrings of the African American Civil Rights Movement. The "Tuskegee Airmen"-the first African American pilots to serve in the U.S. military-were comprised of the 99th Fighter Squadron, the 332nd Fighter Group, and the 477th Bombardment Group, all of whose members received their initial training at Tuskegee Army Airfield in Alabama. Their successful service during World War II helped end military segregation, which was an important step in ending Jim Crow laws in civilian society. This volume in Greenwood's Landmarks of the American Mosaic series depicts the Tuskegee Airmen at the junction of two historical trends: the growth of airpower and its concurrent development as a critical factor in the American military, and the early stirring of the Civil Rights Movement. Tuskegee Airmen explains how the United States's involvement in battling foes that represented a threat to the American way of life helped to push the administration of President Franklin D. Roosevelt to allow African American soldiers to serve in the Army Air Corps. This work builds on the works of others, forming a synthesis from earlier studies that approached the topic mostly from either a "black struggles" or military history perspective. 16 original documents relating to the creation and performance of the Tuskegee Airmen during World War II, each accompanied by a brief description that provides historical context 28 short biographies of black aviation and military pioneers, important people among the Tuskegee Airmen, as well as several of the Airmen themselves A comprehensive bibliographic description of major secondary works on the Tuskegee Airmen, World War II, airpower, and black participation in the American military A glossary of specialized terms pertaining to the military, aviation, World War II, and African Americans

The United Kingdom faces a historic turning point in 2014. A 'Yes' vote in the referendum on Scottish independence would see the break-up of the 300-year-old union, adding a constitutional crisis to a deep economic crisis. An accessible polemic written for progressives both north and south of the border, Yes argues that independence can reinvigorate campaigns against austerity across Britain and deal a blow to the imperialist ambitions of the British state. An urgent and invigorating political intervention, Yes argues that even if the referendum result is 'no', a progressive independence campaign will alter the political landscape. Written by leading activists from the Radical Independence Campaign, Yes will be a unique contribution to the referendum debate.

In "Selling Air Power," Steve Call provides the first comprehensive study of the efforts of post-war air power advocates to harness popular culture in support of their agenda. In the 1940s and much of the 1950s, hardly a month went by without at least one blatantly pro-air power article appearing in general interest magazines. Public fascination with flight helped create and sustain exaggerated expectations for air power in the minds of both its official proponents and the American public. Articles in the "Saturday Evening Post," "Reader's Digest," and "Life" trumpeted the secure future assured by American air superiority. Military figures like Henry H. "Hap" Arnold and Curtis E. LeMay, radio-television personalities such as Arthur Godfrey, cartoon figures like "Steve Canyon," and actors like Jimmy Stewart played key roles in the unfolding campaign. Movies like "Twelve O'Clock High ," "The Court-Martial of Billy Mitchell," and "A Gathering of Eagles" projected onto the public imagination vivid images confirming what was coming to be the accepted wisdom: that America's safety against the Soviet threat could best be guaranteed by air power, coupled with nuclear capability. But as the Cold War continued and the specter of the mushroom cloud grew more prominent in American minds, another, more sinister interpretation began to take hold. Call chronicles the shift away from the heroic, patriotic posture of the years just after World War II, toward the threatening, even bizarre imagery of books and movies like "Catch-22," "On the Beach," and "Dr. Strangelove." Call's careful analysis goes beyond the public relations campaigns to probe the intellectual climate that shaped them and gave them power. "Selling Air Power" adds a critical layer of understanding to studies in military and aviation history, as well as American popular culture.

Before Stalinism: The Rise and Fall of Soviet Democracy is an historical study of democratic life and institutions and their decline in the early years of the Russian Revolution. Rather than an event-by-event description of this period, it is an attempt at interpretation and synthesis of the vast and relatively recent specialist literature on a subject usually neglected by those analysing Soviet politics for the public at large.

How do southerners feel about the ways in which the rest of the country regards them? In this volume, twelve observers of the modern South discuss its persistent image as a people and place at odds with mainstream American ideals and values. Ranging from the South's climate to its religious fundamentalism to its great outpouring of fiction and autobiography, the contributors show how and why our perceptions of the region have been continually refashioned by national/southern tensions, trends, and events. At the same time, they show that although the nation has sought, time and again, to change the region, America also has used the South to expose and modify some of its own darker impulses. As editors Larry J. Griffin and Don H. Doyle point out, no single approach could clarify the complexities underlying this persistent notion of a ""Problem South."" Representing a diversity of backgrounds and interests, the writings in this volume are the products of strong and independent minds that cut across disciplines, disagree among themselves, blend contemporary and historical insights, and confront conventional wisdom and expedient generalities. Filled with fresh insights into the dynamics of the region's long-troubled relationship with the rest of the nation, this volume allows us all to view the current state and future course of the South, as well as its link to the broader culture and polity, in a new light.

When the Second World War broke out, ballet in Britain was only a few decades old. Few had imagined that it would establish roots in a nation long thought to be unresponsive to dance. Nevertheless, the war proved to be a boon for ballet dancers, choreographers and audiences, for the nation's dancers were forced to look inward to their own identity and sources of creativity. As author Karen Eliot demonstrates in this fascinating book, instead of withering during the enforced isolation of war, ballet in Britain flourished, exhibiting a surprising heterogeneity and vibrant populism that moved ballet outside its typical elitist surroundings to be seen by uninitiated, often enthusiastic audiences. Ballet was thought to help boost audience morale, to render solace to the soul-weary and to afford entertainment and diversion to those who simply craved a few hours of distraction. Government authorities came to see that ballet could serve as a tool of propaganda; the ways it functioned within the larger public discourse of propaganda and sacrifice, and how it answered a public mood of pragmatism and idealism, are also topics in this story of the development of a national ballet identity. This narrative has several key players- dance critics, male and female dancers, producers, audiences, and choreographers. Exploring the so-called "ballet boom" during WWII, the larger story of this book is one of how art and artists thrive during conflict, and how they respond pragmatically and creatively to privation and duress.

The Shock of America is based on the proposition that whenever Europeans contemplated those margins of their experience where change occurred over the last 100 years or more, there, sooner or later, they would find America. How Europeans have come to terms over the decades with this dynamic force in their midst, and what these terms were, is the story at the heart of this text. Masses of Europeans have been enthralled by the real or imaginary prospects coming out of the USA. Important minorities were at times deeply upset by them. Sometime the roles were reversed or shaken up. But no-one could be indifferent for long. Inspiration, provocation, myth, menace, model: all these categories and many more have been deployed to try to cope with the Americans. Attitudes and stereotypes have emerged, intellectual resources have been mobilised, positions and policies developed: all trying to explain and deal with the kind of radiant supremacy the Americans built in the course of the twentieth century. David Ellwood combines political, economic, and cultural themes, suggesting that American mass culture is a distinctively incisive form of American power over time. The book is structured in three parts; a separation based on the proposition that America's influence as a decisive force for or against innovation was present most conspicuously after Europe's three greatest military-political conflicts of the contemporary era: the Great War, World War II, and the Cold War. It concludes with the emotional upsurge in Europe which greeted the arrival of Obama on the world scene, suggesting that in spite of all the disappointments and frictions of the years, the US still retained its privileged place as a source of inspiration for the future across the Western world.