This is the first biography of the extraordinary, but ordinary life of, Patrick Nelson. His experiences touched on some of the most important and intriguing historical themes of the twentieth century. He was a black migrant to interwar Britain; an aristocrat's valet in rural Wales; a Black queer man in 1930s London; an artist's model; a law student, a recruit to the Auxiliary Military Pioneer Corps and Prisoner of War during the Second World War. Through his return to Jamaica after the war and his re-migrations to London in the late 1940s and the early 1960s, he was also witness to post-war Jamaican struggles and the independence movement as well as the development of London's post-war multi-ethnic migrations. Drawing on a range of archival materials including letters sent to individuals such as Bloomsbury group artist Duncan Grant (his former boyfriend and life-long friend), as well as paintings and newspaper articles, Gemma Romain explores the intersections of these diverse aspects of Nelson's life and demonstrates how such marginalized histories shed light on our understanding of broader historical themes such as Black LGBTQ history, Black British history in relation to the London artworld, the history of the Second World War, and histories of racism, colonialism and empire.

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VIII covers the war against German ally Turkey and the war in the Balkans and Greece, from August 1914 to October 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

Where are the Right Places, those exclusive locations where the privileged live and play? You may be in for a surprise. For as Stephen Birmingham shows, in the same witty, penetrating style that characterized his other studies of the elite, the Right Places could be just about anywhere, from exclusive chalets in Sun Valley, Idaho to the traditionally swank estates of Fairfield County, Connecticut, to the nascent avant-garde art scene in Kansas City, Missouri. Birmingham goes to great lengths to unveil the secret enclaves of the rich for his readers, from the secret hideaway of Maria Callas after Aristotle Onassis deserted for the lovely widowed Jacqueline Kennedy, to Elizabeth Taylor's habits at home, including her favorite recipe for chili. The late Stephen Birmingham renders the walls between the reader and the rich transparent, giving us a glimpse into their lives and abodes beyond what is seen in paparazzi photos.

Insightful and well-researched, this book is the first-ever comprehensive account of Netaji Subhas Chandra Bose's activities in Europe. On 19 January 1941, Subhas Chandra Bose escaped in disguise from British surveillance in Calcutta to Kabul. There, he established contact with the German and Italian foreign ministries, thereby beginning a long period of collaboration with the Axis Powers to counter British rule in India. This led to the setting up of the Free India Centre, the radio station Azad Hind, and the Indian Legion - in which 4,500 Indian volunteers were trained by German experts to fight for the freedom of their nation. While his compatriots resisted colonial rule on native soil, Bose spearheaded the cause of freedom in Europe. Using Machiavellian tactics, he discreetly played the Axis leaders off against each other and courted considerable public favour through his transmissions on Radio Azad Hind. Netaji in Europe pieces together information from official records, diaries and military archives in Germany, Italy, Britain and India to give a comprehensive account of the daily negotiations between Bose, and foreign offices, diplomats and double agents, during the Second World War. These efforts resulted in a declaration of India's independence long before 1947, and the formation of the first Indian army. The first work to narrate the story of Netaji in Europe, this insightful book closes an important gap in research on Bose's biography.

For a decade straddling the turn of the twentieth century, Mark Hanna was one of the most famous men in America. Portrayed as the puppet master controlling the weak-willed William McKinley, Hanna was loved by most Republicans and reviled by Democrats, in large part because of the way he was portrayed by the media of the day. Newspapers and other media outlets that supported McKinley reported positively about Hanna, but those sympathetic to William Jennings Bryan, the Democrats\u2019 presidential nominee in 1896 and 1900, attacked Hanna far more aggressively than they attacked McKinley himself. Their portrayal of Hanna was wrong, but powerful, and this negative image of him survives to this day. In this study of Mark Hanna\u2019s career in presidential politics, William T. Horner demonstrates the flaws inherent in the way the news media cover politics. He deconstructs the myths that surround Hanna and demonstrates the dangerous and long-lasting effect that inaccurate reporting can have on our understanding of politics. When Karl Rove emerged as the political adviser to George W. Bush\u2019s presidential campaigns, reporters quickly began to compare Rove to Hanna even a century after Hanna\u2019s death. The two men played vastly different roles for the presidents they served, but modern reporters consistently described Rove as the second coming of Mark Hanna, another political Svengali. Ohio\u2019s Kingmaker is a compelling story about a fascinating character in American politics and serves to remind us of the power of (mis)perceptions.

The end of a dynasty
It is likely that few of those who contributed to the outbreak of the First World War would have imagined its consequences or predicted which nations would prevail, which would fall in defeat and which would all but cease to exist. Very few would have foreseen the fall of so many of the royal houses of Europe and yet this came to pass; most prominent among them were the Romanovs of Russia. It was almost inconceivable that the Tsar, who ruled over a vast territory and many millions of subjects, would be murdered (or executed, according to one's sensibility) with all of his immediate family such a short time from when the power and influence of the Romanovs had seemed immutable. But this was an age of global warfare on an industrial scale, and of revolution and political change that would affect the nature of war and peace for a century to come. This highly regarded book considers in detail the downfall of the Russian Imperial family, and the authors have drawn upon eyewitness testimony of those who were close to these historic events. The narrative follows the Romanovs to their deaths, ordered by Lenin, in a Yekaterinburg cellar, so preventing the Tsar becoming a figure for the White Russians to rally around. An essential and recommended work for any student of the fall of monarchy, Russian involvement in the Great War and the rise of Bolshevism.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Sent to the Middle East by Woodrow Wilson to ascertain the viability of self-determination in the disintegrating Ottoman Empire, the King-Crane Commission of 1919 was America's first foray into the region. The commission's controversial recommendations included the rejection of the idea of a Jewish state in Syria, US intervention in the Middle East and the end of French colonial aspirations. The Commission's recommendations proved inflammatory, even though its counsel on the question of the Palestinian mandate was eventually disregarded by Lloyd George and Georges Clemenceau in favour of their own national interests. In the ensuing years, the Commission's dismissal of claims by Zionist representatives like David Ben-Gurion on their 'right to Palestine' proved particularly divisive, with some historians labeling it prophetic and accurate, and others arguing that Commission members were biased and ill-informed. Here, in the first book-length analysis of the King-Crane report in nearly 50 years, Andrew Patrick chronicles the history of early US involvement in the region, and challenges extant interpretations of the turbulent relationship between the United States and the Middle East.

Without what the Allies learned in the Mediterranean air war in 1942-1944, the Normandy landing-and so, perhaps, World War II-would have ended differently. This is one of many lessons of The Mediterranean Air War, the first one-volume history of the vital role of airpower during the three-year struggle for control of the Mediterranean Basin in World War II-and of its significance for Allied successes in the war's last two years. Airpower historian Robert S. Ehlers opens his account with an assessment of the pre-war Mediterranean theater, highlighting the ways in which the players' strategic choices, strengths, and shortcomings set the stage for and ultimately shaped the air campaigns over the Middle Sea. Beginning with the Italian invasion of Abyssinia, Ehlers reprises the developing international crisis-initially between Britain and Italy, and finally encompassing France, Germany, the US, other members of the British Commonwealth, and the Balkan countries. He then explores the Mediterranean air war in detail, with close attention to turning points, joint and combined operations, and the campaign's contribution to the larger Allied effort. In particular, his analysis shows how and why the success of Allied airpower in the Mediterranean laid the groundwork for combined-arms victories in the Middle East, the Indian Ocean area, North Africa, and northwest Europe, and how victory in the Middle Sea benefitted Allied efforts in the Battle of the Atlantic and the China-Burma-India campaigns. Of grand-strategic importance from the days of Ancient Rome to the Great-Power rivalries of the eighteenth and nineteenth centuries, the Middle Sea was no less crucial to the Allied forces and their foes. Here, in the successful offensives in North Africa in 1942 and 1943, the US and the British learned to conduct a coalition air and combined-arms war. Here, in Sicily and Italy in 1943 and 1944, the Allies mastered the logistics of providing air support for huge naval landings and opened a vital second aerial front against the Third Reich, bombing critical oil and transportation targets with great effectiveness. The first full examination of the Mediterranean theater in these critical roles-as a strategic and tactical testing ground for the Allies and as a vital theater of operations in its own right-The Mediterranean Air War fills in a long-missing but vital dimension of the history of World War II.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume IX covers the war in Italy and the war at sea, including submarine warfare, from August 1914 through November 1918. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

How should failed states in Africa be understood? Catherine Scott here critically engages with the concept of state failure and provides an historical reinterpretation. She shows that, although the concept emerged in the context of the post-Cold War new world order, the phenomenon has been attendant throughout (and even before) the development of the Westphalian state system. Contemporary failed states, however, differ from their historical counterparts in one fundamental respect: they fail within their existing borders and continue to be recognised as something that they are not. This peculiarity derives from international norms instituted in the era of decolonisation, which resulted in the inviolability of state borders and the supposed universality of statehood. Scott argues that contemporary failed states are, in fact, failed post-colonies. Thus understood, state failure is less the failure of existing states and more the failed rooting and institutionalisation of imported and reified models of Western statehood. Drawing on insights from the histories of Uganda and Burundi, from pre-colonial polity formation to the present day, she explores why and how there have been failures to create effective and legitimate national states within the bounds of inherited colonial jurisdictions on much of the African continent.

The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, becoming heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, leaving profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and physicist and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other novels by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the role Jewish difference played in the lives, works, and deeds of a broad range of Austrians, this study reveals how the social codings of politics, gender, and nation received a powerful boost with the application of the "Jewish" label.

Bestselling author Nicholson Baker, recognized as one of the most dexterous and talented writers in America today, has created a compelling work of nonfiction bound to provoke discussion and controversy -- a wide-ranging, astonishingly fresh perspective on the political and social landscape that gave rise to World War II.
"Human Smoke" delivers a closely textured, deeply moving indictment of the treasured myths that have romanticized much of the 1930s and '40s. Incorporating meticulous research and well-documented sources -- including newspaper and magazine articles, radio speeches, memoirs, and diaries -- the book juxtaposes hundreds of interrelated moments of decision, brutality, suffering, and mercy. Vivid glimpses of political leaders and their dissenters illuminate and examine the gradual, horrifying advance toward overt global war and Holocaust.
Praised by critics and readers alike for his exquisitely observant eye and deft, inimitable prose, Baker has assembled a narrative within "Human Smoke" that unfolds gracefully, tragically, and persuasively. This is an unforgettable book that makes a profound impact on our perceptions of historical events and mourns the unthinkable loss humanity has borne at its own hand.

When Vladimir Putin became President of Russia in 2000, his first priority was to reestablish the intelligence agencies' grip on the country by portraying himself as a strongman protecting Russian citizens from security threats. Despite condemnation by the United Nations, the European Parliament, and European Union, the policy of brutal "ethnic cleansing" in Chechnya continued. For Putin, Islamist attacks on the United States of September 11, 2001, were a welcome opportunity to rebrand the war against Chechen independence, not as the crushing of a democracy, but as a contribution to President George W. Bush's "War on Terror." In the years that followed, Putin's regime covertly supported and manipulated extremist factions in Chechnya and stage-managed terrorist attacks on its own citizens to justify continuing aggression. US and European condemnation of Russian atrocities in Chechnya dwindled as Russia continued to portray Chechen independence as an international terrorist threat. Chechnya's Prime Minister-in-Exile Akhmed Zakaev, who had to escape Chechnya, faced Russian calls for his extradition from the United Kingdom, which instead granted him political asylum as Russia's increased its oppressive operations.