The image of the movie-obsessed gay man is a widely circulating and readily recognizable element of the contemporary cultural landscape. Using psychoanalytic theory as his guide while inflecting it with insights from both film theory and queer theory, Brett Farmer moves beyond this cliche to develop an innovative exploration of gay spectatorship. The result, "Spectacular Passions, " reveals how cinema has been engaged by gay men as a vital forum for "fantasmatic performance"--in this case, the production of specifically queer identities, practices, and pleasures.
Building on the psychoanalytic concept of the fantasmatic, Farmer works to depathologize gay male subjectivity. While discussing such films as "Kiss of the Spider Woman, The Pirate, Suddenly Last Summer, "and "Sunset Boulevard, "and stars ranging from Mae West to Montgomery Clift, Farmer argues that the particularities of gay men's social and psychic positionings motivate unique receptions of and investments in film. The Hollywood musical, gay camp readings of the extravagant female star, and the explicit homoeroticism of the cinematic male body in gay fanzines are further proof, says Farmer, of how the shifting libidinal profiles of homosexual desire interact with the fantasy scenarios of Hollywood film to produce a range of variable queer meanings.
This fascinating and provocative study makes a significant new contribution to discussions of cinema, spectatorship, and sexuality. As such, it will be welcomed by those in the fields of film theory, queer theory, and cultural studies.

"The Truth That Never Hurts: Writings on Race, Gender, and Freedom provides a universal message about struggle, resistance, and freedom, grounded within a black Lesbian feminist critique of America's culture and politics. The cogently written essays represent a cross-section of Smith's work over the past twenty years and the first book dedicated exclusively to her own writing. Focusing on race, feminism, and the politics of sexuality, Smith provides an alternative lens to view the world by making connections between systems of oppression and offering suggestions for social change."--The Washington Blade "Smith's book is an excellent example of powerful, introspective writing that challenges readers to reexamine their stance on complex issues concerning race and gender."--The Bloomsbury Review "Stretches of sublime prose translate Smith's] crystalline intellect to the page, exciting both mind and senses."--Publishers Weekly As one of the first writers in the United States to claim black feminism for black women in the early seventies, Barbara Smith has done groundbreaking work in defining a black women's literary tradition; in examining the sexual politics of the lives of black and other women of color; in representing the lives of black lesbians and gay men; and in making connections between race, sexuality, and gender. Smith's essay "Toward a Black Feminist Criticism" is often cited as a major catalyst in opening the field of black women's literature. This essay also represented the first serious discussion of black lesbian writing. Essays about racism in the women's movement, black and Jewish relations, and homophobia in the black community have ignited dialogue about topics that few other writers address. The collection also brings together topical political commentaries that examine the 1968 Chicago convention demonstrations; attacks on the NEA; the Anita Hill-Clarence Thomas Senate hearings; and police brutality against Rodney King and Abner Louima. Barbara Smith is cofounder and publisher of Kitchen Table: Women of Color Press. She has edited three major collections about black women, including Home Girls: A Black Feminist Anthology, and is coeditor with Wilma Mankiller, Gwendolyn Mink, Marysa Navarro, and Gloria Steinem of The Reader's Companion to U.S. Women's History.

No issue more polarizes American Protestants today than the church s stance on homosexuality. In recent years, a number of denominations have engaged in prolonged and divisive debates on the subject, and it appears that these debates will continue to occupy their attention. The contributors to this volume call for the formation of a loyal opposition that is serious in its commitment to the difficult process of reconciliation and forgiveness. Faithfulness to the gospel, they remind readers, requires nothing less than that Christians will be committed to the full inclusion of all persons in the body of Christ not least of all those who disagree theologically and ethically.

The book offers readers a multifaceted argument that the gospel requires a commitment to the full inclusion of all persons in the body of Christ. It focuses on how members of mainline denominations can respond to official denominational positions with which they disagree. Readers are offered an alternative response besides staying in the denomination and remaining silent or leaving the denomination because one disagrees with its official position on this issue.

Contributors include: J. Philip Wogaman, Roy Sano, Stanley Hauerwas, Jeanne Audrey Powers, Victor Paul Furnish, Dale Dunlap, Gil Caldwell, and Joretta Marshall. Foreword by Leontine Kelly.

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This landmark work of lesbian history focuses on how certain late-nineteenth-century and twentieth-century women whose lives can be described as lesbian were in the forefront of the battle to secure the rights and privileges that large numbers of Americans enjoy today. Lillian Faderman persuasively argues that their lesbianism may in fact have facilitated their accomplishments. A book of impeccable research and compelling readability, TO BELIEVE IN WOMEN will be a source of enlightenment for all, and for many a singular source of pride.

Independence Park, Tel Aviv, is the best-known meeting place for gay men in Israel; Independence Park, Jerusalem, is perhaps the second-best-known; and the hope for independence is the dominant theme of this wide-ranging collection of personal narratives told in the voices of twelve gay men representing a cross-section of contemporary Israeli society.
The speakers are Jew and Arab, ranging in age from 22 to 72. They include students and teachers, a waiter, a prostitute, a journalist, and a janitor. Some are married to women, some are "married" to men, some are single; their families come from Yemen, Germany, Morocco, Romania, Egypt, Russia. They talk about their family backgrounds and early childhood memories, their first stirrings of sexuality and responses to those feelings. They reveal their emotional struggles as well as their religious and political views.
The conviction structuring this book is that by allowing these men to render their different worlds in their own words, their voices will produce a layered chorus approximating the vibrant cacophony of the Israeli street. A remarkably rich assemblage of anthropological fieldwork, the book also can be read as literature--there are some fine storytellers here--or for pure human interest, as the narratives themselves are deeply moving.

Finding the right man is just the beginning. Figuring out how to build a happy, rewarding, and tong-lasting relationship is the next challenge. With the help you'll find in the pages of The Male Couple's Guide--a warm, commonsense companion based on interviews with gay men across the country, their families, and relationship experts, as well as the author's own experience'you'll get the answers to everything you need to know, including:

Finding the Right Man: Knowing what to look for, where to look, and how to date

Getting Along: How to talk, how to listen, and how to accept differences

Monogamy/Nonmonogamy: Deciding what works for you

Moving in Together: Where to live, setting up house, managing household chores

Tying the Knot: Planning a ceremony, exchanging rings

Family: Coming out to your family, including your partner in family life

Children: Exploring your choices, making a decision

Work: How to include or exclude your partner from your professional life

Sex: What to expect when the honeymoon stage is a memory

Money: Managing your joint or separate finances

The Law: Protecting your relationship and each other legally

This intriguing and authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day. Alan Sinfield argues that, despite and because of censorship and discretion, twentieth-century theatre has been viewed as gay space. When we attune ourselves to the idioms of the different decades, theatre emerges as an important place for the circulation of images of homosexuality and for the exploration of concepts of gender and sexuality. Sinfield examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Rattigan, Williams, Le Roi Jones and Orton. He locates plays in the contexts in which they were produced and viewed, whether it be West End and Broadway or more bohemian little club theatres, Off-Broadway, and fringe. He discusses many women writers - from Djuna Barnes and Agatha Christie to Lorraine Hansberry and Caryl Churchill - and analyses the implications of homosexuality in their work.He explains why in the 1950s British and American plays began to differ in their representations of gays, how the 1960s produced an exuberant cultivation of 'kinky' humour and gay political activism in theatres, and what impact AIDS has had on theatrical productions. Sinfield concludes with provocative questions about the direction of new theatre writing, asserting that representations in theatre continue to challenge notions of our sexual potential. Alan Sinfield is professor of English literature at the University of Sussex. Among his many publications are 'Literature, Politics and Culture in Postwar Britain', 'Faultlines: Cultural Materialism and the Politics of Dissident Reading', 'The Wilde Century', and 'Cultural Politics - Queer Reading'.

This important book is the first full-scale account of male gay literature across cultures, languages, and centuries. A work of reference as well as the definitive history of a tradition, it traces writing by and about homosexual men from ancient Greece and Rome to the twentieth-century gay literary explosion. "Woods' own artistry is evident throughout this elegant and startling book. . . . These finely honed gay readings of selected Western (and some Eastern) literary texts richly reward the careful attention they demand. . . . Though grounded in the particulars of gay male identity, this masterpiece of literary (and social) criticism calls across the divides of sex and sexual orientation."-Kirkus Reviews (a starred review) "An encyclopedic mapping of the intersection between male homosexuality and belles lettres . . . [that is] good reading, in part because Woods has foregone strict chronology to link writers across eras and cultures."-Louis Bayard, Washington Post Book World "Encyclopedic and critical, evenhanded and interpretive, Woods has produced a study that stands as a monument to the progress of gay literary criticism. No one to date has attempted such a grand world-wide history. . . . It cannot be recommended highly enough."-Library Journal (a starred review) "A bold, intelligent and gorgeously encyclopedic study."-Philip Gambone, Lambda Book Report "An exemplary piece of work."-Jonathan Bate, The Sunday Telegraph

When the Republican landslide of 1994 propelled her brother, Newt Gingrich, to the top of national politics, Candace Gingrich knew her life would never be the same. Alarmed at the epidemic of gay-bashing in America and her own brother's support for antigay legislation, Candace felt she had to act. The Accidental Activist chronicles her journey from being an unknown part-time truck loader for UPS to a nationally renowned activist for gay rights. Whether she is exposing the hypocrisy in Newt's "family values", discussing the experiences of famous families with gay members, or trying to reconcile her love for her brother with her hatred of his politics, Candace Gingrich's poignant memoir - now updated with a new epilogue - reflects her extraordinary candor and courage.

Contents: Prophet and Profit; Miss Sheets is She; In Primordial Biogen; The Mansard Rood; In the Highest Degree; Gay Gnani of Gingalee; Book and the Bagdad; Man in the Cellar; Drawing a Cork; Private Exhibit; Up Against It; Interlude; The Wages of Sin is Death; Phlogiston is Restored; Postlude.

With the publication of his groundbreaking "The Church and Homosexuality" in 1976, John McNeill placed himself in the vanguard of scholars who were challenging long-held assumptions about the Bible and homosexuality. Through his continued scholarship, spiritual reflection, and untiring activism, McNeill has brought hope and affirmation to thousands of gay and lesbian Christians. "Both Feet Firmly Planted in Midair" is McNeill's autobiography.

In postapartheid Cape Town-Africa's gay capital-many Pentecostal men turned to "ex-gay" ministries in hopes of "curing" their homosexuality in order to conform to conservative Christian values and African social norms. In Desire Work Melissa Hackman traces the experiences of predominantly white ex-gay men as they attempt to forge a heterosexual masculinity and enter into heterosexual marriage through emotional, bodily, and religious work. These men subjected themselves to daily self-surveillance and followed prescribed behaviors such as changing how they talked and walked. Ex-gay men also saw themselves as participating in the redemption of the nation, because South African society was perceived as suffering from a crisis of masculinity in which the country lacked enough moral heterosexual men. By tying the experience of ex-gay men to the convergence of social movements and public debates surrounding race, violence, religion, and masculinity in South Africa, Hackman offers insights into the construction of personal identities in the context of sexuality and spirituality.

This is the first collection of the words and speeches of the founder of the Mattachine Society and the modern gay movement. Harry Hay lives in Los Angeles and remains an outspoken activist. "(RADICALLY GAY) is essential reading for anyone trying to understand what it means to be gay, bisexual, transgender or straight. Urvashi Vaid.

In Erotic Islands, Lyndon K. Gill maps a long queer presence at a crossroads of the Caribbean. This transdisciplinary book foregrounds the queer histories of Carnival, calypso, and HIV/AIDS in the Republic of Trinidad and Tobago. At its heart is an extension of Audre Lorde's use of the erotic as theory and methodology. Gill turns to lesbian/gay artistry and activism to insist on eros as an intertwined political-sensual-spiritual lens through which to see self and society more clearly. This analysis juxtaposes revered musician Calypso Rose, renowned mas man Peter Minshall, and resilient HIV/AIDS organization Friends For Life. Erotic Islands traverses black studies, queer studies, and anthropology toward an emergent black queer diaspora studies.

Based on tireless research in the archives of mythology and folklore, Queer Spirits weaves a rich, multicultural tapestry. Selections include everything from Chinese folktales to firsthand accounts of Native American two-spirits to the occasional gay archetypes to be gleaned from nursery rhymes, newspaper clippings, and gay erotica. Among the writers represented are Hans Christian Andersen, James Broughton, Jean Cocteau, Steven Saylor, Samuel Steward, and Walt Whitman. Interspersing these selections is the author's commentary on their meaning, drawing on his own inner journey, beginning with his arrival as a young man in the teeming gay world of San Francisco in the 1970s. The result is a fascinating, often loving testimony to gay spirit that shows how gay men can find the myths and heroes within themselves.

Along with his groundbreaking essays that redefine politics, language, identity, and friendship in the light of gay experience and desire, this magisterial collection of 25 years of White's nonfiction writings includes dazzling subversive appreciations of cultural icons as diverse as Truman Capote and Cormac McCarthy, Robert Mapplethorpe and the singer formerly known as Prince. Reading tour.

"A powerful and compelling witness. This autobiography will do enormous good and may even save a lot of lives."—John McNeil, author of The Church and the Homosexual.

In this book, Marion Soards looks at what the Bible actually says--and does not say--about homosexuality as he attempts to discover how the church should deal with this diverse issue. Soards reflects on the meaning of the biblical text and subsequent Christian history as he struggles with the issue of how Christians should respond to and comprehend God's will in dealing with homosexuality. Ultimately, he advocates a heightened sense of biblical authority and Christian compassion.

As the twentieth century draws to a close, it appears that it's at long last okay - even cool - to be gay. Kevin DiLallo and Jack Krumholtz say it's about time. Just at this historical turning point comes The Unofficial Gay Manual, a wild and witty guide to the tribal customs of the red-blooded American gay male. With essays, multiple-choice and true-false tests, lists, sidebars, and charts, the Manual explains it all for you with items that are as informative and enlightening as they are laugh-out-loud funny. Profusely illustrated with photos and drawings, The Unofficial Gay Manual is hip enough to titillate the most jaded urbanite, and wholesome enough to take home to Mom - an absolute must-have for gay men, their families and friends, and a hilarious eye-opener for just about everyone else.

A great . . . very interesting book. -Johnny Depp Burg puts historians to shame by raising extremely interesting questions that no one before had asked. -Christopher Hill in New York Review of Books Pirates are among the most heavily romanticized and fabled characters in history. From Bluebeard to Captain Hook, they have been the subject of countless movies, books, children's tales, even a world-famous amusement park ride. In Sodomy and the Pirate Tradition, historian B. R. Burg investigates the social and sexual world of these sea rovers, a tightly bound brotherhood of men engaged in almost constant warfare. What, he asks, did these men, often on the high seas for years at a time, do for sexual fulfillment? Buccaneer sexuality differed widely from that of other all- male institutions such as prisons, for it existed not within a regimented structure of rule, regulations, and oppressive supervision, but instead operated in a society in which widespread toleration of homosexuality was the norm and conditions encouraged its practice. In his new introduction, Burg discusses the initial response to the book when it was published in 1983 and how our perspectives on all-male societies have since changed. B. R. Burg is professor of history at Arizona State University, Tempe.

Coming out is the process of acknowledging same-sex attractions to oneself and to others. It is both a personal and a public process. For many gay and bisexual students, college marks a pivotal point where for the first time they feel free to explore their same-sex attractions. This book is about the struggles students face in coming out. The focus is twofold: the experiences individuals face in coming to terms with their sexual identity and the process of developing a group identity. The development of a group identity involves a degree of political investment. For some students, becoming political means adopting a queer persona. As one student noted, Queer is kind of an in your face' attitude toward heterosexism and homophobia. A primary focus of this book revolves around the notion of queer identity and how students engage as cultural workers seeking both campus and societal change.

The search for a "patient zero" popularly understood to be the first infected case in an epidemic has been key to media coverage of major infectious disease outbreaks for more than three decades. Yet the term itself did not exist before the emergence of the HIV/AIDS epidemic in the 1980s. How did this idea so swiftly come to exert such a strong grip on the scientific, media, and popular consciousness? In Patient Zero, Richard A. McKay interprets a wealth of archival sources and interviews to demonstrate how this seemingly new concept drew upon centuries-old ideas and fears about contagion and social disorder. McKay presents a carefully documented and sensitively written account of the life of Gaetan Dugas, a gay man whose skin cancer diagnosis in 1980 took on very different meanings as the HIV/AIDS epidemic developed and who received widespread posthumous infamy when he was incorrectly identified as patient zero of the North American outbreak. McKay shows how investigators from the US Centers for Disease Control inadvertently created the term amid their early research into the emerging health crisis; how an ambitious journalist dramatically amplified the idea in his determination to reframe national debates about AIDS; and how many individuals grappled with the notion of patient zero adopting, challenging and redirecting its powerful meanings as they tried to make sense of and respond to the first fifteen years of an unfolding epidemic. With important insights for our interconnected age, Patient Zero untangles the complex process by which individuals and groups create meaning and allocate blame when faced with new disease threats. What McKay gives us here is myth-smashing revisionist history at its best.

The most authoritative account of a pivotal event in legal and cultural history: the trials of Oscar Wilde on charges of "gross indecency" Among the most infamous prosecutions of a literary figure in history, the two trials of Oscar Wilde for committing acts of "gross indecency" occurred at the height of his fame. After being found guilty, Wilde spent two years in prison, emerged bankrupt, and died in a cheap hotel room in Paris a few years after his release. The trials prompted a new intolerance toward homosexuality: habits of male bonding that were previously seen as innocent were now viewed as a threat, and an association grew in the public mind between gay men and the arts. Oscar Wilde on Trial assembles accounts from a variety of sources, including official and private letters, newspaper accounts, and previously published (but very incomplete) transcripts, to provide the most accurate and authoritative account to date of events that were pivotal in both legal and cultural history.