Drawing on recent developments in gay studies and queer theory, Pink Snow: Homotextual Possibilities in Canadian Fiction offers new interpretations that focus on homoerotic resonances in literature. Goldie brings an original, engaging, and sometimes provocative critical perspective to bear on both Canadian classics and less mainstream works.

In this astonishing new history of wartime Britain, historian Stephen Bourne unearths the fascinating stories of the gay men who served in the armed forces and at home, and brings to light the great unheralded contribution they made to the war effort. Fighting Proud weaves together the remarkable lives of these men, from RAF hero Ian Gleed - a Flying Ace twice honoured for bravery by King George VI - to the infantry officers serving in the trenches on the Western Front in WWI - many of whom led the charges into machine-gun fire only to find themselves court-martialled after the war for indecent behaviour. Behind the lines, Alan Turing's work on breaking the `enigma machine' and subsequent persecution contrasts with the many stories of love and courage in Blitzed-out London, with new wartime diaries and letters unearthed for the first time. Bourne tells the bitterly sad story of Ivor Novello, who wrote the WWI anthem `Keep the Home Fires Burning', and the crucial work of Noel Coward - who was hated by Hitler for his work entertaining the troops. Fighting Proud also includes a wealth of long-suppressed wartime photography subsequently ignored by mainstream historians. This book is a monument to the bravery, sacrifice and honour shown by a persecuted minority, who contributed during Britain's hour of need.

In his memoir All-American Boy, Scott Peck poignantly relives the pain and isolation of growing up gay in a Christian Southern community. In this touching memoir, Peck finds a way through the pain from his childhood, growing up gay without acceptance in the Christian South, and through this emotional journey he learns to heal from those wounds. He doesn't hold back while reliving the time when his father, Marine Col. Fred Peck, testified before Congress that there was no place for his gay son in the military. This is merely one of the many big moments shaping the book and the author's life, on top of the religious influences that surrounded him since he was born. This is a "survivor's tale that in its universal appeal brings to mind the most compelling aspects of Gal and Shot in the Heart. Through the course of these scathing, inspiring, instructive pages, Scott Peck, writer and human being, grows into one hell of a terrific man" (Michael Dorris).

"Startling and provocative. . . . Reid-Pharr presents a cogent analysis that combines the personal with the political, the intellectual with the emotional and the erotic. . . . Reid-Pharr's ability to move these works-and their themes-from the limited analysis of the academy into a broader realm of lived experience and social context that makes them, as well as Reid-Pharr's own thoughts, vital and genuinely consequential."
"Publisher's Weekly"

"Repeated readings are richly rewarded."
--"CHOICE"

"Reid-Pharr brilliantly puts the ambivalences of bodily pleasure back into the serious business of identity politics."
--"Project Muse Book Review"

At turns autobiographical, political, literary, erotic, and humorous, Black Gay Man will spoil our preconceived notions of not only what it means to be black, gay and male but also what it means to be a contemporary intellectual. Both a celebration of black gay male identity as well as a powerful critique of the structures that allow for the production of that identity, Black Gay Man introduces the eloquent new voice of Robert Reid-Pharr in cultural criticism.

At once erudite and readable, the range of topics and positions taken up in Black Gay Man reflect the complexity of American life itself. Treating subjects as diverse as the Million Man March, interracial sex, anti-Semitism, turn of the century American intellectualism as well as literary and cultural figures ranging from Essex Hemphill and Audre Lorde to W.E.B. DuBois, Frantz Fanon and James Baldwin, Black Gay Man is a bold and nuanced attempt to question prevailing ideas about community, desire, politics and culture. Moving beyond critique, Reid-Pharr also pronouncesupon the promises of a new America. With the publication of Black Gay Man, Robert Reid-Pharr is sure to take his place as one of this country's most exciting and challenging left intellectuals.

The image of the movie-obsessed gay man is a widely circulating and readily recognizable element of the contemporary cultural landscape. Using psychoanalytic theory as his guide while inflecting it with insights from both film theory and queer theory, Brett Farmer moves beyond this cliche to develop an innovative exploration of gay spectatorship. The result, "Spectacular Passions, " reveals how cinema has been engaged by gay men as a vital forum for "fantasmatic performance"--in this case, the production of specifically queer identities, practices, and pleasures.
Building on the psychoanalytic concept of the fantasmatic, Farmer works to depathologize gay male subjectivity. While discussing such films as "Kiss of the Spider Woman, The Pirate, Suddenly Last Summer, "and "Sunset Boulevard, "and stars ranging from Mae West to Montgomery Clift, Farmer argues that the particularities of gay men's social and psychic positionings motivate unique receptions of and investments in film. The Hollywood musical, gay camp readings of the extravagant female star, and the explicit homoeroticism of the cinematic male body in gay fanzines are further proof, says Farmer, of how the shifting libidinal profiles of homosexual desire interact with the fantasy scenarios of Hollywood film to produce a range of variable queer meanings.
This fascinating and provocative study makes a significant new contribution to discussions of cinema, spectatorship, and sexuality. As such, it will be welcomed by those in the fields of film theory, queer theory, and cultural studies.

"The Truth That Never Hurts: Writings on Race, Gender, and Freedom provides a universal message about struggle, resistance, and freedom, grounded within a black Lesbian feminist critique of America's culture and politics. The cogently written essays represent a cross-section of Smith's work over the past twenty years and the first book dedicated exclusively to her own writing. Focusing on race, feminism, and the politics of sexuality, Smith provides an alternative lens to view the world by making connections between systems of oppression and offering suggestions for social change."--The Washington Blade "Smith's book is an excellent example of powerful, introspective writing that challenges readers to reexamine their stance on complex issues concerning race and gender."--The Bloomsbury Review "Stretches of sublime prose translate Smith's] crystalline intellect to the page, exciting both mind and senses."--Publishers Weekly As one of the first writers in the United States to claim black feminism for black women in the early seventies, Barbara Smith has done groundbreaking work in defining a black women's literary tradition; in examining the sexual politics of the lives of black and other women of color; in representing the lives of black lesbians and gay men; and in making connections between race, sexuality, and gender. Smith's essay "Toward a Black Feminist Criticism" is often cited as a major catalyst in opening the field of black women's literature. This essay also represented the first serious discussion of black lesbian writing. Essays about racism in the women's movement, black and Jewish relations, and homophobia in the black community have ignited dialogue about topics that few other writers address. The collection also brings together topical political commentaries that examine the 1968 Chicago convention demonstrations; attacks on the NEA; the Anita Hill-Clarence Thomas Senate hearings; and police brutality against Rodney King and Abner Louima. Barbara Smith is cofounder and publisher of Kitchen Table: Women of Color Press. She has edited three major collections about black women, including Home Girls: A Black Feminist Anthology, and is coeditor with Wilma Mankiller, Gwendolyn Mink, Marysa Navarro, and Gloria Steinem of The Reader's Companion to U.S. Women's History.

This landmark work of lesbian history focuses on how certain late-nineteenth-century and twentieth-century women whose lives can be described as lesbian were in the forefront of the battle to secure the rights and privileges that large numbers of Americans enjoy today. Lillian Faderman persuasively argues that their lesbianism may in fact have facilitated their accomplishments. A book of impeccable research and compelling readability, TO BELIEVE IN WOMEN will be a source of enlightenment for all, and for many a singular source of pride.

No issue more polarizes American Protestants today than the church s stance on homosexuality. In recent years, a number of denominations have engaged in prolonged and divisive debates on the subject, and it appears that these debates will continue to occupy their attention. The contributors to this volume call for the formation of a loyal opposition that is serious in its commitment to the difficult process of reconciliation and forgiveness. Faithfulness to the gospel, they remind readers, requires nothing less than that Christians will be committed to the full inclusion of all persons in the body of Christ not least of all those who disagree theologically and ethically.

The book offers readers a multifaceted argument that the gospel requires a commitment to the full inclusion of all persons in the body of Christ. It focuses on how members of mainline denominations can respond to official denominational positions with which they disagree. Readers are offered an alternative response besides staying in the denomination and remaining silent or leaving the denomination because one disagrees with its official position on this issue.

Contributors include: J. Philip Wogaman, Roy Sano, Stanley Hauerwas, Jeanne Audrey Powers, Victor Paul Furnish, Dale Dunlap, Gil Caldwell, and Joretta Marshall. Foreword by Leontine Kelly.

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Independence Park, Tel Aviv, is the best-known meeting place for gay men in Israel; Independence Park, Jerusalem, is perhaps the second-best-known; and the hope for independence is the dominant theme of this wide-ranging collection of personal narratives told in the voices of twelve gay men representing a cross-section of contemporary Israeli society.
The speakers are Jew and Arab, ranging in age from 22 to 72. They include students and teachers, a waiter, a prostitute, a journalist, and a janitor. Some are married to women, some are "married" to men, some are single; their families come from Yemen, Germany, Morocco, Romania, Egypt, Russia. They talk about their family backgrounds and early childhood memories, their first stirrings of sexuality and responses to those feelings. They reveal their emotional struggles as well as their religious and political views.
The conviction structuring this book is that by allowing these men to render their different worlds in their own words, their voices will produce a layered chorus approximating the vibrant cacophony of the Israeli street. A remarkably rich assemblage of anthropological fieldwork, the book also can be read as literature--there are some fine storytellers here--or for pure human interest, as the narratives themselves are deeply moving.

This intriguing and authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day. Alan Sinfield argues that, despite and because of censorship and discretion, twentieth-century theatre has been viewed as gay space. When we attune ourselves to the idioms of the different decades, theatre emerges as an important place for the circulation of images of homosexuality and for the exploration of concepts of gender and sexuality. Sinfield examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Rattigan, Williams, Le Roi Jones and Orton. He locates plays in the contexts in which they were produced and viewed, whether it be West End and Broadway or more bohemian little club theatres, Off-Broadway, and fringe. He discusses many women writers - from Djuna Barnes and Agatha Christie to Lorraine Hansberry and Caryl Churchill - and analyses the implications of homosexuality in their work.He explains why in the 1950s British and American plays began to differ in their representations of gays, how the 1960s produced an exuberant cultivation of 'kinky' humour and gay political activism in theatres, and what impact AIDS has had on theatrical productions. Sinfield concludes with provocative questions about the direction of new theatre writing, asserting that representations in theatre continue to challenge notions of our sexual potential. Alan Sinfield is professor of English literature at the University of Sussex. Among his many publications are 'Literature, Politics and Culture in Postwar Britain', 'Faultlines: Cultural Materialism and the Politics of Dissident Reading', 'The Wilde Century', and 'Cultural Politics - Queer Reading'.

This important book is the first full-scale account of male gay literature across cultures, languages, and centuries. A work of reference as well as the definitive history of a tradition, it traces writing by and about homosexual men from ancient Greece and Rome to the twentieth-century gay literary explosion. "Woods' own artistry is evident throughout this elegant and startling book. . . . These finely honed gay readings of selected Western (and some Eastern) literary texts richly reward the careful attention they demand. . . . Though grounded in the particulars of gay male identity, this masterpiece of literary (and social) criticism calls across the divides of sex and sexual orientation."-Kirkus Reviews (a starred review) "An encyclopedic mapping of the intersection between male homosexuality and belles lettres . . . [that is] good reading, in part because Woods has foregone strict chronology to link writers across eras and cultures."-Louis Bayard, Washington Post Book World "Encyclopedic and critical, evenhanded and interpretive, Woods has produced a study that stands as a monument to the progress of gay literary criticism. No one to date has attempted such a grand world-wide history. . . . It cannot be recommended highly enough."-Library Journal (a starred review) "A bold, intelligent and gorgeously encyclopedic study."-Philip Gambone, Lambda Book Report "An exemplary piece of work."-Jonathan Bate, The Sunday Telegraph

Contents: Prophet and Profit; Miss Sheets is She; In Primordial Biogen; The Mansard Rood; In the Highest Degree; Gay Gnani of Gingalee; Book and the Bagdad; Man in the Cellar; Drawing a Cork; Private Exhibit; Up Against It; Interlude; The Wages of Sin is Death; Phlogiston is Restored; Postlude.

When the Republican landslide of 1994 propelled her brother, Newt Gingrich, to the top of national politics, Candace Gingrich knew her life would never be the same. Alarmed at the epidemic of gay-bashing in America and her own brother's support for antigay legislation, Candace felt she had to act. The Accidental Activist chronicles her journey from being an unknown part-time truck loader for UPS to a nationally renowned activist for gay rights. Whether she is exposing the hypocrisy in Newt's "family values", discussing the experiences of famous families with gay members, or trying to reconcile her love for her brother with her hatred of his politics, Candace Gingrich's poignant memoir - now updated with a new epilogue - reflects her extraordinary candor and courage.

With the publication of his groundbreaking "The Church and Homosexuality" in 1976, John McNeill placed himself in the vanguard of scholars who were challenging long-held assumptions about the Bible and homosexuality. Through his continued scholarship, spiritual reflection, and untiring activism, McNeill has brought hope and affirmation to thousands of gay and lesbian Christians. "Both Feet Firmly Planted in Midair" is McNeill's autobiography.

In postapartheid Cape Town-Africa's gay capital-many Pentecostal men turned to "ex-gay" ministries in hopes of "curing" their homosexuality in order to conform to conservative Christian values and African social norms. In Desire Work Melissa Hackman traces the experiences of predominantly white ex-gay men as they attempt to forge a heterosexual masculinity and enter into heterosexual marriage through emotional, bodily, and religious work. These men subjected themselves to daily self-surveillance and followed prescribed behaviors such as changing how they talked and walked. Ex-gay men also saw themselves as participating in the redemption of the nation, because South African society was perceived as suffering from a crisis of masculinity in which the country lacked enough moral heterosexual men. By tying the experience of ex-gay men to the convergence of social movements and public debates surrounding race, violence, religion, and masculinity in South Africa, Hackman offers insights into the construction of personal identities in the context of sexuality and spirituality.

This is the first collection of the words and speeches of the founder of the Mattachine Society and the modern gay movement. Harry Hay lives in Los Angeles and remains an outspoken activist. "(RADICALLY GAY) is essential reading for anyone trying to understand what it means to be gay, bisexual, transgender or straight. Urvashi Vaid.

In Erotic Islands, Lyndon K. Gill maps a long queer presence at a crossroads of the Caribbean. This transdisciplinary book foregrounds the queer histories of Carnival, calypso, and HIV/AIDS in the Republic of Trinidad and Tobago. At its heart is an extension of Audre Lorde's use of the erotic as theory and methodology. Gill turns to lesbian/gay artistry and activism to insist on eros as an intertwined political-sensual-spiritual lens through which to see self and society more clearly. This analysis juxtaposes revered musician Calypso Rose, renowned mas man Peter Minshall, and resilient HIV/AIDS organization Friends For Life. Erotic Islands traverses black studies, queer studies, and anthropology toward an emergent black queer diaspora studies.

Based on tireless research in the archives of mythology and folklore, Queer Spirits weaves a rich, multicultural tapestry. Selections include everything from Chinese folktales to firsthand accounts of Native American two-spirits to the occasional gay archetypes to be gleaned from nursery rhymes, newspaper clippings, and gay erotica. Among the writers represented are Hans Christian Andersen, James Broughton, Jean Cocteau, Steven Saylor, Samuel Steward, and Walt Whitman. Interspersing these selections is the author's commentary on their meaning, drawing on his own inner journey, beginning with his arrival as a young man in the teeming gay world of San Francisco in the 1970s. The result is a fascinating, often loving testimony to gay spirit that shows how gay men can find the myths and heroes within themselves.

Along with his groundbreaking essays that redefine politics, language, identity, and friendship in the light of gay experience and desire, this magisterial collection of 25 years of White's nonfiction writings includes dazzling subversive appreciations of cultural icons as diverse as Truman Capote and Cormac McCarthy, Robert Mapplethorpe and the singer formerly known as Prince. Reading tour.

"A powerful and compelling witness. This autobiography will do enormous good and may even save a lot of lives."—John McNeil, author of The Church and the Homosexual.

In this book, Marion Soards looks at what the Bible actually says--and does not say--about homosexuality as he attempts to discover how the church should deal with this diverse issue. Soards reflects on the meaning of the biblical text and subsequent Christian history as he struggles with the issue of how Christians should respond to and comprehend God's will in dealing with homosexuality. Ultimately, he advocates a heightened sense of biblical authority and Christian compassion.

A great . . . very interesting book. -Johnny Depp Burg puts historians to shame by raising extremely interesting questions that no one before had asked. -Christopher Hill in New York Review of Books Pirates are among the most heavily romanticized and fabled characters in history. From Bluebeard to Captain Hook, they have been the subject of countless movies, books, children's tales, even a world-famous amusement park ride. In Sodomy and the Pirate Tradition, historian B. R. Burg investigates the social and sexual world of these sea rovers, a tightly bound brotherhood of men engaged in almost constant warfare. What, he asks, did these men, often on the high seas for years at a time, do for sexual fulfillment? Buccaneer sexuality differed widely from that of other all- male institutions such as prisons, for it existed not within a regimented structure of rule, regulations, and oppressive supervision, but instead operated in a society in which widespread toleration of homosexuality was the norm and conditions encouraged its practice. In his new introduction, Burg discusses the initial response to the book when it was published in 1983 and how our perspectives on all-male societies have since changed. B. R. Burg is professor of history at Arizona State University, Tempe.