Over the course of the last half century, queer history has developed as a collaborative project involving academic researchers, community scholars, and the public. Initially rejected by most colleges and universities, queer history was sustained for many years by community-based contributors and audiences. Academic activism eventually made a place for queer history within higher education, which in turn helped queer historians become more influential in politics, law, and society. Through a collection of essays written over three decades by award-winning historian Marc Stein, Queer Public History charts the evolution of queer historical interventions in the academic sphere and explores the development of publicly oriented queer historical scholarship. From the AIDS crisis of the 1980s and the rise of queer activism in the 1990s to debates about queer immigration, same-sex marriage, and the politics of gay pride in the early twenty-first century, Stein introduces readers to key themes in queer public history. A manifesto for renewed partnerships between academic and community-based historians, strengthened linkages between queer public history and LGBT scholarly activism, and increased public support for historical research on gender and sexuality, this anthology reconsiders and reimagines the past, present, and future of queer public history.

'If a bullet should enter my brain, let it destroy every closet door' This is the definitive biography of Harvey Milk, the man whose personal life, public career, and cold-blooded assassination mirrored the dramatic emergence of the gay community as a political power in 1970s America. Milk was the first openly gay politian to hold public office in the United States. He moved to San Francisco in 1972 amid a migration of gay men to the city's Castro district and took advantage of the neighbourhood's growing political and economic power to promote gay rights. Campaigning against the odds, and in the face of hate and death threats, Milk's political flair finally earned him a seat as a City Supervisor in 1977. But only eleven months later he was gunned down by a fellow City Supervisor. The Mayor of Castro Street is the emotionally-charged story of personal tragedy and political intrigue, murder at City Hall and massive riots in the streets, the miscarriage of justice and the affirmation of human rights and gay hope.

'It's no mystery or secret how much I enjoy Lawrence Chaney.' - RuPaul 'Tackles everything from gender identity, the thrill of a wig and why Scottish talent is often overlooked.' - i News Lawrence Chaney has wowed audiences across the globe as the winner of RuPaul's Drag Race UK. In Lawrence (Drag) Queen of Scots, Lawrence shares heartfelt and candid moments from their past. From being bullied as a child to what it's like to date as a drag queen, they give us an insight to their journey towards acceptance and better mental health. The loch ness legend themself takes us through the struggles faced to get to where they are now. From their childhood, growing up as a queer kid in Glasgow, feeling self-conscious and turning to humour to avoid being bullied, Lawrence shares their painfully relatable coming out story, and how finding drag was a vehicle towards confidence and self-love. __________ 'Gorgeous, hugely talented, funny, charismatic, adorable, Chaney is a goddess and brings us joy.' - Lorraine 'Lawrence shares some of [their] most intricate and personal stories...such as concocting a drag name, mental health and dating.' - Gay Times 'Lawrence Chaney is the funniest queen by a country mile. She has delivered the laughs a locked down nation needed in abundance. But there's much more to Chaney than her quick wit. Her vulnerability is also part of her natural gift.' - Vogue

Cynthia Wu's provocative Sticky Rice examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada's No-No Boy, Monique Truong's The Book of Salt, H. T. Tsiang's And China Has Hands, and Lois-Ann Yamanaka's Blu's Hanging, as well as Philip Kan Gotanda's play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity. The "sticky rice" of Wu's title is a term used in gay Asian American culture to describe Asian American men who desire other Asian American men. The bonds between men addressed in Sticky Rice show how the thoughts and actions founded by real-life intraracially desiring Asian-raced men can inform how we read the refusal of multiple normativities in Asian Americanist discourse. Wu lays bare the trope of male same-sex desires that grapple with how Asian America's internal divides can be resolved in order to resist assimilation.

Finanze, Ttributi, Imposte, Tasse, Politica Economica e Finanziaria, Bilancio dello Stato, Contabilita di Stato

Henry Willson was one of the quintessential power brokers in Hollywood during the late 1940s and 1950s when he launched the careers of Rock Hudson, Lana Turner, Tab Hunter, Natalie Wood, and many others. He was also a true casting couch agent, brokering sex for opportunity on the silver screen. While this practice was rampant across Hollywood, for gay actors and film professionals the casting couch was a dangerous cliff: a public revelation could and would ruin a career. "The Man Who Invented Rock Hudson" is an incredible biography as well as a harrowing look into Hollywood at a time of great sexual oppression, roaming vice squads searching for gay and/or communist activity, and the impossibilities for gay actors of the era.

Si tratta di una ricerca Promossa dall'Associazione Nazionale Yoga Educazione che ha coinvolto una rete di quattro scuole pugliesi e La cattedra di pedagogia sperimentale diretta dal prof. Michele Baldassarre dell'Universit di Bari. La metodologia di lavoro quella codificata dalla dott.ssa Cavalluzzi nel libro "bimbi a scuola" di yoga Ed. Lulu. Il libro "Yoga a scuola" si divide in cinque aree. La prima parte presenta il disegno di ricerca, la seconda, come abbiamo lavorato; la terza, la ricaduta sui processi di apprendimento; la quarta, le osservazioni e riflessioni di docenti genitori e alunni; la quinta, le riflessioni dei docenti sulla ricerca.

Il linguaggio ha, per sua natura, un carattere dinamico e cangiante. Si rinnova costantemente per esprimere significati e orientamenti, utili a rappresentare tempi e spazi. Lo sport uno di contenuti pi utilizzati per raccontare i cambiamenti sociali, ma anche un sistema sociale complesso che utilizza la comunicazione per dialogare e concorrere allo sviluppo della societ . Nell'era del digitale e dell'iperconnessione, quali sono le modalit espressive pi idonee ad assecondare le diverse funzioni che lo sport assolve a livello glocale? I contributi affrontano i diversi aspetti della comunicazione sportiva: dal giornalismo al marketing, dalla comunicazione delle organizzazioni sportive a quella dei media, sino a ricomprendere gli utenti che dialogano sui social network. L'intento di fornire al lettore - studenti, addetti al settore, ma anche semplici appassionati e curiosi - un quadro sullo stato dell'arte attuale della comunicazione sportiva.

Cynthia Wu's provocative Sticky Rice examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada's No-No Boy, Monique Truong's The Book of Salt, H. T. Tsiang's And China Has Hands, and Lois-Ann Yamanaka's Blu's Hanging, as well as Philip Kan Gotanda's play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity. The "sticky rice" of Wu's title is a term used in gay Asian American culture to describe Asian American men who desire other Asian American men. The bonds between men addressed in Sticky Rice show how the thoughts and actions founded by real-life intraracially desiring Asian-raced men can inform how we read the refusal of multiple normativities in Asian Americanist discourse. Wu lays bare the trope of male same-sex desires that grapple with how Asian America's internal divides can be resolved in order to resist assimilation.

Prairie Fairies draws upon a wealth of oral, archival, and cultural histories to recover the experiences of queer urban and rural people in the prairies. Focusing on five major urban centres, Winnipeg, Saskatoon, Regina, Edmonton, and Calgary, Prairie Fairies explores the regional experiences and activism of queer men and women by looking at the community centres, newsletters, magazines, and organizations that they created from 1930 to 1985. Challenging the preconceived narratives of queer history, Valerie J. Korinek argues that the LGBTTQ community has a long history in the prairie west, and that its history, previously marginalized or omitted, deserves attention. Korinek pays tribute to the prairie activists and actors who were responsible for creating spaces for socializing, politicizing, and organizing this community, both in cities and rural areas. Far from the stereotype of the isolated, insular Canadian prairies of small towns and farming communities populated by faithful farm families, Prairie Fairies historicizes the transformation of prairie cities, and ultimately the region itself, into a predominantly urban and diverse place.

Delving into three hundred years of Chinese literature, from the mid-sixteenth century to the mid-nineteenth, "The Libertine's Friend" uncovers the complex and fascinating history of male homosexual and homosocial relations in the late imperial era. Drawing particularly on overlooked works of pornographic fiction, Giovanni Vitiello offers a frank exploration of the importance of same-sex love and eroticism to the evolution of masculinity in China.
Vitiello's story unfolds chronologically, beginning with the earliest sources on homoeroticism in pre-imperial China and concluding with a look at developments in the twentieth century. Along the way, he identifies a number of recurring characters--for example, the libertine scholar, the chivalric hero, and the lustful monk--and sheds light on a set of key issues, including the social and legal boundaries that regulated sex between men, the rise of male prostitution, and the aesthetics of male beauty. Drawing on this trove of material, Vitiello presents a historical outline of changing notions of male homosexuality in China, revealing the integral part that same-sex desire has played in its culture.

A tidal wave of panic surrounded homosexuality and AIDS in the 1980s and early 1990s, the period commonly called 'The AIDS Crisis'. With the advent of antiretroviral drugs in the mid '90s, however, the meaning of an HIV diagnosis radically changed. These game-changing drugs now enable many people living with HIV to lead a healthy, regular life, but how has this dramatic shift impacted the representation of gay men and HIV in popular culture? Positive Images is the first detailed examination of how the relationship between gay men and HIV has transformed in the past two decades. From Queer as Folk to Chemsex, The Line of Beauty to The Normal Heart, Dion Kagan examines literature, film, TV, documentaries and news coverage from across the English-speaking world to unearth the socio-cultural foundations underpinning this 'post-crisis' period. His analyses provide acute insights into the fraught legacies of the AIDS Crisis and its continued presence in the modern queer consciousness.

Tenth Anniversary Expanded Edition Ten years on, Jasbir K. Puar's pathbreaking Terrorist Assemblages remains one of the most influential queer theory texts and continues to reverberate across multiple political landscapes, activist projects, and scholarly pursuits. Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, shifting queers from their construction as figures of death to subjects tied to ideas of life and productivity. This tenuous inclusion of some queer subjects depends, however, on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by what Puar calls homonationalism-a fusing of homosexuality to U.S. pro-war, pro-imperialist agendas. As a concept and tool of biopolitical management, homonationalism is here to stay. Puar's incisive analyses of feminist and queer responses to the Abu Ghraib photographs, the decriminalization of sodomy in the wake of the Patriot Act, and the profiling of Sikh Americans and South Asian diasporic queers are not instances of a particular historical moment; rather, they are reflective of the dynamics saturating power, sexuality, race, and politics today. This Tenth Anniversary Expanded Edition features a new foreword by Tavia Nyong'o and a postscript by Puar entitled "Homonationalism in Trump Times." Nyong'o and Puar recontextualize the book in light of the current political moment while reposing its original questions to illuminate how Puar's interventions are even more vital and necessary than ever.

As London emerged from the devastation of the Second World War, planners and policymakers sought to rebuild the city in ways that would reshape the behavior of its citizens as much as it would its buildings and infrastructure-a program defined by a strong emphasis on civic order and conservative values of national community. One of the groups most significantly affected by this new, moralistic climate of reformation and renewal was queer men, whom the police, the media, and lawmakers targeted as an urgent urban problem by marking their lives and desires as criminal and deviant. In The Spiv and the Architect, Richard Hornsey examines how queer men legitimized, resisted, and reinvented this ambitious reconstruction program, which extended from the design of basic public spaces and municipal libraries to private living rooms and home decor. From their association with the urban stereotype of the spiv (slang for a young petty criminal who lived by his wits and shirked legitimate work) and vilification in the tabloids as perverts to the assimilated homosexuals within reformist psychology, Hornsey details how these efforts to transform London fundamentally restructured the experiences and identities of gay men in the city and throughout the country. Providing the first critical history of this cultural moment, In The Spiv and the Architect weaves together a vast archive of sources-canvases and photobooth self-portraits by the painter Francis Bacon, urban planning documents and drawings, popular fiction and films, autobiographical and psychological accounts of homosexuality, design exhibitions about the modern British home, and the library books defaced by the playwright Joe Orton-to present both a radically revised account of homosexuality in postwar London and an important new narrative about mid-twentieth-century British modernity.

Jean Genet (1910-1986) resonates, perhaps more than any other canonical queer figure from the pre-Stonewall past, with contemporary queer sensibilities attuned to a defiant non-normativity. Not only sexually queer, Genet was also a criminal and a social pariah, a bitter opponent of the police state, and an ally of revolutionary anticolonial movements. In Disturbing Attachments, Kadji Amin challenges the idealization of Genet as a paradigmatic figure within queer studies to illuminate the methodological dilemmas at the heart of queer theory. Pederasty, which was central to Genet's sexuality and to his passionate cross-racial and transnational political activism late in life, is among a series of problematic and outmoded queer attachments that Amin uses to deidealize and historicize queer theory. He brings the genealogy of Genet's imaginaries of attachment to bear on pressing issues within contemporary queer politics and scholarship, including prison abolition, homonationalism, and pinkwashing. Disturbing Attachments productively and provocatively unsettles queer studies by excavating the history of its affective tendencies to reveal and ultimately expand the contexts that inform the use and connotations of the term queer.

William S. Burroughs arrived in Mexico City in 1949, having slipped out of New Orleans while awaiting trial on drug and weapons charges that would almost certainly have resulted in a lengthy prison sentence. Still uncertain about being a writer, he had left behind a series of failed business ventures--including a scheme to grow marijuana in Texas and sell it in New York--and an already long history of drug use and arrests. He would remain in Mexico for three years, a period that culminated in the defining incident of his life: Burroughs shot his common-law wife, Joan Vollmer, while playing William Tell with a loaded pistol. (He would be tried and convicted of murder in absentia after fleeing Mexico.)

First published in 1995 in Mexico, where it received the Malcolm Lowry literary essay award, "The Stray Bullet" is an imaginative and riveting account of Burroughs's formative experiences in Mexico, his fascination with Mexico City's demimonde, his acquaintances and friendships there, and his contradictory attitudes toward the country and its culture. Mexico, Jorge Garcia-Robles makes clear, was the place in which Burroughs embarked on his "fatal vocation as a writer."

Through meticulous research and interviews with those who knew Burroughs and his circle in Mexico City, Garcia-Robles brilliantly portrays a time in Burroughs's life that has been overshadowed by the tragedy of Joan Vollmer's death. He re-creates the bohemian Roma neighborhood where Burroughs resided with Joan and their children, the streets of postwar Mexico City that Burroughs explored, and such infamous figures as Lola la Chata, queen of the city's drug trade. This compelling book also offers a contribution by Burroughs himself--an evocative sketch of his shady Mexican attorney, Bernabe Jurado.