There are few questions more central to understanding the prehistory of our species than those regarding the institutionalization of social inequality. Social inequality is manifested in unequal access to goods, information, decision-making, and power. This structure is essential to higher orders of social organization and basic to the operation of more complex societies. An understanding of the transformation from relatively egalitarian societies to a hierarchical organization and socioeconomic stratification is fundamental to our knowledge about the human condition. In a follow-up to their 1995 book Foundations of Social Inequality, the Editors of this volume have compiled a new and comprehensive group of studies concerning these central questions. When and where does hierarchy appear in human society, and how does it operate? With numerous case studies from the Old and New World, spanning foraging societies to agricultural groups, and complex states, Pathways to Power provides key historical insights into current social and cultural questions.

Museum Thresholds is a progressive, interdisciplinary volume and the first to explore the importance and potential of entrance spaces for visitor experience. Bringing together an international collection of writers from different disciplines, the chapters in this volume offer different theoretical perspectives on the nature of engagement, interaction and immersion in threshold spaces, and the factors which enable and inhibit those immersive possibilities. Organised into themed sections, the book explores museum thresholds from three different perspectives. Considering them first as a problem space, the contributors then go on to explore thresholds through different media and, finally, draw upon other subjects and professions, including performance, gaming, retail and discourse studies, in order to examine them from an entirely new perspective. Drawing upon examples that span Asia, North America and Europe, the authors set the entrance space in its historical, social and architectural contexts. Together, the essays show how the challenges posed by the threshold can be rethought and reimagined from a variety of perspectives, each of which have much to bring to future thinking and design. Combining both theory and practice, Museum Thresholds should be essential reading for academics, researchers and postgraduate students working in museum studies, digital heritage, architecture, design studies, retail studies and media studies. It will also be of great interest to museum practitioners working in a wide variety of institutions around the globe.

The claim that heritage practice in Asia is Eurocentric may be well-founded, but the view that local people in Asia need to be educated by heritage practitioners and governments to properly conserve their heritage distracts from the responsibility of educating oneself about the local-popular beliefs and practices which constitute the bedrock of most people's engagement with the material past. Written by an archaeologist who has long had one foot in the field of heritage practice and another in the academic camp of archaeology and heritage studies, Counterheritage is at once a forthright critique of current heritage practice in the Asian arena and a contribution to this project of self-education. Popular religion in Asia - including popular Buddhism and Islam, folk Catholicism, and Chinese deity cults - has a constituency that accounts for a majority of Asia's population, making its exclusion from heritage processes an issue of social justice, but more pragmatically it explains why many heritage conservation programs fail to gain local traction. This book describes how the tenets of popular religion affect building and renovation practices and describes how modernist attempts to suppress popular religion in Asia in the early and mid-twentieth century impacted religious 'heritage.' Author Denis Byrne argues that the campaign by archaeologists and heritage professionals against the private collecting and 'looting' of antiquities in Asia largely ignores the regimes of value which heritage discourse has helped erect and into which collectors and local diggers play. Focussing on the Philippines, Thailand, and Taiwan but also referencing China and other parts of Southeast Asia, richly detailed portraits are provided of the way people live with 'old things' and are affected by them. Narratives of the author's fieldwork are woven into arguments built upon an extensive and penetrating reading of the historical and anthropological literature. The critical stance embodied in the title 'counterheritage' is balanced by the optimism of the book's vision of a different practice of heritage, advocating a view of heritage objects as vibrant, agentic things enfolded in social practice rather than as inert and passive surfaces subject to conservation.

Did aliens build the pyramids? Do all the world's civilizations owe a debt of gratitude to a single super-civilization in ancient times? Was Egypt the home of magicians? Is there a fantastic body of ancient wisdom awaiting discovery, which will help solve the world's problems? These and other scenarios are thrown up by purveyors of what is often dubbed alternative, fringe or popular archaeology and ancient history. In reality, such work is properly called pseudoarchaeology since it is a muddled imitation of the real thing.
In this collection of stimulating and engaging essays, a diverse group of scholars, scientists, and writers consider the phenomenon of pseudoarchaeology from a variety of perspectives. They contemplate what differentiates it from real archaeology; its defining characteristics; the reasons for its popular appeal and how television documentaries contribute to its popularity; how nationalist agendas can warp genuine archaeology in to a pseudo-version; and the links between pseudoarchaeology and other brands of false history and pseudo science. Case studies include surveys of esoteric Egypt and the supposedly mystical Maya, Nazi pseudoarchaeology, and ancient pseudohistory in modern India.

This work centres on the post-Roman period of Narbonne and its territory, up to its capture by the Arabs in 720, encompassing not only recent archaeological findings but also perspectives of French, Spanish and Catalan historiography that have fashioned distinct national narratives. Seeking to remove Narbonne from any subsequent birth of France, Catalonia and Spain, the book presents a geopolitical region that took shape from the late fifth century, evolving towards the end of the eighth century into an autonomous province of the nascent Carolingian Empire. Capturing this change throughout a 300-year period somewhat lacking in written sources, the book takes us beyond an exclusive depiction of the classical city to an examination of settlement in various forms. Discourses of literary criticism also lie behind aspects of this study, mapped around textual commentaries which highlight a more imaginative biography of a city. Narbonne's role as a point of departure and travel across the Mediterranean is examined through a reading of the correspondence of Paulinus of Nola and the writings of Sulpicius Severus, enabling the reader to gain a fuller picture of the city and its port. The topography of Narbonne in the fifth century is surveyed together with Bishop Rusticus's church-building programme. Later chapters emphasise the difficulties in presenting a detached image of Narbonne, as sources become mainly Visigothic, defining the city and its region as part of a centralised kingdom. Particular attention is given to the election of Liuva I as king in Narbonne in 568, and to the later division into upper and lower sub-kingdoms shared by Liuva and his brother Leovigild, a duality that persisted throughout the sixth and seventh centuries. The study therefore casts new light on Narbonne and its place within the Visigothic Kingdom of Toledo, suggesting that it was the capital of a territory with roots in the post-Roman settlement of barbarian successor states.

If human burials were our only window onto the past, what story would they tell? Skeletal injuries constitute the most direct and unambiguous evidence for violence in the past. Whereas weapons or defenses may simply be statements of prestige or status and written sources are characteristically biased and incomplete, human remains offer clear and unequivocal evidence of physical aggression reaching as far back as we have burials to examine. Warfare is often described as 'senseless' and as having no place in society. Consequently, its place in social relations and societal change remains obscure. The studies in The Routledge Handbook of the Bioarchaeology of Human Conflict present an overview of the nature and development of human conflict from prehistory to recent times as evidenced by the remains of past people themselves in order to explore the social contexts in which such injuries were inflicted. A broadly chronological approach is taken from prehistory through to recent conflicts, however this book is not simply a catalogue of injuries illustrating weapon development or a narrative detailing 'progress' in warfare but rather provides a framework in which to explore both continuity and change based on a range of important themes which hold continuing relevance throughout human development.

Written from within the best traditions of ecocritical thought, this book provides a wide-ranging account of the spatial imagination of landscape and seascape in literary and cultural contexts from many regions of the world. It brings together essays by authors writing from within diverse cultural traditions, across historical periods from ancient Egypt to the postcolonial and postmodern present, and touches on an array of divergent theoretical interventions. The volume investigates how our spatial imaginations become "wired," looking at questions about mediation and exploring how various traditions compete for prominence in our spatial imagination. In what ways is personal experience inflected by prevailing cultural traditions of representation and interpretation? Can an individual maintain a unique and distinctive spatial imagination in the face of dominant trends in perception and interpretation? What are the environmental implications of how we see landscape? The book reviews how landscape is at once conceptual and perceptual, illuminating several important themes including the temporality of space, the mediations of place that form the response of an observer of a landscape, and the development of response in any single life from early, partial thoughts to more considered ideas in maturity. Chapters provide suggestive and culturally nuanced propositions from varying points of view on ancient and modern landscapes and seascapes and on how individuals or societies have arranged, conceptualized, or imagined circumambient space. Opening up issues of landscape, seascape, and spatiality, this volume commences a wide-ranging critical discussion that includes various approaches to literature, history and cultural studies. Bringing together research from diverse areas such as ecocriticism, landscape theory, colonial and postcolonial theory, hybridization theory, and East Asian Studies to provide a historicized and global account of our ecospatial imaginations, this b