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Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
This comprehensive book offers a guide to all the materials, techniques and approaches an artist needs to start painting and drawing with confidence. As well as step-by-step instruction for beginners, it offers expert tips, advice and ideas to offer inspiration to more advanced practitioners. Throughout, lively and original works by contemporary artists illustrate the skills in action. Special 'focus' features are included on painting and drawing popular subjects such as portraits and figures, landscapes, buildings and flowers. With tried-and tested techniques and expert guidance, this book provides an invaluable practical reference for every amateur artist looking to hone their skills in oils, pastels, acrylics, watercolours, charcoals, pen and ink or coloured pencils.
This is the first book to survey the work of painter and printmaker Tom Hammick (b.1963). It sets Hammick's art within the context of contemporary debates about painting while relating it to the two-centuries-old Romantic tradition. Julian Bell explores in depth the artist's working processes, imagery and career to date, arguing that Hammick's work constitutes one of the richest imaginative achievements in late 20th- and early 21st-century British art. Many of Hammick's pictures respond to the landscape of South-East England, where he has spent much of his life. Others are inspired by his encounter with the wilderness of Canada's remote maritime provinces, a regularly revisited imaginative resource that has given his work much of its distinctive flavour. Hammick has spent three periods in Canada: as both a student and later visiting lecturer in Painting and Printmaking at Nova Scotia College of Art and Design, Halifax between 1989 and 2002, and in 2005 after being awarded a residency at the Art Gallery of Newfoundland and Labrador, now called the Rooms. Informed by the author's sustained contact with Hammick over many years, illustrated with over 120 carefully selected images, and produced in close collaboration with the artist, Tom Hammick: Wall, Window, World will appeal to the artist's collectors and wide popular audience, as well as students, art-world professionals and painting enthusiasts. It is available also in a special edition incorporating the three-part colour etching Fallout, created by the artist specially for this publication in an edition of 60.
F.C.B. Cadell was born in Edinburgh, where he lived for most of his life, and studied in Paris and Munich. This book illustrates many of the works for which Cadell is celebrated, including stylish portrayals of Edinburgh New Town interiors, vibrantly coloured, daringly simplified still lives of the 1920s, and evocative landscapes of the Scottish west coast and the south of France. Based on new research, a special section concentrates on Cadell's relationship with Iona, where he painted nearly every year from 1912 until 1935. The book accompanies a major exhibition at the Scottish National Gallery of Modern Art, the first retrospective exhibition of Cadell's work held at a public gallery since 1942.
An indispensable guide for anyone interested in improving and developing their fantasy art figures. Fantasy artists are unlikely to use models to draw from life but, to be successful, their creations must have a grounding in reality. This book by successful comic and fantasy artist Glenn Fabry, teaches you the principles of anatomy, from musculature and skeletal structure through to movement. You can then develop your artistic style by breaking and bending the rules of anatomy through practical exercises and demonstrations, accompanied by incredible finished artworks. The step-by-step exercises help you to fully understand the subtle movements that combine to create expressions, and the flowing movements that constitute actions. Anatomy for Fantasy Artists trains you in creating professional quality illustrations for comic book art, graphic novels, fantasy posters, sci-fi book covers and illustrations, and even computer games. In this book you will find valuable instruction from experts in the field, expanded from the original edition with additional pages that feature many more how-to, step-by-step illustrations. Instruction starts with the basics of human anatomical drawing and musculature, facial expressions, hands and body language, and then follows with a review of the principles of perspective and composition. Subsequent sections instruct on ways to distort, develop, and transform the human figure, giving it features that range from monstrous or magical to super-agile or larger than life, including dynamic poses for superheroes and villans, as well as fantasy female poses. Detailed artist's references and step-by-step instructions show how to build bodies that truly stretch the imagination. You also learn how to render characters in many different dynamic action poses, such as flying, spinning, punching, and jumping, as well as how to express each character's emotions through facial expressions. The cast of characters includes wizards, ogres, werewolves, winged avengers, goblins, aliens, enchantresses, barbarians, robots and more. Author Glenn Fabry is a successful comic book and fantasy artist who has spent many years working in this field including work for both DC and Marvel Comics. Through his professional experience he has honed his skills, which he generously shares in this book, alongside professional artists Michael Cunningham and Ben Cormac.
Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists' materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
Published to coincide with the exhibition at the Foundling Museum in London, this fascinating book will re-introduce Joseph Highmore (1692-1780), an artist of status and substance in his day, who is now largely unknown. It takes as its focus Highmore's small oil painting known as The Angel of Mercy (1746, Yale), one of the most shocking and controversial images in 18th-century British art. The painting depicts a woman in fashionable mid-18th-century dress strangling the infant lying on her lap. A cloaked, barefooted fi gure cowers to the right as an angel intervenes, pointing towards the Foundling Hospital, the recently built refuge for abandoned infants, in the distance. The image attempts to address one of the most disturbing aspects of the Foundling Hospital story - certainly a subject that many (now as then) would consider beyond depiction. But if any artist of the period had attempted such a subject it would surely be William Hogarth, not the portrait painter Joseph Highmore? In fact, the painting was attributed to Hogarth for almost two centuries, until its reattribution in the 1990s. Even so, it is surprising that despite the wealth of scholarship associated with Hogarth and the `modern moral subject' of the 1730s and 1740s, The Angel of Mercy has received little attention until now. The book (and exhibition) seeks to address this, while encouraging greater interest in, and appreciation for, this signifi cant British artist. Highmore expert, Jacqueline Riding, will set this extraordinary painting within the context of the artist's life and work, as well as broader historical and artistic contexts. This will include exploration of superb examples of Highmore's portraiture, such as his complex, monumental group portrait The Family of Sir Eldred Lancelot Lee and the exquisite small-scale `conversations' The Vigor Family and The Artist and his Family, juxtaposed with analysis of key subject paintings, including the Foundling Museum's Hagar and Ishmael and Highmore's `Pamela' series, inspired by Samuel Richardson's bestselling novel. Collectively they tackle relevant and highly contentious issues around the status and care of women and children, master/servant relations, motherhood, abuse, abandonment, infant death and murder.
Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Kew Gardens' Marianne North: Honeyflowers and Honeysuckers, South Africa. The Royal Botanic Gardens, Kew is a world famous centre for botanical and mycological knowledge. Kew has a gallery dedicated to the paintings of the remarkable Victorian artist Marianne North, who had a great eye for botanical detail. She set out in 1871 on a painterly progress through world flora. North's journey to South Africa was among her last, along with trips to the Seychelles and Chile.
Featuring 150 iconic artworks, The National Gallery Masters of Art Puzzle Book is a visually spectacular puzzle challenge perfect for any art-enthusiast. This must-buy gift book contains 100 puzzles reproducing and inspired by the world's most famous paintings, making it a truly one-of-a-kind decorative delight. From pictorial puzzles such as Fake or Fortune, Jigsaw and Scrambled Image, to cryptic puzzles like Odd One Out or The Missing Link, through logic puzzles, riddles and even a series of progressively more difficult art knowledge quizzes, there is something for everyone, from the puzzle master to the art aficionado. Featured paintings include Sunflowers by Vincent van Gogh, The Fighting Temeraire by J.M.W. Turner, The Arnolfini Portrait by Jan van Eyck, The Hay Wain by John Constable, The Virgin of the Rocks by Leonardo da Vinci, Bathers at La Grenouillere by Claude Monet and many, many more.
This artist s book presents 84 reproductions of sketches taken from a notebook made by Gerhard Richter between 2004 and 2009. Some sketches feature figurative motifs, human forms and faces, while others appear as purely abstract shapes, configurations and patterns.
Peter Paul Rubens was one of the most productive and exciting painters of his time, noted for his expressive, emotive and sensual paintings which are now instantly recognizable. Indeed, his voluptuous female figures have given rise to the word 'Rubenesque'. This book explores the life and times of Rubens, from his early studies in Italy through to his apprenticeship in Antwerp and his subsequent outstanding accomplishments as 'the prince of painters and the painter of princes'. It also contains a gallery of 300 of his paintings and drawings, revealing his unparalleled position as an artist, diplomat, scholar, linguist, teacher, art collector and devoted family man.
Absolutely the most thorough guide to pastel materials and techniques ever assembled in a single volume, this is the book for anyone working with pastels, from beginners to experienced artists looking to develop more professional skills. Defining the pastel medium broadly-color in stick form to be used for drawing and painting simultaneously-the author creates works of sensuous textures and colors, ranging from subtle to intense. He uses traditional soft and hard pastels, as well as oil pastels and oil sticks, showing the effects produced by each in step-by-step demonstrations. Included are sophisticated ways to combine pastels with water, acrylic, alkyd gels, and oil paint for stunning mixed-media results.
This book presents a detailed account of Guillermo Kuitca's major bodies of work, analysing his diverse range of imagery and reflecting on his engagement with the spaces in which we live. Following Kuitca's development from the 1980s to his latest body of work, the narrative reveals an artist who has continually challenged himself and his audience with new kinds of painterly language. In Kuitca's hands, everyday visual material such as road maps, street plans, architectural blueprints and theatre seating charts are transformed into remarkable paintings. Their impact comes from their apparent engagement with dark subjects such as the Holocaust and Argentina's 'Dirty War,' as well as the artist's innovative imagery and techniques. Drawing on conversations and studio visits the author has had with the artist, Guillermo Kuitca reveals the multifarious elements of a challenging and exciting body of work. It is essential reading for anyone fascinated by this truly original artist.
A celebration of the National Gallery’s history of collaborating with
contemporary artists, with a particular focus on David Hockney
Every reader is a potential writer, and every writer is a reader in actuality. 'Reading Writing' is a subjective history of fiction and poetry and a personal meditation on the links between literature and two visual arts.
On the 150th anniversary of the painter Henri Matisse (1869-1954), the Musee Matisse in Cateau-Cambresis, which was founded by the artist in his hometown in 1952, pays tribute to the lesser-known man of the North, who became one of the greatest masters of the 20th century. You thought you knew everything about Matisse's work? This exhibition reveals the mystery of the first 20 years of his career and the awakening of a genius moving from shadow to light. It honours his early works from the revelation of painting, and his academic training until the end of his academic studies in Paris, where he taught until 1911. This decisive and defining period of his identity helps us to understand how he grew into a painter on his Hauts-de-France lands. It dissects the creative process of the man copying the ancients, drawing inspiration from the greatest masters of the past and his contemporaries, to shake the codes with 'luxury, calm and voluptuousness' and impose himself on the rank of those he has contemplated. Text in English and French.
A brilliant, concise account of the painting often described as the most important work of art produced in the twentieth century, as part of the stunning Landmark Library series. Pablo Picasso had already accepted a commission in 1937 to create a work for the Spanish Republican Pavilion at the Paris World Fair when news arrived of the assault by the German Condor Legion on the undefended Basque town of Guernica, in which hundreds of civilians died. James Attlee offers an illuminating account of the genesis, creation and many-stranded afterlife of Picasso's Guernica. He explores the historical context from which it sprang; the artistic influences that informed its execution; the critical responses that it elicited; its journeyings across Europe and America in the late 1930s; its post-war adoption by new generations of anti-war protestors; and its eventual return to Spain following the death of Franco.
Of all the great paintings in the world, Picasso's Guernica has had a more direct impact on our consciousness than perhaps any other. In this absorbing and revealing book, Gijs van Hensbergen tells the story of this masterpiece. Starting with its origin in the destruction of the Basque town of Gernika in the Spanish Civil War, the painting is then used as a weapon in the propaganda battle against Fascism. Later it becomes the nucleus of the Museum of Modern Art in New York and the detonator for the Big Bang of Abstract Expressionism in the late 1940s. This tale of passion and politics shows the transformation of this work of art into an icon of many meanings, up to its long contested but eventually triumphant return to Spain in 1981.
The collected works of Julius Csotonyi, one of the world's most
high profile and talented contemporary paleoartists. Csotonyi has
considerable academic expertise that contributes to his stunning
dynamic art.
Leng Bingchuan: Master of Chinese Black and White Painting is the most comprehensive collection of ink paintings he has created so far, containing his 256 works from 1980 to 2000. Through these works, we can see the author's self-conscious pursuit of the theme, his straightforward, pure, strong and distinct characteristics, reflecting the spirit and charm of oriental art. With its unique cover design, Leng Bingchuan: Master of Chinese printmaking and Engraving also implies the design concept of minimalism.
A window provides access to two of life's essentials, light and air, but it is more than just a means to an end. Windows also have symbolic, expressive and architectural qualities that have for centuries inspired some of the world's greatest artists. In this engaging new study, Christopher Masters celebrates the multiple roles of the window in art through five key themes, from the window as a status symbol to its use as a provider of physical and spiritual illumination; from its employment as a literal window on the world outside the confines of a room to its function as a mirror, reflecting the emotions of the artist or the individuals depicted; and finally to the immense architectural variety of windows that animate interior and exterior scenes throughout Western painting. With superb reproductions of 90 works by major artists from Giotto to Banksy, and spirited analysis of the paintings' meanings, this is a remarkable exploration of an important but hitherto neglected subject in art history.
'A hymn to life, love, family, and spirit' DAVID MITCHELL, author of Cloud Atlas The vividly told, gloriously illustrated memoir of an artist born with disabilities who searches for freedom and connection in a society afraid of strange bodies. ***WINNER OF THE BARBELLION PRIZE*** In 1958, amongst the children born with spina bifida is Riva Lehrer. She endures endless medical procedures and is told she will never have a job, a romantic relationship or an independent life. But everything changes when as an adult Riva is invited to join a group of artists, writers, and performers who are building Disability Culture. Their work is daring, edgy, funny, and dark, and it rejects tropes that define disabled people as pathetic, frightening or worthless, instead insisting that disability is an opportunity for creativity and resistance. Riva begins to paint their portraits - and her art begins to transform the myths she's been told her whole life about her body, her sexuality, and other measures of normal. 'A brilliant book, full of strangeness, beauty, and wonder' Audrey Niffenegger 'Wonderful. An ode to art and the beauty of disability' Cerrie Burnell 'Stunning' Alison Bechdel ***SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD***
Richard Cosway was one of the most significant multifaceted artistic personalities active in Regency Britain. He was arguably the pre-eminent pupil of William Shipley as well as a versatile oil portraitist and a sophisticated draftsman of subject compositions. He was undoubtedly the most important, influential, and fashionable portrait miniaturist active during the last two decades of the eighteenth century and the beginning of the nineteenth; his delicate style and flattering portrayals have come to epitomize Regency society. Cosway's flamboyant personality, eccentric mysticism, and brilliant marriage to Maria Hadfield during the 1780s brought him celebrity and notoriety.
Morgan Howell paints classic 7" singles and takes into account every crease, every tear, every imperfection-producing a one-off, truly unique artwork, almost identical to the owner's original copy, but blown up, supersize, to 70 by 70 cm, and three-dimensional, with the spindle in the centre, as if the record is ready to play. This completely original approach has resulted in Howell attracting a cult following amongst art collectors and musicians alike-with paintings commissioned by the likes of Neil Diamond, Jude Law, Edgar Wright, and The Stone Roses' Ian Brown, and major music labels selecting the artist's work for display in their headquarters, indeed, Howell's painting of David Bowie's The Jean Genie is displayed at the Sony Music Building in London, and Yesterday by The Beatles has been shown at the Capitol Building in L.A. Morgan Howell at 45 RPM, published by Black Dog Press, beautifully documents 95 of Howell's creations, from 'Tutti Frutti' by Little Richard to 'Heart of Glass' by Blondie, to 'Gimme Shelter' by The Rolling Stones, to 'Waterloo Sunset' by The Kinks. The artworks are shown in full, alongside evocative commentaries from fans of Howell's work, including The Smiths' Johnny Marr, Spandau Ballet's Gary Kemp, comedian Al Murray, journalist Tony Parsons, actress Kay Mellor, Happy Mondays' Shaun Ryder, producer William Orbit and composer Andrew Lloyd Webber. The book features Forewords by Sir Peter Blake and Andrew Marr, plus an in-depth interview with Morgan Howell, exploring his process as an artist and why, for him, music and art are intrinsically linked. With a format perfectly designed to fit on record shelves, this book is a must for vinyl junkies, music heads and art lovers everywhere. |
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