In the past, most professional services firms could get by simply relying on traditional marketing tactics. For most firms, networking, attending benefit dinners, advertising in the Yellow Pages, and merely adding the new partner's name to the office sign was enough to stay top of mind. Today, everything has changed. Even traditional industries need to figure out how to differentiate and compete in our digital, socially-networked society. Bold Brand is a process that any professional services firm can follow to identify, develop, and leverage their brand essence to market themselves in a truly unique way. Today's professional services marketers know that if they want to stand out, they have to do something different. Read Bold Brand to find out how, and get ready to get Bold

Contributing Authors Include Otto Ege, Lancelot Hogben, Aldous Huxley, And Many Others.

Pinup Art by Chalet Askew. An art book of various women of color in her pinup style. Presented by a self taught black female artist.

This is a superbly illustrated collection showcasing the talents of some of the world's top commercial illustrators. This volume showcases the work from some of the world's most renowned illustrators and graphic designers - including Catalina Estrada, Paul Shin, Tado, Loulou & Tummie, Jess Wilson, Alejandro Giraldo, and Shin Tanaka - for some of the world's top brands like Adidas, Paul Smith, Coca-Cola, and Nike.

Magical realism is an international art movement characterized by sublime fantasy worlds and creatures, executed in a highly detailed technical style reminiscent of the Old Masters. This showcases over 200 color paintings from some of the best in the field. The work of David Bowers, Claus Brusen, Gil Bruvel, Patrick Woodroffe, Kinuko Craft, Daniel Merriam, and others is featured--several paintings each--along with biography and commentary. Includes the Spectrum Award-winning Petar Meseldzija, Americas Michael Parkes and British Master of Fantasy Patrick Woodroffe, who's books have been printed in third and forth editions and are still sold out, some are sold second hand for very high prices.

Today e-mail, Facebook, and Twitter are sometimes used to spread hateful messages and slurs masking as humor. In the late nineteenth and early twentieth centuries postcards served this purpose. The images collected in this volume make it painfully clear that anti-Semitic propaganda did not simply begin with the Nazis. Nor was it the sole province of politicians, journalists, and rabble-rousers. One of the most virulent forms of anti-Semitism during this time was spread by quite ordinary people through postcards. Of the millions of postcards exchanged during their heyday of 1890 through 1920, a considerable percentage carried the anti-Semitic images that publishers churned out to meet public demand, reflecting deep-seated attitudes of society.

Over 250 examples of such postcards, largely from the pre-Holocaust era, are reproduced here for the first time--selected, translated, and historically contextualized by one of the world's foremost postcard collectors. Although representing but a small sample of the many thousands that were in print, these examples nonetheless offer a disturbing glimpse--one shocking to the modern sensibility--into the many permutations of anti-Semitism eagerly circulated by millions of people. In so doing, they help us to better understand a phenomenon still pervasive today.

The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.

Contributing Authors Include Otto Ege, Lancelot Hogben, Aldous Huxley, And Many Others.

Celebrating a wide range of punk design in vinyl cover art, posters, flyers, fanzines, and other ephemera, The Art of Punk highlights the movement primarily within graphic design and print, while also considering its impact on wider popular culture. Punk was based on immediacy-an often-inspired amateurism and underground, close-knit communities that burned brightly but were not intended to extend beyond the gig, the event, the scene, the moment. Punk songs by such legendary bands as the Sex Pistols, the Ramones, the Damned, the New York Dolls, the Germs, and the Clash tended to be short, fast, and aggressive, and the oft-repeated credo "If it can't be said in three minutes, it's not worth saying" was adopted as standard practice, extending in turn to an entire ethos for the whole subculture. The book is arranged chronologically, and by genre, and features more than 900 visual examples both by uncredited artists and internationally renowned designers and design groups, alongside interviews with, and commentary by, many of the artists concerned.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

'The great picture-galleries may be likened to the temples of art... but every day and all day long we breathe the atmosphere of ornament.' Originally published in 1882, Every-Day Art is a series of essays on design and decoration in daily life by Lewis Foreman Day (1845-1910), a pioneering member of the Arts and Crafts movement. Day trained as a stained glass maker before becoming a celebrated designer of textiles, ceramics, wallpaper and furniture. Sharing with his contemporary William Morris the belief that objects could be both useful and beautiful, Day considers questions of taste, the past, interiors, nature and craftsmanship. Progressive yet undeniably Victorian, he offers pithy comment on the elevated status of so-called high art compared to the decorative arts, and has sage advice for 'Ladies and Amateurs' considering artistic careers. His entertaining and perceptive essays are anchored by a strong belief that craft and honestly acquired skill should win out over the whims and excesses of fashion.

A revealing and nostalgic look at how art was taught more than 100 years ago, Decorative Brushwork and Elementary Design is an inspiring guide to creating patterns and graphic motifs. Originally published in 1902 as a resource for schoolteachers, the book is of both historical and current interest, offering advice on choosing paper, brushes and colours and on developing skills in line, tone and composition. Additionally, hundreds of black and white Edwardian designs taken from nature, textiles, pottery and architecture beautifully illustrate the artistic principles.

This award-winning book is loaded with samples and eye-popping tips to show entrepreneurs and non-designers how to create eye-catching graphics and compelling content for business cards, postcards, flyers, websites and book covers. Whether you're a small business owner, student or administrative assistant, you will learn what makes a good logo, how to pick harmonious colors, how to employ good branding techniques, how to create organized and attractive layouts and slide presentations and much more. It has: Over 200 full-color illustrations Details appreciated by people with tight deadlines Hundreds of techniques to reinforce your strategies Tips for writing persuasive copy that "hooks" customers The book is organized in 11 sections: Good Marketing Requires Good Design Make Visual Elements Memorable Writing Persuasive Content and Making it Flow The Best Typography for Design and Readability Laying Out Your Pages with Style Design Solutions for Specific Projects Working with Digital Imagery The Role of Color in Your Design Getting Graphics Files Ready to Print Answers to Your Printing Questions Resources

The "Neon Superguide Complete How-To Manual" is the successor to the Neon Principles reference and Neon Principles Workbook. This 216-page handbook combines the previous guides with upgraded-updated illustrations and text, more helpful photos and three new chapters - more than one hundred fifty pictures, tables and illustrations in all. It also includes additional exercises, savvy tips and tricks, and eight authoritative articles first printed in Sign Builder Illustrated Magazine.

Victorian-era designs for borders, wreaths, cushion squares, sprays, etc. Patterns for verbena, strawberry, lily, many more.

This book will lead readers to explore the distinctive style of "void" in graphic design world, to look closely at its history and development and to discuss its characteristics. The rich coverage of graphic designs of this style by outstanding designers worldwide in this book provide valuable perspectives and inspirations for anyone interested in this unique style.

With affluent consumers turning to specialized retailers to satisfy their shopping needs, designers have responded by providing these charming and elegant settings.

This beautiful collection of copyright-free clip art-all on the subject of books-can be used in producing flyers, posters, newsletters, bulletin boards, bookmarks, and dozens of other forms of visual communication. Chapters cover seven subject areas: Just Books, People with Books, Animals, Nursery Rhyme and Storybook Characters, Holidays, Sports and Activities, and Borders. Images include silhouettes and line drawings that range in style from cartoon to representational drawings. All are easily reproduced, even on a photocopier. Librarians, teachers, storytellers, booksellers-anyone interested in books-will love this collection