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Books > Arts & Architecture > Performing arts > Films, cinema > General
Newly revised and updated, "Film Lighting "is an indispensible
sourcebook for the aspiring and practicing cinematographer, based
on extensive interviews with leading cinematographers and gaffers
in the film industry.
Film lighting is a living, dynamic art influenced by new
technologies and the changing styles of leading cinematographers. A
combination of state-of-the-art technology and in-depth interviews
with industry experts, "Film Lighting "provides an inside look at
how cinematographers and film directors establish the visual
concept of the film and use the lighting to create a certain
atmosphere.
Kris Malkiewicz uses firsthand material from the experts he
interviewed while researching this book. Among these are leading
cinematographers Dion Beebe, Russell Carpenter, Caleb Deschanel,
Robert Elswit, Mauro Fiore, Adam Holender, Janusz Kaminski, Matthew
Libatique, Rodrigo Prieto, Harris Savides, Dante Spinotti, and
Vilmos Zsigmond. This updated version of "Film Lighting" fills a
growing need in the industry and will be a perennial, invaluable
resource.
Crossover Stardom: Popular Male Stars in American Cinema focuses on
male music stars who have attempted to achieve film stardom.
Crossover stardom can describe stars who cross from one medium to
another. Although 'crossover' has become a popular term to describe
many modern stars who appear in various mediums, crossover stardom
has a long history, going back to the beginning of the cinema.
Lobalzo Wright begins with Bing Crosby, a significant Hollywood
star in the studio era; moving to Elvis Presley in the 1950s and
1960s, as the studio system collapsed; to Kris Kristofferson in the
New Hollywood period of the 1970s; and ending with Will Smith and
Justin Timberlake, in the contemporary era, when corporate
conglomerates dominate Hollywood. Thus, the study not only explores
music stardom (and music genres) in various eras, and masculinity
within these periods, it also surveys the history of American
cinema from industrial and cultural perspectives, from the 1930s to
today.
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