Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building. Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Koran / Yamaguchi Yoshiko. Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies.

This book applies ecolinguistics and psychoanalysis to explore how films fictionalising environmental disasters provide spectacular warnings against the dangers of environmental apocalypse, while highlighting that even these apparently environmentally friendly films can still facilitate problematic real-world changes in how people treat the environment. Ecological Film Theory and Psychoanalysis argues that these films exploit cinema's inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction. The ideological nature of the 'lifeboats' on which these survivors escape, moreover, is accompanied by additional elements that constitute contemporary Cartesian subjectivity, such as class and gender binaries, restored nuclear families, individual as opposed to social responsibilities for disasters, and so on. The book conducts extensive analyses of these processes, before considering alternative forms of filmmaking that might avoid the dangers of this existing form of storytelling. The book's new ecosophy and film theory establishes that Cartesian subjectivity is an environmentally destructive 'symptom' that everyday linguistic activities like watching films reinforce. This book will be of great interest to students and scholars of film studies, literary studies (specifically ecocriticism), cultural studies, ecolinguistics, and ecosophy.

The definitive account of the creation of del Toro's acclaimed fantasy masterpiece, published to celebrate its 10th anniversary. As well as the complete story of the making of Pan's Labyrinth. this book showcases incredible visuals from del Toro's initial musings in his famed journals to exquisite concept art and rare photography from the set, alongside removable items, including script pages and call sheets. The last word on a modern classic.

Acknowledging the significance of Edward Said's Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange, and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization. What can a renewed or reconceptualized Orientalism teach us about the force and limits of our racial imaginary, specifically in relation to various national contexts? In what ways, for example, considering our greater cross-cultural interaction, have cliches and stereotypes undergone a metamorphosis in contemporary societies and cultures? Theoretically, and empirically, this book offers an expansive range of contexts, comprising the insights, analytical positions, and perspectives of a transnational team of scholars of comparative literature and literary and cultural studies based in Australia, Hong Kong, Japan, Malaysia, USA, Singapore, Taiwan, and Turkey. Working with, through and beyond Orientalism, they examine a variety of cultural texts, including the novel, short story, poetry, film, graphic memoir, social thought, and life writing. Making connections across centuries and continents, they articulate cultural representation and discourse through multiple approaches including critical content analysis, historical contextualization, postcolonial theory, gender theory, performativity, intertextuality, and intersectionality. Given its unique approach, this book will be essential reading for scholars of literary theory, film studies and Asian studies, as well as for those with a general interest in postcolonial literature and film.

Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself. A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history.

American art megastar Julian Schnabel (born 1951) has made a metier of both painting and film, and while he is equally acclaimed for his achievements in each of these disciplines, the works have often been kept separate in the public eye. Yet Schnabel's painting has drawn on cinematic imagery for years, often connecting otherwise disparate work via this theme, and his award-winning films have drawn on art both formally and as subject matter-most famously in the 1996 hit "Basquiat." Schnabel himself resists categorization: "I make art," he says,"whether it is painting, writing, photography or making a movie." This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-"Basquiat" (1996), "Before Night Falls" (2000), "The Diving Bell and the Butterfly" (2007) and his newest film "Miral," which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, "Julian Schnabel: Art and Film" is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema.
Julian Schnabel was born and raised in Brooklyn, New York. His first solo show was at the Contemporary Arts Museum in Houston in 1976, but it was with his 1979 exhibition at the Mary Boone Gallery in New York that Schnabel first asserted his presence as a figurehead for new possibilities in painting. Retrospectives of his work have been mounted by Tate Gallery, London (1983), the Whitney Museum of American Art (1987) and Museo Nacionale Centro de Arte Reina Sophia, Madrid (2004), among many others. He made his cinematic debut in 1996 with his account of the life of Jean-Michel Basquiat, which starred Jeffrey Wright, David Bowie, Gary Oldman and Dennis Hopper. "The Diving Bell and the Butterfly" earned him Best Director both at the Cannes Film Festival and the Golden Globes, and an Academy Award nomination in this same category.

This book examines Shyam Benegal's films and alternative image(s) of India in his cinema, and traces the trajectory of changing aesthetics of his cinema in the post-liberalisation era. The book engages with the challenges faced by India as a nation-state in post-colonial times. Looking at hybrid and complex narratives of films like Manthan, Junoon, Kalyug, Charandas Chor, Sooraj Ka Satvaan Ghoda, Zubeidaa and Well Done Abba , among others, it analyses how these stories and characters, adapted and derived from mythology, folk-tales, historical fiction and novels, are rooted in the socio-political contexts of modern India. The author explores diverse themes in Benegal's cinema such as the loss of home and identity, women's sexuality, and the status of dalits and Muslims in India. He also focuses on how the filmmaker expertly weaves history with myth, culture, and contemporary politics and discusses the debate around the interpretive value of film adaptations, adaptation of history and the representations of marginalised communities and liminal spaces. The book will be useful for students and researchers of film studies, cultural studies, and the humanities. It will also interest readers of Indian cinema and the social and cultural history of India.

This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasizing issues facing women's film-making. Presenting an overview of the modern histories of the two neighbouring countries, the study traces certain similarities and contrasts, particularly in the reception, adaption and representation of Western modernity and cinema. This is followed by the exploration of the images of women on screen with attention to minority women, investigating post-traumatic cinema's approaches to women (Islamic Revolution of 1979 in Iran and the 1980 coup d'etat in Turkey) and women's interpretations of post-traumatic experiences. Furthermore, the representations of sexualities and LGBTI identities within cultural, traditional and state-imposed restrictions are also discussed. Investigating border-crossing in physical and metaphorical terms, the research explores the hybridities in the artistic expressions of 'deterritorialized' film-makers negotiating loyalties to both vatan (motherland) and the adopted country. This comprehensive analysis of the cinemas of Iran and Turkey, based on extensive research, fieldwork, interviews and viewing of countless films is a key resource for students and scholars interested in film, gender and cultural studies and the Middle East.

This book provides a comprehensive analysis of major works in Japanese literature and film through the interpretive lens of trauma and PTSD studies. Focusing critical attention on the psychodynamics and enduring psychosocial aftereffects of social trauma, it also evaluates the themes of dissociation, failed mourning, and psychological defence fantasies. Building on earlier studies, this book emphasizes the role of protagonists in managing to effect partial recovery by composing memoirs in which they transform dissociated traumatic memory into articulate, narrative memory or bring about advanced recovery by pioneering alternative means of orally communicating, working through, and overcoming debilitating personal histories of traumatization and victimization. In so doing, Stahl also demonstrates that what holds true on the individual and microcosmic level, also does so on the collective and macrocosmic level. This new critical approach sheds important new light on canonical Japanese novels and films and enables recognition and appreciation of integral psychosocial aspects of these traumatic narratives. As such, the book will be of huge interest to students and scholars of Japanese film and literature, as well as those of trauma studies.

Exploring the evolution of song and dance in the popular Hindi film, this book examines how these quintessential elements have been and continue to be theorized. As song 'picturizations', as they are frequently called, have evolved, shifting from little more than impromptu moves around tree trunks to highly choreographed affairs featuring scores of professional dancers and exotic backgrounds, their theorization has also developed beyond the initial, peremptory dismissals of earlier critics. Featuring a landmark collection of essays from leading theorists, as well as newer contributions from up-and-coming scholars, this book develops new and exciting ways of thinking about song and dance in Hindi cinema and, in turn, explores how these elements work to (re)define popular Hindi cinema in the twenty-first century. This collection will be of interest to students and scholars of Hindi cinema, musicals, and global popular cultures. It was originally published as a special issue of South Asian Popular Culture.

Exam Board: AQA, Edexcel & Eduqas Level: AS/A-level Subject: Modern Languages First Teaching: September 2016 First Exam: June 2017 Film analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and director's technique, as well as specialist terminology. Breaking down each scene, character and theme in Au revoir les enfants (Goodbye, Children), this accessible guide will enable your students to understand the historical and social context of the film and give them the critical and language skills needed to write a successful essay. - Strengthen language skills with relevant grammar, vocab and writing exercises throughout - Aim for top marks by building a bank of textual examples and quotes to enhance exam response - Build confidence with knowledge-check questions at the end of every chapter - Revise effectively with pages of essential vocabulary and key mind maps throughout - Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary

This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair. This new type of character was neither negative nor positive, but nevertheless systematically undermined Soviet norms of behaviour, hairstyle, dress, lifestyle, and perspective, in stark contrast to Socialist Realism's traditional, positive hero who fought for Soviet values and who vanquished the enemies of socialism. The book discusses a wide range of films from the period, showing how the new antiheroic archetype of Stagnation resonated through a multitude of characters, mostly male, and vividly reflected the realities of Soviet life. The book thereby provides great insight into the lives, outlook, and psychology of citizens in the late Soviet period.

Winner of 3 Oscars [registered] and the highest grossing film of its time, "Jaws" was a phenomenon, and this is the only book on how 26-year-old Steven Spielberg transformed Peter Benchley's best-selling novel into the classic film it became. Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, and actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss. After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary year-long adventure in "The Jaws Log", which was first published in 1975, generating 17 printings and selling more than 2 million copies. This paperback edition includes an introduction by Carl Gottlieb, an introduction by Peter Benchley, and 36 black and white photos.

John Wayne died more than thirty years ago, but he remains one of today's five favorite movie stars. The celebrated Hollywood icon comes fully to life in this complex portrait by noted film historian and master biographer Scott Eyman. Exploring Wayne's early life with a difficult mother and a feckless father, "Eyman gets at the details that the bean-counters and myth-spinners miss...Wayne's intimates have told things here that they've never told anyone else" (Los Angeles Times). Eyman makes startling connections to Wayne's later days as an anti-Communist conservative, his stormy marriages to Latina women, and his notorious-and surprisingly long-lived-passionate affair with Marlene Dietrich. He also draws on the actor's own business records and, of course, his storied film career. "We all think we know John Wayne, in part because he seemed to be playing himself in movie after movie. Yet as Eyman carefully lays out, 'John Wayne' was an invention, a persona created layer by layer by an ambitious young actor" (The Washington Post). This is the most nuanced and sympathetic portrait available of the man who became a symbol of his country at mid-century, a cultural icon and quintessential American male against whom other screen heroes are still compared.

Every year, students clamber aboard the Hogwarts Express at platform nine and three-quarters and make their way to Hogwarts for the start of another school year. In the atmospheric castle and its vast grounds, they learn how to brew potions and cast spells, how to tend magical creatures and defend themselves from dark magic. This magical scrapbook takes young readers behind the scenes at Hogwarts School of Witchcraft and Wizardry, covering everything from how students arrive at the school and are sorted into houses to the many magical subjects they study while there. From Transfiguration to Divination, and from Herbology to Charms and Quidditch, we are transported into the world of Harry and his friends with detailed profiles of each subject and information about the professors, classrooms and key lessons seen in the films. Gorgeously illustrated with dazzling concept art, behind-the-scenes photographs, and fascinating reflections from the actors and filmmakers, the scrapbook gives readers a spellbinding tour of Hogwarts life. Destined to be a must-have collectable for fans of Harry Potter, Hogwarts: A Movie Scrapbook also comes packed with interactive inserts.

Way ahead of his time in terms of his physical training, Bruce Lee went against the grain of traditional martial arts to develop his own unique martial art, Jeet Kune Do. However, his art was much more than a physical fighting art, it was a philosophical way of life. Aside from being a world class martial artist, Bruce Lee was also a gifted filmmaker and accomplished actor, appearing in over a dozen Hong Kong dramas before the age of 13. This guide gives an account of each phase of his career. In 1966 at the age of 25 he appeared in the American-produced "Green Hornet" television series, which was to be the start of a newly revived acting career; one that would escalate him to international stardom. When his final film "Enter The Dragon" was completed, Bruce Lee was one of the highest paid actors in the world. Sadly, he died in 1973 before he could reach the pinnacle of his career. This guide thoroughly explores Bruce Lee's films and explores some of the myths that surround them.

One of Hollywood's great leading men, James Garner boasts a career that spans six decades. Whether known as Bret Maverick, Jim Rockford, or Noah Calhoun, Garner's mass appeal transcends generations, but few know the true story of his life, now told in his intimate memoir of growing up in Oklahoma and making it in Hollywood. After suffering physical abuse at the hands of his stepmother, Garner left home at fourteen. He went on to become Oklahoma's first draftee of the Korean War and was honoured for his bravery with two Purple Hearts. Garner eventually returned to Los Angeles where his acting career took off. Working alongside some of the most renowned celebrities - among them Julie Andrews, Marlon Brando, Clint Eastwood - Garner became a star in his own right.

Including tales starring iconic characters such as Han Solo, Lando Calrissian and Darth Vader, this collection also features stories showcasing supporting characters such as Darth Plagueis, Cad Bane, and Temmin "Snap" Wexley. Includes fiction written by renowned best-selling Star Wars authors such as Jason Fry, Matthew Stover, Timothy Zahn, John Ostrander, and Christie Golden, this volume also includes stunning art from some of the saga's best-loved interpreters, including Joe Corroney, Brian Rood, Jan Duursema, and John Van Fleet. Stories included: "Vader Adrift" Author: Ryder Windham Artist: Joe Corroney "First Blood" Author: Christie Golden Artist: Brian Rood "Buyer's Market" Author: Timothy Zahn Artist: Brian Rood "And Leebo Makes Three" Author: Michael Reaves and Maya Kaathryn Bohnoff Artist: Greg and Tim Hildebrandt "A Fair Trade" Author: Christie Golden Artist: Joe Corroney "The Teneborus Way" Author: Matthew Stover Artist: Brian Rood "Maze Run" Author: David J. Williams and Mark S. Williams Artist: Brian Rood "The Guns of Kelrodo-Ai" Author: Jason Fry Artist: John Van Fleet "Hunting the Gorach" Author: Jeff Grubb Artist: Joe Corroney "Getaway" Author: Christie Golden Artist: Joe Corroney "Roll of the Dice" Author: Karen Miller Artist: David Rabbitte "Reputation" Author: Ari Marmell Artist: Tom Hodges "Eruption" Author: John Ostrander Artist: Jan Duursema "One Thousand Levels Down" Author: Alexander Freed Artist: Joe Corroney and Brian Miller "Orientation" Author: John Jackson Miller Artist: Brian Rood "Blade Squadron (Part One)" Author: David J. Williams and Mark S. Williams Artist: Chris Trevas "Blade Squadron (Part Two)" Author: David J. Williams and Mark S. Williams Artist: Chris Trevas "Blade Squadron: Zero Hour" Author: David J. Williams and Mark S. Williams Artist: Chris Trevas "Blade Squadron: Kuat" Author: David J. Williams and Mark S. Williams Artist: Chris Trevas Blade Squadron: Jakku" Author: David J. Williams and Mark S. Williams Artist: Chris Trevas

In 1980, the film Flash Gordon was released, becoming an instant cult favourite. One of the most quotable and beloved sci-fi films ever, it is legendary for its unique look, tone and iconic soundtrack. This beautiful, first-of-its-kind coffee table book will delve into the making of the movie and celebrate its legacy. Featuring brand new interviews with cast and creative, including stars Sam Jones and Brian Blessed and director Mike Hodges, this stunning book features never-been-seen-before concept artwork and behind-the-scenes photography that makes it a must-have for any classic sci-fi fan.

A one-of-a-kind miniature replica of the Hogwarts School of Witchcraft and Wizardry for fans and collectors of Harry Potter and J. K. Rowling’s Wizarding World. Kit includes:

- 4 x 3-inch molded collectible replica of the Hogwarts School of Witchcraft and Wizardry, with flickering light feature

- 16-page sticker book with 8 Hogwarts-related full-color photographs from the Harry Potter films

Museums of Cinema and their Audience examines how cinema has been transformed and strengthened through museological and archival activities since its origins, and asks what paradoxes may be involved in putting cinema in a museum.

Cere examines the ideas which developed around the need to establish national museums of cinema, how these have negotiated and defined the boundary between the national and the international in their exhibitionary and screening practices. She looks at the tensions between the history of film as an aesthetic product and cinema as a a leisurea (TM) activity, and at how, museums of cinemaa (TM)s exhibitions, collections and festivals organised under their aegis, resolve them. The book also explores the way the ideal of public access to a cultural heritage is contradicted by the recent emphasis on museums as 'tourist spaces for individualised consumption'.

All these themes combined will be concretised through the empirical study of five different museums of cinema, including a visitor and audience study and interviews with leading staff, adopting a comparative focus because the resolution of many of the theoretical questions posed above may be shaped by the prevailing sense of national cultural and filmic traditions, as well as the motivations of founders and funding agencies, which may be inflected differently in varying national contexts.

Discover the captivating art of Steven Spielberg's Ready Player One. Our dystopian world lies on the brink of chaos and collapse, but the people have found their salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday. When Halliday dies, he leaves his immense fortune in the form of a digital Easter egg hidden somewhere in the OASIS, sparking a contest that grips the entire world. Wade Watts, an unlikely young hero, decides to join the contest and embarks on a reality-bending treasure hunt through a fantastical world of action, danger, and mystery. Directed by Steven Spielberg and based on author Ernest Cline's internationally bestselling book, Ready Player One is a hugely imaginative sci-fi adventure set in a rich virtual world. The Art of Ready Player One explores the creation of the incredible design work for this much-anticipated film, showcasing a wealth of concept art, sketches, storyboards, and other stunning visuals. The book also features exclusive interviews and commentary from the creative team, forming the perfect companion to one of the most anticipated films of 2018.

Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement. Film Studies is designed for courses on film history, film theory, and popular culture. Its straightforward explanations of core critical concepts, practical advice, and technical, visual, and aesthetic aspects anchor the reader's understanding of the formal language and anatomy of film and the techniques of film analysis. The second edition of this best-selling textbook adds two new chapters: "Film and Ideology," which covers how to read a film's political and social content, and other key topics in film theory, and "Film Studies in the Age of Digital Cinema," which explores the central problems of studying film when "film" itself is no longer the medium.