Exam Board: AQA, Edexcel & WJEC Level: AS/A-level Subject: Modern Languages First Teaching: September 2017 First Exam: June 2018 Film analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and director's technique, as well as specialist terminology. Breaking down each scene, character and theme in Volver, this accessible guide will enable your students to understand the historical and social context of the film and give them the critical and language skills needed to write a successful essay. - Strengthen language skills with relevant grammar, vocab and writing exercises throughout - Aim for top marks by building a bank of textual examples and quotes to enhance exam response - Build confidence with knowledge-check questions at the end of every chapter - Revise effectively with pages of essential vocabulary and key mind maps throughout - Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary

As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the '80's, and '90's are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time. David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean's 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award (R) for best Sound Effects Editing, for his supervising work on Bram Stoker's Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.

Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).

Hill Valley may have changed a lot over the years, but the idyllic town of the beloved Back to the Future movies is a treat to visit in any time period. Divided into five chapters, this quirky cookbook explores the complicated history of Hill Valley through the best possible medium: food. Start your culinary journey in good ol' 1985 with some delicious American comfort food, then travel back to 1955 for some classic diner cuisine. Jump to the far future of 2015 and nosh on some dehydrated pizza. Things might get a little greasy in Biff's alternative, dystopian 1985, but the hardy frontier food of 1885 will keep you going through shoot-outs, train robberies, and whatever else the Wild West has to throw at you. Featuring full-color photography, alternative ingredient suggestions, and helpful notes from some of your favorite characters (Hi, Doc!), this time-hopping, genre-defying cookbook is the perfect gift for foodies, home cooks, and Back to the Future fans of all ages!

Great Scott! A magnetic version of the hoverboard from the Back to the Future films, complete with Marty McFly-styled sneakers for your fingers. The Back to the Future: Magnetic Hoverboard kit includes a mini magnetic hoverboard inspired by the one featured in the films, along with a pair of Marty McFly-styled sneakers that magnetically attach and detach. Kit also includes a collectable magnet featuring movie art and a base to display the hover board.

This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a result, has missed out the potential insights offered by Chinese spirituality on film. Mainland Chinese films, produced within the nation's social structure, offer an excellent lingua franca of China. Illuminating the spiritual imagination of Chinese filmmakers and their yearning for transcendence, the book uses Richard A. Blake's concept of afterimage to analyse the potential theological implications of their films. It then brings Jurgen Moltmann's "immanent-transcendence" and Robert K. Johnston's "God's wider Presence" into conversation with Confucianist and Daoist ideas of there being, spirituality-speaking, "More in Life than Meets the Eye" than simply material existence. This all combines to move beyond film and allow for a Western audience to gain a new perspective on Chinese culture and traditions. One that uses familiar Western terms, while avoiding the imposition of a Western mindset. This is a new perspective on cinema, religion and Chinese culture that will be of keen interest to scholars of Religion and Film, Religious Studies, Theology, Sociology of Religion and Chinese Studies.

Corporate Wrongdoing on Film: The 'Public Be Damned' provides a unique and ground-breaking analysis of corporate wrongdoing depictions, identifying, describing, and categorizing harms perpetrated by corporations. The book provides a history of corporate wrongdoing in film, from the silent film to the present day. Early films are summarized and discussed within the historical, social and political contexts in which they were released. Examining films produced after 1979, the book classifies them by corporate harms to the environment, workers, consumers, and the economy. The book includes a discussion of well over 100 films, from obscure television movies to Hollywood blockbusters. Finally, the book concludes with a narrative analysis exploring the depiction of the protagonists, antagonists, and victims within the corporate wrongdoing film. Detailed and accessible, Corporate Wrongdoing on Film: The 'Public Be Damned' will be of great interest to scholars and students of Criminology and Film and Media Studies.

Sport and film have historically been key components of national cultures and societies. This is the first collection dedicated to examining the intersection of these popular cultural forces within specific national contexts. Covering films of all types, from Hollywood blockbusters to regional documentaries and newsreels, the book considers how filmic depictions of sport have configured and informed distinctive national cultures, societies and identities. Featuring case studies from 11 national contexts across 6 continents - including North and South America, Europe, Africa, Asia and Oceania - it reveals the common and contrasting approaches that have emerged within sport cinema in differing national contexts. This is fascinating and important reading for all students and researchers working in film, media, cultural studies or sport, and for broader enthusiasts of both sport and film.

Winner of 3 Oscars [registered] and the highest grossing film of its time, "Jaws" was a phenomenon, and this is the only book on how 26-year-old Steven Spielberg transformed Peter Benchley's best-selling novel into the classic film it became. Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, and actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss. After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary year-long adventure in "The Jaws Log", which was first published in 1975, generating 17 printings and selling more than 2 million copies. This paperback edition includes an introduction by Carl Gottlieb, an introduction by Peter Benchley, and 36 black and white photos.

This updated ninth edition of Louise Levison's ultimate filmmaker's guide provides easy-to-follow steps for writing an investor-winning business plan for independent films. This new edition includes information on current distribution models and the evolving digital streaming service landscape. Updated examples and references solidify this edition as the go-to source for creating a successful film business plan. Complete with comprehensive explanations on how to write each of the eight sections of a business plan; a complete sample plan for reference; and a companion website with additional information and financial tables, this book gives readers the tools needed to secure financing for a film. Essential reading for students and professionals alike, this book is ideal for anyone looking to further their understanding of film financing and how to create a successful business plan.

Harry Potter: The Film Vault compiles the filmmaking secrets and visionary artistry behind the Harry Potter films into a series of twelve deluxe collectible volumes. Each intricately designed book features gorgeous concept art and unit photography from the Warner Bros. archive paired with striking insights about bringing JK Rowling's Wizarding World to the big screen. In addition, a collectible poster accompanies each volume.

- Argues how and why that the interactive documentary is uniquely positioned as a sphere for decolonization in relation to access, authority, and audience. - Features international and intersectional perspectives and actively gives a voice to emerging scholars and practitioners working outside the margins. - Offers a key contribution to the important, and vocal, debates within the field about how to avoid replicating colonial practices and privileging.

The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history which runs parallel to the nation's political, social, economic and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the 21st century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds, and demonstrates the forces behind Korea's positioning of itself as an important contributor to regional and global culture, and especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung-hee's authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry's professionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions between film policy, producing, directing, genre, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of 'Planet Hallyuwood'. It will be of particular interest to students and scholars of Korean Studies and Film Studies.

i) It is the first book on the general history of Chinese film spanning from the end of the 19th century to the present day. ii) It collects the most significant and latest studies both in China and abroad. iii) It analyses the most important Chinese films and filmmakers and is backed by most solid historical materials and documents. iv) It shows the functions of film in different historical phases of China and unveils the discourse mechanism and development patterns of Chinese films. v) It revisits and reinterprets important events in the development of Chinese cinema and aims to display the complexity and modernity of Chinese film history.

- Argues how and why that the interactive documentary is uniquely positioned as a sphere for decolonization in relation to access, authority, and audience. - Features international and intersectional perspectives and actively gives a voice to emerging scholars and practitioners working outside the margins. - Offers a key contribution to the important, and vocal, debates within the field about how to avoid replicating colonial practices and privileging.

Haunted Europe offers the first comprehensive account of the British and Irish fascination with a Gothic vision of continental Europe, tracing its effect on British intellectual life from the birth of the Gothic novel, to the eve of Brexit, and the symbolic recalibration of the UK's relationship to mainland Europe. By focusing on the development of the relationship between Britain and Ireland and continental Europe over more than two-hundred years, this collection marks an important departure from standard literary critical narratives, which have tended to focus on a narrow time-period and have missed continuities and discontinuities in our ongoing relationship with the mainland.

Doing Film Studies examines what it really means to study film, encouraging the reader to question the dominant theories as well as understanding the key approaches to cinema. This book provides an overview of the construction of film studies - including its history and evolution - and examines the application of theories to film texts. Important questions discussed include:

• Why does film studies need a canon?
• What is the relationship between authorship and genre theory?
• What is screen theory?
• How do we read a film text?
• Why is the concept of the spectator important to film?
• How is film involved in national identity?
• What is meant by a film industry

Aimed at students in their final year of secondary education or beginning their degrees, "Doing Film Studies" equips the reader with the tools needed in approaching the study of film.

"Movies are our way of telling God what we think about this world and our place in it. . . . Movies can be many things: escapist experiences, historical artifacts, business ventures, and artistic expressions, to name a few. I'd like to suggest that they can also be prayers." Movies do more than tell a good story. They are expressions of raw emotion, naked vulnerability, and unbridled rage. They often function in the same way as prayers, communicating our deepest longings and joys to a God who hears each and every one. In this captivating book, Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies function as expressions to God of lament, praise, joy, confession, and more. His clear expertise and passion for the art of film, along with his thoughtful reflections on the nature of prayer, will bring you a better understanding of both. God's omnipresence means that you can find him whether you're sitting on your sofa at home or in the seats at the theater. You can talk to him wherever movies are shown. And when words fail, the perfect film might be just what you need to jump-start your conversations with the Almighty.

This in-depth study of one of the twenty-first century's most acclaimed films, The Social Network: Youth Film 2.0 considers the contribution of David Fincher and Aaron Sorkin's film to the understanding of 'youth' in a contemporary, digital age. The book starts by situating The Social Network within the contexts of 'youth film', arguing that it challenges and reshapes the boundaries of this genre by rethinking the notion of 'youth' itself in the present century. It goes on to consider in detail the aesthetics at work in the film, arguing for its critical and reflexive use of an 'accelerated' audio-visual style, in order to capture both the new visual regimes of the personal computer era, and the ethical and intellectual ambiguities of Facebook itself as a creation. Finally, it locates the film within the broader visual styles and fashion codes of a late twentieth- and early twenty-first-century consumer culture that incorporates and commodifies rebellion and dissent: qualities that underpinned Facebook's emerging, paradoxical identity as at once the epitome of 'hacker' culture and also a multi-billion-dollar global company. Reframing the meaning of youth cinema, this volume in the Cinema and Youth Culture series is ideal for students, researchers and scholars of cinema studies, youth culture and digital cultures.

The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style. Sarris's "The American Cinema," the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, "The American Cinema "remains perhaps the most influential book ever written on the subject.

Learn how to navigate the world with life lessons inspired by the most glamorous high-schooler in Beverly Hills, Cher Horowitz, her BFF Dionne, new pal Tai and the entire crew from the greatest teen comedy of the '90s, Clueless. This mini book is filled with advice, quick tips, and quotes on dating, fashion, friendship, giving back, and so much more -- all illustrated with full-colour photos from the movie throughout.

The magical places that were brought to life for the blockbuster Harry Potter films make up the backbone of J.K. Rowling's wizarding world. This book grants a complete, unprecedented look at the process of adapting those locations for the films. Detailed profiles of each environment pair never-before-seen concept art, behind-the-scenes photos and film stills with text highlighting filmmaking secrets from the Warner Brothers archives.

A must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers, and a global audience interested in intersecting aspects of cinema, culture, politics, and society in contemporary India This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere The book spotlights a specific timeline from the Indies' consolidated emergence in 2010 across a decade of their development Takes note of recent transformations in the Indian political, economic, cultural, and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ issues, female empowerment, caste discrimination, populist politics and religious violence A combination of essential Indie-specific information and concise case-studies

The Harry Potter Film Vault series condenses the rich concept art of the Harry Potter film series into twelve collectible volumes. Harry Potter: The Film Vault compiles the filmmaking secrets and visionary artistry behind the Harry Potter films into a series of twelve deluxe collectible volumes. Each intricately designed book features gorgeous concept art and unit photography from the Warner Bros. archive paired with striking insights about bringing JK Rowling's Wizarding World to the big screen. In addition, a collectible poster accompanies each volume.