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Books > Arts & Architecture > Performing arts > Films, cinema > General
Crossover Stardom: Popular Male Stars in American Cinema focuses on
male music stars who have attempted to achieve film stardom.
Crossover stardom can describe stars who cross from one medium to
another. Although 'crossover' has become a popular term to describe
many modern stars who appear in various mediums, crossover stardom
has a long history, going back to the beginning of the cinema.
Lobalzo Wright begins with Bing Crosby, a significant Hollywood
star in the studio era; moving to Elvis Presley in the 1950s and
1960s, as the studio system collapsed; to Kris Kristofferson in the
New Hollywood period of the 1970s; and ending with Will Smith and
Justin Timberlake, in the contemporary era, when corporate
conglomerates dominate Hollywood. Thus, the study not only explores
music stardom (and music genres) in various eras, and masculinity
within these periods, it also surveys the history of American
cinema from industrial and cultural perspectives, from the 1930s to
today.
Marvel Studios has provided some of the biggest worldwide cinematic
hits of the last eight years, from Iron Man (2008) to the
record-breaking The Avengers (2012), and beyond. Having announced
plans to extend its production of connected texts in cinema,
network and online television until at least 2028, the new
aesthetic patterns brought about by Marvel's 'shared' media
universe demand analysis and understanding. The Marvel Studios
Phenomenon evaluates the studio's identity, as well as its status
within the structures of parent Disney. In a new set of readings of
key texts such as Captain America: The Winter Soldier, Guardians of
the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero
fiction and the role of fandom are considered. The authors identify
milestones from Marvel's complex and controversial business
history, allowing us to appraise its industrial status: from a
comic publisher keen to exploit its intellectual property, to an
independent producer, to successful subsidiary of a vast
entertainment empire.
The Multilingual Screen is the first edited volume to offer a
wide-ranging exploration of the place of multilingualism in cinema,
investigating the ways in which linguistic difference and exchange
have shaped, and continue to shape, the medium's history. Moving
across a vast array of geographical, historical, and theoretical
contexts-from Japanese colonial filmmaking to the French New Wave
to contemporary artists' moving image-the essays collected here
address the aesthetic, political, and industrial significance of
multilingualism in film production and reception. In grouping these
works together, The Multilingual Screen discerns and emphasizes the
areas of study most crucial to forging a renewed understanding of
the relationship between cinema and language diversity. In
particular, it reassesses the methodologies and frameworks that
have influenced the study of filmic multilingualism to propose that
its force is also, and perhaps counterintuitively, a silent one.
While most studies of the subject have explored linguistic
difference as a largely audible phenomenon-manifested through
polyglot dialogues, or through the translation of monolingual
dialogues for international audiences-The Multilingual Screen
traces some of its unheard histories, contributing to a new field
of inquiry based on an attentiveness to multilingualism's work
beyond the soundtrack.
Clint Eastwood-actor, director, composer, musician, and
politician-is undeniably one of the most prolific and accomplished
celebrities of the modern age. This book provides insights into
Eastwood's life and entire career, from early television
appearances to recent award-winning films. He established himself
early in his acting career as "the strong silent type" and became
known as the "actor's director." In a career that spans seven
decades, Eastwood's work has been influential for multiple
generations of film audiences as well as actors, directors, and
producers. This biography investigates the man who made his
characters' lines such as "Go ahead-make my day" and "Get off my
lawn" unforgettable, and shows why his movie roles and the films he
directed are honored, studied, quoted, and remembered. The book
describes everything from Eastwood's formative years and early days
as a struggling actor to his family and personal life to his
lifelong love of jazz music and his political leanings. The
chapters describe not only his tremendous accomplishments and
countless successes but also his notable failures-coverage that
will intrigue readers interested in the film industry, in the
acting craft, and in enduring popular cultural icons. Reviews
Eastwood's accolades, honors, reviews, awards, and specific
achievements throughout his lifetime Provides detailed information
regarding Eastwood's long television and film career Documents why
Eastwood is a cultural icon and considered by many to be the most
respected filmmaker in the film industry today Supplies information
about lesser-known aspects of Eastwood's life, such as his
accomplishments as a composer and musician as well as in politics
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