Winner of first Prize in the BAFTSS Best Edited Collection competition, this volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to 'undo' or 'subvert' popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.

Develop your creative voice while acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier's filmmaking bible, Voice & Vision. Written for independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all of the essentials while keeping artistic vision front and center. Hurbis-Cherrier walks the reader through every step of the process-from the transformation of an idea into a cinematic story, to the intricacies of promotion and distribution-and every detail in between. Features of this book include: Comprehensive technical information on video production and postproduction tools, allowing filmmakers to express themselves with any camera, in any format, and on any budget An emphasis on the collaborative filmmaking process, including the responsibilities and creative contributions of every principal member of the crew and cast A focus on learning to work successfully with available resources (time, equipment, budget, personnel, etc.) in order to turn limitations into opportunities Updated digital filmmaking workflow breakdowns for Rec. 709 HD, Log Format, and D-Cinema productions Substantial coverage of the sound tools and techniques used in film production and the creative impact of postproduction sound design An extensive discussion of digital cinematography fundamentals, including essential lighting and exposure control tools, common gamma profiles, the use of LUTs, and the role of color grading Abundant examples referencing contemporary and classic films from around the world Indispensible information on production safety, team etiquette, and set procedures. The third edition also features a robust companion website that includes eight award-winning example short films; interactive and high-resolution figures; downloadable raw footage; production forms and logs for preproduction, production, and postproduction; video examples that illustrate key concepts found within the book, and more. Whether you are using it in the classroom or are looking for a comprehensive reference to learn everything you need to know about the filmmaking process, Voice & Vision delivers all of the details in an accessible and reader-friendly format.

Witness epic and adorable moments in the life of Grogu in this pocket-sized book of quotes! Hold the thrilling adventures of Grogu and Din Djarin in the palm of your hand, with this tiny book celebrating fan-favorite scenes from Star Wars: The Mandalorian. Loaded with imagery of the most mysterious and lovable alien in the galaxy, and quotes from all of his unlikely allies, Star Wars: The Tiny Book of Grogu will be the perfect gift for any Star Wars fan. - BELOVED MOMENTS IN THE PALM OF YOUR HAND: With its 1.34" x 1.73" size, this tiny book packs a galaxy's worth of adventure into a pocket-sized format. - CELEBRATE GROGU: Featuring imagery and quotes from Star Wars: The Mandalorian (Seasons 1 and 2), this tiny book features Grogu's most incredible escapades. From exploring the galaxy with Din Djarin, to meeting Ahsoka Tano and Luke Skywalker, this tiny book is a fun celebration of Grogu and the world of Star Wars: The Mandalorian. - GREAT FOR FANS OF ALL AGES: As a stocking stuffer or a novelty gift for your favorite foundling, this tiny book will delight Star Wars fans of all ages. - THE PERFECT ADDITION TO YOUR STAR WARS LIBRARY: A tiny but thrilling companion to your collection, Star Wars: The Tiny Book of Grogu is the most adorable addition to Insight Editions' line of tiny books, including Star Wars: The Tiny Book of Jedi and Star Wars: The Tiny Book of Sith.

In this riveting and surprising personal history, John Lithgow shares a backstage view of his own struggle, crisis, and discovery, revealing the early life and career that took place out of the public eye and before he became a nationally known star. Above all, Lithgow's memoir is a tribute to his most important influence: his father, Arthur Lithgow, who, as an actor, director, producer, and great lover of Shakespeare, brought theater to John's boyhood. From bedtime stories to Arthur's illustrious productions, performance and storytelling were constant and cherished parts of family life. "Drama" tells of the Lithgows' countless moves between Arthur's gigs-John attended eight secondary schools before flourishing onstage at Harvard - and details with poignancy and sharp recollection the moments that introduced a budding young actor to the undeniable power of theater. Before Lithgow gained fame with the film "The World According to Garp" and the television show "3rd Rock from the Sun", his early years were full of scenes both hilarious and bittersweet. A shrewd acting performance saved him from duty in Vietnam. His involvement with a Broadway costar brought an end to his early first marriage. The theater worlds of New York and London come alive as Lithgow relives his collaborations with renowned performers and directors, including Mike Nichols, Bob Fosse, Liv Ullmann, and Meryl Streep. His ruminations on the nature of theater, film acting, and storytelling cut to the heart of why actors are driven to perform, and why people are driven to watch them do it. Lithgow's memory is clear and his wit sharp, and much of the humor that runs throughout "Drama" comes at his own expense. But he also chronicles the harrowing moments of his past, reflecting with moving candor on friends made and lost, mistakes large and small, and the powerful love of a father who set him on the road to a life onstage. Illuminating, funny, affecting, and thoroughly engrossing, "Drama" raises the curtain on the making of one of our most beloved actors.

This book examines cinematic practices in Bollywood as narratives that assist in shaping the imagination of the age, especially in contemporary India. It examines historical films released in India since the new millennium and analyses cinema as a reflection of the changing socio-political and economic conditions at any given period. The chapters in Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist Agendas in Hindi Cinemas also illuminate different perspectives on how cinematic historical representations follow political patterns and market compulsions, giving precedence to a certain past over the other, creating a narrative suited for the dominant narrative of the present. From Mughal-e-Azam to Padmaavat, and Bajirao Mastani to Raazi, the chapters show how creating history out of myths validate hegemonic identities in a rapidly evolving Indian society. The volume will be of interest to scholars of film and media studies, literature and culture studies, and South Asian studies.

Come round to Louis Theroux's house where the much-loved TV documentary-maker, podcaster and bestselling author of Gotta Get Theroux This finds himself in unexpected danger . . . Like millions of others, Louis' plans were mothballed by the onset of Covid. Unable to escape to the porn sets, prisons and maximum-security psychiatric units that are his usual journalistic beat, he began reporting on a location even more full of pitfalls and hostile objects of inquiry: his own home during a pandemic. Theroux the Keyhole is an honest, hilarious and ultimately heartwarming diary of the weirdness of family life in Covid World. A wife intolerant of his obsession with Joe Wicks' daily workouts. Two teenage sons, inseparable from their videogames, for whom he is increasingly 'cringe'. A five-year-old happily spamming out videos on his own new TikTok account while on holiday with his oblivious family. Louis also describes how he launches his podcast, Grounded, finally gets to the US to film a new Joe Exotic documentary and aims his sights on the latest incarnation of the far right in a world becoming radicalized by social media. Theroux the Keyhole is Louis at his insightful best, as he faces unforeseen new challenges and wonders why it took a pandemic for him to learn that what really matters in life is right in front of him.

Drawing the Line: Technical Hand Drafting for Film and Television is the essential resource for students and aspiring professionals studying and working in film and television design. The book covers all aspects of scenic drafting by hand - a technique still used in film and television because of its unparalleled emotive and aesthetic qualities. Discover how to draw the iconic scroll of a classical column or learn the difference between Flemish bond and English bond brickwork - it is all here! Other key features include the following: Beautifully illustrated, approachable, step-by-step instructions for every aspect of scenic drafting - specific to film and television; Illustrated explanations of camera lenses, including calculating aspect ratios and projections; Coverage of the four types of drafting projection: isometric, oblique, orthographic and axonometric; A comprehensive glossary of terms, including an illustration of each entry. This beautiful book is clear, accessible, and a must-have for any student aspiring to work in film and television design.

'It is a Lord of the Flies parable with Bhagwan as lord. The book is a fascinating social history, with many celebrities, from Diana Ross to Prince Charles. - Helen Rumbelow, The Times This is the story of a Englishman who gave up a job in journalism to spend fourteen years with the controversial Indian mystic Osho, also known as Bhagwan Shree Rajneesh and frequently referred to as 'the sex guru'. His guru was always controversial with his teachings on sex and spirituality, rumours of orgies and because he owned ninety-three Rolls Royces. Early in 1976, Subhuti travelled to India to meet Rajneesh in his ashram in Pune, became initiated as his disciple and immediately began to have mystical experiences, which he attributed to the powerful energy field surrounding the guru. He stayed for six months, participating in the ashram's notorious Encounter Group and other therapies designed to release suppressed emotions and awaken sexual energy Subhuti would stay to live and work on his master's ashrams for fourteen years, first as his press officer in Pune, India, then as editor of the community's weekly newspaper when Bhagwan and his followers shifted to Oregon, USA, and built a whole new town on the massive Big Muddy Ranch. There Subhuti was a first-hand witness to the scandals and hullabaloo that accompanied the guru, including tales of broken bones in no-holds-barred therapy groups and Tantra groups that encouraged total sexual freedom, and the increasing hostility with the locals which would lead to Bhagwan's attempt to flee America, his arrest and imprisonment. . He was on the Oregon Ranch when Rajneesh's secretary, Ma Anand Sheela, plotted against rival cliques within the ashram as well as a range of murderous crimes against state and federal officials which feature in hit Netflix series Wild Wild Country. Yet, amidst it all, Subhuti could see the profound revolution in spirituality that Bhagwan was creating, leaving a lasting impact on our ideas about society, religion, meditation and personal transformation. According to the author's understanding, it was the controversy itself, plus Bhagwan's refusal to tread the path of a spiritual saint, that became the stepping stone to a new vision of what it means to be a spiritual seeker.

The question of why we laugh (or don't laugh) has intrigued scholars since antiquity. This book contributes to that debate by exploring how we evaluate screen comedy. What kinds of criteria do we use to judge films and TV shows that are meant to be funny? And what might that have to do with our social and cultural backgrounds, or with wider cultural ideas about film, TV, comedy, quality and entertainment? The book examines these questions through a study of audience responses posted to online facilities such as Twitter, Facebook, review sites, blogs and message boards. Bore's analysis of these responses considers a broad range of issues, including how audiences perceive the idea of "national" comedy; what they think of female comedians; how they evaluate romcoms, sitcoms and web comedy; what they think is acceptable to joke about; what comedy fans get excited about; how fans interact with star comedians; and what comedy viewers really despise. The book demonstrates some of the ways in which we can adapt theories of humour and comedy to examine the practices of contemporary screen audiences, while offering new insights into how they negotiate the opportunities and constrictions of different online facilities to share their views and experiences.

Discover the ultimate collection of film and TV locations with the next instalment in Lonely Planet's Spotter's Guide series. Featuring locations from more than 100 of the most iconic scenes ever committed to film, we'll show you where incredible moments from Indiana Jones, Star Wars, Thelma & Louise, Game of Thrones and many more favourites were shot. Whether you're sat in the dark of your local cinema, or curled up on the sofa, each film has the rare ability to transport you to amazing destinations around the globe. Inside this book, you'll be able to explore the real-life locations for some of the most famous productions of all time, filmed in countries including Canada, Australia, Jordan, Croatia, Iceland, Japan, New Zealand, Tunisia and India. Many of these locations effortlessly played themselves, while others were disguised as hostile, alien deserts, futuristic cityscapes, or Jedi hideaways. While a film's job is make you forget you're watching one, there are certain locations that can transport you right into the world of a movie. If you want to feel like 007 with a license to kill, you can take a boat out to James Bond Island, otherwise known as Khao Phing Kan, in Thailand, home to The Man with the Golden Gun. If you want to follow in the footsteps of Holly Golightly, then enjoy a coffee and a Danish pastry outside Tiffany's in Manhattan. Or perhaps you'd like to celebrate something momentous by running up the steps of the Philadelphia Museum like Rocky Balboa. Whether you're a film buff, a travel addict, or both, this book will help to convince you that CGI is never a substitute for the real thing. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' -- Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times

Gesture has held a crucial role in cinema since its inception. In the absence of spoken words, early cinema frequently exploited the communicative potential of the gestures of actors. As this book demonstrates, gesture has continued to assume immense importance in film to the present day. This innovative book features essays by leading international scholars working in the fields of cinema, cultural and gender studies, examining modern and contemporary films from a variety of theoretical perspectives. This volume also includes contributions from an esteemed actor, and a world renowned psychologist working in the field of gesture, enabling a pioneering interdisciplinary dialogue around this exciting, emerging field of study. Drawing on philosophy, psychoanalysis and psychology, the essays think through gesture in film from a range of new angles, pointing out both its literal and abstract manifestations. Gesture is analysed in relation to animal/human relations, trauma and testimony, sexual difference, ethics and communitarian politics, through examples from both narrative and documentary cinema. This book was originally published as a special issue of the Journal for Cultural Research.

In its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media-especially film and television-shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding-how it moved embodied audiences through moving images.

Told from the perspective of a Hollywood executive with nearly 20 years' experience professionally pitching and distributing film/TV projects, Mastering the Pitch reveals all the nuanced details of the pitching process. Readers will gain valuable insights into how the Hollywood system operates, improve their professional pitching skills and gain a competitive edge in getting their ideas from concept to greenlight. This book covers: how projects are packaged and developed before a pitch how a pitch presentation happens in a real-world setting the core concepts required to pitch each genre type how professional companies actually acquire a pitched project the legal workflows and financial details required to put a deal together examples of pitch documents, presentation materials and how these elements should be designed how to build your personal brand so that you're seen by Hollywood decision makers as someone capable of delivering great projects; and how you should speak to professionals about the business viability of your projects Mastering the Pitch is a valuable crossover text, designed to help both students and veteran film/TV producers alike hone their pitching and presentation skills.

Hollywood's live-action superhero films currently dominate the worldwide box-office, with the characters enjoying more notoriety through their feature film and television depictions than they have ever before. This book argues that this immense popularity reveals deep cultural concerns about politics, gender, ethnicity, patriotism and consumerism after the events of 9/11. Superheroes have long been agents of hegemony, fighting for abstract ideals of justice while overall perpetuating the American status quo. Yet at the same time, the book explores how the genre has also been utilized to question and critique these dominant cultural assumptions.

This book is one of the few textbooks designed to teach advanced Chinese language and culture through film. Uses ACTFL's theoretical framework to design the book: This book includes 10 recently released films with different genres, such as drama, ethical film, romance film, science fiction film, and animation. The themes of the films cover a wide range of Chinese social and cultural issues, like family values, youth culture, love , Chinese parenting styles, challenges faced by migrant workers, etc. Accordingly, students can learn and experience contemporary Chinese society and culture through watching and discussing these films. Teacher-friendly: a wealth of discussion points, including not only pre-class preparation questions, but also in-depth questions for teachers to conduct in-class discussion. These topics provide teachers with a wealth of ideas for classroom teaching, which greatly reduces the teacher's lesson preparation work. Explores the artistic characteristics of films: For each film, the authors provided commentary on film cinematography covering topics like film type, lens type, sound, editing and light in order to allow students to explore and analyse the artistic characteristics of film more systematically.

The newly-revised and updated fourth edition of Grammar of the Shot teaches readers the principles behind successful visual communication in motion media through shot composition, screen direction, depth cues, lighting, camera movement, and shooting for editing. Many general practices are suggested that should help to create rich, multi-layered visuals. Designed as an easy-to-use reference, Grammar of the Shot presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises, and quiz questions, and is a staple of any filmmaker's library. New to the fourth edition: an expanded companion website at www.routledge.com/cw/Bowen, offering downloadable scenes and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different compositional choices; new and expanded quiz questions and practical exercises at the end of each chapter to help test readers on their knowledge using real-world scenarios; updated topic discussions, explanations, illustrations, and visual examples. Together with its companion volume, Grammar of the Edit, the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers.

This book explores contemporary American true crime narratives across various media formats. It dissects the popularity of true crime and the effects, both positive and negative, this popularity has on perceptions of crime and the justice system in contemporary America. As a collection of new scholarship on the development, scope, and character of true crime in twenty-first century American media, analyses stretch across film, streaming/broadcast TV, podcasts and novels to explore the variety of ways true crime pervades modern culture. The reader is guided through a series of interconnected topics, starting with an examination of the contemporary success of true crime, the platforms involved, the narrative structures and engagement with audiences, moving on to debates on representation and the ethics involved in portraying both victims and perpetrators of crime within the genre. This collection provides new critical work on American true crime media for all interested readers, and especially scholars and students in the humanities and social sciences. It offers a significant area of research in social sciences, criminology, media and English Literature academic disciplines.

Weimar Cinema Examines three films of the postwar, stabilization, and prefascist period: Dr. Mabuse, the Gambler (1922), People on Sunday (1929), and Kuhle Wampe (1932). Drawing on the ideas of Brecht, each chapter examines the way these films invite sophisticated readings through the use of distinct visual and narrative strategies. They also draw attention to the social function of cinema in Germany's first republic.

Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative 'entertainment'. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian 'national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.

Illustrates how filmmakers can implement aesthetic decision making by using the screenplay and translate this into a powerful film. Focuses on how films can be crafted stylistically from beat-to-beat and empowers filmmakers to do this. Covers all aspects of the filmmaking process to create a comprehensive guide for filmmakers wanting to ensure that they can make the right decision at all stages of the filmmaking process, including directing, acting, cinematography, lighting, production design, sound, and editing.

"When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made." - Australian Women's Weekly Icons "Caine, the timeless gentleman." - Diego Armes, GQ Portugal "I had to be an actor," Michael Caine once said. "[...] And of course, you have to remember with me, the alternative was a factory." A working-class actor who broke through to stardom, Caine's screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O'Neill. Michael Caine: Photographed by Terry O'Neill offers an immersive visual journey through Michael Caine's career, immortalising Caine's charm both in and out of character. Caine occupies a landmark position in cinema and O'Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and colour images and includes never-before-seen contact sheets. Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.

This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike

George Lucas spent nearly ten years bringing his dream project to life: a ground-breaking space fantasy movie. It would be a swashbuckling sci-fi saga inspired by vintage Flash Gordon serials, classic American westerns, and mythological heroes. Its original title: The Star Wars. The rest is history. Yet its production is a story as entertaining and exciting as the film itself. Now, recounted in the words of those who were there, it is finally being told, for the first time.

During the years 1975 to 1978, over fifty interviews were conducted with key members of the cast and crew. Remarkably these interviews have sat, undisturbed, in the Lucasfilm Archives for three decades. Until now.

The interviews are fresh, candid and – above all – more accurate than many other reported accounts. George Lucas, Mark Hamill, Harrison Ford, Carrie Fisher, Anthony Daniels, composer John Williams, legendary production designer John Barry, and a host of others share their fascinating tales of overcoming obstacles – storms, crises, technical limitations, high stress and bitter disappointment – while displaying real ingenuity, heroism and creativity.

Using his unprecedented access to the Lucasfilm Archives and this trove of never-before-published ‘lost’ interviews, photographs, production notes, factoids and anecdotes, J. W. Rinzler hurtles readers back in time for a definitive look at the making of Star Wars. For the first time, it’s all here:

* The evolution of the now-classic story and characters – including ‘Annikin Starkiller’ and a ‘huge green-skinned monster with no nose and large gills’ named Han Solo

* Excerpts from George Lucas’s numerous, ever-morphing script drafts

* The birth of Industrial Light & Magic, the special-effects company that revolutionised Hollywood film-making

* The studio-hopping and budget battles that nearly derailed the entire project

* The director’s early casting saga

* The gruelling, nearly catastrophic location shoot in Tunisia and the following breakneck dash to Elstree Studios in London

Lavishly illustrated with hundreds of images spanning the creation of the film, The Making of Star Wars is a piece of cinema history. It is the true story of human endeavour and creativity that led to the production of one of the most outstanding and innovative movies of all time.

NOTE: The books contains 372 pages. These comprise: 362 pages in Arabic numbered pages (ie. 1 - 362) and 10 Roman numbered pages (i - x).