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Books > Arts & Architecture > Music > Theory of music & musicology > General
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
What link might connect two far worlds like quantum theory and
music? There is something universal in the mathematical formalism
of quantum theory that goes beyond the limits of its traditional
physical applications. We are now beginning to understand how some
mysterious quantum concepts, like superposition and entanglement,
can be used as a semantic resource.
This is the statistical story of almost twenty years in the late
twentieth century of solid gig-going; a life spent listening and
interacting to live music, the story made human by anecdotes
arising from the gigs. This epoch includes the most thrilling of
musical times, the post-punk era of 1978 to mid 1980s - a period of
energy, adventure, originality and innovation, coupled with a
growing political/social awareness. The protagonist, however, did
so much more besides during these near twenty years, and brief
snippets of other events in his life are inserted accordingly. 2011
finds him still happily pursuing this path through life!
Isaac Odeniran is a Businessman, Author and Gospel Recording
Artist. He is the founder and Director of Abundant Life Housing
Association, Abundant Life Housing and Property Services Limited,
Zoe Gospel Promotions Limited and Abundant Life Recording and
Entertainment Company Limited (Zoe Records).
Owning the Masters provides the first in-depth history of sound
recording copyright. It is this form of intellectual property that
underpins the workings of the recording industry. Rather than being
focused on the manufacture of goods, this industry is centred on
the creation, exploitation and protection of rights. The
development and control of these rights has not been
straightforward. This book explores the lobbying activities of
record companies: the principal creators, owners and defenders of
sound recording copyright. It addresses the counter-activity of
recording artists, in particular those who have fought against the
legislative and contractual practices of record companies to claim
these master rights for themselves. In addition, this book looks at
the activities of the listening public, large numbers of whom have
been labelled 'pirates' for trespassing on these rights. The public
has played its own part in shaping copyright legislation. This is
an essential subject for an understanding of the economic, artistic
and political value of recorded sound.
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the
downtown composers known as Minimalists. In the mid-1970s, New York
City was a laboratory where all the major styles of modern music
were reinvented--block by block, by musicians who knew, admired,
and borrowed from one another. Crime was everywhere, the government
was broke, and the infrastructure was collapsing. But rent was
cheap, and the possibilities for musical exploration were
limitless."Love Goes to Buildings on Fire "is the first book to
tell the full story of the era's music scenes and the phenomenal
and surprising ways they intersected. From New Year's Day 1973 to
New Year's Eve 1977, the book moves panoramically from post-Dylan
Greenwich Village, to the arson-scarred South Bronx barrios where
salsa and hip-hop were created, to the lower Manhattan lofts where
jazz and classical music were reimagined, to ramshackle clubs like
CBGB and the Gallery, where rock and dance music were hot-wired for
a new generation.
The sounds of spectators at football (soccer) are often highlighted
- by spectators, tourists, commentators, journalists, scholars,
media producers, etc. - as crucial for the experience of football.
These sounds are often said to contribute significantly to the
production (at the stadium) and conveyance (in televised broadcast)
of 'atmosphere.' This book addresses why and how spectator sounds
contribute to the experience of watching in these environments and
what characterizes spectator sounds in terms of their structure,
distribution and significance. Based on an examination of empirical
materials - including the sounds of football matches from the
English Premier League as they emerge both at the stadium and in
the televised broadcast - this book systematically dissects the
sounds of football watching.
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