Undertaken To Collect Materials For A General History Of Music. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

Undertaken To Collect Materials For A General History Of Music. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

1896. Contents: List of Symphonies; Symphony No. I; Advertisement; Symphony No. 2; Beethoven's Testament; Symphony No. 3; Do. No. 4; The Love-Letters; Beethoven at Gneixendorf; Symphony No. 5; Do. No. 6; Do. No. 7; Do. No. 8; Do. No. 9; and Ode An die Freude.

1896. Contents: List of Symphonies; Symphony No. I; Advertisement; Symphony No. 2; Beethoven's Testament; Symphony No. 3; Do. No. 4; The Love-Letters; Beethoven at Gneixendorf; Symphony No. 5; Do. No. 6; Do. No. 7; Do. No. 8; Do. No. 9; and Ode An die Freude.

Undertaken To Collect Materials For A General History Of Music. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

The first of Beethoven's late string quartets, the 12th Quartet in E-flat Major (Op. 127) is a massive work that showcases the changes in Beethoven's compositional technique. The first movement features a regular interruption of the theme - a technique that Beethoven used in a number of late compositions, while the third movement features a tonal progression similar to one used in the finale of the 9th Symphony.

Undertaken To Collect Materials For A General History Of Music. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

Facsimile reprint. Arie musicale: per cantarsi nel gravicimbalo, e tiorba a una, a due, e a tre voci. Di Girolamo Frescobaldi organista del Serenissimo Gran Duca di Toscana. Libri primo e secondo. [Florence 1630].

"Interpreting Music" is a comprehensive essay on understanding musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning - even the very concept of music - while breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by working through music to wider philosophical and cultural questions.

Beethoven's String Quartet No. 14 in C-sharp minor (Op. 131) is considered by many (including Beethoven himself) to be Beethoven's finest string quartet. The work consists of seven movements, played attaca, and covers all ranges of keys as it develops.

This is a biography of William Sternale Bennett. He was born in 1816, entered King's College Chapel in 1824 and the Royal Academy of Music in 1826. He visited Germany frequently and was influenced by Mendelssohn. Robert Schuman described him as the most musikalisch of all Englishmen. In c. 1841 he returned to London and taught. In 1956 he was appointed musical professor at Cambridge and permanent conductor of the Philharmonic Society. This is a facsimile of the 1907 edition.

Song cycles for voice and piano by composers Murray Boren, Daniel Bradshaw, Harriet Petherick Bushman, Charis Bean Duke, Lansing McLoskey, and David H. Sargent to poetry by Glen Nelson, Lance Larsen, Susan Howe, Will Reger, Javen Tanner, and Elaine E. Craig. Published by Mormon Artists Group.

The last of Beethoven's middle period string quartets, the String Quartet No. 11 in F minor, Opus 95, represents a departure for Beethoven. The work, which became known as the "Serioso" quartet after Beethoven's initial tempo marking of "Quartetto Serioso," was marked on the autograph as being completed in October 1810, but did not receive a first performance until 1814. Beethoven was quoted as saying the work was never intended for public performance. Throughout the quartet, Beethoven experiments with new techniques that he had not used in previous quartets, with silences and unusual tonality for a sonata form work. This is the Performer's Edition Pocket Score of the work, designed for easy transport in a case or compact carrying for study of the work.

Music lovers of all ages are drawn to the pure melodies of classical music. Now aficionados of this timeless genre can learn something about classical music every day of the year Readers will find everything from brief biographies of their favorite composers to summaries of the most revered operas. Interesting facts about the world's most celebrated songs and discussions of classical music-meets-pop culture make this book as fun as it is informative. Ten categories of discussion rotate throughout the year: Classical Music Periods, Compositional Forms, Great Composers, Celebrated Works, Basic Instruments, Famous Operas, Music Theory, Venues of the World, Museums & Festivals, and Pop Culture Medley.

This is a facsimile of the original 1776 edition, not the Victorian reprint. This is volume 1 of 5. See other ISBN entries for the other 4 volumes.

"Requiem 1" is the companion songbook for Fariborz Lachini's CD of the same name. The pieces are deeply emotional, evocative, and harmonically rich. 1 Requiem 2 Unafraid 3 Blossom 4 Enigmatic Heart 5 Unwritten Letter 6 Across The Waves 7 Dinner By Candlelight 8 Emerging From The Clouds ISMN: 979-0-706060-04-0 Corresponding MP3s: http: //www.amazon.com/Requiem-1-Solo-Piano/dp/B003YB17G8 Single Sheet Music or complete eBook, compatible with Kindle/iPad/other eBook readers, in PDF format is available from artist's official website for download using your amazon.com account: http: //www.lachini.com

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a facsimile of volume 2 of the first edition in 1773, ISBN 978-1-84955-067-3. . Volume 1 is available as a matching pair, 978-1-84955-065-9. . Both volumes have also been reprinted as one book which makes it slightly cheaper, 978-1-904331-58-2. .

This, the second edition, was significantly revised and expanded. It incorporates a substantial amount of new material - notably three sections on the operas Hugh the Drover, Sir John in Love and The Poisoned Kiss. Also Wilfrid inserted into the final chapter A Double Man's Last Harvest, an account of the late A minor sonata for violin and piano.

Here is one of the most enjoyable and illuminating books ever published for the music lover, a feast of delightful anecdotes that reveal the all-too-human side of the great composers and performers.
There are stories of appetites (Handel eating dinner for three), embarrassments (Brahms falling asleep as Liszt plays), oddities (Bruckner's dog being trained to howl at Wagner), and devotions (a lovely admirer disrobing in tribute to Puccini). There are memorable accounts of Stravinsky telling Proust how much he hates Beethoven, of Tchaikovsky's first bewildering telephone call, of Dvorak's strange love of pigeons, and of Verdi's intricate maneuvering to keep the now-famous melody of "La donna e mobile" top secret.
There is also wonderful trivia (Beethoven loved to cat "bread soup" made with ten raw eggs), along with eccentric strategies (Verdi, disturbed by the sound of street organs playing arias from his operas, hired them all for a season and kept them locked in a room). There are examples of musicians munificent generosity (Haydn called Mozart "the greatest composer known to me, either in person or by name"), and scathing dismissal ("Have you heard any Stockhausen?" the conductor Sir Thomas Beecham was asked. "No," he replied, "but I believe I have trodden in some").
Collected from thousands of books, articles, and unpublished manuscripts (with historical sources provided in extensive notes), these anecdotes appear in their original form, throwing fresh light on familiar figures in the musical hall of fame. For browsing, reading, research and amusement, this book is a grand entertainment for concert-goers, record-buyers, operamanes, gossips and music lovers everywhere.

Facsimile reprint of his biography. Translated from German into English and this edition originally published in 1865. NB. This is 2 vols in one book.

From 1823-1826, Beethoven composed a series of string quartets which are now recognized as some of the masterworks of this genre. These quartets show Beethoven at his height as a composer, with composition occurring during the same timeframe as his Ninth Symphony. This collection includes the five late quartets (Op. 127, 130, 131, 132, & 135) as well as the Grosse Fuge (Op. 134).

Beethoven's String Quartet No. 10 in E-flat Major, Opus 74, was originally published in 1809 with the nickname "Harp" given by the publisher. This nickname is based on the impressions in the first movement with ascending arpeggios played pizzicato by alternating instruments. While portions of the work foreshadow things to come in Beethoven's late period, the fourth movement, with a traditional classical theme and variations form, stands out as a point of confusion to many Beethoven scholars. This is the Performer's Edition Pocket Score of the work, designed for easy transport in a case or compact carrying for study of the work.

From the introduction "The inception of this biography of England's greatest singer - John Simms Reeves - is due to his son, Mr. Herbert Reeves."