Florence May studied under Brahms, which made her well positioned to write his biography. The second edition, revised by the author with additional matter and illustrations, was written in the 1910s but was not published till 1948, many years after the author's death.

Musical score to Bailero (for Solo Voice, unaccompanied), by avant-garde composer Dawn K. Williams, which may be sung by any voice type. Partly sung into a megaphone to depict echoes across mountains, the piece combines newly-composed music with quotation of the Auvergne folksong by the same name. The Occitan text, an exchange between two shepherds, appears both unaltered and in rearranged phonemes. Includes program note, text translation, performer instructions, and full-color photograph of the composer performing the piece. Difficulty level: Virtuosic. Duration: 20 minutes. - COMPOSER AUTHORIZED SCORE - www.dawnkwilliams.com

Today's most famous cellists as well as up-and-coming talents are subjects of this extraordinary photographic reportage book. For years, Uta Ssse-Krause took pictures at festivals, workshops, competitions, rehearsals and concerts of performing cellists, newly discovered and established leading musicians. Her photographs capture the individuality of each cellist; all the photographs were taken live without any posing. This collection was taken from her own photo archives, and these were selected for their absolute authenticity ? portraying faces as the mirror of musical sentiment. As different as each cellist's state of mind may be, they all have one thing in common: unconditional dedication to their play.

Beethoven followed in the footsteps of Haydn, father of the string quartet, and created what is now regarded as one of the finest collections of masterworks in the string quartet genre. From the early quartets, reminiscent of some of Mozart's quartets, to the soaring and emotional late quartets, these works have become favorites of both performers and audiences around the world. This collections includes the full scores for all 16 string quartets as well as the Grosse Fuge. Early String Quartets: String Quartet No. 1 in F Major (Op. 18, No. 1) String Quartet No. 2 in G Major (Op. 18, No. 2) String Quartet No. 3 in D Major (Op. 18, No. 3) String Quartet No. 4 in C minor (Op. 18, No 4) String Quartet No. 5 in A Major (Op. 18, No. 5) String Quartet No. 6 in Bb Major (Op. 18, No. 6) Middle String Quartets: String Quartet No. 7 in F Major (Op. 59, No. 1) String Quartet No. 8 in E minor (Op. 59, No. 2) String Quartet No. 9 in C Major (Op. 59, No. 3) String Quartet No. 10 in Eb Major "Harp" (Op. 74) String Quartet No. 11 in F minor "Serioso" (Op. 95) Late String Quartets: String Quartet No. 12 in Eb Major (Op. 129) String Quartet No. 13 in Bb Major (Op. 130) String Quartet No. 14 in C# minor (Op. 131) String Quartet No. 15 in A minor (Op. 132) String Quartet No. 16 in F Major (Op. 135) Grosse Fuge (Op. 133)

Wagner's Siegfried Idyll (WWV 103) represents one of the few non-operatic works created by Wagner. This work for small orchestra was originally composed for his second wife, Cosima, and was originally performed on her birthday, with Wagner waking her to the theme.

Viennese composer, pianist and renowned teacher Carl Czerny (1791-1857) wrote more than a thousand works, including masses, operas, orchestral, chamber and piano works. But his fame rests on his many studies and exercises for the piano. These are new editions, newly engraved, with introductory articles in English, for the moderately advanced pianist, in progressive order of difficulty.

Paul Marie Theodore Vincent d'Indy (1851-1931), was a composer and teacher. He initially read law and then moved to music. He studied under Cesar Franck at the Conservatoire de Paris. He co-founded the Schola Cantorum in 1894.

(Misc). Apart from the technical aspect that is to the fore, Hosokawa also opens the listener's eyes to the soft Impressionist color of Japanese poetry: a cherry blossom celebration, a lullaby-and again and again an approach to the sound of the koto, the traditional Japanese zither.

This work (Op. 59, No. 2) is one of the Razumovsky Quartets originally published in 1806. The second movement of the quartet gives us a hint of what is to come in the Op. 132 quartet with its hymn-like quality, while the third movement includes a "Theme Russe" also used by Mussorgsky in Boris Gudunov. This theme is thought to have been given to Beethoven by Razumovsky to use in the quartet. Beethoven did so with humorous results. This edition is a pocket score of the quartet, designed for easy use in rehearsals and transport in your case, or for studying of the work.

Opus 59, No. 3 is the last of the three Rasumovsky Quartets written by Beethoven on the commission of Prince Andreas Razumovsky. The other two quartets in this series feature a specified Russian theme (Theme Russe) in the work, while this work does not. Many have looked to the second movement of the quartet as a Russian movement - with decidedly different tonal qualities than were common to Beethoven's work at the time. This edition is a Pocket Score, designed for ease of use in rehearsals or in studying the work. Its compact size makes it perfect for carrying in your case.

Beethoven's early string quartets (Opus 18), were written between 1798 and 1800 and quickly became part of the standard string quartet repertoire. This is the Performer's Edition of the quartets, with clean print and easy to read markings designed for the performer.

Dubois' oratorio was given its premiere on Good Friday (April 19), 1867 at glise de la Madeleine in Paris under the composer's direction. Although first published in 1886 by Georges Hartmann of Paris, the vocal score presented here is a digitally enhanced reprint of the one first produced in 1899 by G. Schirmer of New York, with an English translation beneath the original Latin text by Theodore Baker (1851-1934). This score has been carefully reviewed, with measure numbers and rehearsal letters added. It is now completely compatible with the widely available full score and orchestral parts issued by Edwin F. Kalmus. The large (A4) size makes it particularly easy to read for choruses both at both professional and community levels.

This is a facsimile reprint of the edition printed by Thomas Este, circa 1587.

This is a facsimile of the original 1776 edition, not the Victorian reprint. This is volume 2 of 5. See other ISBN entries for the other 4 volumes.

This is a facsimile of the original 17776 edition, not the Victorian reprint. This is volume 3 of 5. See other ISBN entries for the other 4 volumes.

This is a facsimile of the orignal 1776 edition, not the Victorian reprint. This is volume 4 of 5. See other entries for the other 4 volumes.

This is a facsimile of the origial 1776 edition, not the Victorian reprint. This is volume 5 of 5. See other ISBN entries for the other 4 volumes.

for SSATB unaccompanied While perhaps Tallis and Byrd's Lamentations are better known, Robert White's Lamentations reflects a uniquely bleak and austere vision and is surely one of the composer's finest works. David Wulstan writes: 'This grief-stricken music is spellbinding.' Set for five voices, the melancholy sound moves between expressive contrapuntal writing and block chords, offering some remarkably bold harmonic shifts and revealing an exceptional depth of emotion. In keeping with the high standards of the previous Musica Dei Donum editions, this edition has a running translation atop each system to facilitate performance. White's Lamentations is well suited for any good church choir or amateur or college chorus in a concert setting.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.