Three works by conductor Felix Weingartner (1863-1942) feature the title essay, which discusses the performing difficulties and interpretation questions involved in Beethoven's 9 symphonies. Also includes "On Conducting" and "The Symphony Since Beethoven," both attesting to the belief that art is at its best when an "exceedingly delicate balance is attained between the feeling and the intellect."

Nadia Boulanger (1887-1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. For many composers-- especially Americans from Aaron Copland to Philip Glass--studying with Boulanger in Paris or Fontainebleau was a formative moment in a creative career. Composer, performer, conductor, impresario, and charismatic and inspirational teacher, Boulanger engaged in a vast array of activities in a variety of media, from private composition lessons and lecture-recitals to radio broadcasts, recordings, and public performances. But how to define and account for Boulanger's impact on the music world is still unclear. Nadia Boulanger and Her World takes us from a time in the late nineteenth century, when many careers in music were almost entirely closed to women, to the moment in the late twentieth century when those careers were becoming a reality. Contributors consider Boulanger's work in the worlds of composition, musical analysis, and pedagogy and explore the geographies of transatlantic and international exchange and disruption within which her career unfolded. Ultimately, this volume takes its title as a topic for exploration--asking what worlds Boulanger belonged to, and in what sense we can consider any of them to be "hers."

New, digitally-enhanced reprint of the full score issued by Bossey & Co., London in 1901, the same year Elgar conducted the world premiere of this sparkling concert overture. Subtitled "In London Town," Cockaigne has been an audience favorite ever since. An outstanding value for students, conductors, librarians and Elgar aficionados everywhere.

Cello Online String Sampler Cello Sheet Music is a fun and easy way to actively learn, study and play beautiful cello music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, styles and cultures, including Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and provide a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. A study guide, sold separately, explains the history and musical form of the selected pieces, and includes cello technique tips for each piece of music. As an added bonus, sound files of each piece are currently available on a website, Cello Online : http://www.celloonline.com (no guarantees are made that these sound files and website will be available indefinitely). In addition to sound files, Cello Online content includes a review of cello basics such as instrument care and tuning; cello playing position; fingering assistance; cello technique tips; scales and etudes; and music theory basics. Let the music begin

Undertaken To Collect Materials For A General History Of Music. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

Undertaken To Collect Materials For A General History Of Music. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

Beethoven's 13th Quartet (Op. 130) in B-flat Major is traditionally assigned the number 13 based on its publication date, though it was acutally the 14th quartet he composed. This work features a unique 6 movement structure which mirrors Beethoven's traditional form used in many symphonies and quartets, but repeating the two middle movements. In its original form, this quartet included the Grosse Fuge as its finale. After the first performance received mixed reviews, Beethoven replaced the finale with the movement included in this version and published the Grosse Fuge as a separate work.

The first of Beethoven's late string quartets, the 12th Quartet in E-flat Major (Op. 127) is a massive work that showcases the changes in Beethoven's compositional technique. The first movement features a regular interruption of the theme - a technique that Beethoven used in a number of late compositions, while the third movement features a tonal progression similar to one used in the finale of the 9th Symphony.

Facsimile reprint. Arie musicale: per cantarsi nel gravicimbalo, e tiorba a una, a due, e a tre voci. Di Girolamo Frescobaldi organista del Serenissimo Gran Duca di Toscana. Libri primo e secondo. [Florence 1630].

This, the second edition, was significantly revised and expanded. It incorporates a substantial amount of new material - notably three sections on the operas Hugh the Drover, Sir John in Love and The Poisoned Kiss. Also Wilfrid inserted into the final chapter A Double Man's Last Harvest, an account of the late A minor sonata for violin and piano.

This is the biography of Sir Walter Galpin Alcock, organist and composer, written by his daughter, Naomi Judith Bateson. Organist at Salisbury Cathedral from 1916 - 1947. "He lived under five sovereigns and assisted in the coronations of three of them."

This work (Op. 59, No. 2) is one of the Razumovsky Quartets originally published in 1806. The second movement of the quartet gives us a hint of what is to come in the Op. 132 quartet with its hymn-like quality, while the third movement includes a "Theme Russe" also used by Mussorgsky in Boris Gudunov. This theme is thought to have been given to Beethoven by Razumovsky to use in the quartet. Beethoven did so with humorous results. This edition is a pocket score of the quartet, designed for easy use in rehearsals and transport in your case, or for studying of the work.

Opus 59, No. 3 is the last of the three Rasumovsky Quartets written by Beethoven on the commission of Prince Andreas Razumovsky. The other two quartets in this series feature a specified Russian theme (Theme Russe) in the work, while this work does not. Many have looked to the second movement of the quartet as a Russian movement - with decidedly different tonal qualities than were common to Beethoven's work at the time. This edition is a Pocket Score, designed for ease of use in rehearsals or in studying the work. Its compact size makes it perfect for carrying in your case.

Beethoven's String Quartet No. 10 in E-flat Major, Opus 74, was originally published in 1809 with the nickname "Harp" given by the publisher. This nickname is based on the impressions in the first movement with ascending arpeggios played pizzicato by alternating instruments. While portions of the work foreshadow things to come in Beethoven's late period, the fourth movement, with a traditional classical theme and variations form, stands out as a point of confusion to many Beethoven scholars. This is the Performer's Edition Pocket Score of the work, designed for easy transport in a case or compact carrying for study of the work.

The last of Beethoven's middle period string quartets, the String Quartet No. 11 in F minor, Opus 95, represents a departure for Beethoven. The work, which became known as the "Serioso" quartet after Beethoven's initial tempo marking of "Quartetto Serioso," was marked on the autograph as being completed in October 1810, but did not receive a first performance until 1814. Beethoven was quoted as saying the work was never intended for public performance. Throughout the quartet, Beethoven experiments with new techniques that he had not used in previous quartets, with silences and unusual tonality for a sonata form work. This is the Performer's Edition Pocket Score of the work, designed for easy transport in a case or compact carrying for study of the work.

This is a facsimile of the origial 1776 edition, not the Victorian reprint. This is volume 5 of 5. See other ISBN entries for the other 4 volumes.

This is a facsimile of the orignal 1776 edition, not the Victorian reprint. This is volume 4 of 5. See other entries for the other 4 volumes.

This is a facsimile of the original 1776 edition, not the Victorian reprint. This is volume 1 of 5. See other ISBN entries for the other 4 volumes.

This is a facsimile of the original 1776 edition, not the Victorian reprint. This is volume 2 of 5. See other ISBN entries for the other 4 volumes.

"Requiem 1" is the companion songbook for Fariborz Lachini's CD of the same name. The pieces are deeply emotional, evocative, and harmonically rich. 1 Requiem 2 Unafraid 3 Blossom 4 Enigmatic Heart 5 Unwritten Letter 6 Across The Waves 7 Dinner By Candlelight 8 Emerging From The Clouds ISMN: 979-0-706060-04-0 Corresponding MP3s: http: //www.amazon.com/Requiem-1-Solo-Piano/dp/B003YB17G8 Single Sheet Music or complete eBook, compatible with Kindle/iPad/other eBook readers, in PDF format is available from artist's official website for download using your amazon.com account: http: //www.lachini.com

This is a facsimile reprint of the edition printed by Thomas Este, circa 1587.