WE SANG BETTER consists of two volumes of very clear advice about singing from great singers of the past. Volume 2 (ISBN 978-84-940477-9-4) is entitled Why it was better and contains further evidence and reasoning from singers 1800 to 1960. This volume is 260 pages long, and contains 20 illustrations. One very important thing right from the start, said Puccini s star soprano Maria Jeritza, - not to scream and not to force. As Volume 1 made clear, the best singers of this period approached their art and their training gently. They built slowly upon the individual voice granted by nature. Volume 2 gives further proof that many of these singers knew exactly what they were doing and why. They were highly aware that singing can go wrong. But they said if you wanted superlative singing you had to keep approaching it their way. You would never master supreme singing: if you put your trust in scientific discoveries or fixes; if you rushed your training or forced; or if you tried to copy some academic style . The original Italian model for singers was uncomplicated: the aim was to be natural, spontaneous and simple. And, as Puccini added, We Italians love beauty of sound. This volume takes evidence from the singers on dozens of topics such as: pressure, exercises, forward, dans le masque, covering, from the chest, voix sombr e, portamento, attack, vowel modifications, support, golden ages, keeping up with instrumentalists, listening to others, performances of early music, etc - and also on the question of whether singing is a science, an art, or even something more - something spiritual. James Anderson is a musician who has worked for the Arts Council of Great Britain and has run major European Festivals. Regretting the scarcity of supreme singing today, he has spent the last 30 years researching and collating this advice. He now helps young singers through the Singers Legacy website. For your information, the first volume (ISBN 978-84-940477-8-7) is entitled How we sang and contains 250 tips on how to sing from singers 1800 to 1960; the first volume is 490 pages long, and contains 130 illustrations.

Originally written as the finale of Beethoven's 13th Quartet (Op. 130), the Grosse Fuge was later published as a separate work following the poor reception of that quartet by the public. In its current form, the Grosse Fuge (Op. 134), has become much loved among Beethoven afficianados and is seen as one of his most "contemporary" works.

The last of Beethoven's quartets, the F Major (Op. 135), represents the last major work written by Beethoven. Only the revised finale to the Op. 130 quartet was written later than this work. This quartet is much smaller in scale than the other late quartets, but continues the personal impact of the work. Beethoven titled the fourth movement "Der schwer gefasste Entschluss" (The Difficult Resolution) and labled two of the primary motives "Muss es sein?" (Must it be?) and "Es muss sein " (It must be ).

The first in a series of tone poems for orchestra inspired by those of Franz Liszt, Le rouet de Omphale was composed in 1872 and named for the story in Greek mythology where Heracles was sentenced for a year to do women's work, wear women's clothing and hold a basket of wool as Omphale and her maids were spinning. The work become quite popular in the early 20th century after its use as a theme for "The Shadow" radio program. The score presented here is a newly engraved edition prepared by Richard W. Sargeant, Jr.

In 1873, Bizet arranged five movements from his 1871 suite for piano duet for a new series of orchestral concerts organized by the publisher Georges Hartmann and the conductor Edouard Colonne at the Odeon Theatre in Paris. The premiere took place there on March 2nd of that year and the "Petite suite d'orchestre" entered the repertoire soon afterwards. This newly engraved score has been carefully edited by Richard Sargeant from the first edition and other primary sources. Printed in a very convenient, highly readable format, the new edition will be welcomed by orchestral musicians and Bizet fans worldwide.

Dedicated to James Causley Windram, Holst's second suite inspired by English folk music was composed in 1911. The folk tunes quoted include "Glorishears," "Swansea Town," "Claudy Banks," "I'll Love My Love," "The Dargason" and "Greensleeves." Based upon the composer's manuscript and the first edition of 1922, this new edition by Richard Sargeant - beautifully engraved at an affordable price in a convenient size - will be much appreciated by bands and wind ensembles, students, and admirers of Holst's unique music worldwide.

Miss Blackberry, the gifted pianist and piano teacher, takes her three piano students, Lena, Thomas, and Andrew, on an exciting musical adventure where they travel back in time to meet the world famous musician, Mr. Wolfgang Amadeus Mozart.

Mr. Mozart teaches the students many important things about music and then invites Miss Blackberry and the students to a royal ball where he is giving a musical performance of his newly written piano music. At the ball, Miss Blackberry and her students dress in historical clothes, meet an emperor and dine on sumptuous foods!

The fun-filled musical adventure will help Miss Blackberry's piano students to better perform their music in the Great Piano Recital that will soon take place.

This work of fiction can be utilized by the young pianist as a supplementary learning tool.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Fontane Di Roma: Poema Sinfonico Per Orchestra; Edizioni Ricordi Ottorino Respighi G. Ricordi, 1918 Symphonic poems

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Present State Of Music In France ... Charles Burney Biography & Autobiography; Composers & Musicians; Biography & Autobiography / Composers & Musicians; Music / Ethnic; Music / History & Criticism

Sargeant's unique orchestration of Brahms' popular set of sixteen waltzes is a welcome addition to the symphonic repertoire.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Messiah: Oratorio; G. Schirmer's Editions Of Oratorios And Cantatas George Frideric Handel Thomas Tertius Noble null null Charles Jennens G. Schirmer, 1912 Music; Genres & Styles; Classical; Music / Genres & Styles / Classical; Oratorios

Lose yourself in the fascinating story of classical music in The Complete Classical Music Guide. Full of beautiful colour photographs, over 300 inspiring composer biographies, analyses of major classical works and information on every genre, style and form, instrument and ensemble, this is essential reading for every lover of classical music. Be inspired by the composers who have shaped the musical landscape over a millennia from the earliest music, through the Baroque and Romantic eras and right up to the modern classical music of today. Presented in a beautiful glossy slipcase in the shape of a grand piano, The Complete Classical Music Guide will hit the right note with any classical music fan. All content previously published in Eyewitness Companions: Classical Music.

Title: Songs and ballads of the American Revolution: with notes and illustrations.Author: Frank MoorePublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP02356200CollectionID: CTRG97-B2265PublicationDate: 18560101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Includes engraved t.p. Includes index.Collation: xii, 394 p.; 18 cm

"Requiem 2" is the companion songbook for Fariborz Lachini's CD of the same name. The pieces are deeply emotional, evocative, and harmonically rich. Sad Ballerina Blue Orchids Only Sound Remains Crossing Butterfly in Snow New Beginnings Forgotten Path Flying Dream

ISMN: 979-0-706060-06-4 Corresponding MP3s: http: //www.amazon.com/Requiem-2-Solo-Piano/dp/B003YCMXDI/ Single Sheet Music or complete eBook, compatible with Kindle/iPad/other eBook readers, in PDF format is available from artist's official website for download using your amazon.com account: http: //www.lachini.com

Antony Hopkins was most instrumental in opening up classical music to a wider audience. To celebrate his 90th birthday in 2011 (21st March, same date as Bach but different year) we are republishing some of his works.

Antony Hopkins was most instrumental in opening up classical music to a wider audience. To celebrate his 90th birthday in 2011 (21st March, same date as Bach but different year) we are republishing some of his works.

Antony Hopkins was most instrumental in opening up classical music to a wider audience. To celebrate his 90th birthday in 2011 (21st March, same date as Bach but different year) we are republishing some of his works.

Wagner's Siegfried Idyll (WWV 103) represents one of the few non-operatic works created by Wagner. This work for small orchestra was originally composed for his second wife, Cosima, and was originally performed on her birthday, with Wagner waking her to the theme.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Il Turco In Italia: Dramma Buffo Per Musica Gioacchino Rossini Tip. G. Pirola, 1814

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ L'Elisire D'amore: Containing The Italian Text With An English Translation, And The Music Of All The Principal Airs Gaetano Donizetti, Eugene Scribe null O. Ditson, 1860 Music; Genres & Styles; Opera; Music / Genres & Styles / Opera; Operas