Antonin Dvorak: Biblical Songs for Ukulele (C tuning with low G). Czech romantic composer Antonin Dvorak (1841-1904) wrote a brilliant song cycle Biblical Songs. This cycle belongs to the best what he composed and we are able to play on the ukulele. Moreover, you could listen to the song "God is my shepherd" in "Kolja" movie that was awarded by Oscar prize in 1997 (the best foreign language film). Check out samples from books: http: //osos.sweb.cz/preview-ukulele.pdf

Food writer Judy Jackson has a blog going out to over 25,000 young people. This is the audience for her second novel, Sextet. After the award-winning Camel Trail, she has come up with a story of music, adultery and a child's life in jeopardy. Does food come into it? Only in brief scenes where the two main characters are cooking and struggling to rebuild their lives. Joseph is a concert pianist; Tom is an art dealer. Both are coming to terms with tragedy. Sextet is a story for our time, written by an author (with twelve grandchildren) who has got into the lives and minds of young people today.

It began with a scream in the storm, shattering the world like thunder, yielding creatures born of nightmare and the firewind. Abominations appeared, thriving on despair, pain and fear; monsters that had not existed since a time so long ago that history had drifted into legend. Tahrl Morgan ap Morin was the Leader of the Troglodyte Defense; he had been born of the Kianan and raised by the Montmorin. Protector of the Kianan, Montmorin and Dryn, he was the one who now found himself facing the nightmare storm; the one who must stop monsters that had not walked the earth since time out of mind. A scream had fractured the world like a splinter of choas thrust into the mind. The song had been broken, and the world had to be made new once more.

In this collection of academic essays, award-winning pianist and music professor Yaokun Yang shares her carefully compiled analyses of classical music and aesthetics during several different periods, focusing particularly on the aspect of piano performance practice.

Yang, who devoted six years to her research, offers extensive commentary, historical background, and comparisons of varied composers and their music. The pieces she studies include Beethoven's piano sonatas, an advanced piano teaching series, the development of opera in different areas, Bach's Brandenburg concertos, Haydn's piano sonatas, the Bach-Busoni Chaconne, Brahms's Intermezzo, Olivier Messiaen's Vingt regards sur l'enfant-Jesus, Prokofiev's piano sonatas, Webern's Six Pieces for Large Orchestra, and Schumann's Piano Concerto.

With this collection of analyses, Yang hopes to provide information and commentary to help contemporary pianists recognize the beauty and the challenges of performing different musical styles in appropriate ways. "

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Dvorak had long refused the repeated requests for a cello concerto from his friend, the renowned cellist Hanus Wihan (1855-1920) until he attended the premiere of Victor Herbert's second concerto in New York in the fall of 1894 during his tenure as director of the National Conservatory. The second movement of Herbert's concerto was in B minor, which might have been a factor in Dvorak's choice of the same key for his own concerto, which was started in New York on November 8, 1894 and completed on February 8 of the following year. Despite the dedication to Wihan, the first performance was given by the English cellist Leo Stern in London's Queen's Hall on March 19, 1896 with the composer conducting the London Philharmonic. This new study score is a reprint of the critical edition prepared by Fratisek Bartos for the Collected Works issued by the Czech State Publisher in 1955. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The composer worked on this symphonic poem from January to April of 1896. The title refers to a Czech folk ballad in which a king falls in love with Domicka while riding and requests his step-mother to bring the young woman back to his castle. The evil step-mother and her daughter kill the hapless girl, with the daughter disguises herself as Domicka, marrying the king just before his departure to war. A magician finds Domicka's remains in the forest and tricks the false bride to give up the missing part of Domicka's remains in return for a Golden Spinning Wheel. The work was premiered in London on October 26, 1896 with Hans Richter conducting the London Symphony. This new study score is a digitally enhanced reissue of the full score first published in 1958 by the Czech State Publishers as part of the Dvorak collected works, edited by Jarmil Burghauser. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Theirs had been a love story, a story of friendship, courtship and marriage, beginning when she was seventeen and he was a dashing Navy officer. It was a fairytale that never ceased-even Alzheimer's couldn't come between them. Phyllis Brown relives this one-of-a-kind love she shared with her husband, Bert, in HELP ME I'm Slipping. According to the Alzheimer's Association, there are many signs of the disease. The author noticed some of these signs in her husband, but she completely ignored them at first. A highly successful businessman, a gentle yet hardworking person who never stopped until he accomplished his goals, Bert was adept at hiding his memory loss. But as soon as it was confirmed that he had Alzheimer's disease, his wife went into action. Phyllis may not have been well-equipped with medical information and guidelines, but she was determined to give all her love and support to make the last years of Bert's life as happy as they could possibly be. HELP ME I'm Slipping follows the author's difficult yet rewarding experience as she helps her husband through the uncharted waters of Alzheimer's. From her journey, she shares lessons that she learned with her readers. In each day, she found something they could enjoy together: moments of love, and even fun and laughter. From strategies for helping her husband maintain his dignity to tips on activities that can be enjoyed daily, this book provides a truly inspiring testament to a love that endures.

Probably the most famous march in history, Stars and Stripes Forever was composed on Christmas Day 1896 while Sousa was traveling aboard the SS Teutonic bound for New York. In his autobiography, Sousa wites that he imagined the music while at sea and set it down on paper shortly after his return home. The manuscript full score is dated April 26, 1897. The march was first performed by the composer conducting the Sousa Band on May 14, 1897 in Willow Grove Park, near Philadelphia, though this date is dusputed by the city of Augusta, Maine - who claim the premiere took place at a Sousa Band concert given there on May 1. With the Spanish-American War in view, the new march became immensely popular from the very start and has remained a favorite ever since. The piece was first published on the very day of the premiere in the composer's piano reduction. With many reissues and reprintings and the expansion of band instrumentation - some added after the composer's death in 1932 - the scoring became bloated over the years. This new edition by Richard Sargeant goes back to the composer's original source material and to the actual performing practice of the Sousa Band itself to present a masterpiece of band writing as the composer himself used it. As with all of the Serenissima band offerings, it is presented in an easy-to-read format for use as either a study score or a performance score.

The book contains 15 monophonic and 6 polyphonic compositions which were cretaed and played in the Czech area during the Medieval. Vast majority of pieces is sacred but there ate four secular compositions, too and two instrumental music. Wishinh you lovely time with Medieval music.

Adam Vaclav Michna z Otradovic (1600 - 1676) Czech poet and composer. He belongs among most important early Czech Baroque composers, who influenced subsequent artist generation. Michna wrote and composed Czech Lute in 1653. It is the collection of 13 pieces. I cannot forgive and quote recommendations where and how to play songs from the first issue of notes. CZECH LUTE in the holiday, on Friday, at church, at table, as it likes, at any moment, joyfully, sadly, sounding saving. The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/Preview-Anglo-concertina.pd

In these three librettos, Philippe Quinault turns from classical opera to medieval legends--Renaud and Armida, Amadis and Oriana, and Angelica and Roland--exploring the tensions between love and glory. As usual, the dramatist relates his stories deftly with classic simplicity. In these adaptions of traditional medieval stories of romance, enchantment, monsters, and magic, either the heroine (Armida or Angelica) loves the hero she should hate, or the hero falls for an enemy enchantress, and has to be rescued from her clutches. The love "cure" is usually effected by means of magic or through the intervention of a fairy. Great entertainment from early French literature