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Books > Humanities > History > Australasian & Pacific history > General
This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
1992 will mark the fiftieth anniversary of the great Pacific naval
battles in the Coral Sea and off Midway Island. Occuring within a
month of each other, these turning Point engagements brought an end
to Japan's military expansion and six months of Allied defeat and
retreat in the Pacific. Fought mostly over the ocean by airmen
flying primarily from aircraft carriers, the battles were marked on
both sides by courage and luck, forewarning and foreboding, skill
and ineptitude. In this first book-length, partially-annotated
bibliography, Smith provides more than 1,300 citations to the
growing literature on these major battles. Materials in seven
languages are cited as well as information provided on many of the
repositories located in the United States or abroad that have
holdings necessary for the continuing reinterpretation of the
battles. Following an overview and introduction, the volume
contains sections devoted to reference works and sites, general
histories, hardware, biography, combatants, and special studies,
and separate section for both battles. Access is augmented by
author and name indexes. This volume will be a required reference
guide for all those concerned with the War in the Pacific and
modern military studies.
The popularization of radio, television, and the Internet radically
transformed musical practice in the Asia Pacific. These
technologies bequeathed media broadcasters with a profound
authority over the ways we engage with musical culture.
Broadcasters use this power to promote distinct cultural
traditions, popularize new music, and engage diverse audiences.
They also deploy mediated musics as a vehicle for disseminating
ideologies, educating the masses, shaping national borders, and
promoting political alliances. With original contributions by
leading scholars in anthropology, ethnomusicology, sound studies,
and media and cultural studies, the 12 essays this book investigate
the processes of broadcasting musical culture in the Asia Pacific.
We shift our gaze to the mechanisms of cultural industries in
eastern Asia and the Pacific islands to understand how
oft-invisible producers, musicians, and technologies facilitate,
frame, reproduce, and magnify the reach of local culture.
Bondi Beach is a history of an iconic place. It is a big history of
geological origins, management by Aboriginal people, environmental
despoliation by white Australians, and the formation of beach
cultures. It is also a local history of the name Bondi, the origins
of the Big Rock at Ben Buckler, the motives of early land holders,
the tragedy known as Black Sunday, the hostilities between
lifesavers and surfers, and the hullabaloos around the Pavilion.
Pointing to a myriad of representations, author Douglas Booth shows
that there is little agreement about the meaning of Bondi. Booth
resolves these representations with a fresh narrative that presents
the beach's perspective of a place under siege. Booth's creative
narrative conveys important lessons about our engagement with the
physical world.
Why are we speaking English? Replenishing the Earth gives a new
answer to that question, uncovering a "settler revolution" that
took place from the early nineteenth century that led to the
explosive settlement of the American West and its forgotten twin,
the British West, comprising the settler dominions of Canada,
Australia, New Zealand, and South Africa.
Between 1780 and 1930 the number of English-speakers rocketed from
12 million in 1780 to 200 million, and their wealth and power grew
to match. Their secret was not racial, or cultural, or
institutional superiority but a resonant intersection of historical
changes, including the sudden rise of mass transfer across oceans
and mountains, a revolutionary upward shift in attitudes to
emigration, the emergence of a settler "boom mentality," and a late
flowering of non-industrial technologies--wind, water, wood, and
work animals--especially on settler frontiers. This revolution
combined with the Industrial Revolution to transform settlement
into something explosive--capable of creating great cities like
Chicago and Melbourne and large socio-economies in a single
generation.
When the great settler booms busted, as they always did, a second
pattern set in. Links between the Anglo-wests and their
metropolises, London and New York, actually tightened as rising
tides of staple products flowed one way and ideas the other. This
"re-colonization" re-integrated Greater America and Greater
Britain, bulking them out to become the superpowers of their day.
The "Settler Revolution" was not exclusive to the Anglophone
countries--Argentina, Siberia, and Manchuria also experienced it.
But it was the Anglophone settlers who managed to integrate
frontier and metropolis most successfully, and it was this that
gave them the impetus and the material power to provide the world's
leading super-powers for the last 200 years.
This book will reshape understandings of American, British, and
British dominion histories in the long 19th century. It is a story
that has such crucial implications for the histories of settler
societies, the homelands that spawned them, and the indigenous
peoples who resisted them, that their full histories cannot be
written without it.
'The most significant issue that Dockrill addresses is that of how
Japan views the war in retrospect, a question which not only tells
us a lot about how events were seen in Japan in 1941 but is also, a
matter still of importance in contemporary East Asian politics.'
Antony Best, London School of Economics This multi-authored work,
edited by Saki Dockrill, is an original, unique, and controversial
interpretation of the Second World War in Asia and the Pacific. Dr
Dockrill, the author of Britain's Policy for West German
Rearmament, has skilfully converted the proceedings of an
international conference held in London into a stimulating and
readable account of the Pacific War. This is a valuable
contribution to our knowledge of the subject.
This book sets out to navigate questions of the future of
Australian poetry. Deliberately designed as a dialogue between
poets, each of the four clusters presented here-"Indigeneities";
"Political Landscapes"; "Space, Place, Materiality"; "Revising an
Australian Mythos"-models how poetic communities in Australia
continue to grow in alliance toward certain constellated ideas.
Exploring the ethics of creative production in a place that
continues to position capital over culture, property over
community, each of the twenty essays in this anthology takes the
subject of Australian poetry definitively beyond Eurocentrism and
white privilege. By pushing back against nationalizing mythologies
that have, over the last 200 years since colonization, not only
narrativized the logic of instrumentalization but rendered our
lands precarious, this book asserts new possibilities of creative
responsiveness within the Australian sensorium.
Children in the Marshall Islands do many things that adults do not.
They walk around half naked. They carry and eat food in public
without offering it to others. They talk about things they see
rather than hiding uncomfortable truths. They explicitly refuse to
give. Why do they do these things? Many think these behaviors are a
natural result of children's innate immaturity. But Elise Berman
argues that children are actually taught to do things that adults
avoid: to be rude, inappropriate, and immature. Before children
learn to be adults, they learn to be different from them. Berman's
main theoretical claim therefore is also a novel one: age emerges
through interaction and is a social production. In Talking Like
Children, Berman analyzes a variety of interactions in the Marshall
Islands, all broadly based around exchange: adoption negotiations,
efforts to ask for or avoid giving away food, contentious debates
about supposed child abuse. In these dramas both large and small,
age differences emerge through the decisions people make, the
emotions they feel, and the power they gain. Berman's research
includes a range of methods - participant observation, video and
audio recordings, interviews, children's drawings - that yield a
significant corpus of data including over 80 hours of recorded
naturalistic social interaction. Presented as a series of
captivating stories, Talking Like Children is an intimate analysis
of speech and interaction that shows what age means. Like gender
and race, age differences are both culturally produced and socially
important. The differences between Marshallese children and adults
give both groups the ability to manipulate social life in distinct
but often complementary ways. These differences produce culture
itself. Talking Like Children establishes age as a foundational
social variable and a central concern of anthropological and
linguistic research.
First Published in 1973. Forming part of a collection on general
African studies, this text presents records of the Gold Coast
Settlements from 1750 to 1874, by the Colonial Secretary of Sierra
Leone, Major Crooks. It covers the period from the formation of the
last African Company of Merchants in 1750 until the conclusion of
the third Ashantee War in 1874.
The Foundation of Australia's Capital Cities is the story of how
the places chosen for Australia's seven colonial capitals came to
shape their unique urban character and built environments. Tony
Webster traces the effects of each city's geologically diverse
coastal or riverine landform and the local natural materials that
were available for construction, highlighting how the geology and
original landforms resulted in development patterns that have
persisted today.
Christmas Island is a small territory of Australia located in the
Indian Ocean. It is home to three main ethnic groups, the smallest
of which are European Australians. Christmas Island is also where
those who arrive "illegally" to seek asylum in Australia are
accommodated. Christmas Island has played a key role in Australian
security, located as it is at the northern extremity of Australian
territory; much closer to Indonesia than to the nation to which it
belongs, and from whose territory it has recently been excised for
migration purposes. As a migration exclusion zone, Christmas is
both within and without of the nation, and has gone from a place
known among nature lovers for its unique red crabs and bird life to
the highly politicised subject of national concern and heated
debate. But what is it like to be at home on Christmas Island? How
do locals make and come to be at home in a place both within and
without of the nation? This anthropological exploration--the very
first one ever undertaken of this strategically important
island--focuses closely on the sensual engagements people have with
place, shows how Christmas Islanders make recourse to the animals,
birds and topographic features of the island to create uniquely
islandic ways of being at home--and ways of creating "others" who
will never belong--under volatile political circumstances. This
original ethnography reveals a complex island society, whose
presence at the very edge of the nation reveals important
information about a place and a group of people new to ethnographic
study. In and through these people and their relationships with
their unique island place, this ethnographic exploration reveals a
nation caught in the grip of intensive national angst about its
borders, its sense of safety, its struggles with multiculturalism,
and its identity in a world of unprecedented migratory movement. As
the first book in the discipline of anthropology to study Christmas
Island in ethnographic terms, Christmas Island is a critical work
for all collections in anthropology and Australian Studies.
"Christmas Island is described by Simone Dennis as 'the last
outpost of the nation', that is, a multicultural microcosm of
contemporary Australia, worried by a search for a national identity
in touch with the past but not limited by it...In Simone Dennis,
Christmas Island has its consummate ethnographer and analyst." -
Professor Nigel Rapport, University of St. Andrews
This book considers the law, policy and procedure for child
witnesses in Australian criminal courts across the twentieth
century. It uses the stories and experiences of over 200 children,
in many cases using their own words from press reports, to
highlight how the relevant law was - or was not - applied
throughout this period. The law was sympathetic to the plight of
child witnesses and exhibited a significant degree of pragmatism to
receive the evidence of children but was equally fearful of
innocent men being wrongly convicted. The book highlights the
impact 'safeguards' like corroboration and closed court rules had
on the outcome of many cases and the extent to which fear - of
children, of lies (or the truth) and of reform - influenced the
criminal justice process. Over a century of children giving
evidence in court it is `clear that the more things changed, the
more they stayed the same'.
This book offers the first in-depth enquiry into the origins of 135
Indigenous Australian objects acquired by the Royal Navy between
1795 and 1855 and held now by the British Museum. In response to
increasing calls for the 'decolonisation' of museums and the
restitution of ethnographic collections, the book seeks to return
knowledge of the moments, methods, and motivations whereby
Indigenous Australian objects were first collected and sent to
Britain. By structuring its discussion in terms of three key
'stages' of a typical naval voyage to Australia-departure from
British shores, arrival on the continent's coasts, and eventual
return to port-the book offers a nuanced and multifaceted
understanding of the pathways followed by these 135 objects into
the British Museum. The book offers important new understandings of
Indigenous Australian peoples' reactions to naval visitors, and
contains a wealth of original research on the provenance and
meaning of some of the world's oldest extant Indigenous Australian
object collections.
First published in 1969. Routledge is an imprint of Taylor &
Francis, an informa company.
The double canoe constituted the backbone of Polynesian culture,
since it enabled the Polynesians to enter and conquer the Pacific.
In Tonga, a center of Polynesian navigation, two types were known:
the tongiaki and the kalia. Contrary to most contributions, the
author argues that the Tongans were not only the Western Pacific
masters of navigation, but also of canoe designing. Typical of
Polynesian canoes was the sewing technique which can be traced back
to ancient India but was also practiced in Pharanoic Egypt and
southern Europe. The legend of the magnetic mountain is to be
viewed in this context. Oceanic navigation, which declined during
the 19th century, had developed its own means of orientation at
sea, including astronomy and meteorology.
From its rise in the 1830s to its pinnacle in the 1930s, the opium
trade was a guiding force in the Chinese political economy. Opium
money was inextricably bound up in local, national, and imperial
finances, and the people who piloted the trade were integral to the
fabric of Chinese society. In this book, Peter Thilly narrates the
dangerous lives and shrewd business operations of opium traffickers
in southeast China, situating them within a global history of
capitalism. By tracing the evolution of the opium trade from
clandestine offshore agreements in the 1830s, to multi-million
dollar prohibition bureau contracts in the 1930s, Thilly
demonstrates how the modernizing Chinese state was infiltrated,
manipulated, and profoundly transformed by opium profiteers. Opium
merchants carried the drug by sea, over mountains, and up rivers,
with leading traders establishing monopolies over trade routes and
territories and assembling "opium armies" to protect their
businesses. Over time, and as their ranks grew, these organizations
became more bureaucratized and militarized, mimicking-and then
eventually influencing, infiltrating, or supplanting-the state.
Through the chaos of revolution, warlordism, and foreign invasion,
opium traders diligently expanded their power through corruption,
bribery, and direct collaboration with the state. Drug traders
mattered-not only in the seedy ways in which they have been
caricatured but also crucially as shadowy architects of statecraft
and China's evolution on the world stage.
Despite the Australian Constitution having been one of the most
stable since its commencement in 1901, it is becoming fatally
flawed. The Naked Australian Constitution examines these flaws and
the lack of public appreciation of those defects. This is due to
several serious errors, including the racial basis of its origin,
and the misleading nature of its text-with the High Court having
interpreted it in a remarkably subjective manner, undermining the
few express requirements and freedoms in the Constitution while
also applying concepts that are not required by the constitutional
text. As a result, the Constitution is now what the High Court says
it is, instead of what it was expected to be by its drafters. Most
Australians have no knowledge of the Constitution or its operation,
but with the growing subjective application of the Constitution,
this constitutional digression requires remedy by a Constitutional
review. Ian Killey argues that without review, the Australian
people will eventually see the Australian Constitution for what it
is rapidly becoming-an Emperor with no clothes.
Published to mark 100 years since the establishment of the famous
Alexander Turnbull Library, one of New Zealand's great storehouses,
this energetic, comprehensive book approaches the history of
Aotearoa New Zealand through 101 remarkable objects. Each tells a
story, be it of discovery, courage, dispossession, conflict,
invention, creation, or conservation. The objects range from
letters and paintings to journals, photographs, posters, banners
and books. The place each has in the patchwork of the narrative
creates a vivid overall view of the people of this place and the
unique histories they have made together. An invaluable resource
for schools and the home, and a great way to dive into our history,
Te Kupenga takes us deep inside the remarkable ATL collection and
sheds light on who we are.
Spanning four centuries and vast space, this book combines the
global history of ideas with particular histories of encounters
between European voyagers and Indigenous people in Oceania (Island
Southeast Asia, New Guinea, Australia, New Zealand, and the Pacific
Islands). Douglas shows how prevailing concepts of human
difference, or race, influenced travellers' approaches to
encounters. Yet their presuppositions were often challenged or
transformed by the appearance, conduct, and lifestyle of local
inhabitants. The book's original theory and method reveal traces of
Indigenous agency in voyagers' representations which in turn
provided key evidence for the natural history of man and the
science of race. In keeping with recent trends in colonial
historiography, Douglas diverts historical attention from imperial
centres to so-called peripheries, discredits the outmoded
stereotype that Europeans necessarily dominated non-Europeans, and
takes local agency seriously.
On April 25th 1915, during the First World War, the famous Anzacs
landed ashore at Gallipoli. At the exact same moment, leading
figures of Armenian life in the Ottoman Empire were being arrested
in vast numbers. That dark day marks the simultaneous birth of a
national story - and the beginning of a genocide. When We Dead
Awaken - the first narrative history of the Armenian Genocide in
decades - draws these two landmark historical events together.
James Robins explores the accounts of Anzac Prisoners of War who
witnessed the genocide, the experiences of soldiers who risked
their lives to defend refugees, and Australia and New Zealand's
participation in the enormous post-war Armenian relief movement. By
exploring the vital political implications of this unexplored
history, When We Dead Awaken questions the national folklore of
Australia, New Zealand, and Turkey - and the mythology of Anzac Day
itself.
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