The popularization of radio, television, and the Internet radically transformed musical practice in the Asia Pacific. These technologies bequeathed media broadcasters with a profound authority over the ways we engage with musical culture. Broadcasters use this power to promote distinct cultural traditions, popularize new music, and engage diverse audiences. They also deploy mediated musics as a vehicle for disseminating ideologies, educating the masses, shaping national borders, and promoting political alliances. With original contributions by leading scholars in anthropology, ethnomusicology, sound studies, and media and cultural studies, the 12 essays this book investigate the processes of broadcasting musical culture in the Asia Pacific. We shift our gaze to the mechanisms of cultural industries in eastern Asia and the Pacific islands to understand how oft-invisible producers, musicians, and technologies facilitate, frame, reproduce, and magnify the reach of local culture.

Why are we speaking English? Replenishing the Earth gives a new answer to that question, uncovering a "settler revolution" that took place from the early nineteenth century that led to the explosive settlement of the American West and its forgotten twin, the British West, comprising the settler dominions of Canada, Australia, New Zealand, and South Africa.
Between 1780 and 1930 the number of English-speakers rocketed from 12 million in 1780 to 200 million, and their wealth and power grew to match. Their secret was not racial, or cultural, or institutional superiority but a resonant intersection of historical changes, including the sudden rise of mass transfer across oceans and mountains, a revolutionary upward shift in attitudes to emigration, the emergence of a settler "boom mentality," and a late flowering of non-industrial technologies--wind, water, wood, and work animals--especially on settler frontiers. This revolution combined with the Industrial Revolution to transform settlement into something explosive--capable of creating great cities like Chicago and Melbourne and large socio-economies in a single generation.
When the great settler booms busted, as they always did, a second pattern set in. Links between the Anglo-wests and their metropolises, London and New York, actually tightened as rising tides of staple products flowed one way and ideas the other. This "re-colonization" re-integrated Greater America and Greater Britain, bulking them out to become the superpowers of their day. The "Settler Revolution" was not exclusive to the Anglophone countries--Argentina, Siberia, and Manchuria also experienced it. But it was the Anglophone settlers who managed to integrate frontier and metropolis most successfully, and it was this that gave them the impetus and the material power to provide the world's leading super-powers for the last 200 years.
This book will reshape understandings of American, British, and British dominion histories in the long 19th century. It is a story that has such crucial implications for the histories of settler societies, the homelands that spawned them, and the indigenous peoples who resisted them, that their full histories cannot be written without it.

Bondi Beach is a history of an iconic place. It is a big history of geological origins, management by Aboriginal people, environmental despoliation by white Australians, and the formation of beach cultures. It is also a local history of the name Bondi, the origins of the Big Rock at Ben Buckler, the motives of early land holders, the tragedy known as Black Sunday, the hostilities between lifesavers and surfers, and the hullabaloos around the Pavilion. Pointing to a myriad of representations, author Douglas Booth shows that there is little agreement about the meaning of Bondi. Booth resolves these representations with a fresh narrative that presents the beach's perspective of a place under siege. Booth's creative narrative conveys important lessons about our engagement with the physical world.

'The most significant issue that Dockrill addresses is that of how Japan views the war in retrospect, a question which not only tells us a lot about how events were seen in Japan in 1941 but is also, a matter still of importance in contemporary East Asian politics.' Antony Best, London School of Economics This multi-authored work, edited by Saki Dockrill, is an original, unique, and controversial interpretation of the Second World War in Asia and the Pacific. Dr Dockrill, the author of Britain's Policy for West German Rearmament, has skilfully converted the proceedings of an international conference held in London into a stimulating and readable account of the Pacific War. This is a valuable contribution to our knowledge of the subject.

This book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here-"Indigeneities"; "Political Landscapes"; "Space, Place, Materiality"; "Revising an Australian Mythos"-models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium.

Children in the Marshall Islands do many things that adults do not. They walk around half naked. They carry and eat food in public without offering it to others. They talk about things they see rather than hiding uncomfortable truths. They explicitly refuse to give. Why do they do these things? Many think these behaviors are a natural result of children's innate immaturity. But Elise Berman argues that children are actually taught to do things that adults avoid: to be rude, inappropriate, and immature. Before children learn to be adults, they learn to be different from them. Berman's main theoretical claim therefore is also a novel one: age emerges through interaction and is a social production. In Talking Like Children, Berman analyzes a variety of interactions in the Marshall Islands, all broadly based around exchange: adoption negotiations, efforts to ask for or avoid giving away food, contentious debates about supposed child abuse. In these dramas both large and small, age differences emerge through the decisions people make, the emotions they feel, and the power they gain. Berman's research includes a range of methods - participant observation, video and audio recordings, interviews, children's drawings - that yield a significant corpus of data including over 80 hours of recorded naturalistic social interaction. Presented as a series of captivating stories, Talking Like Children is an intimate analysis of speech and interaction that shows what age means. Like gender and race, age differences are both culturally produced and socially important. The differences between Marshallese children and adults give both groups the ability to manipulate social life in distinct but often complementary ways. These differences produce culture itself. Talking Like Children establishes age as a foundational social variable and a central concern of anthropological and linguistic research.

First Published in 1973. Forming part of a collection on general African studies, this text presents records of the Gold Coast Settlements from 1750 to 1874, by the Colonial Secretary of Sierra Leone, Major Crooks. It covers the period from the formation of the last African Company of Merchants in 1750 until the conclusion of the third Ashantee War in 1874.

Christmas Island is a small territory of Australia located in the Indian Ocean. It is home to three main ethnic groups, the smallest of which are European Australians. Christmas Island is also where those who arrive "illegally" to seek asylum in Australia are accommodated. Christmas Island has played a key role in Australian security, located as it is at the northern extremity of Australian territory; much closer to Indonesia than to the nation to which it belongs, and from whose territory it has recently been excised for migration purposes. As a migration exclusion zone, Christmas is both within and without of the nation, and has gone from a place known among nature lovers for its unique red crabs and bird life to the highly politicised subject of national concern and heated debate. But what is it like to be at home on Christmas Island? How do locals make and come to be at home in a place both within and without of the nation? This anthropological exploration--the very first one ever undertaken of this strategically important island--focuses closely on the sensual engagements people have with place, shows how Christmas Islanders make recourse to the animals, birds and topographic features of the island to create uniquely islandic ways of being at home--and ways of creating "others" who will never belong--under volatile political circumstances. This original ethnography reveals a complex island society, whose presence at the very edge of the nation reveals important information about a place and a group of people new to ethnographic study. In and through these people and their relationships with their unique island place, this ethnographic exploration reveals a nation caught in the grip of intensive national angst about its borders, its sense of safety, its struggles with multiculturalism, and its identity in a world of unprecedented migratory movement. As the first book in the discipline of anthropology to study Christmas Island in ethnographic terms, Christmas Island is a critical work for all collections in anthropology and Australian Studies. "Christmas Island is described by Simone Dennis as 'the last outpost of the nation', that is, a multicultural microcosm of contemporary Australia, worried by a search for a national identity in touch with the past but not limited by it...In Simone Dennis, Christmas Island has its consummate ethnographer and analyst." - Professor Nigel Rapport, University of St. Andrews

This book considers the law, policy and procedure for child witnesses in Australian criminal courts across the twentieth century. It uses the stories and experiences of over 200 children, in many cases using their own words from press reports, to highlight how the relevant law was - or was not - applied throughout this period. The law was sympathetic to the plight of child witnesses and exhibited a significant degree of pragmatism to receive the evidence of children but was equally fearful of innocent men being wrongly convicted. The book highlights the impact 'safeguards' like corroboration and closed court rules had on the outcome of many cases and the extent to which fear - of children, of lies (or the truth) and of reform - influenced the criminal justice process. Over a century of children giving evidence in court it is `clear that the more things changed, the more they stayed the same'.

This book offers the first in-depth enquiry into the origins of 135 Indigenous Australian objects acquired by the Royal Navy between 1795 and 1855 and held now by the British Museum. In response to increasing calls for the 'decolonisation' of museums and the restitution of ethnographic collections, the book seeks to return knowledge of the moments, methods, and motivations whereby Indigenous Australian objects were first collected and sent to Britain. By structuring its discussion in terms of three key 'stages' of a typical naval voyage to Australia-departure from British shores, arrival on the continent's coasts, and eventual return to port-the book offers a nuanced and multifaceted understanding of the pathways followed by these 135 objects into the British Museum. The book offers important new understandings of Indigenous Australian peoples' reactions to naval visitors, and contains a wealth of original research on the provenance and meaning of some of the world's oldest extant Indigenous Australian object collections.

The Foundation of Australia's Capital Cities is the story of how the places chosen for Australia's seven colonial capitals came to shape their unique urban character and built environments. Tony Webster traces the effects of each city's geologically diverse coastal or riverine landform and the local natural materials that were available for construction, highlighting how the geology and original landforms resulted in development patterns that have persisted today.

First published in 1969. Routledge is an imprint of Taylor & Francis, an informa company.

Despite the Australian Constitution having been one of the most stable since its commencement in 1901, it is becoming fatally flawed. The Naked Australian Constitution examines these flaws and the lack of public appreciation of those defects. This is due to several serious errors, including the racial basis of its origin, and the misleading nature of its text-with the High Court having interpreted it in a remarkably subjective manner, undermining the few express requirements and freedoms in the Constitution while also applying concepts that are not required by the constitutional text. As a result, the Constitution is now what the High Court says it is, instead of what it was expected to be by its drafters. Most Australians have no knowledge of the Constitution or its operation, but with the growing subjective application of the Constitution, this constitutional digression requires remedy by a Constitutional review. Ian Killey argues that without review, the Australian people will eventually see the Australian Constitution for what it is rapidly becoming-an Emperor with no clothes.

Spanning four centuries and vast space, this book combines the global history of ideas with particular histories of encounters between European voyagers and Indigenous people in Oceania (Island Southeast Asia, New Guinea, Australia, New Zealand, and the Pacific Islands). Douglas shows how prevailing concepts of human difference, or race, influenced travellers' approaches to encounters. Yet their presuppositions were often challenged or transformed by the appearance, conduct, and lifestyle of local inhabitants. The book's original theory and method reveal traces of Indigenous agency in voyagers' representations which in turn provided key evidence for the natural history of man and the science of race. In keeping with recent trends in colonial historiography, Douglas diverts historical attention from imperial centres to so-called peripheries, discredits the outmoded stereotype that Europeans necessarily dominated non-Europeans, and takes local agency seriously.

This book is the first history of commercial television in regional Australia, where diverse communities are spread across vast distances and multiple time zones. The first station, GLV Latrobe Valley, began broadcasting in December 1961. By the late 1970s, there were 35 independent commercial stations throughout regional Australia, from Cairns in the far north-east to Bunbury in the far south-west. Based on fine-grained archival research and extensive interviews, the book examines the key political, regulatory, economic, technological, industrial, and social developments which have shaped the industry over the past 60 years. Regional television is often dismissed as a mere extension of - or footnote to - the development of Australia's three metropolitan commercial television networks. Michael Thurlow's study reveals an industry which, at its peak, was at the economic and social heart of regional communities, employing thousands of people and providing vital programming for viewers in provincial cities and small towns across Australia.

The New Port Moresby: Gender, Space, and Belonging in Urban Papua New Guinea explores the ways in which educated, professional women experience living in Port Moresby, the burgeoning capital of Papua New Guinea. Drawing on postcolonial and feminist scholarship, the book adds to an emerging literature on cities in the "Global South" as sites of oppression, but also resistance, aspiration, and activism. Taking an intersectional feminist approach, the book draws on a decade of research conducted among the educated professional women of Port Moresby, offering unique insight into class transitions and the perspectives of this small but significant cohort. The New Port Moresby expands the scope of research and writing about gendered experiences in Port Moresby, moving beyond the idea that the city is an exclusively hostile place for women. Without discounting the problems of uneven development, the author argues that the city's new places offer women a degree of freedom and autonomy in a city predominantly characterized by fear and restriction. In doing so, it offers an ethnographically rich perspective on the interaction between the "global" and the "local" and what this might mean for feminism and the advancement of equity in the Pacific and beyond. The New Port Moresby will find an audience among anthropologists, particularly those interested in the urban Pacific, feminist geographers committed to expanding research to include cities in the Global South and development theorists interested in understanding the roles played by educated elites in less economically developed contexts. There have been few ethnographic monographs about Port Moresby and those that do exist have tended to marginalize or ignore gender. Yet as feminist geographers make clear, women and men are positioned differently in the world and their relationship to the places in which they live is also different. The book has no predecessors and stands alone in the Pacific as an account of this kind. As such, The New Port Moresby should be read by scholars and students of diverse disciplines interested in urbanization, gender, and the Pacific.

On April 25th 1915, during the First World War, the famous Anzacs landed ashore at Gallipoli. At the exact same moment, leading figures of Armenian life in the Ottoman Empire were being arrested in vast numbers. That dark day marks the simultaneous birth of a national story - and the beginning of a genocide. When We Dead Awaken - the first narrative history of the Armenian Genocide in decades - draws these two landmark historical events together. James Robins explores the accounts of Anzac Prisoners of War who witnessed the genocide, the experiences of soldiers who risked their lives to defend refugees, and Australia and New Zealand's participation in the enormous post-war Armenian relief movement. By exploring the vital political implications of this unexplored history, When We Dead Awaken questions the national folklore of Australia, New Zealand, and Turkey - and the mythology of Anzac Day itself.

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTION 2014 WINNER OF THE BANCROFT PRIZE 2015 One morning in 1805, off a remote island in the South Pacific, seal hunter and abolitionist Captain Amasa Delano climbed aboard the Tryal, a distressed Spanish slaver. He spent all day on the ship, sharing food and water, yet failed to see that the slaves, having slaughtered most of the crew, were now their own masters. Later, when Delano realized the deception, he chased the ship down, responding with barbaric violence. Greg Grandin follows this group of courageous slaves and their persecutor from the horrors of the Middle Passage to their explosive confrontation. A page-turning and profoundly moving account of obsessive mania, imperial exploitation, and lost ideals, The Empire of Necessity captures the epic clash of peoples, economies, and faiths that was shaping the so-called New World and the Age of Revolution.

This book examines how convicts played a key role in the development of capitalism in Australia and how their active resistance shaped both workplace relations and institutions. It highlights the contribution of convicts to worker mobilization and political descent, forcing a rethink of Australia's foundational story. It is a book that will appeal to an international audience, as well as the many hundreds of thousands of Australians who can trace descent from convicts. It will enable the latter to make sense of the experience of their ancestors, equipping them with the necessary tools to understand convict and court records. It will also provide a valuable undergraduate and postgraduate teaching tool and reference for those studying unfree labour and worker history, social history, colonization and global migration in a digital age.

The story of an essential Australian Army Corps
As all students of the First World War know, Britain expected, called for and received the support of fighting men from her colonies during the conflict. Imperial forces saw action against Germany and notably against Germany's Turkish ally. Anzac troops, travelling from the southern hemisphere, were consolidated in Egypt for service in the abortive Gallipoli offensive in the Dardanelles and also for the defence of the Suez Canal. As the Palestine campaign progressed, colonial troops, particularly those who by virtue of their training as mounted infantry were ideally suited for the task, advanced north through the Sinai desert, into Palestine itself and then on to Syria. Allied forces were based in Egypt for sound strategic and logistical reasons, which meant that much of the regional infrastructure of command and administration was centralised there for the duration of the war. Essential among these services was the Australian Army Medical Corps. The duties of the corps included the care of wounded in the field, the establishment of hospitals, the treatment of disease, convalescent units and evacuations. The work of the outstanding doctors and nurses of the Australian Army Medical Corps as it operated in the middle east through the campaign is thoroughly described in this book, which is recommended to anyone interested in obtaining a more complete view of the role of the Australian Army during the Great War.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.