This book examines the relationships between ethnic and Indigenous minorities and the media in Australia. The book places the voices of minorities at its centre, moving beyond a study of only representation and engaging with minority media producers, industries and audiences. Drawing on a diverse range of studies - from the Indigenous media environment to grassroots production by young refugees - the chapters within engage with the full range of media experiences and practices of marginalized Australians. Importantly, the book expands beyond the victimization of Indigenous and ethnic minorities at the hands of mainstream media, and also analyses the empowerment of communities who use media to respond to, challenge and negotiate social inequalities.

Brings together both Australian and international work on Indigenous music and dance, with chapters centred around practices from Arnhem Land, Western Australia, the Tiwi Islands, the Torres Strait, Taiwan, Aotearoa/New Zealand and North America, and Indigenous scholars authoring or co-authoring more than half of the book. Combines practice-led scholarship with research-informed creative practice. Considers music and dance together as often inseparable parts of performance practices, an approach achieved through the interdisciplinarity of its contributing authors. Music, Dance and the Archive interrogates historical access and responses to archives by showing how Indigenous performing artists and community members, and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It highlights the relationship between music and dance, as embodied forms of culture, and records in archives, bringing together interdisciplinary research from musicologists, dance historians, linguists, Indigenous Studies scholars and practitioners. The volume examines how music and dance are recorded in audio-visual records, what uses are made of these records (in renewal of cultural practice or in revitalising performances that have fallen out of use), and the relationship between the live body and historical objects. While this book focuses on Aboriginal and Torres Strait Islander music and dance, it also features research on Indigenous music and dance from beyond Australia, including New Zealand, Taiwan and North America. Music, Dance and the Archive is an insightful culmination of original, previously unpublished research from a diverse selection of scholars in Indigenous history, musicology, linguistics, archival science and dance history.

The early arrival of the missionaries in Aotearoa set the scene for a new 'moral colony' that would be founded on religious precepts and modern Christian beliefs. It did not take long for a combination of circumstances to confound the aspirations of the Church Missionary Society, the Church in Rome and all those who followed. Historian Peter Lineham examines Christianity in New Zealand through the lens of cultural development, and asks: If the various denominations and faiths set out to shape New Zealand, how did the very fluid fact of New Zealand change those faiths? From the Presbyterian south to the enclaves of Catholicism, who shaped whom? And what is the legacy of that influence? Why do we have afternoon tea? And what were debutante balls? Religion had a hand in the societal habits and milestones we all take for granted.

This new study offers a timely and compelling account of why past generations of Australians have seen the north of the country as an empty land, and how those perceptions of Australia's tropical regions impact current policy and shape the self-image of the nation. It considers the origins of these concerns - from fears of invasion and moral qualms about leaving resources lying idle, from apprehensions about white nationhood coming under international censure and misgivings about the natural attributes of the north - and elucidates Australians' changing appreciations of the natural environments of the north, their shifting attitudes toward race and their unsettled conceptions of Asia.

This book contributes to the global turn in First World War studies by exploring Australians' engagements with the conflict across varied boundaries and by situating Australian voices and perspectives within broader, more complex contexts. This diverse and multifaceted collection includes chapters on the composition and contribution of the Australian Imperial Force, the experiences of prisoners of war, nurses and Red Cross workers, the resonances of overseas events for Australians at home, and the cultural legacies of the war through remembrance and representation. The local-global framework provides a fresh lens through which to view Australian connections with the Great War, demonstrating that there is still much to be said about this cataclysmic event in modern history.

Sex, Soldiers and the South Pacific, 1939-45 explores the queer dynamics of war across Australia and forward bases in the south seas. It examines relationships involving Allied servicemen, civilians and between the legal and medical fraternities that sought to regulate and contain expressions of homosex in and out of the forces.

Despite intense concern among academics and advocates, there is a deeply felt absence of scholarship on the way media reporting exacerbates rather than helps to resolve policy problems. This book offers rich insights into the news media's role in the development of policy in Australia, and explores the complex, dynamic and interactive relationship between news media and Australian Indigenous affairs. Spanning a twenty-year period from 1988 to 2008, Kerry McCallum and Lisa Waller critically examine how Indigenous health, bilingual education and controversial legislation were portrayed through public media. The Dynamics of News and Indigenous Policy in Australia provides evidence of Indigenous people being excluded from policy and media discussion, as well as using the media to their advantage. To that end, the book poses the question: just how far was the media manipulating the national conversation? And how far was it, in turn, being manipulated by those in power? A decade after the Australian government introduced the controversial 2007 Northern Territory Emergency Response Act, McCallum and Waller offer a ground-breaking look at the media's role in Indigenous issues and asks: to what extent did journalism exacerbate policy issues, and how far were their effects felt in Indigenous communities?

Six centuries ago Polynesian explorers, who inhabited a cosmos in which islands sailed across the sea and stars across the sky, arrived in Aotearoa New Zealand where they rapidly adapted to new plants, animals, landscapes and climatic conditions. Four centuries later, European explorers arrived with maps and clocks, grids and fences, and they too adapted to a new island home. In this remote, beautiful archipelago, settlers from Polynesia and Europe (and elsewhere) have clashed and forged alliances, they have fiercely debated what is real and what is common sense, what is good and what is right. In this, her most ambitious book to date, Dame Anne Salmond looks at New Zealand as a site of cosmo-diversity, a place where multiple worlds engage and collide. Beginning with a fine-grained inquiry into the early period of encounters between Maori and Europeans in New Zealand (1769-1840), Salmond then investigates such clashes and exchanges in key areas of contemporary life -waterways, land, the sea and people. We live in a world of gridded maps, Outlook calendars and balance sheets - making it seem that this is the nature of reality itself. But in New Zealand, concepts of whakapapa and hau, complex networks and reciprocal exchange, may point to new ways of understanding interactions between peoples, and between people and the natural world. Like our ancestors, Anne Salmond suggests, we too may have a chance to experiment across worlds.

A grandson's photo album. Old postcards. English porcelain. A granite headstone. These are just a few of the material objects that help reconstruct the histories of colonial people who lived during Japan's empire. These objects, along with oral histories and visual imagery, reveal aspects of lives that reliance on the colonial archive alone cannot. They help answer the primary question of Lost Histories: Is it possible to write the history of Japan's colonial subjects? Kirsten Ziomek contends that it is possible, and in the process she brings us closer to understanding the complexities of their lives. Lost Histories provides a geographically and temporally holistic view of the Japanese empire from the early 1900s to the 1970s. The experiences of the four least-examined groups of Japanese colonial subjects-the Ainu, Taiwan's indigenous people, Micronesians, and Okinawans-are the centerpiece of the book. By reconstructing individual life histories and following these people as they crossed colonial borders to the metropolis and beyond, Ziomek conveys the dynamic nature of an empire in motion and explains how individuals navigated the vagaries of imperial life.

Der Autor untersucht die ubergeordnete Rolle, die der Erste Weltkrieg in der "kurzen" Geschichte Australiens spielt. Dieser Krieg und der in seiner Folge entstandene Anzac-Mythos besitzen seit der Landung australischer Truppen auf der Gallipoli-Halbinsel am 25. April 1915 eine herausgehobene Stellung im Geschichtsbewusstsein vieler Australierinnen und Australier. Das Buch zeigt auf, wie sich dies in der Geschichtskultur des Landes manifestiert hat. Der Autor analysiert den diachronen Wandel der Objektivationen des Geschichtsbewusstseins (beispielsweise Gedenktage, Denkmale oder Filme) und ermoeglicht so ein besseres Verstandnis der Geschichte und Kultur Australiens.

Davida Malo's Mo'olelo Hawai'i is the single most important description of pre-Christian Hawaiian culture. Malo, born in 1795, twenty-five years before the coming of Christianity to Hawai'i, wrote about everything from traditional cosmology and accounts of ancestral chiefs to religion and government to traditional amusements. The heart of this two-volume work is a new, critically edited text of Malo's original Hawaiian, including the manuscript known as the "Carter copy," handwritten by him and two helpers in the decade before his death in 1853. Volume 1 provides images of the original text, side by side with the new edited text. Volume 2 presents the edited Hawaiian text side by side with a new annotated English translation. Malo's text has been edited at two levels. First, the Hawaiian has been edited through a careful comparison of all the extant manuscripts, attempting to restore Malo's original text, with explanations of the editing choices given in the footnotes. Second, the orthography of the Hawaiian text has been modernized to help today's readers of Hawaiian by adding diacritical marks ('okina and kahako, or glottal stop and macron, respectively) and the punctuation has been revised to signal the end of clauses and sentences. The new English translation attempts to remain faithful to the edited Hawaiian text while avoiding awkwardness in the English. Both volumes contain substantial introductions. The introduction to Volume 1 (in Hawaiian) discusses the manuscripts of Malo's text and their history. The introduction to Volume 2 contains two essays that provide context to help the reader understand Malo's Moolelo Hawaii. "Understanding Malo's Moolelo Hawaii" describes the nature of Malo's work, showing that it is the result of his dual Hawaiian and Western education. "The Writing of the Moolelo Hawaii" discusses how the Carter copy was written and preserved, its relationship to other versions of the text, and Malo's plan for the work as a whole. The introduction is followed by a new biography of Malo by Kanaka Maoli historian Noelani Arista, "Davida Malo, a Hawaiian Life," describing his life as a chiefly counselor and Hawaiian intellectual.