From the 1950s, tens of thousands of well-meaning Westerners left their homes to volunteer in distant corners of the globe. Aflame with optimism, they set out to save the world, but their actions were invariably intertwined with decolonization, globalization and the Cold War. Closely exploring British, American and Australian programs, Agnieszka Sobocinska situates Western volunteers at the heart of the 'humanitarian-development complex'. This nexus of governments, NGOs, private corporations and public opinion encouraged continuous and accelerating intervention in the Global South from the 1950s. Volunteers attracted a great deal of support in their home countries. But critics across the Global South protested that volunteers put an attractive face on neocolonial power, and extended the logic of intervention embedded in the global system of international development. Saving the World? brings together a wide range of sources to construct a rich narrative of the meeting between Global North and Global South.

Hawaiian Legends of Volcanoes (1916) explores Hawaiian folktales and myths collected by W. D. Westervelt. Connecting the origin story of Hawaii to the traditions of other Polynesian cultures, Westervelt provides an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Beginning with the origin story of Pele, the goddess of volcanoes, Westervelt introduces his groundbreaking collection of legends on the volcanic nature of the Hawaiian Islands. When the goddess Pele comes to the island of Hawaii seeking a permanent home, she finds Ai-laau, another god of fire, already in possession of the territory. Despite his fearsome power over creation and destruction, Ai-laau disappeared the moment he became aware of Pele's presence. Having traveled across the limitless ocean, her name was already known far and wide, along with her reputation for strength, anger, and envy. Establishing herself within the crater of Kilauea, Pele quickly took command over the gods, ghost-gods, and the people inhabiting the islands. Central to Hawaiian history and religion, Pele continues to be celebrated in Hawaii and across the Pacific today. With a professionally designed cover and manuscript, this edition of W. D. Westervelt's Hawaiian Legends of Volcanoes is a classic of Hawaiian literature reimagined for modern readers. Add this beautiful edition to your bookshelf, or enjoy the digital edition on any e-book device.

Legends of Maui (1910) is a collection of Hawaiian folktales and myths anthologized by W. D. Westervelt. Paying homage to the importance of Maui across Polynesian cultures, Westervelt introduces his groundbreaking collection of legends on Hawaii's founding deity. Westervelt's collection connects the origin story of Hawaii to the traditions of other Polynesian cultures, providing an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Drawing on the work of David Malo, Samuel Kamakau, and Abraham Fornander, Westervelt, originally from Ohio, became a leading authority on the Hawaiian Islands, publishing extensively on their legends, religious beliefs, and folk tales. With a beautifully designed cover and professionally designed manuscript, this edition of W. D. Westervelt's Legends of Maui is a classic of Hawaiian literature reimagined for modern readers.

"A Companion to Japanese History" provides an authoritative overview of current debates and approaches within the study of Japan's history.
Composed of 30 chapters written by an international group of scholars
Combines traditional perspectives with the most recent scholarly concerns
Supplements a chronological survey with targeted thematic analyses
Presents stimulating interventions into individual controversies

Volume 3 of The Official History of Australian Peacekeeping, Humanitarian and Post-Cold War Operations explores Australia's involvement in six overseas missions following the end of the Gulf War: Cambodia (1991 99); Western Sahara (1991 94); the former Yugoslavia (1992 2004); Iraq (1991); Maritime Interception Force operations (1991 99); and the contribution to the inspection of weapons of mass destruction facilities in Iraq (1991 99). These missions reflected the increasing complexity of peacekeeping, as it overlapped with enforcement of sanctions, weapons inspections, humanitarian aid, election monitoring and peace enforcement. Granted full access to all relevant Australian Government records, David Horner and John Connor provide readers with a comprehensive and authoritative account of Australia's peacekeeping operations in Asia, Africa and Europe."

Der Autor untersucht die ubergeordnete Rolle, die der Erste Weltkrieg in der "kurzen" Geschichte Australiens spielt. Dieser Krieg und der in seiner Folge entstandene Anzac-Mythos besitzen seit der Landung australischer Truppen auf der Gallipoli-Halbinsel am 25. April 1915 eine herausgehobene Stellung im Geschichtsbewusstsein vieler Australierinnen und Australier. Das Buch zeigt auf, wie sich dies in der Geschichtskultur des Landes manifestiert hat. Der Autor analysiert den diachronen Wandel der Objektivationen des Geschichtsbewusstseins (beispielsweise Gedenktage, Denkmale oder Filme) und ermoeglicht so ein besseres Verstandnis der Geschichte und Kultur Australiens.

A colorful illustration of Hawaii's most cherished origin story, the myth of Pele and Hiiaka. Pele and Hiiaka: A Myth From Hawaii (1915) is a collection of folktales by Nathaniel B. Emerson. Drawing from written histories, personal experience, and extensive interviews, Emerson provides a lyrical account of the myth surrounding these goddess sisters. Pele, the goddess of volcanoes and ruler of Kilauea, and her sister Hiiaka encounter adventure, tragedy, and love during their respective journeys. These stories are not only appreciated for their beauty, but also their deep religious and cultural impact. With a professionally designed cover and manuscript, this edition of Nathaniel B. Emerson's Pele and Hiiaka: A Myth From Hawaii is a classic of Hawaiian literature reimagined for modern readers.

"As my sense of the turpitude and guilt of sin was weakened, the vices of the natives appeared less odious and criminal. After a time, I was induced to yield to their allurements, to imitate their manners, and to join them in their sins . . . and it was not long ere I disencumbered myself of my European garment, and contented myself with the native dress. . . ."--from "Narrative of the late George Vason, of Nottingham"
As George Vason's anguished narrative shows, European encounters with Pacific peoples often proved as wrenching to the Europeans as to the natives. This anthology gathers some of the most vivid accounts of these cultural exchanges for the first time, placing the works of well-known figures such as Captain James Cook and Robert Louis Stevenson alongside the writings of lesser-known explorers, missionaries, beachcombers, and literary travelers who roamed the South Seas from the late seventeenth through the late nineteenth centuries.
Here we discover the stories of the British buccaneers and privateers who were lured to the Pacific by stories of fabulous wealth; of the scientists, cartographers, and natural historians who tried to fit the missing bits of terra incognita into a universal scheme of knowledge; and of the varied settlers who established a permanent European presence in Polynesia and Australia. Through their detailed commentary on each piece and their choice of selections, the editors--all respected scholars of the literature and cultures of the Pacific--emphasize the mutuality of impact of these colonial encounters and the continuity of Pacific cultures that still have the power to transform visitors today.

Amanda Nettelbeck explores how policies designed to protect the civil rights of indigenous peoples across the British Empire were entwined with reforming them as governable colonial subjects. The nineteenth-century policy of 'Aboriginal protection' has usually been seen as a fleeting initiative of imperial humanitarianism, yet it sat within a larger set of legally empowered policies for regulating new or newly-mobile colonised peoples. Protection policies drew colonised peoples within the embrace of the law, managed colonial labour needs, and set conditions on mobility. Within this comparative frame, Nettelbeck traces how the imperative to protect indigenous rights represented more than an obligation to mitigate the impacts of colonialism and dispossession. It carried a far-reaching agenda of legal reform that arose from the need to manage colonised peoples in an Empire where the demands of humane governance jostled with colonial growth.

This revisionist history of convict transportation from Britain and Ireland will challenge much that you thought you knew about religion and penal colonies. Based on original archival sources, it examines arguments by elites in favour and against the practice of transportation and considers why they thought it could be reformed, and, later, why it should be abolished. In this, the first religious history of the anti-transportation campaign, Hilary M. Carey addresses all the colonies and denominations engaged in the debate. Without minimising the individual horror of transportation, she demonstrates the wide variety of reformist experiments conducted in the Australian penal colonies, as well as the hulks, Bermuda and Gibraltar. She showcases the idealists who fought for more humane conditions for prisoners, as well as the 'political parsons', who lobbied to bring transportation to an end. The complex arguments about convict transportation, which were engaged in by bishops, judges, priests, politicians and intellectuals, crossed continents and divided an empire.

This book examines the policy and practice of the insanity clauses within the immigration controls of New Zealand and the Commonwealth of Australia. It reveals those charged with operating the legislation to be non-psychiatric gatekeepers who struggled to match its intent. Regardless of the evolution in language and the location at which a migrant's mental suitability was assessed, those with 'inherent mental defects' and 'transient insanity' gained access to these regions. This book accounts for the increased attempts to medicalise border control in response to the widening scope of terminology used for mental illnesses, disabilities and dysfunctions. Such attempts co-existed with the promotion of these regions as 'invalids' paradises' by governments, shipping companies, and non-asylum doctors. Using a bureaucratic lens, this book exposes these paradoxes, and the failings within these nineteenth- and early twentieth-century Australasian nation-state building exercises.

Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of the vast Pacific Ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. This new volume in the acclaimed Oxford History of Art series offers a superb introduction to the rich artistic traditions of these two regions, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments--even canoe-construction--to provide the ultimate introduction to these rich and vibrant cultures. Each chapter begins with a quote from an indigenous person from one of the island areas covered in the book and features both historic and contemporary works of art. A timeline for migration into the Pacific includes the latest information from archaeology, as well as the influx of explorers and missionaries and important exhibitions and other artistic events. With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures.

Davida Malo's Mo'olelo Hawai'i is the single most important description of pre-Christian Hawaiian culture. Malo, born in 1795, twenty-five years before the coming of Christianity to Hawai'i, wrote about everything from traditional cosmology and accounts of ancestral chiefs to religion and government to traditional amusements. The heart of this two-volume work is a new, critically edited text of Malo's original Hawaiian, including the manuscript known as the "Carter copy," handwritten by him and two helpers in the decade before his death in 1853. Volume 1 provides images of the original text, side by side with the new edited text. Volume 2 presents the edited Hawaiian text side by side with a new annotated English translation. Malo's text has been edited at two levels. First, the Hawaiian has been edited through a careful comparison of all the extant manuscripts, attempting to restore Malo's original text, with explanations of the editing choices given in the footnotes. Second, the orthography of the Hawaiian text has been modernized to help today's readers of Hawaiian by adding diacritical marks ('okina and kahako, or glottal stop and macron, respectively) and the punctuation has been revised to signal the end of clauses and sentences. The new English translation attempts to remain faithful to the edited Hawaiian text while avoiding awkwardness in the English. Both volumes contain substantial introductions. The introduction to Volume 1 (in Hawaiian) discusses the manuscripts of Malo's text and their history. The introduction to Volume 2 contains two essays that provide context to help the reader understand Malo's Moolelo Hawaii. "Understanding Malo's Moolelo Hawaii" describes the nature of Malo's work, showing that it is the result of his dual Hawaiian and Western education. "The Writing of the Moolelo Hawaii" discusses how the Carter copy was written and preserved, its relationship to other versions of the text, and Malo's plan for the work as a whole. The introduction is followed by a new biography of Malo by Kanaka Maoli historian Noelani Arista, "Davida Malo, a Hawaiian Life," describing his life as a chiefly counselor and Hawaiian intellectual.

Every year, at the Wa Huang Gong temple in Hebei Province, China, people gather to worship the great mother, Nuwa, the oldest deity in Chinese myth, praising her for bringing them a happy life. It is a vivid demonstration of both the ancient reach and the continuing relevance of mythology in the lives of the Chinese people.
Compiled from ancient and scattered texts and based on groundbreaking new research, Handbook of Chinese Mythology is the most comprehensive English-language work on the subject ever written from an exclusively Chinese perspective. This work focuses on the Han Chinese people but ranges across the full spectrum of ancient and modern China, showing how key myths endured and evolved over time. A quick reference section covers all major deities, spirits, and demigods, as well as important places (Kunlun Mountain), mythical animals and plants (the crow with three feet; Fusang tree), and related items (Xirang-a kind of mythical soil; Bu Si Yao-mythical medicine for long life). No other work captures so well what Chinese mythology means to the people who lived and continue to live their lives by it.
With more than 40 illustrations and photographs, fresh translations of primary sources, and insight based on the authors' own field research, Handbook of Chinese Mythology offers an illuminating account of a fascinating corner of the world of myth.

This edited collection explores how migrants played a major role in the creation and settlement of the British Empire, by focusing on a series of Australian case studies. Despite their shared experiences of migration and settlement, migrants nonetheless often exhibited distinctive cultural identities, which could be deployed for advantage. Migration established global mobility as a defining feature of the Empire. Ethnicity, class and gender were often powerful determinants of migrant attitudes and behaviour. This volume addresses these considerations, illuminating the complexity and diversity of the British Empire's global immigration story. Since 1788, the propensity of the populations of Britain and Ireland to immigrate to Australia varied widely, but what this volume highlights is their remarkable diversity in character and impact. The book also presents the opportunities that existed for other immigrant groups to demonstrate their loyalty as members of the (white) Australian community, along with notable exceptions which demonstrated the limits of this inclusivity.

At last a history that explains how indigenous dispossession and survival underlay and shaped the birth of Australian democracy. The legacy of seizing a continent and alternately destroying and governing its original people shaped how white Australians came to see themselves as independent citizens. It also shows how shifting wider imperial and colonial politics influenced the treatment of indigenous Australians, and how indigenous people began to engage in their own ways with these new political institutions. It is, essentially, a bringing together of two histories that have hitherto been told separately: one concerns the arrival of early democracy in the Australian colonies, as white settlers moved from the shame and restrictions of the penal era to a new and freer society with their own institutions of government; the other is the tragedy of indigenous dispossession and displacement, with its frontier violence, poverty, disease and enforced regimes of mission life.

On the night of 31 May 1942, Sydney was doing what it does best: partying. The theatres, restaurants, dance halls, illegal gambling dens, clubs and brothels offered plenty of choice to roistering sailors, soldiers and airmen on leave in Australia's most glamorous city. The war seemed far away. Newspapers devoted more pages to horse racing than to Hitler. That Sunday night the party came to a shattering halt when three Japanese midget submarines crept into the harbour, past eight electronic indicator loops, past six patrolling Royal Australian Navy ships, and past an anti-submarine net stretched across the inner harbour entrance. Their arrival triggered a night of mayhem, courage, chaos and high farce which left 27 sailors dead and a city bewildered. The war, it seemed, was no longer confined to distant desert and jungle. It was right here at Australia's front door. Written at the pace of a thriller and based on new first person accounts and previously unpublished official documents, A Very Rude Awakening is a ground-breaking and myth-busting look at one of the most extraordinary stories ever told of Australia at war.

SHORTLISTED FOR THE 2018 NED KELLY AWARD, DANGER PRIZE AND WAVERLEY LIBRARY NIB True history that is both shocking and too real, this unforgettable tale moves at the pace of a great crime novel. In the early hours of Saturday morning, 17 November 1923, a suitcase was found washed up on the shore of a small beach in the Sydney suburb of Mosman. What it contained - and why - would prove to be explosive. The murdered baby in the suitcase was one of many dead infants who were turning up in the harbour, on trains and elsewhere. These innocent victims were a devastating symptom of the clash between public morality, private passion and unrelenting poverty in a fast-growing metropolis. Police tracked down Sarah Boyd, the mother of the suitcase baby, and the complex story and subsequent murder trial of Sarah and her friend Jean Olliver became a media sensation. Sociologist Tanya Bretherton masterfully tells the engrossing and moving story of the crime that put Sarah and her baby at the centre of a social tragedy that still resonates through the decades.

Volume II of The Cambridge History of the Pacific Ocean focuses on the latest era of Pacific history, examining the period from 1800 to the present day. This volume discusses advances and emerging trends in the historiography of the colonial era, before outlining the main themes of the twentieth century when the idea of a Pacific-centred century emerged. It concludes by exploring how history and the past inform preparations for the emerging challenges of the future. These essays emphasise the importance of understanding how the postcolonial period shaped the modern Pacific and its historians.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Multiculturalism as a distinct form of liberal-democratic governance gained widespread acceptance after World War II, but in recent years this consensus has been fractured. Multiculturalism in the British Commonwealth examines cultural diversity across the postwar Commonwealth, situating modern multiculturalism in its national, international, and historical contexts. Bringing together practitioners from across the humanities and social sciences to explore the legal, political, and philosophical issues involved, these essays address common questions: What is postwar multiculturalism? Why did it come about? How have social actors responded to it? In addition to chapters on Australia, Britain, Canada, and New Zealand, this volume also covers India, Malaysia, Nigeria, Singapore, and Trinidad, tracing the historical roots of contemporary dilemmas back to the intertwined legacies of imperialism and liberalism. In so doing it demonstrates that multiculturalism has implications that stretch far beyond its current formulations in public and academic discourse.

At last a history that explains how indigenous dispossession and survival underlay and shaped the birth of Australian democracy. The legacy of seizing a continent and alternately destroying and governing its original people shaped how white Australians came to see themselves as independent citizens. It also shows how shifting wider imperial and colonial politics influenced the treatment of indigenous Australians, and how indigenous people began to engage in their own ways with these new political institutions. It is, essentially, a bringing together of two histories that have hitherto been told separately: one concerns the arrival of early democracy in the Australian colonies, as white settlers moved from the shame and restrictions of the penal era to a new and freer society with their own institutions of government; the other is the tragedy of indigenous dispossession and displacement, with its frontier violence, poverty, disease and enforced regimes of mission life.

Theatre in Dublin,1745-1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening's entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre's daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component's entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons's offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of "special Irish interest." The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important "minors." This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.