How, asks John Terrell in this richly illustrated and original book, can we best account for the remarkable diversity of the Pacific Islanders in biology, language, and custom? Traditionally scholars have recognized a simple racial division between Polynesians, Micronesians, Melanesians, Australians, and South-east Asians: peoples allegedly differing in physical appearance, temperament, achievements, and perhaps even intelligence. Terrell shows that such simple divisions do not fit the known facts and provide little more than a crude, static picture of human diversity.

This book seeks to awaken the public to the dangers of the Hawaiian sovereignty movement. A gathering storm of racial separatism and ethnic nationalism threatens not only the people of Hawaii but the entire United States. The Hawaiian Government Reorganization bill, also known as the "Akaka bill" (currently S.310 and H.R.505), threatens to set a precedent for ethnic balkanization throughout America. It seeks to create a racially exclusionary government using federal and state land and money. Hawaii's independence activists want to rip the 50th star off the flag, either by international efforts or through the economic and political power the Akaka bill would give ethnic Hawaiians as a group. This book begins with an in-depth description and analysis of racial separatism and ethnic nationalism in today's Hawaiian sovereignty movement. Then it analyzes historical grievances, and the junk science of current victimhood claims, fueling the Hawaiian grievance industry. The book analyzes anti-military and anti-American activity. It describes the dangers of claims to indigenous rights, and why those claims are bogus in Hawaii. The book analyzes some Hawaiian sovereignty frauds including a billion dollars in Hawaiian Kingdom government bonds, the "Perfect Title" land title scam, and the "World Court" scam. The closing chapter offers hope for the future, describing an action agenda. Ken Conklin, author, has a Ph.D. in Philosophy. He has lived in Hawaii since 1992. He has devoted full time for 15 years to studying Hawaiian history, culture, and language, and the Hawaiian sovereignty movement; and speaks Hawaiian with moderate fluency. He is a scholar and civil rights activist working to protectunity, equality, and aloha for all. He has published numerous essays in newspapers, appeared on television and radio, taught a course on Hawaiian sovereignty at the University of Hawaii, and maintains a large website.

Hoarding New Guinea provides a new cultural history of colonialism that pays close attention to the millions of Indigenous artifacts that serve as witnesses to Europe's colonial past in ethnographic museums. Rainer F. Buschmann investigates the roughly two hundred thousand artifacts extracted from the colony of German New Guinea from 1870 to 1920. Reversing the typical trajectories that place ethnographic museums at the center of the analysis, he concludes that museum interests in material culture alone cannot account for the large quantities of extracted artifacts. Buschmann moves beyond the easy definition of artifacts as trophies of colonial defeat or religious conversion, instead employing the term hoarding to describe the irrational amassing of Indigenous artifacts by European colonial residents. Buschmann also highlights Indigenous material culture as a bargaining chip for its producers to engage with the imposed colonial regime. In addition, by centering an area of collection rather than an institution, he opens new areas of investigation that include non-professional ethnographic collectors and a sustained rather than superficial consideration of Indigenous peoples as producers behind the material culture. Hoarding New Guinea answers the call for a more significant historical focus on colonial ethnographic collections in European museums.

Pitcairn, a tiny Pacific island that was refuge to the mutineers of HMAV Bounty and home to their descendants, later became the stage on which one imposter played out his influential vision for British control over the nineteenth-century Pacific Ocean. Joshua W. Hill arrived on Pitcairn in 1832 and began his fraudulent half-decade rule that has, until now, been swept aside as an idiosyncratic moment in the larger saga of Fletcher Christian's mutiny against Captain Bligh, and the mutineers' unlikely settlement of Pitcairn. Here, Hill is shown instead as someone alert to the full scope and power of the British Empire, to the geopolitics of international imperial competition, to the ins and outs of naval command, the vicissitudes of court politics, and, as such, to Pitcairn's symbolic power for the British Empire more broadly.

Daniel A. Kelin II preserves the qualities of oral storytelling in fifty stories recorded from eighteen storytellers on eight islands and atolls. This lively collection includes something for everyone: origin stories, tales of mejenkwaad and other demons, tricksters, disobedient children, wronged husbands, foolish suitors, and reunited families - all relaying the importance of traditional Marshallese values and customs. Profiles of the storytellers, a glossary, and a pronunciation guide enrich the collection.

On 2 September 1845, the convict ship Tasmania left Kingstown Harbour for Van Diemen's Land with 138 female convicts and their 35 children. On 3 December, the ship arrived into Hobart Town. While this book looks at the lives of all the women aboard, it focuses on two women in particular: Eliza Davis, who was transported from Wicklow Gaol for life for infanticide, having had her sentence commuted from death, and Margaret Butler, sentenced to seven years' transportation for stealing potatoes in Carlow. Using original records, this study reveals the reality of transportation, together with the legacy left by these women in Tasmania and beyond, and shows that perhaps, for some, this Draconian punishment was, in fact, a life-saving measure.

Tautai is the story of a man who came from the edge of a mighty empire and then challenged it at its very heart. This biography of Ta'isi O. F. Nelson chronicles the life of a man described as the "archenemy" of New Zealand and its greater whole, the British Empire. He was Samoa's richest man who used his wealth and unique international access to further the Samoan cause and was financially ruined in the process. In the aftermath of the hyper-violence of the First World War, Ta'isi embraced nonviolent resistance as a means to combat a colonial surge in the Pacific that gripped his country for nearly two decades. This surge was manned by heroes of New Zealand's war campaign, who attempted to hold the line against the groundswell of challenges to the imperial order in the former German colony of Samoa that became a League of Nations mandate in 1921. Stillborn Samoan hopes for greater freedoms under this system precipitated a crisis of empire. It led Ta'isi on global journeys in search of justice taking him to Geneva, the League of Nations headquarters, and into courtrooms in Samoa, New Zealand, and the United Kingdom. Ta'isi ran a global campaign of letter writing, petitions, and a newspaper to get his people's plight heard. For his efforts he was imprisoned and exiled not once but twice from his homeland of Samoa. Using private papers and interviews, O'Brien tells a deeply compelling account of Ta'isi's life lived through turbulent decades. By following Ta'isi's story readers also learn a history of Samoa's Mau movement that attracted international attention. The author's care for detail provides a nuanced interpretation of its history and Ta'isi's role in the broader context of world history. The first biography of Ta'isi O. F. Nelson, Tautai is a powerful and passionate story that is both personal and one that encircles the globe. It touches on shared histories and causes that have animated and enraged populations across the world throughout the twentieth century to the present day.

The revelatory story of the Bible in Australia, from the convict era to the Mabo land rights campaign, Nick Cave, the Bra Boys and beyond. Thought to be everything from the word of God to a resented imposition, the Bible has been debated, painted, rejected, translated, read, gossiped about, preached, and tattooed. At a time when public discussion of religion is deeply polarised, Meredith Lake reveals the Bible's dynamic influence in Australia and offers an innovative new perspective on Christianity and its changing role in our society. In the hands of writers, artists, wowsers, Biblebashers, immigrants, suffragists, evangelists, unionists, Indigenous activists and many more - the Bible has played a defining and contested role in Australia. A must-read for sceptics, the curious, the lapsed, the devout, the believer and non-believer.

Australia and the World celebrates the pioneering role of Neville Meaney in the formation and development of foreign relations history in Australia and his profound influence on its study, teaching and application.The contributors to the volume - historians, practitioners of foreign relations and political commentators, many of whom were taught by Meaney at the University of Sydney over the years - focus especially on the interaction between geopolitics, culture and ideology in shaping Australian and American approaches to the world.Individual chapters examine a number of major themes informing Neville Meaney's work, including the sources and nature of Australia's British identity; the hapless, if dedicated, efforts of Australian politicians, public servants and intellectuals to reconcile this intense cultural identity with Australia's strategic anxieties in the Asia-Pacific region; and the sense of trauma created when the myth of 'Britishness' collapsed under the weight of new historical circumstances in the 1960s. They survey relations between Australia and the United States in the years after World War Two. Finally, they assess the US perceptions of itself as an 'exceptional' nation with a mission to spread democracy and liberty to the wider world and the way in which this self-perception has influenced its behaviour in international affairs.

Whenever society produces a depraved criminal, we wonder: is it nature or is it nurture? When the charlatan Alicks Sly murdered his wife, Ellie, and killed himself with a cut-throat razor in a house in Sydney's Newtown in early 1904, he set off a chain of events that could answer that question. He also left behind mysteries that might never be solved. Sociologist Dr Tanya Bretherton traces the brutal story of Ellie, one of many suicide brides in turn-of-the-century Sydney; of her husband, Alicks, and his family; and their three orphaned sons, adrift in the world. From the author of the acclaimed THE SUITCASE BABY - shortlisted for the 2018 Ned Kelly Award, Danger Prize and Waverley Library 'Nib' Award - comes another riveting true-crime case from Australia's dark past. THE SUICIDE BRIDE is a masterful exploration of criminality, insanity, violence and bloody family ties in bleak, post-Victorian Sydney.

When English naturalist Joseph Banks (1743-1820) accompanied Captain James Cook (1728-1779) on his historic mission into the Pacific, the Endeavour voyage of 1768-1771, he took with him a team of collectors and illustrators. They returned with unprecedented collections of artifacts and specimens of stunning birds, fish, and other animals, as well as thousands of plants, most seen for the first time in Europe. They produced, too, remarkable landscape and figure drawings of the peoples encountered on the voyage along with detailed journals and descriptions of the places visited, which, with the first detailed maps of these lands (Tahiti, New Zealand, and the east coast of Australia), were later used to create lavishly illustrated accounts of the mission. These caused a storm of interest in Europe where plays, poems, and satirical caricatures were later produced to celebrate and examine the voyage, its personnel, and many "new" discoveries. Along with contemporary portraits of key personalities aboard the ship, scale models and plans of the ship itself, scientific instruments taken on the voyage, commemorative medals and sketches, the objects (over 140) featured in this book tell the story of the Endeavour voyage and its impact ahead of the 250th anniversary in 2018 of the launch of this seminal mission. Artwork made both during and after the voyage will be seen alongside actual specimens. By comparing the voyage originals with the often stylized engravings later produced in London for the official account, Endeavouring Banks investigates how knowledge gained on the mission was gathered, revised, and later received in Europe. Items that had been separated in some cases for more than two centuries are brought together to reveal their fascinating history not only during but since that mission. Original voyage specimens are featured together with illustrations and descriptions of them, showing a rich diversity of newly discovered species and how Banks organized this material, planning but ultimately failing to publish it. In fact, many of the objects in the book have never been published before. Focusing on the contribution of Banks's often neglected artists--Sydney Parkinson, Herman Diedrich Sporing, and Alexander Buchan, as well as the priest Tupaia, who joined Endeavour in the Society Islands--none of whom survived the mission, the surviving Endeavour voyage illustrations are the most important body of images produced since Europeans entered this region, matching the truly historic value of the plant specimens and artifacts that will be seen alongside them.

Visions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate "nature" with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.

The Oxford Handbook of Australian Politics is a comprehensive collection that considers Australia's distinctive politics- both ancient and modern- at all levels and across many themes. It examines the factors that make Australian politics unique and interesting, while firmly placing these in the context of the nation's Indigenous and imported heritage and global engagement. The book presents an account of Australian politics that recognizes and celebrates its inherent diversity by taking a thematic approach in six parts. The first theme addresses Australia's unique inheritances, examining the development of its political culture in relation to the arrival of British colonists and their conflicts with First Nations peoples, as well as the resulting geopolitics. The second theme, improvization, focuses on Australia's political institutions and how they have evolved. Place-making is then considered to assess how geography, distance, Indigenous presence, and migration shape Australian politics. Recurrent dilemmas centres on a range of complex, political problems and their influence on contemporary political practice. Politics, policy, and public administration covers how Australia has been a world leader in some respects, and a laggard in others, when dealing with important policy challenges. The final theme, studying Australian politics, introduces some key areas in the study of Australian politics and identifies the strengths and shortcomings of the discipline. The Oxford Handbook of Australian Politics is an opportunity for others to consider the nation's unique politics from the perspective of leading and emerging scholars, and to gain a strong sense of its imperfections, its enduring challenges, and its strengths.

The moment of contact between two peoples, two alien societies, marks the opening of an epoch and the joining of histories. What if it had happened differently? The stories that indigenous peoples and Europeans tell about their first encounters with one another are enormously valuable historical records, but their relevance extends beyond the past. Settler populations and indigenous peoples the world over are engaged in negotiations over legitimacy, power, and rights. These struggles cannot be dissociated from written and oral accounts of "contact" moments, which not only shape our collective sense of history but also guide our understanding of current events. For all their importance, contact stories have not been systematically or critically evaluated as a genre. Myth and Memory explores the narratives of indigenous and newcomer populations from New Zealand and across North America, from the Lost Colony of Roanoke on the Atlantic seaboard of the United States to the Pacific Northwest and as far as Sitka, Alaska. It illustrates how indigenous and explorer accounts of the same meetings reflect fundamentally different systems of thought, and focuses on the cultural misunderstandings embedded in these stories. The contributors discuss the contemporary relevance, production, and performance of Aboriginal and European contact narratives, and introduce new tools for interpreting the genre. They argue that we are still in the contact zone, striving to understand the meaning of contact and the relationship between indigenous and settler populations.

For 100 years, Australians have sought their reflection in the Great War. This book tells the story of what we saw. Raise a glass for an Anzac. Run for an Anzac. Camp under the stars for an Anzac. Is there anything Australians won't do to keep the Anzac legend at the centre of our national story? Standing firm on the other side of the enthusiasts is a chorus of critics claiming that the appetite for Anzac is militarising our history and indoctrinating our children. So how are we to make sense of this struggle over how we remember the Great War? Anzac, the Unauthorised Biography cuts through the clamour and traces how, since 1915, Australia's memory of the Great War has declined and surged, reflecting the varied and complex history of the Australian nation itself. Most importantly, it asks why so many Australians persist with the fiction that the nation was born on 25 April 1915.

Only one American state was formally a sovereign monarchy. In this compelling narrative, the award-winning journalist Julia Flynn Siler chronicles how this Pacific kingdom, creation of a proud Polynesian people, was encountered, annexed, and absorbed. --Kevin Starr, historian, University of Southern California Around 200 A.D., intrepid Polynesians paddled thousands of miles across the Pacific and arrived at an undisturbed archipelago. For centuries, their descendants lived with almost no contact from the Western world but in 1778 their profound isolation was shattered with the arrival of Captain Cook. Deftly weaving together a memorable cast of characters, Lost Kingdom brings to life the ensuing clash between the vulnerable Polynesian people and the relentlessly expanding capitalist powers. Portraits of royalty, rogues, sugar barons, and missionaries combine into a sweeping tale of the Hawaiian kingdom's rise and fall. At the center of the story is Lili'uokalani, the last queen of Hawaii. Born in 1838, she lived through the nearly complete economic transformation of the islands. Lucrative sugar plantations owned almost exclusively by white planters, dubbed the Sugar Kings, gradually subsumed the majority of the land. Hawaii became a prize in the contest between America, Britain, and France, each of whom were seeking to expand their military and commercial influence in the Pacific. Lost Kingdom is the tragic story of Lili'uokalani's family and their fortunes. The monarchy had become a figurehead, victim to manipulation from the wealthy sugar-plantation owners. Upon ascending to the throne, Lili'uokalani was determined to enact a constitution reinstating the monarchy's power but she was outmaneuvered and, in January 1893, U.S. Marines from the USS Boston marched through the streets of Honolulu to the palace. The annexation of Hawaii had begun, ushering in a new century of American imperialism.