Pacific Forest explores the use of the forests of the Solomon Islands from the prehistoric period up to the end of 1997, when much of the indigenous commercial forest had been logged. It is the first study of the history of the forest in any Pacific Island; the first analysis of the indigenous and British colonial perceptions of the Melanesian forest; and the first critical analysis for this region, not only of colonial forest policies but of later policies and practices which made the governments of independence exploiters of their own people. Pacific Forest addresses a range of evidence drawn from several disciplines, and is a major contribution to environmental history.

A beautiful and sweeping historical novel that takes the reader from the west coast of New Zealand, to Scotland and Melbourne in the 1870s 'Its portrayal of life in a gold-rush town is vivid, and Rose's story is absorbing' The Times 'Worth reading for its occasional streaks of brilliance and insight' Telegraph India 'A epic read . . . a beautifully written, evocative novel that I anticipate you reading and re-reading for years to come' Woman's Way 'A gripping page-turner' Woman 1866. Will Stewart is one of many who have left their old lives behind to seek their fortunes in New Zealand's last great gold rush. The conditions are hostile and the outlook bleak, but he must push on in his uncertain search for the elusive buried treasure. Rose is about to arrive on the shores of South Island when a storm hits and her ship is wrecked. Just when all seems lost she is snatched from the jaws of death by Will, who risks his life to save her. Drawn together by circumstance, they stay together by choice and for a while it seems that their stars have finally aligned. But after a terrible misunderstanding they are cruelly separated, and their new-found happiness is shattered. As Will chases Rose across oceans and continents, he must come to terms with the possibility that he might never see her again. And if he does, he will have to face the man who took her . . . Readers love Alchemy and Rose: 'A real rollercoaster of emotions' 5* reader review 'One of her best yet' 5* reader review 'Both gripping and romantic (quite a combination!) and keeps you hooked right up to the end' 5* reader review 'One of those books that you need to find out what happened, but at the same time you don't want it to finish' 5* reader review 'Couldn't put it down, a real page turner' 5* reader review

Having grown up on the massive Killarney cattle station near Katherine, NT, Toni Tapp Coutts was well prepared when her husband, Shaun, took a job at McArthur River Station in the Gulf Country, 600 kilometres away near the Queensland border. Toni became cook, counsellor, housekeeper and nurse to the host of people who lived on McArthur River and the constant stream of visitors. She made firm friends, created the Heartbreak Bush Ball and started riding campdraft in rodeos all over the Territory, becoming one of the NT's top riders. In the midst of this busy life she raised three children and saw them through challenges; she dealt with snakes in her washing basket; she kept in touch with her large, sprawling Tapp family, and she fell deeply in love with the Gulf Country. Filled with the warmth and humour readers will remember from A SUNBURNT CHILDHOOD, this next chapter in Toni's life is both an adventure and a heartwarming memoir, and will introduce readers to a part of Australia few have experienced.

Across Australia, early Europeans commented again and again that the land looked like a park. With extensive grassy patches and pathways, open woodlands and abundant wildlife, it evoked a country estate in England. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than we have ever realised. For over a decade, Gammage has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire and the life cycles of native plants to ensure plentiful wildlife and plant foods throughout the year. We know Aboriginal people spent far less time and effort than Europeans in securing food and shelter, and now we know how they did it. With details of land-management strategies from around Australia, The Biggest Estate on Earth rewrites the history of this continent, with huge implications for us today. Once Aboriginal people were no longer able to tend their country, it became overgrown and vulnerable to the hugely damaging bushfires we now experience. And what we think of as virgin bush in a national park is nothing of the kind.

Theatre in Dublin,1745-1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening's entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre's daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component's entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons's offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of "special Irish interest." The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important "minors." This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.

The marines on the First Fleet refused to sail without it. Convicts risked their necks to get hold of it. Rum built a hospital and sparked a revolution, made fortunes and ruined lives. In a society with few luxuries, liquor was power. It played a crucial role, not just in the lives of individuals like James Squire - the London chicken thief who became Australia's first brewer - but in the transformation of a starving penal outpost into a prosperous trading port. Drawing on a wealth of contemporary sources, Grog offers an intoxicating look at the first decades of European settlement and explores the origins of Australia's fraught love affair with the hard stuff.