Who were the three wise men and what was "the Star of the Magi" that led them to Bethlehem? Using the dialogue form, Christian Hermetic Astrology explores these questions and the basis for the inauguration of "Star Wisdom." Set in the Temple of the Sun, where Hermes, the Egyptian sage, gathers with his three pupils, Tat, Asclepius, and King Ammon, these discourses focus upon the path of Christ, culminating in the Mystery of Golgotha. With Rudolf Steiner and Anne Catherine Emmerich pointing the way, Robert Powell hits produced a book, through his independent research and careful study, intended as a contribution to a modern "path of the magi" leading to a Christian wisdom of the stars.

'It tells of terrible journeys, of men masked against the sun (riding through ethereal regions with their feet frozen), of welcoming fog-girt monasteries lit by butter lamps at the journey's end' - "New Statesman". "The Way of the White Clouds" is the remarkable narrative of a pilgrimage, which could not be made today. Lama Anagarika Govinda was among the last to journey through Tibet before its invasion by the Chinese. His unique account is not only a spectacular and gloriously poetic story of exploration and discovery; but also invaluable for its sensitive and clearly presented interpretation of the Tibetan tradition. 'Why is it that the fate of Tibet has found such a deep echo in the world? There can only be one answer: Tibet has become the symbol of all that present-day humanity is longing for' - Lama Anagarika Govinda.

Can religion be compatible with liberal democracy? World Religions and Democracy brings together insights from renowned scholars and world leaders in a provocative and timely discussion of religions' role in the success or failure of democracy. An essay by Alfred Stepan outlines the concept of "twin tolerations" and differentiation, and creates a template that can be applied to all of the religion-democracy relationships observed and analyzed throughout the volume. "Twin tolerations" means that there is a clear distinction and a mutual respect between political authorities and religious leaders and bodies. When true differentiation is accomplished, the religious sector enjoys freedom of activity and the ability to peacefully influence its members but does not wield direct political power. A country's ability to implement the principle of differentiation directly affects the successful development of democracy.

Part two focuses on eastern religions -- Confucianism, Hinduism, and Buddhism -- and includes contributions from Nobel Prize winner Aung San Suu Kyi and His Holiness the Dalai Lama. The third part addresses democracy in relationship to Judaism and the three branches of Christianity -- Catholicism, Protestantism, and Eastern Orthodoxy. Sociologist Peter Berger offers a global perspective of Christianity and democracy.

The volume's final section discusses what is perhaps the most challenging example of the struggling relationship between religion and democracy today: Islam and the governments of the Muslim nations. Abdou Filali-Ansary, Bernard Lewis, and others present a comprehensive exploration of Muslim thought and faith in an increasingly secular, modern world. It is inthis volatile political and religious climate that solutions are most urgently needed but also most elusive.

Contributors: Alfred Stepan, Hahm Chaibong, Francis Fukuyama, Pratap Mehta, His Holiness the Dalai Lama, Aung San Suu Kyi, Hillel Fradkin, Daniel Philpott, Tim Shah, Robert Woodberry, Elizabeth Prodromou, Peter Berger, Abdou Filali-Ansary, Bernard Lewis, Robin Wright, Abdelwahab El-Affendi, Radwan A. Masmoudi, Laith Kubba, Ladan Boroumand, Roya Boroumand.

Ezra Taft Benson is perhaps the most controversial apostle-president in the history of the Church of Jesus Christ of Latter-day Saints. For nearly fifty years he delivered impassioned sermons in Utah and elsewhere, mixing religion with ultraconservative right-wing political views and conspiracy theories. His teachings inspired Mormon extremists to stockpile weapons, predict the end of the world, and commit acts of violence against their government. The First Presidency rebuked him, his fellow apostles wanted him disciplined, and grassroots Mormons called for his removal from the Quorum of the Twelve. Yet Benson was beloved by millions of Latter-day Saints, who praised him for his stances against communism, socialism, and the welfare state, and admired his service as secretary of agriculture under President Dwight D. Eisenhower. Using previously restricted documents from archives across the United States, Matthew L. Harris breaks new ground as the first to evaluate why Benson embraced a radical form of conservatism, and how under his leadership Mormons became the most reliable supporters of the Republican Party of any religious group in America.

On September 11, 1857, a small band of Mormons led by John D. Lee massacred an emigrant train of men, women, and children heading west at Mountain Meadows, Utah. News of the Mountain Meadows Massacre, as it became known, sent shockwaves through the western frontier of the United States, reaching the nation's capital and eventually crossing the Atlantic. In the years prior to the massacre, Americans dubbed the Church of Jesus Christ of Latter-day Saints the "Mormon problem" as it garnered national attention for its "unusual" theocracy and practice of polygamy. In the aftermath of the massacre, many Americans viewed Mormonism as a real religious and physical threat to white civilization. Putting the Mormon Church on trial for its crimes against American purity became more important than prosecuting those responsible for the slaughter. Religious historian Janiece Johnson analyzes how sensational media attention used the story of the Mountain Meadows Massacre to enflame public sentiment and provoke legal action against Latter-day Saints. Ministers, novelists, entertainers, cartoonists, and federal officials followed suit, spreading anti-Mormon sentiment to collectively convict the Mormon religion itself. This troubling episode in American religious history sheds important light on the role of media and popular culture in provoking religious intolerance that continues to resonate in the present.

Since her groundbreaking memoir In My Father's House, which recounts an agonizing break from fundamentalist polygamy, Dorothy Allred Solomon has continued to publish on the lives of Mormon women and the dissonance many experience in connection to fundamentalist pasts. The more Solomon delved into issues of agency, the more she felt her own dissonance and began to look for answers in her ancestral past-those early women she knew only through family stories. Finding Karen: An Ancestral Mystery springs from a decade of research into Solomon's paternal great-great grandmother Karen Sorensen Rasmussen, who converted to Mormonism in Denmark and emigrated to the United States in 1859. Held up to Solomon throughout childhood as an icon of feminine heroism, a stoic handcart immigrant who helped establish Zion in Utah, Karen became equally emblematic of Solomon's own strong-willed determination and of everything Solomon found lacking in herself. Finding Karen is a revelatory journey, twinned with Solomon's own in surprising ways. As valuable a study in recovering history as it is in the need to re-examine family stories, Solomon's retelling takes readers through the twists and turns of discovery/recovery as she encounters them. In doing so, she illuminates not only the risk inherent in trusting even what persists as historic record but also the insights to be gained from assiduous persistence.

Manga and anime (illustrated serial novels and animated films) are highly influential Japanese entertainment media that boast tremendous domestic consumption as well as worldwide distribution and an international audience. Drawing on Tradition examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography. Rather than merely describing the incidence of religions such as Buddhism or Shinto in these media, Jolyon BarakaThomas shows that authors and audiences create and re-create "religious frames of mind" through their imaginative and ritualised interactions with illustrated worlds. Manga and anime therefore not only contribute to familiarity with traditional religious doctrines and imagery, but also allow authors, directors, and audiences to modify and elaborate upon such traditional tropes, sometimes creating hitherto unforeseen religious ideas and practices. The book takes play seriously by highlighting these recursive relationships between recreation and religion, emphasising throughout the double sense of play as entertainment and play as adulteration (i.e., the whimsical or parodic representation of religious figures, doctrines, and imagery). Building on recent developments in academic studies of manga and anime-as well as on recent advances in the study of religion as related to art and film-Thomas demonstrates that the specific aesthetic qualities and industrial dispositions of manga and anime invite practices of rendition and reception that can and do influence the ways that religious institutions and lay authors have attempted to captivate new audiences. Drawing on Tradition will appeal to both the dilettante and the specialist: Fans and self-professed otaku will find an engaging academic perspective on often overlooked facets of the media and culture of manga and anime, while scholars and students of religion will discover a fresh approach to the complicated relationships between religion and visual media, religion and quotidian practice, and the putative differences between "traditional" and "new" religions.

On September 11, 1857, a small band of Mormons led by John D. Lee massacred an emigrant train of men, women, and children heading west at Mountain Meadows, Utah. News of the Mountain Meadows Massacre, as it became known, sent shockwaves through the western frontier of the United States, reaching the nation's capital and eventually crossing the Atlantic. In the years prior to the massacre, Americans dubbed the Church of Jesus Christ of Latter-day Saints the "Mormon problem" as it garnered national attention for its "unusual" theocracy and practice of polygamy. In the aftermath of the massacre, many Americans viewed Mormonism as a real religious and physical threat to white civilization. Putting the Mormon Church on trial for its crimes against American purity became more important than prosecuting those responsible for the slaughter. Religious historian Janiece Johnson analyzes how sensational media attention used the story of the Mountain Meadows Massacre to enflame public sentiment and provoke legal action against Latter-day Saints. Ministers, novelists, entertainers, cartoonists, and federal officials followed suit, spreading anti-Mormon sentiment to collectively convict the Mormon religion itself. This troubling episode in American religious history sheds important light on the role of media and popular culture in provoking religious intolerance that continues to resonate in the present.

In this theoretically rich work, Mason Kamana Allred unearths the ways Mormons have employed a wide range of technologies to translate events, beliefs, anxieties, and hopes into reproducible experiences that contribute to the growth of their religious systems of meaning. Drawing on methods from cultural history, media studies, and religious studies, Allred focuses specifically on technologies of vision that have shaped Mormonism as a culture of seeing. These technologies, he argues, were as essential to the making of Mormonism as the humans who received, interpreted, and practiced their faith. While Mormons' uses of television and the internet are recent examples of the tradition's use of visual technology, Allred excavates older practices and technologies for negotiating the spirit, such as panorama displays and magic lantern shows. Fusing media theory with feminist new materialism, he employs media archaeology to examine Mormons' ways of performing distinctions, beholding as a way to engender radical visions, and standardizing vision to effect assimilation. Allred's analysis reveals Mormonism as always materially mediated and argues that religious history is likewise inherently entangled with media.

In this theoretically rich work, Mason Kamana Allred unearths the ways Mormons have employed a wide range of technologies to translate events, beliefs, anxieties, and hopes into reproducible experiences that contribute to the growth of their religious systems of meaning. Drawing on methods from cultural history, media studies, and religious studies, Allred focuses specifically on technologies of vision that have shaped Mormonism as a culture of seeing. These technologies, he argues, were as essential to the making of Mormonism as the humans who received, interpreted, and practiced their faith. While Mormons' uses of television and the internet are recent examples of the tradition's use of visual technology, Allred excavates older practices and technologies for negotiating the spirit, such as panorama displays and magic lantern shows. Fusing media theory with feminist new materialism, he employs media archaeology to examine Mormons' ways of performing distinctions, beholding as a way to engender radical visions, and standardizing vision to effect assimilation. Allred's analysis reveals Mormonism as always materially mediated and argues that religious history is likewise inherently entangled with media.

Panic Anxiety is the number one mental health problem for women and second only to drug abuse among men. Synthetic tranquilizers can alleviate the symptoms of anxiety illnesses. However, in order to achieve lasting emotional tranquility, a significant lifestyle change must be made. "The Anxiety Cure" provides proven, natural strategies for overcoming panic disorder and finding an emotional balance in today's fast-paced world.

In these lectures Steiner deals with the experiences of the human soul during and after death. On the basis of precise clairvoyant observations, he describes the events experienced during the millennium of the soul's journey within the vast realms of soul and spirit between death and rebirth. Steiner describes the states of consciousness experienced by our deceased loved ones and how we-by considering their new consciousness-can communicate with them and even help them. Reading these descriptions, it becomes clear that excarnated souls need the spiritual support of those presently incarnated, and that those still on earth, in turn, derive enlightenment and support from their former earthly companions.

Bright Lights in the Desert explores the history of how members of the Church of Jesus Christ of Latter-day Saints in Las Vegas have improved the regions' neighborhoods, inspired educational institutions, brought integrity to the marketplace, and provided wholesome entertainment and cultural refinement. The LDS influence has helped shape the metropolitan city because of its members' focus on family values and community service. Woods discusses how, through their beliefs and work ethics, they have impacted the growth of the area from the time of their first efforts to establish a mission in 1855 through the present day. Bright Lights in the Desert reveals Las Vegas as more than just a tourist destination and shows the LDS community's commitment to making it a place of deep religious faith and devotion to family.

"Secrets of Voodoo" traces the development of this complex religion (in Haiti and the Americas) from its sources in the brilliant civilizations of ancient Africa. This book presents a straightforward account of the gods or loas and their function, the symbols and signs, rituals, the ceremonial calendar of Voodoo, and the procedures for performing magical rites are given.

"Voodoo," derived from words meaning "introspection" and "mystery," is a system of belief about the formation of the world and human destiny with clear correspondences in other world religions. Rigaud makes these connections and discloses the esoteric meaning underlying Voodoo's outward manifestations, which are often misinterpreted. Translated from the French by Robert B. Cross. Drawings and photographs by Odette Mennesson-Rigaud.

Milo Rigaud was born in Port au Prince, Haiti, in 1903, where he spent the greater part of his life studying the Voodoo tradition. In Haiti he studied law, and in France ethnology, psychology, and theology. The involvement of Voodoo in the political struggle of Haitian blacks for independence was one of his main concerns.