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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions > General
In Isis Pelagia: Images, Names and Cults of a Goddess of the Seas,
Laurent Bricault, one of the principal scholars of the cults of
Isis, presents a new interpretation of the multiple sources that
present Isis as a goddess of the seas. Bricault discusses a wealth
of relatively unknown archaeological and textual data, drawing on a
profound knowledge of their historical context. After decades of
scholarly study, Bricault offers an important contribution and a
new phase in the debate on understanding the "diffusion" as well as
the "reception" of the cults of Isis in the Graeco-Roman world.
This book, the first English-language monograph by the leading
French scholar in the field, underlines the importance of Isis
Studies for broader debates in the study of ancient religion.
Comparing amulets over time and space, this volume focuses on the
function of written words on these fascinating artefacts. Ranging
from Roman Egypt to the Middle Ages and the Modern period, this
book provides an overview on these artefacts in the Mediterranean
world and beyond, including Europe, Iran, and Turkey. A deep
analysis of the textuality of amulets provides comparative
information on themes and structures of the religious traditions
examined. A strong emphasis is placed on the material features of
the amulets and their connections to ritual purposes. The textual
content, as well as other characteristics, is examined
systematically, in order to establish patterns of influence and
diffusion. The question of production, which includes the
relationships that linked professional magicians, artists and
craftsmen to their clientele, is also discussed, as well as the
sacred and cultural economies involved.
Gorgeous Collector's Edition. From such texts as the Shah Nameh
(the Persian Book of Kings), Masnavi-e Ma'navi, the Anvar-i Suhayli
fables and works by the great poet Nizami, come ancient tales of a
civilization that once stretched across the known world. Find here
the wonderful stories of the magical bird the Simurgh, the Seven
Labours of Rustem, the evil demon onager-giant Akwan Diw and the
tragic romance of Laili and Majnun. Persian literature is amongst
the most beautiful and inventive of all cultures, offering a joyful
read of creation, love and conquest. Flame Tree Collector's
Editions present the foundations of speculative fiction, authors,
myths and tales without which the imaginative literature of the
twentieth century would not exist, bringing the best, most
influential and most fascinating works into a striking and
collectable library. Each book features a new introduction and a
Glossary of Terms.
Inspired by a critical reconsideration of current monolithic
approaches to the study of Greek religion, this book argues that
ancient Greeks displayed a disquieting capacity to validate two (or
more) dissonant, if not contradictory, representations of the
divine world in a complementary rather than mutually exclusive
manner. From this perspective the six chapters explore problems
inherent in: order vs. variety/chaos in polytheism, arbitrariness
vs. justice in theodicy, the peaceful co-existence of mono- and
polytheistic theologies, human traits in divine imagery, divine
omnipotence vs. limitation of power, and ruler cult. Based on an
intimate knowledge of ancient realia and literary testimonia the
book stands out for its extensive application of relevant
perceptions drawn from cultural anthropology, theology, cognitive
science, psychology, and linguistics.
Where did the idea of sin arise from? In this meticulously argued
book, David Konstan takes a close look at classical Greek and Roman
texts, as well as the Bible and early Judaic and Christian
writings, and argues that the fundamental idea of "sin" arose in
the Hebrew Bible and the New Testament, although this original
meaning was obscured in later Jewish and Christian interpretations.
Through close philological examination of the words for "sin," in
particular the Hebrew hata' and the Greek hamartia, he traces their
uses over the centuries in four chapters, and concludes that the
common modern definition of sin as a violation of divine law indeed
has antecedents in classical Greco-Roman conceptions, but acquired
a wholly different sense in the Hebrew Bible and New Testament.
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