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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions > General
Sources of Evil: Studies in Mesopotamian Exorcistic Lore is a
collection of thirteen essays on the body of knowledge employed by
ancient Near Eastern healing experts, most prominently the
'exorcist' and the 'physician', to help patients who were suffering
from misfortunes caused by divine anger, transgressions of taboos,
demons, witches, or other sources of evil. The volume provides new
insights into the two most important catalogues of Mesopotamian
therapeutic lore, the Exorcist's Manual and the Assur Medical
Catalogue, and contains discussions of agents of evil and causes of
illness, ways of repelling evil and treating patients, the
interpretation of natural phenomena in the context of exorcistic
lore, and a description of the symbolic cosmos with its divine and
demonic inhabitants. "This volume in the series on Ancient
Divination and Magic published by Brill is a welcome addition to
the growing literature on ancient magic ..." -Ann Jeffers, Journal
for the Study of the Old Testament 43.5 (2019) "Since the focus of
the conference from which the essays derive was narrow, most of the
essays hang together well and even complement each other. Several
offer state-of-the-art treatments of topics and texts that make the
volume especially useful. Readers will find much in this volume
that contributes to our understanding of Mesopotamian exorcists,
magic, medicine, and conceptions of evil." -Scott Noegel,
University of Washington, Journal of the American Oriental Society
140.1 (2020)
This phenomenologically oriented ethnography focuses on
experiential aspects of Yanomami shamanism, including shamanistic
activities in the context of cultural change. The author
interweaves ethnographic material with theoretical components of a
holographic principle, or the idea that the "part is equal to the
whole," which is embedded in the nature of the Yanomami macrocosm,
human dwelling, multiple-soul components, and shamans'
relationships with embodied spirit-helpers. This book fills an
important gap in the regional study of Yanomami people, and, on a
broader scale, enriches understanding of this ancient phenomenon by
focusing on the consciousness involved in shamanism through
firsthand experiential involvement.
The Politics of Identity in Greek Sicily and Southern Italy offers
the first sustained analysis of the relationship between collective
identity and politics in the Greek West during the period c.
600-200 BCE. Greeks defined their communities in multiple and
varied ways, including a separate polis identity for each
city-state; sub-Hellenic ethnicities such as Dorian and Ionian;
regional identities; and an overarching sense of Greekness. Mark
Thatcher skillfully untangles the many overlapping strands of these
plural identities and carefully analyzes how they relate to each
other, presenting a compelling new account of the role of identity
in Greek politics. Identity was often created through conflict and
was reshaped as political conditions changed. It created legitimacy
for kings and tyrants, and it contributed to the decision-making
processes of poleis. A series of detailed case studies explore
these points by drawing on a wide variety of source material,
including historiography, epinician poetry, coinage, inscriptions,
religious practices, and material culture. The wide-ranging
analysis covers both Sicily and southern Italy, encompassing cities
such as Syracuse, Camarina, Croton, and Metapontion; ethnic groups
such as the Dorians and Achaeans; and tyrants and politicians from
the Deinomenids and Hermocrates to Pyrrhus and Hieron II. Spanning
the Archaic, Classical, and Hellenistic periods, this study is an
essential contribution to the history, societies, cultures, and
identities of Greek Sicily and southern Italy.
This is the first of a two-volume collection of studies in
inconsistencies in Greek and Roman religion. Their common aim is to
argue for the historical relevance of various types of ambiguity
and dissonance. The first volume focuses on the central paradoxes
in ancient henotheism. The term 'henotheism' -- a modern formation
after the stereotyped acclamation: #EIS O QEOS# ("one is the god"),
common to early Christianity and contemporaneous paganism --
denotes the specific devotion to one particular god without denying
the existence of, or even cultic attention to, other gods. After
its prime in the twenties and thirties of this century the term
fell into disuse. Nonetheless, the notion of henotheism represents
one of the most remarkable and significant shifts in Graeco-Roman
religion and hence deserves fresh reconsideration.
Babylon under Western Eyes examines the mythic legacy of ancient
Babylon, the Near Eastern city which has served western culture as
a metaphor for power, luxury, and exotic magnificence for more than
two thousand years. Sifting through the many references to Babylon
in biblical, classical, medieval, and modern texts, Andrew Scheil
uses Babylon's remarkable literary ubiquity as the foundation for a
thorough analysis of the dynamics of adaptation and allusion in
western literature. Touching on everything from Old English poetry
to the contemporary apocalyptic fiction of the "Left Behind"
series, Scheil outlines how medieval Christian society and its
cultural successors have adopted Babylon as a political metaphor, a
degenerate archetype, and a place associated with the sublime.
Combining remarkable erudition with a clear and accessible style,
Babylon under Western Eyes is the first comprehensive examination
of Babylon's significance within the pantheon of western literature
and a testimonial to the continuing influence of biblical,
classical, and medieval paradigms in modern culture.
The papers of the volume investigate how authoritative figures in
the Second Temple Period and beyond contributed to forming the
Scriptures of Judaism, as well as how these Scriptures shaped ideal
figures as authoritative in Early Judaism. The topic of the volume
thus reflects Ben Wright's research, who-especially with his work
on Ben Sira, on the Letter of Aristeas, and on various problems of
authority in Early Jewish texts-creatively contributed to the study
of the formation of Scriptures, and to the understanding of the
figures behind these texts.
Although angels are typically associated with Judaism,
Christianity, and Islam, Ancient Angels demonstrates that angels
(angeloi) were also a prominent feature of non-Abrahamic religions
in the Roman era. Following an interdisciplinary approach, the
study uses literary, inscriptional, and archaeological evidence to
examine Roman conceptions of angels, how residents of the empire
venerated angels, and how Christian authorities responded to this
potentially heterodox aspect of Roman religion. The book brings
together the evidence for popular beliefs about angels in Roman
religion, demonstrating the widespread nature of speculation about,
and veneration of, angels in the Roman Empire
"The object of the present little book is to provide in connected
form enough information to cover all the ordinary allusions met
with, so that by reading it through, the student may get a
conspectus of the whole field; while, by means of a copious index,
it may also fulfill the function of the Classical Dictionary,"
Various goddesses of the ancient Mediterranean world were once
understood to be Virgin Mothers--creators who birthed the entire
cosmos without need of a male consort. This is the first book to
explore evidence of the original parthenogenetic power of deities
such as Athena, Hera, Artemis, Gaia, Demeter, Persephone, and the
Gnostic Sophia. It provides stunning feminist insights about the
deeper meaning of related stories, such as the judgment of Paris,
the labors of Heracles, and the exploits of the Amazons. It also
roots the Thesmophoria and Eleusinian Mysteries in female
parthenogenetic power, thereby providing what is at long last a
coherent understanding of these mysterious rites.
After more than a century of debate about the significance of imperial cults for the interpretation of Revelation, this is the first study to examine both the archaeological evidence and the Biblical text in depth. Friesen argues that a detailed analysis of imperial cults as they were practised in the first century CE in the region where John was active allows us to understand John's criticism of his society's dominant values. He demonstrates the importance of imperial cults for society at the time when Revelation was written, and shows the ways in which John refuted imperial cosmology.
The history of the Nabataean Kingdom of Hellenistic-Roman times,
centred on Petra, is now well known, but until the publication of
this book, no monograph has been devoted to Nabataean religion,
known to us principally from inscriptions in Nabataean Aramaic,
iconography, archaeology and Greek literary texts.
After a critical survey of the sources, the author analyses
systematically the information on the individual gods worshipped by
the Nabataeans, including a detailed illustrated account of temples
and iconography. A further major section discusses religious
themes: aniconism, henotheism, death-cult and the divinisation of
kings. In a final chapter, Nabataean religion is considered in
relation to Judaism, Christianity and Islam.
The book will be of particular interest to historians of religion
in the Graeco-Roman Near East and to Semitic epigraphists.
From basic needs, such as lighting, heating or cooking, to symbolic
or ritual engagement, hearths in indoor contexts serve as a focal
point. This is especially evident, both spatially and
architecturally, in structures containing central hearths. In
assessing any gathering around a hearth, the types of social groups
involved need to be determined and their interactions clearly
assessed in each specific case. Beyond clearly domestic contexts,
many rooms or buildings have been deemed religious or cultic places
often based solely on the presence of a hearth, despite other
possible interpretations. This volume appraises and contextualises
diversity in practice centering on the hearth in the Aegean and,
more widely, in areas of the Western Mediterranean closely
connected to Greek civilization, notably through its colonies,
revealing surprising similarities but also local adaptations. In
the West, the use of the hearth often has a unique character
arising from local adaptations born of indigenous practices. The
combined approach presented here, detailing technical aspects of
the hearths themselves, their architectural settings and any
associated artefacts or furnishings, affords a rich spectrum for
cross-cultural analysis between these Mediterranean regions.
For the Greek, Dionysos was a very important god: for individuals
as well as for the community as a whole. As there are only a few
written sources dating from before the 5th Century BC the many
images of Dionysos on Greek vases may well offer a genuine approach
to the meaning given by the ancient viewer. This book explores the
earliest images followed by those on small vases for private use,
on mixing bowls of the symposion, on amphoras, on later drinking
cups and on archaic sculptures. It gives an overview of Dionysian
iconography of the 5th Century BC as well as an overall
interpretation. The reader will learn why this god of vine and
wine, of theatre and ecstasy, was so important for humans and why
he played a key role in the life of the polis. Dionysos war fur die
Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des
Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert v.Chr.
sehr wenige Schriftzeugnisse existieren, koennen uns die vielen
Darstellungen des Dionysos auf griechischen Vasen am ehesten einen
Zugang zu dem vermitteln, was der antike Mensch uber ihn dachte.
Analysiert werden zuerst die fruhesten Bilder, dann jene auf
kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion
verwendeten Mischgefassen, auf Amphoren, auf den spateren
Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch
schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im
5. Jahrhundert v.Chr. und einer umfassenden Deutung. Diese
Interpretation hilft zu verstehen, warum Dionysos, der Gott der
Rebe und des Weins, des Theaters, der Ekstase, fur den antiken
Menschen so wichtig war und auch im oeffentlichen Leben der
klassischen Polis eine so grosse Rolle gespielt hat.
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