Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.

This title deals with the role of memory in shaping religion in the ancient cities of Mesopotamia, Egypt, Greece and Rome. This volume brings together scholars and researchers working on memory and religion in ancient urban environments. Chapters explore topics relating to religious traditions and memory, and the multifunctional roles of architectural and geographical sites, mythical figures and events, literary works and artefacts. Pagan religions were often less static and more open to new influences than previously understood. One of the factors that shape religion is how fundamental elements are remembered as valuable and therefore preservable for future generations. Memory, therefore, plays a pivotal role when - as seen in ancient Rome during late antiquity - a shift of religions takes place within communities. The significance of memory in ancient societies and how it was promoted, prompted, contested and even destroyed is discussed in detail. This volume, the first of its kind, will not only address the main cultures of the ancient world - Mesopotamia, Egypt, Greece and Rome - but also look at urban religious culture and funerary belief, and how concepts of ethnic religion were adapted in new religious environments.

Celestial divination, in the form of omens from lunar, planetary, astral, and meteorological phenomena, was central to Mesopotamian cuneiform scholarship and science from the late second millennium BCE into the Hellenistic period. Beyond the boundaries of ancient Mesopotamia, the ideas, texts, and traditions of Babylonian celestial divination are traceable in Hellenistic sciences and philosophies. This collection of essays investigates features of Babylonian celestial divination with special focus on those aspects that influenced later Greco-Roman astronomy, astrology, and theories of signs. A multi-faceted collection of philological, historical, and philosophical investigations, In the Path of the Moon offers Assyriologists, Classicists, and historians of ancient science a wide-ranging series of studies unified around the theme of Babylonian celestial divination's legacy. "The collected essays in this volume, successive steps in an ordered path, constitute an invaluable contribution to a better understanding of Babylonian divination." Lorenzo Verderame, "Sapienza" Universita di Roma "The reader interested in the multifaceted presentation of the problems related to the explanation of Babylonian celestial divination and well equipped with the knowledge of Akkadian will certainly be rewarded by the study of Rochberg's latest publication." Henryk Drawnel, SDB

Whether you are reading Greek mythology for psychological insights or studying the classics in college, there are a number of goddesses who have been almost entirely overlooked. They are who John Sanford calls the lesser-known goddesses. However, there is nothing lesser about them. They personify the deeper elements that exist across all life, nature, and spiritual reality. Our current culture often neglects their qualities but would be wise to increase its understanding of them. Many books, including the bestseller Goddesses in Everywoman by Jean Bolen, illustrate well-known goddesses who are the main characters in their stories. But behind the scenes and often running their personalities are the lesser-known goddesses from the ancient matriarchal era of Greek culture. To bring forward their spiritual meaning, Sanford has pieced together information from various Greek stories, plays, and poems.

The Iguvine Tables (Tabulae Iguvinae) are among the most invaluable documents of Italic linguistics and religion. Seven bronze tablets discovered in 1444 in the Umbrian town of Gubbio (ancient Iguvium), they record the rites and sacral laws of a priestly brotherhood, the Fratres Atiedii, with a degree of detail unparalleled elsewhere in ancient Italy. Taking an interdisciplinary approach that combines philological and linguistic, as well as ritual analysis, Michael Weiss not only addresses the many interpretive cruces that have puzzled scholars for a century and a half, but also constructs a coherent theory of the entire ritual performance described on Tables III and IV. In addition, Weiss sheds light on many questions of Roman ritual practice and places the Iguvine Tables in their broader Italic and Indo-European contexts.

Through a close and informative reading of seven key texts in Acts, Kauppi analyses the appearances of Graeco-Roman religion, offering evidence of practices including divination and oracles, ruler cult and civic foundation myth. "Foreign But Familiar Gods" then uses a combination of these scriptural texts and other contemporary evidence (including archaeological and literary material) to suggest that one of Luke's subsidiary themes is to contrast Graeco-Roman and Christian religious conceptualizations and practices.

Tobiah's travel with the angel in Tobit chapter six constitutes a singular moment in the book. It marks a before and after for Tobiah as a character. Considered attentively, Tobit six reveals a remarkable richness in content and form, and functions as a crucial turning point in the plot's development. This book is the first thorough study of Tobit six, examining the poetics and narrative function of this key chapter and revisiting arguments about its meaning. A better understanding of this central chapter deepens our comprehension of the book as a whole.

Lightning has evoked a numinous response as well as powerful timeless references and symbols among ancient religions throughout the world. Thunder and lightning have also taken on various symbolic manifestations, some representing primary deities, as in the case of Zeus and Jupiter in the Greco/Roman tradition, and Thor in Norse myth. Similarly, lightning veneration played an important role to the ancient civilizations of Mesoamerica and Andean South America. Lightning veneration and the religious cults and their associated rituals represent to varying degrees a worship of nature and the forces that shape the natural world. The inter-relatedness of the cultural and natural environment is related to what may be called a widespread cultural perception of the natural world as sacred, a kind of mythic landscape. Comparative analysis of the Andes and Mesoamerica has been a recurring theme recently in part because two of the areas of "high civilization" in the Americas have much in common despite substantial ecological differences, and in part because there is some evidence, of varying quality, that some people had migrated from one area to the other. Lightning in the Andes and Mesoamerica is the first ever study to explore the symbolic elements surrounding lightning in their associated Pre-Columbian religious ideologies. Moreover, it extends its examination to contemporary culture to reveal how cultural perceptions of the sacred, their symbolic representations and ritual practices, and architectural representations in the landscape were conjoined in the ancient past. Ethnographic accounts and ethnohistoric documents provide insights through first-hand accounts that broaden our understanding of levels of syncretism since the European contact. The interdisciplinary research presented herein also provides a basis for tracing back Pre-Columbian manifestations of lightning its associated religious beliefs and ritual practices, as well as its mythological, symbolic, iconographic, and architectural representations to earlier civilizations. This unique study will be of great interest to scholars of Pre-Columbian South and Mesoamerica, and will stimulate future comparative studies by archaeologists and anthropologists.

How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.

Ezekiel's Visionary Temple in Babylonian Context examines evidence from Babylonian sources to better understand Ezekiel's vision of the future temple as it appears in chapters 40-48. Tova Ganzel argues that Neo-Babylonian temples provide a meaningful backdrop against which many unique features of Ezekiel's vision can and should be interpreted. In pointing to the similarities between Neo-Babylonian temples and the description in the book of Ezekiel, Ganzel demonstrates how these temples served as a context for the prophet's visions and describes the extent to which these similarities provide a further basis for broader research of the connections between Babylonia and the Bible. Ultimately, she argues the extent to which the book of Ezekiel models its temple on those of the Babylonians. Thus, this book suggests a comprehensive picture of the book of Ezekiel's worldview and to contextualize its visionary temple by comparing its vision to the actual temples surrounding the Judeans in exile.

In Bodies of Knowledge in Ancient Mesopotamia Matthew Rutz explores the relationship between ancient collections of texts, commonly deemed libraries and archives, and the modern interpretation of titles like 'diviner'. By looking at cuneiform tablets as artifacts with archaeological contexts, this work probes the modern analytical categories used to study ancient diviners and investigates the transmission of Babylonian/Assyrian scholarship in Syria. During the Late Bronze Age diviners acted as high-ranking scribes and cultic functionaries in Emar, a town on the Syrian Euphrates (ca. 1375-1175 BCE). This book's centerpiece is an extensive analytical catalogue of the excavated tablet collection of one family of diviners. Over seventy-five fragments are identified for the first time, along with many proposed joins between fragments.

Greek religion is filled with strange sexual artifacts - stories of mortal women's couplings with gods; rituals like the basilinna's "marriage" to Dionysus; beliefs in the impregnating power of snakes and deities; the unusual birth stories of Pythagoras, Plato, and Alexander; and more. In this provocative study, Marguerite Rigoglioso suggests such details are remnants of an early Greek cult of divine birth, not unlike that of Egypt. Scouring myth, legend, and history from a female-oriented perspective, she argues that many in the highest echelons of Greek civilization believed non-ordinary conception was the only means possible of bringing forth individuals who could serve as leaders, and that special cadres of virgin priestesses were dedicated to this practice. Her book adds a unique perspective to our understanding of antiquity, and has significant implications for the study of Christianity and other religions in which divine birth claims are central. The book's stunning insights provide fascinating reading for those interested in female-inclusive approaches to ancient religion.

This collection presents innovative research by scholars from across the globe in celebration of Gabriele Boccaccini's sixtieth birthday and to honor his contribution to the study of early Judaism and Christianity. In harmony with Boccaccini's determination to promote the study of Second Temple Judaism in its own right, this volume includes studies on various issues raised in early Jewish apocalyptic literature (e.g., 1 Enoch, 2 Baruch, 4 Ezra), the Dead Sea Scrolls, and other early Jewish texts, from Tobit to Ben Sira to Philo and beyond. The volume also provides several investigations on early Christianity in intimate conversation with its Jewish sources, consistent with Boccaccini's efforts to transcend confessional and disciplinary divisions by situating the origins of Christianity firmly within Second Temple Judaism. Finally, the volume includes essays that look at Jewish-Christian relations in the centuries following the Second Temple period, a harvest of Boccaccini's labor to rethink the relationship between Judaism and Christianity in light of their shared yet contested heritage.

Jarrod L. Whitaker examines the ritualized poetic construction of male identity in the Rgveda, India's oldest Sanskrit text, arguing that an important aspect of early Vedic life was the sustained promotion and embodiment of what it means to be a true man. The Rgveda contains over a thousand hymns, addressed primarily to three gods: the deified ritual Fire, Agni; the war god, Indra; and Soma, who is none other than the personification of the sacred beverage soma. The hymns were sung in day-long fire rituals in which poet-priests prepared the sacred drink to empower Indra. The dominant image of Indra is that of a highly glamorized, violent, and powerful Aryan male; the three gods represent the ideals of manhood.
Whitaker finds that the Rgvedic poet-priests employed a fascinating range of poetic and performative strategies--some explicit, others very subtle--to construct their masculine ideology, while justifying it as the most valid way for men to live. Poet-priests naturalized this ideology by encoding it within a man's sense of his body and physical self. Rgvedic ritual rhetoric and practices thus encode specific male roles, especially the role of man as warrior, while embedding these roles in a complex network of social, economic, and political relationships.
Strong Arms and Drinking Strength is the first book in English to examine the relationship between Rgvedic gods, ritual practices, and the identities and expectations placed on men in ancient India."

Winner of the 2020 Award for Excellence in the Study of Religion: Historical Studies In her groundbreaking investigation from the perspective of the aesthetics of religion, Isabel Laack explores the religion and art of writing of the pre-Hispanic Aztecs of Mexico. Inspired by postcolonial approaches, she reveals Eurocentric biases in academic representations of Aztec cosmovision, ontology, epistemology, ritual, aesthetics, and the writing system to provide a powerful interpretation of the Nahua sense of reality. Laack transcends the concept of "sacred scripture" traditionally employed in religions studies in order to reconstruct the Indigenous semiotic theory and to reveal how Aztec pictography can express complex aspects of embodied meaning. Her study offers an innovative approach to nonphonographic semiotic systems, as created in many world cultures, and expands our understanding of human recorded visual communication. This book will be essential reading for scholars and readers interested in the history of religions, Mesoamerican studies, and the ancient civilizations of the Americas. "This excellent book, written with intellectual courage and critical self-awareness, is a brilliant, multilayered thought experiment into the images and stories that made up the Nahua sense of reality as woven into their sensational ritual performances and colorful symbolic writing system." - David Carrasco, Harvard University