The creative nature of the "Soul": On its own plane, the soul knows no separation, and the factor of synthesis governs all soul relations. The soul is occupied not only with the form that the vision of its objective may take, but with the quality or the meaning which that vision veils or hides. The soul knows the Plan; its form, outline, methods and objective are known. Through the use of the creative imagination, the soul creates; it builds thought-forms on the mental plane and objectifies desire on the astral plane. It proceeds then to externalize its thought and its desire upon the physical plane through applied force, creatively actuated by the imagination of the etheric or vital vehicle. Yet because the soul intelligence, motivated by love, it can (within the realized synthesis which governs its activities) analyze, discriminate and divide. The soul likewise aspires to that which is greater than itself, and reaches out to the world of divine ideas, and thus itself occupies a midway position between the world of ideation and the world of forms, This is its difficulty and its opportunity. This compilation from the books of Alice Bailey seeks to increase understanding of the immortal soul, addressing it's many aspects under sixty two headings.

Universities and the Occult Rituals of the Corporate World explores the metaphorical parallels between corporatised, market-oriented universities and aspects of the occult. In the process, the book shows that the forms of mystery, mythmaking and ritual now common in restructured institutions of higher education stem from their new power structures and procedures, and the economic and sociopolitical factors that have generated them.

Wood argues that universities have acquired occult aspects, as the beliefs and practices underpinning present-day market-driven academic discourse and practice weave spells of corporate potency, invoking the bewildering magic of the market and the arcane mysteries of capitalism, thriving on equivocation and evasion. Making particular reference to South African universities, the book demonstrates the ways in which apparently rational features of contemporary Western and westernised societies have acquired occult aspects. It also includes discussion of higher education institutions in other countries where neoliberal economic agendas are influential, such as the UK, the USA, the Eurozone states and Australia.

Providing a unique and thought-provoking look at the impact of the marketisation of Higher Education, this book will be essential reading for academics, researchers and postgraduate students engaged in the study of higher education, educational policy and neoliberalism. It should also be of great interest to academics in the fields of anthropology, folklore and cultural studies, as well as business, economics and management.

Table of Contents

1. Introduction 2. The Magic of the Market 3. Setting the Scene 4. Corporate Simulacra 5. A Climate of Fear 6. Rituals, Talismans and Templates 7. Performance and Ritual 8. Kinship, Collegiality and Witchcraft 9. Secrecy, Publicity, Confusion and Power 10. The Zombies of Corporate Academia 11. Sacrifices and Suffering 12. Smoke and Mirrors and Wind Money 13. Conclusion: Breaking the Spell Bibliography

Film is a kind of magic, a world of shadows and light, where anything is possible and the dead come back to life. Film can persuade us to believe in anything and special effects can work miracles. It is therefore the perfect medium for expressing occult phenomena, and since the beginnings of cinema history, film has done just that. Movie Magick explores the way in which films have been inspired by Alesiter Crowley's famous definition of "Magick" as "the Science and Art of causing Change to occur in conformity with Will." This naturally encompasses classic occult movies, such as Hammer's adaptations of Dennis Wheatley's The Devil Rides Out, but also ventures further afield into the cultural background of the modern occult revival, exploring the way in which occult movies have responded to the esthetics of fin de siecle decadence, the symbolist writings of Villiers de l'Isle Adam, Wagnerian music drama, the Faust legend, the pseudo-science of Theosophy, the occult psychedelia of the 1960s, occult conspiracy theories and some of the more arcane aspects of animation. The result is a cinematic grimoire, which will appeal to both sorcerers and apprentices of movie magick.

2013 Reprint of 1946 Fifth Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Mr. Hall, himself an honorary 33x Mason, reveals the profounder aspects of this ancient Fraternity which has been a source of inspiration to so many individuals through the centuries. The basic symbolism of the three degrees of the Blue Lodge is explained. The text can be read with profit by both new and old Masons, for within its pages lies an interpretation of Masonic symbolism which supplements the monitorial instruction usually given in the lodges. The leading Masonic scholars of all times have agreed that the symbols of the Fraternity are susceptible of the most profound interpretation and thus reveal to the truly initiated certain secrets concerning the spiritual realities of life. Freemasonry is therefore more than a mere social organization a few centuries old, and can be regarded as a perpetuation of the philosophical mysteries and initiations of the ancients. This is in keeping with the inner tradition of the Craft, a heritage from pre-Revival days. The present volume will appeal to the thoughtful Mason as an inspiring work, for it satisfies the yearning for further light and leads the initiate to that Sanctum Sanctorum where the mysteries are revealed. The book is a contribution to Masonic idealism, revealing the profounder aspects of our ancient and gentle Fraternity - those unique and distinctive features which have proved a constant inspiration through the centuries. Chapters Include: Chapter I - The Eternal Quest Chapter II - The Candidate Chapter III - The Entered Apprentice Chapter IV - The Fellow Craft Chapter V - The Master Mason Chapter VI - The Qualifications of a True Mason Epilogue

Extracted from Volumes 1, 8, and 18. Includes Jung's Foreword to Phenomenes Occultes (1939), "On the Psychology and Pathology of So-called Occult Phenomena," "The Psychological Foundations of Belief in Spirits," "The Soul and Death," "Psychology and Spiritualism," "On Spooks: Heresy or Truth?" and Foreword to Jaffe: Apparitions and Precognition."

2013 Reprint of 1937 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. The first chapter of this essay provides a soundly skeptical, mythicist take on Christian origins, while simultaneously asserting Lemurian and Atlantean sources for esoteric traditions. The next three chapters are organized according to the book's pattern: brain/spirit, heart/emotions, and generative organs/physical sensation. In the chapter on "The Spinal Column" corresponding to the heart, there is also a discussion of clairvoyance and mediumship, and in the chapter on "The Infernal Worlds" Hall additionally provides an exposition of color symbolism. The final chapter of Occult Anatomy is on "embryology," which offers readings of religious texts as perinatal allegories. It then continues with a thumbnail description of the seven-year cyclical climacteric pattern of individual human development.

2012 Reprint of Original Three Volume s First Published from 1905-1907. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. This is a collection of Crowley's early esoteric writings and poetry and comprise the first collected edition of his writings. Aleister Crowley, born Edward Alexander Crowley, and also known as both Frater Perdurabo and The Great Beast, was an influential English occultist, mystic, ceremonial magician, poet and mountaineer, who was responsible for founding the religious philosophy of Thelema. In his role as the founder of the Thelemite philosophy, he came to see himself as the prophet who was entrusted with informing humanity that it was entering the new Aeon of Horus in the early 20th century. Born into a wealthy upper class family, as a young man he became an influential member of the esoteric Hermetic Order of the Golden Dawn after befriending the order's leader, Samuel Liddell MacGregor Mathers. Subsequently believing that he was being contacted by his Holy Guardian Angel, an entity known as Aiwass, while staying in Egypt in 1904, he "received" a text known as 'The Book of the Law' from what he believed was a divine source, and around which he would come to develop his new philosophy of Thelema. He would go on to found his own occult society and eventually rose to become a leader of Ordo Templi Orientis (O.T.O.), before founding a religious commune in Cefalu known as the Abbey of Thelema, which he led from 1920 through till 1923. After abandoning the Abbey amid widespread opposition, Crowley returned to Britain, where he continued to promote Thelema until his death. Crowley has remained an influential figure and is widely thought of as the most influential occultist of all time. Includes: Volume 1. Aceldama. The tale of Archais. Songs of the spirit. The poem. Jephithah. Mysteries. Jezebel, and other tragic poems. An appeal to the American republic. The fatal force. The mother's tragedy. The temple of the holy ghost. Carmen Saeculare. Tannhauser. Epilogue. Appendix. -- Volume 2. Oracles. Alice: An adultery. The Argonauts. Ahab and other poems. The God-eater. The sword of song. Ambrosii magi hortus rosarum. The three characteristics. An essay on ontology. Science and Buddhism. The excluede middle; or, the sceptic refuted. Time. Epilogue. Volume 3. The star and the garter. Rosa mundi, and other love-songs. The Sire de Maletroit's door. Gargoyles. Rodin in rime. Orpheus. Epilogue and dedication. Appendix A. Bibliographical note. Appendix B. Index of first lines.

"A pioneer work in . . . the sexual structuring of society. This is not just another book about witchcraft."--Edmund S. Morgan, Yale University

Confessing to "Familiarity with the Devils," Mary Johnson, a servant, was executed by Connecticut officials in 1648. A wealthy Boston widow, Ann Hibbens, was hanged in 1656 for casting spells on her neighbors. In 1662, Ann Cole was "taken with very strange Fits" and fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events in Salem took place.

More than three hundred years later the question still haunts us: Why were these and other women likely witches? Why were they vulnerable to accusations of witchcraft? In this work Carol Karlsen reveals the social construction of witchcraft in seventeenth-century New England and illuminates the larger contours of gender relations in that society.

"A remarkable achievement. The 'witches' come alive in this book, not as stereotypes, but as real women living in a society that suspected and feared their independence and combativeness."--Mary Beth Norton, Mary Donlon Alger Professor of American History, Cornell University

Suppose you could ask God the most puzzling questions about existence--questions about love and faith, life and death, good and evil.

Supose God provided clear, understandable answers.

It happened to Neale Donald Walsch. It can happen to you.

You are about to have a conversation.


Walsch's fascinating three-year conversation with God about every aspect of life and living began in 1992, Walsch says, when he was struggling financially and his health and relationships were suffering. Out of frustration, he composed an angry, passionate letter to God demanding to know why his life was in such turmoil. To his amazement, when he was finished, he was moved to continue writing as God answered back. The book that grew from that first experience addresses the real life issues we all face at work, at home, and out in the world, as well as the larger questions of the nature of God and his relationship to man.

How does Walsch know that God was actually talking to him? "The book contains concepts and information beyond anything I've ever thought of," says Walsch. "But more importantly, I've found out through other readers that there are hundreds of people that have had this same experience. This book has allowed them to speak out."

Walsch claims that God speaks to everyone all the time, that we're just not listening. "Have you ever been struck by a song lyric or the cover story of a magazine you suddenly pass on a newsstand that seems to answer a question you've had? Have you ever met someone for the first time and had that person mention something out of the blue that's been on your mind? Have you ever gone to church and thought the minister must have read your mail, because he seems to be talking directly to you? We often write things off to coincidence that we should give God credit for."

In 1968 University of California Press published an unusual manuscript by an anthropology student named Carlos Castaneda. The Teachings of Don Juan enthralled a generation of seekers dissatisfied with the limitations of the Western world view. Castaneda's now classic book remains controversial for the alternative way of seeing that it presents and the revolution in cognition it demands. Whether read as ethnographic fact or creative fiction, it is the story of a remarkable journey that has left an indelible impression on the life of more than a million readers around the world.

'A major work ... an extraordinary tour de force, [this book] will materially help to bring both sides (science and paranormal studies) together in a way which could lead to real and important advances in our view of the universe' - New Scientist First published in 1978, Mysteries is the powerful and enlightening sequel to The Occult, continuing Colin Wilson's investigations into the paranormal, the occult and the supernatural. The experience of his own panic attacks gave Wilson his insight into the concept of the ladder or hierarchy of selves with which we are all associated. In this book he fully explores this idea of multiple selves, explaining how our lower, childish selves are linked to depression and anxiety. The book offers an optimistic message to counteract our contemporary tendency towards pessimism and nihilism: purposeful activity will always allow us to call on our higher selves and bring concentration, control and a sense of meaning into life. Wilson uses the concept of the multi-personality to explain a wide range of paranormal phenomenon, from dowsing and demonic possession to precognition and spoon-bending, and he analyses the work of all the big names in 20th-century supra-rational research (from T C Lethbridge to Margaret Murray to Carl Jung) from this perspective. The story ranges widely, from the stone circles to 1960s LSD adventures, and Wilson's analysis is woven with hundreds of entertaining paranormal anecdotes and case studies taken from throughout history, including his own experiences of dowsing at the Merry Maidens stone circle and of visions and lucid dreaming.

The growing presence in Western society of non-mainstream faiths and spiritual practices poses a dilemma for the law. Building on a thorough history of the legal regulation of fortune-telling laws in four countries, Faith or Fraud examines the impact of people who identify as "spiritual but not religious" (SBNR) on the future legal understanding of religious freedom. Unlike SBNR belief systems that can encompass multiple religions, philosophies, and folklore, traditional legal interpretations of "freedom of religion" are based on organized religion and are ultimately shown to have failed to evolve along with ideas about religion itself.

New collection of essays promising to re-energize the debate on Nazism's occult roots and legacies and thus our understanding of German cultural and intellectual history over the past century. Scholars have debated the role of the occult in Nazism since it first appeared on the German political landscape in the 1920s. After 1945, a consensus held that occultism - an ostensibly anti-modern, irrational blend of pseudo-religious and -scientific practices and ideas - had directly facilitated Nazism's rise. More recently, scholarly debate has denied the occult a role in shaping the Third Reich, emphasizing the Nazis' hostility to esoteric religion and alternative forms of knowledge. Bringing together cutting-edge scholarship on the topic, this volume calls for a fundamental reappraisal of these positions. The book is divided into three chronological sections. The first,on the period 1890 to 1933, looks at the esoteric philosophies and occult movements that influenced both the leaders of the Nazi movement and ordinary Germans who became its adherents. The second, on the Third Reich in power, explores how the occult and alternative religious belief informed Nazism as an ideological, political, and cultural system. The third looks at Nazism's occult legacies. In emphasizing both continuities and disjunctures, this book promises to re-open and re-energize debate on the occult roots and legacies of Nazism, and with it our understanding of German cultural and intellectual history over the past century. Contributors: Monica Black; Jeff Hayton; Oded Heilbronner; Eric Kurlander; Fabian Link and J. Laurence Hare; Anna Lux; Perry Myers; John Ondrovcik; Michael E. O'Sullivan; Jared Poley; Uwe Schellinger, Andreas Anton, and Michael T. Schetsche; Peter Staudenmaier. Monica Black is Associate Professor and Associate Head of the Department of History at the University of Tennessee, Knoxville. Eric Kurlander is J. Ollie Edmunds Chair and Professor of Modern European History at Stetson University.

Salem Story engages the story of the Salem witch trials through an analysis of the surviving primary documentation and juxtaposes that against the way in which our culture has mythologized the events of 1692. Salem Story examines a variety of individual motives that converged to precipitate the witch hunt. The book also examines subsequent mythologies that emerged from the events of 1692. Of the many assumptions about the Salem Witch Trials, the most persistent one remains that they were precipitated by a circle of hysterical girls. Through an analysis of what actually happened, through reading the primary material, the emerging story shows a different picture, one where "hysteria" inappropriately describes the events and where accusing males as well as females participated in strategies of accusation and confession that followed a logical, rational pattern.

After identifying its anthropological origins in ancient rituals performed by a shaman or wizard, this text traces the development of the Magus through pre-Christian religious and mystic philosophers, medieval sorcerers and alchemists and the 18th and 19th century occult revival.

The first major survey of the occult collection of artworks, letters, objects and ephemera in the Tate Archive and collection. Revealing over 150 esoteric and mystical pieces, some never before seen, this book gives a new understanding to the artists in the Tate collection and the history and practice of the occult. A lavishly illustrated magical volume acts a potent talisman connecting the two worlds of Tate - the seen public collection and the unseen secrets lurking in the archive. The pages of this book explore the hidden artworks and ephemera left behind by artists, and shed new light on our understanding of the art historical canon. It offers an in-depth exploration of the occult and its relationship to art and culture including witchcraft, alchemy, secret societies, folklore and pagan rituals, demonology, spells and magic, psychic energies, astrology and tarot. Expect to find the unexpected in the works and lives of artists such as Ithell Colquhoun, Paul Nash, Barbara Hepworth, Cecil Collins, John William Waterhouse, Alan Davie, Joe Tilson, Henry Moore, Eileen Agar, William Blake, Leonora Carrington and Pamela Colman Smith. For the first time, the clandestine, magical works of the Tate archive are revealed with archivist Victoria Jenkins exploring relationships between art and the occult, and how both can act as a form of resistance to challenging environments. This book challenges perceptions and illuminates the surprising breadth and extraordinary ways in which artists interpret not just the physical world around them but also the supernatural, to make the unseen, seen. If you think you know Tate artists, it's time to think again.

Industry of Magic & Light is a love letter to the counterculture of the 1960s and a requiem for its passing. The much-anticipated prequel to Keenan's cult classic debut, This is Memorial Device, Industry of Magic & Light is set in the same mythical Airdrie in the 1960s and early 70s and centres on a group of hippies running their own psychedelic light show. Told in two halves - the first in the form of an inventory of the contents of a caravan abandoned by one of the hippies, the second in the form of a tarot card reading - it is not so much a book about the 1960s as a direct channelling of the decade's energies, bringing to life how even the smallest and dreariest of working class towns felt so full of possibility in the wake of the psychedelic moment. Via artefacts from the time - everything from poetry chapbooks, record reviews and musical instruments through bubblegum wrappers, bicycle repair kits and mysterious cassette recordings - the book opens out into adventures along the hippy trail in Afghanistan and behind the Iron Curtain that leads a cast of new and returning characters - as well as the authorities - to believe that they are literally making magic. Simultaneously a forensics of the 1960s, a detective novel, an occult thriller, a vision quest, and the hallucinatory exposition of a moment where it felt like anything was possible, Industry of Magic & Life brings to life the streets of small working class towns as transformational sites of utopian joy.