Salem Story engages the story of the Salem witch trials through an analysis of the surviving primary documentation and juxtaposes that against the way in which our culture has mythologized the events of 1692. Salem Story examines a variety of individual motives that converged to precipitate the witch hunt. The book also examines subsequent mythologies that emerged from the events of 1692. Of the many assumptions about the Salem Witch Trials, the most persistent one remains that they were precipitated by a circle of hysterical girls. Through an analysis of what actually happened, through reading the primary material, the emerging story shows a different picture, one where "hysteria" inappropriately describes the events and where accusing males as well as females participated in strategies of accusation and confession that followed a logical, rational pattern.

After identifying its anthropological origins in ancient rituals performed by a shaman or wizard, this text traces the development of the Magus through pre-Christian religious and mystic philosophers, medieval sorcerers and alchemists and the 18th and 19th century occult revival.

The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.

Provides a new insight into Crowley's life as a magician and literary figure. identifies and gives an analysis of Crowley's poetry. places him to the context of Edwardian Britain's addiction to the cult of pan. Paul Newman is a well established author and expert on the occult. he is the editor of Abraxus magazine.

This amazing book is an essential reference and permanent resource for every aspirant. It is illustrated with original ary by Oberon and friends, as well as hundred of woodcuts from medieval manuscripts and alchemical texts--plus, charts, tables and diagrams.

Universities And The Occult Rituals Of The Corporate World explores the metaphorical parallels between corporatised, market-oriented universities and aspects of the occult. In the process, the book shows that the forms of mystery, mythmaking and ritual now common in restructured institutions of higher education stem from their new power structures and procedures, and the economic and sociopolitical factors that have generated them.

Wood argues that universities have acquired occult aspects, as the beliefs and practices underpinning present-day market-driven academic discourse and practice weave spells of corporate potency, invoking the bewildering magic of the market and the arcane mysteries of capitalism, thriving on equivocation and evasion. Making particular reference to South African universities, the book demonstrates the ways in which apparently rational features of contemporary Western and westernised societies have acquired occult aspects. It also includes discussion of higher education institutions in other countries where neoliberal economic agendas are influential, such as the UK, the USA, the Eurozone states and Australia.

Providing a unique and thought-provoking look at the impact of the marketisation of Higher Education, this book will be essential reading for academics, researchers and postgraduate students engaged in the study of higher education, educational policy and neoliberalism. It should also be of great interest to academics in the fields of anthropology, folklore and cultural studies, as well as business, economics and management.

In 1968 University of California Press published an unusual manuscript by an anthropology student named Carlos Castaneda. The Teachings of Don Juan enthralled a generation of seekers dissatisfied with the limitations of the Western world view. Castaneda's now classic book remains controversial for the alternative way of seeing that it presents and the revolution in cognition it demands. Whether read as ethnographic fact or creative fiction, it is the story of a remarkable journey that has left an indelible impression on the life of more than a million readers around the world.

The art of predicting earthly events from the movements of stars and planets has always been a source of fascination. Medieval astrologers, though sometimes feared to be magicians in league with demons, were usually revered scholars whose ideas and practices were widely respected. Politics, medicine, weather forecasting, cosmology and alchemy were all influenced by astrological concepts. Astrology in Medieval Manuscripts explores the dazzling complexity of western medieval astrology and its place in society, as revealed by a wealth of illustrated manuscripts from the British Library's rich medieval collection.

The creative nature of the "Soul": On its own plane, the soul knows no separation, and the factor of synthesis governs all soul relations. The soul is occupied not only with the form that the vision of its objective may take, but with the quality or the meaning which that vision veils or hides. The soul knows the Plan; its form, outline, methods and objective are known. Through the use of the creative imagination, the soul creates; it builds thought-forms on the mental plane and objectifies desire on the astral plane. It proceeds then to externalize its thought and its desire upon the physical plane through applied force, creatively actuated by the imagination of the etheric or vital vehicle. Yet because the soul intelligence, motivated by love, it can (within the realized synthesis which governs its activities) analyze, discriminate and divide. The soul likewise aspires to that which is greater than itself, and reaches out to the world of divine ideas, and thus itself occupies a midway position between the world of ideation and the world of forms, This is its difficulty and its opportunity. This compilation from the books of Alice Bailey seeks to increase understanding of the immortal soul, addressing it's many aspects under sixty two headings.

Halloween 1636: sightings of the ghost of an old woman begin to be reported in the small English coastal town of Minehead, and a royal commission is sent to investigate. December 1640: a disgraced Protestant bishop is hanged in the Irish capital, Dublin, after being convicted of an "unspeakable" crime.
In this remarkable piece of historical detective work, Peter Marshall sets out to uncover the intriguing links between these two seemingly unconnected events.
The result is a compelling tale of dark family secrets, of efforts to suppress them, and of the ways in which they finally come to light. It is also the story of a shocking seventeenth-century Church scandal which cast its shadow over religion and politics in Britain and Ireland for the best part of three centuries, drawing in a host of well known and not-so-well-known characters along the way, including Jonathan Swift, Samuel Taylor Coleridge, and Walter Scott.
A fascinating story in its own right, Mother Leakey and the Bishop is also a sparkling demonstration of how the telling of stories is central to the way we remember the past, and can become part of the fabric of history itself.