A pioneering, richly interdisciplinary volume, this is the first work in any language on a subject that has long attracted interest in the West and is now of consuming interest in Russia itself. The cultural ferment unleashed by the collapse of the Soviet Union reawakened interest in the study of Russian religion and spirituality. This book provides a comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia.

Bernice Glatzer Rosenthal's introduction delineates the characteristics of occult cosmology which distinguish it from mysticism and theology, and situates Russian occultism in historical and pan-European contexts. Contributors explore the varieties of occult thinking characteristic of prerevolutionary Russia, including Kabbala, theosophy, anthroposophy, and the fascination with Satanism. Other contributors document occultism in the cultural life of the early Soviet period, examine the surprising traces of the occult in the culture of the high Stalin era, and describe the occult revival in contemporary Russia. The volume includes bibliographical essays on Russian occult materials available outside Russia.

Contributors: Mikhail Agursky, Hebrew University; Valentina Brougher, Georgetown University; Maria Carlson, University of Kansas; Robert Davis, New York Public Library; Mikhail Epstein, Emory University; Kristi Groberg, North Dakota State University; Irina Gutkin, UCLA; Michael Hagemeister, Ruhr University, Bochum; Linda Ivanits, Pennsylvania State University; Edward Kasinec, New York Public Library; Judith Deutsch Kornblatt, University of Wisconsin; Hakan Lovgren, Independent Scholar; Bernice Glatzer Rosenthal, Fordham University; William F. Ryan, Warburg Institute, London; Holly Denio Stephens, University of Kansas; Anthony Vanchu, University of Texas, Austin; Renata Von Maydell, Munich University; George Young, Independent Scholar"

The first major survey of the occult collection of artworks, letters, objects and ephemera in the Tate Archive and collection. Revealing over 150 esoteric and mystical pieces, some never before seen, this book gives a new understanding to the artists in the Tate collection and the history and practice of the occult. A lavishly illustrated magical volume acts a potent talisman connecting the two worlds of Tate - the seen public collection and the unseen secrets lurking in the archive. The pages of this book explore the hidden artworks and ephemera left behind by artists, and shed new light on our understanding of the art historical canon. It offers an in-depth exploration of the occult and its relationship to art and culture including witchcraft, alchemy, secret societies, folklore and pagan rituals, demonology, spells and magic, psychic energies, astrology and tarot. Expect to find the unexpected in the works and lives of artists such as Ithell Colquhoun, Paul Nash, Barbara Hepworth, Cecil Collins, John William Waterhouse, Alan Davie, Joe Tilson, Henry Moore, Eileen Agar, William Blake, Leonora Carrington and Pamela Colman Smith. For the first time, the clandestine, magical works of the Tate archive are revealed with archivist Victoria Jenkins exploring relationships between art and the occult, and how both can act as a form of resistance to challenging environments. This book challenges perceptions and illuminates the surprising breadth and extraordinary ways in which artists interpret not just the physical world around them but also the supernatural, to make the unseen, seen. If you think you know Tate artists, it's time to think again.

If you want to know how hypnosis really works (and, no, it has nothing to do with waving of hands or other similar nonsense), you will want to read this book. If you want to know the "magic" behind Ericksonian techniques and Neuro-Linguistic Programming, you have to read this book. From one of the true masters of hypnotherapy, this is one book that can really change your life!!

When Jean-Francois Champollion rediscovered how to translate the Egyptian hieroglyphs in the early nineteenth century he described them as "....a complex system, a writing that is figurative, symbolic, and phonetic all within the same text, a single sentence, I would even say a single word." Since then, although his discoveries have led to the translation of most of the ancient Egyptian texts, the emphasis in modern scholarship is to regard the hieroglyphs purely as sounds and to disregard or even deny their symbolic meaning. This book explores how the hieroglyphs function as a comprehensive system of magical symbolism, the medw neter or Words of the Gods by which the sacred truths of the Inner worlds of creation are conveyed to humanity. Their effect is 'magical' because when we study them and ponder their meaning they cause changes in our consciousness, enabling us to reach a deeper understanding of ourselves, of our surroundings and of the universal principles that lie behind all creation. They also incidentally teach us a great deal about the magical beliefs and practices of the ancient Egyptians and their perception of the relationship between the earthly and spiritual worlds. Using many examples and illustrations, this book demonstrates how the hieroglyphs formed the basis of Egyptian magic and were the means by which it was taught and practiced. It offers an entirely new interpretation of Egyptian magic, and shows how the hieroglyphs can be used as a magical tool that is as transformative today as it was in ancient times.

A collector's edition of the classic, illustrated, and comprehensive history of magic and the occult In the occult classic The Mirror of Magic, renowned Surrealist Kurt Seligmann (1900-1962) draws from his encyclopedic practitioner's knowledge and extensive antiquarian collection to offer a comprehensive, illustrated history of magic and the occult from Mesopotamia and ancient Egypt through the 18th century. He explores the gods and divinatory arts of the legendary Sumerians and the star-wise Babylonians, including the birth of astrology. He examines the afterlife beliefs of the ancient Egyptians and the dream interpretation practices and oracles of ancient Greece, including the mysteries of Eleusis and the magical philosophy of Plato, Socrates, and other Greeks. He uncovers the origins of Gnosticism and the suppression and banishment of magic by the post-pagan, Christian emperors of Rome. Seligmann reviews the principles of alchemy, sharing famous transmutations and allegorical illustrations of the alchemical process and explores the Hermetica and its remarkable adepts. Investigating the Middle Ages, the author discusses the work of European magicians of the time, including Albertus Magnus, Roger Bacon, Agrippa, Nostradamus, and Pico Della Mirandola. First published in 1948, this history of magic and the occult seeks to "mirror" the magical worldview throughout the ages. Beautifully illustrated with images from the author's rare library, this collector's edition features all of the artwork--more than 250 images--from the original 1948 edition.