The representation of children in modern European visual culture has often been marginalized by Art History as sentimental and trivial. For this reason the subject of childhood in relation to art and its production has largely been ignored. Confronting this dismissal, this unique collection of essays raises new and unexpected issues about the formation of childhood identity in the nineteenth century and makes a significant contribution to the development of inter-disciplinary studies within this area. Through a range of stimulating and insightful case studies, the book charts the development of the Romantic ideal of childhood, starting with Rousseau's Emile, and attends to its visual, social and psychological transformations during the historical period from which Freud's psychoanalytic theories eventually emerged. Foremost scholars such as Anne Higonnet, Carol Mavor, Susan Casteras and Linda A. Pollock uncover the means by which children became an important conduit for prevailing social anxieties and demonstrate that the apparently 'timeless' images of them that proliferated at the time should be understood as complex cultural documents. Over 50 illustrations enhance this rich and fascinating volume.

The "Dictionary of Artists' Models" aims to be an extensive reference work to identify and contextualize the lives and art history of individual artist's models. Another aim is to provide a much-needed body of research that can serve both as a reference tool and also as a springboard for further investigation of this frequently neglected subject. This dictionary provides information on over 200 artists' models, from the Renaissance to the present day. Most entries are illustrated and consist of a short biography, a selected list of further reading, and a signed interpretive essay. Each essay includes information about the model's life, the artists that they sat for, and discusses their specific contribution to the artist's work. These essays, on models as diverse as Costanza della Sommaia Doni, Cadamour, and Elizabeth Hollander, and written by experts in their field, should give the reader a richer understanding of the model's relevance to art historical study.

Man Ray, surrealist master and exponent of the Dada movement, managed to reinvent not only the photographic language, but also the representation of the body and face, as well as the genres of the nude and the portrait themselves. This book brings together around 200 photographs produced from the 1920s right up to his death in 1976, all featuring female subjects.Through rayographs, solarisations and double exposures, the female body undergoes a continual metamorphosis of forms and meanings, becoming an abstract form, an object of seduction, classical memory or realistic portrait, in endless playful and refined variations. Among the protagonists of his shots are Lee Miller, Berenice Abbott, Dora Maar and Juliet, a lifelong companion, to whom is dedicated the amazing The Fifty Faces of Juliet portfolio (1943-1944). But these women were, in turn, great artists: as evidence is presented here a corpus of works dating back to the time - between the 1930s and '40s - of their most direct association with Man Ray and with the environment of the Dada avant-garde and Parisian surrealism. This volume offers a wide survey of one of the most exuberant periods of the 20th century, with authentic masterpieces of photographic art such as the Electricite portfolios (1931) and the very rare Les mannequins. Resurrection des mannequins (1938). Text in English and Italian.

Through its provocative examination of feminist and Marxist approaches to women's art and female representations, this book challenges the widespread belief that Marxism has nothing valuable to contribute to women's studies. The author argues that, from the French Revolution through to the present, gender and class have shaped visual imagery. She shows how Marxist theory can function to question some of the premises of feminist art histories and to provide a more accurate understanding of the meaning(s) of visual imagery.

Turn the pages of this lavishly-produced book to discover a collection of monsters, creatures, and characters created by self-taught concept artist Francisco Garces, AKA Dibujante Nocturno. The artist and illustrator shares his journey, revealing how his self-taught skills have evolved over the years, resulting in the demonic yet exquisite style that has earned him over 400,000 followers on Instagram. In addition to a specially curated gallery of his past work, there are new pieces created exclusively for this book, including step-by-step tutorials that break down not only the artist's workflow and routine, but also his intricate pen linework techniques, cleverly chosen color palettes, and detailed rendering. Being self-taught, the artist has honed his skills in a completely unique way, allowing readers to glean not only unique tips and techniques, but also inspiration and insight into how they can practise, improve, and develop their own style. His experience of teaching art ensures he knows how to effectively communicate ideas, concepts and practical techniques. From his elegantly drawn linework to the darkest character creation, this is a unique opportunity for fans of fantasy art and creature design to see what goes into the epic art of Dibujante Nocturno.

In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.

"Europe and the World Beyond" focuses geographically on peoples of South America and the Mediterranean as well as Africa but conceptually it emphasizes the many ways that visual constructions of blacks mediated between Europe and a faraway African continent that was impinging ever more closely on daily life, especially in cities and ports engaged in slave trade.

"The Eighteenth Century "features a particularly rich collection of images of Africans representing slavery s apogee and the beginnings of abolition. Old visual tropes of a master with adoring black slave gave way to depictions of Africans as victims and individuals, while at the same time the intellectual foundations of scientific racism were established.

There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries.
"Rembrandt's Jews" puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam--which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood--Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented--far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictionsof Jews during the Middle Ages and the Renaissance.
Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now--a trip that, under ever--threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.

Basic Human Anatomy teaches artists the simple yet powerful formula artists have used for centuries to draw the human figure from the inside out. A comprehensive, yet flexible and holistic approach, Roberto Osti's method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. A comprehensive, yet flexible and holistic approach to the human body for artists, Roberto Osti's method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. Basic Human Anatomy teaches artists the simple yet powerful formula artists have used for centuries to draw the human figure from the inside out. Osti, using the basic system of line, shape, and form used by da Vinci, Raphael, and Michelangelo, takes readers step-by-step through all the lessons needed in order to master this essential foundation skill. Organized progressively, the book shows readers how to replicate the underlying structure of the body using easy-to-understand scales and ratios; conceptualize the front and side views of the skeleton with basic shapes; add detail with simplified depictions of complex bones and joints; draw a muscle map of the body with volumetric form and realistic dimension; master the feet, hands, and skull to create realistic renderings of the human form; and apply a deeper knowledge of anatomy to finished drawings for more impact.

Girl With Two Fingers is an edited day to day account of life as a subject of eight portraits by Lucian Freud. '...diaries and letters are a form of time travel. They transport the future reader back to the moment the words were written.' In 1999, a young woman writer returns to London from living in Paris, having been hit by a bus. The accident is a wake-up call: what should she do with her life, how to continue writing? Having known Lucian Freud over a decade, and having previously declined to have a portrait painted by him, she writes asking if he still needs someone to work from Something to do while thinking what to do next. Writer and painter meet for dinner and an after hours visit to the National Gallery, and agree to start painting the following week. The studio in Holland Park is unchanged, except everyone's ten years older. The puppy, Pluto, is an old girl now. The writer has travelled, written, grown up.'Now I look for the adult in me, instead of the child.' She keeps a diary, as she always has, until it becomes too much of a chore. After a few weeks, she begins to write to an imaginary confidante instead. 'Every thing, be it glamorous or mundane, has a particularity of its own. Seeing and recording that particularity is what a writer does. And it's a form of protest. Because it's the loudest voice that tells you how to see, and the smallest voice that sees and hears the most.' As an act of independence she rejects the offered chair and stands for her picture, standing up to the artist. She records, 'For now, my place on the planet is in this studio, my small space the shapes of my feet carved into the floor.' The writer's under no illusion that the picture will be flattering. 'I'm simply a body for him to paint, one of many bodies. And a face. Another one of many.' She won't connect to the finished image.'I'm not going to recognise myself, or connect with this image. It'll just be a work of art.' But writer and painter do connect. This becomes a painting relationship, one picture leads to seven more. Leading to night time phone calls and the painter saying 'I'm beginning to depend on you.' 'It feels a bit like Shakespeare's The Tempest up here. The studio our island. Lucian as Prospero, with 'art to enchant'. The shopper as Ariel, and me as a stand-in Miranda.' But not everybody's happy with this painting relationship. And it's proving too much for the subject herself. Despite being committed to the painter's work, she's keen to regain her freedom. 'I think he knows I'm starting to want to break free. That's a kind of magnetic energy for him.' Face to face: writer and painter, woman and man, the seer and the seen. And the unseen. Because that's the joy of writing: it's seeing what can't be depicted in paint. On a trip to New York May 2000, standing unnoticed in a gallery between two of the portraits of herself, the writer looks in to the pictures she's - depicted as - looking out from, and asks if the images are more about the painter than the painted: '...his view, his space, his paint, his colours, his brushes, his language, his desire to control and portray. His feelings. His life events. And the distortions, the freuding, are his signature. They are autobiographical naked portraits of Lucian. Hiding in plain sight.' 'The stories that bring a fixed portrait into being are much more fun than the finished thing itself.' 'What's lovely about (a friend),' says Lucian 'and you do it too, is you describe people by what they say.' 'What do you mean?' 'Well you repeat what it was they said.' Beautifully written, poignant and evocative, testament to the world of the studio, witness to the act of portraiture. 'Historically, men make images of women. Men tell us how to see and understand those images. They narrate them. And then they market what they have made. So the images of women are about men.' Girl With Two Fingers is the female gaze, a detailed subject's account of the making of eight works of art.

Step inside a world of arcane imagery and rich esoteric symbolism in this deeply imaginative embroidery art book! Author Gayla Partridge draws upon her knowledge of phrenology, anatomy, floral design and Ouija to create unique twists on an age-old craft. Through extraordinary, stylised photography and detailed close-ups of designs, the pieces in 'Stitchcraft' are entirely achievable with basic embroidery stitches and easy-to-follow instructions, enchanting embroidery beginners and experts alike.

Written by a long-time expert on drawing and painting human anatomy, Classic Human Anatomy in Motion offers artists everything they need to realistically draw the human figure as it is affected by movement. Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components. This comprehensive manual features five distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement. Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.

Simone Grunewald is a 3dtotal Publishing favorite as the designer of popular characters for Character Design Quarterly magazine, and the author of Sketch Every Day, a book packed with her much sought-after sketching techniques and character-design tips. This new title, The Art of Simone Grunewald, is a beautifully produced hardback that goes even further to delight existing fans, as well as aspiring character designers new to her work. Simone is an expert in the art of imbuing scenes and character with a depth of mood, emotion, and atmosphere. The resulting images are incredibly engaging and thoughtful, while still being accessible and commercial. This mix of talent and an understanding of creating work that has wide appeal is a professional approach that readers will be keen to learn and apply to their own art. In addition to fan-favorites from her portfolio and exciting new art commissioned especially for the book, Simone shares the digital and traditional tools and techniques she uses to acquire her results. Brand-new tutorials illustrate Simone's talent not just for drawing, but for teaching techniques in a fun and lively way.

An indispensable guide for anyone interested in improving and developing their fantasy art figures. Fantasy artists are unlikely to use models to draw from life but, to be successful, their creations must have a grounding in reality. This book by successful comic and fantasy artist Glenn Fabry, teaches you the principles of anatomy, from musculature and skeletal structure through to movement. You can then develop your artistic style by breaking and bending the rules of anatomy through practical exercises and demonstrations, accompanied by incredible finished artworks. The step-by-step exercises help you to fully understand the subtle movements that combine to create expressions, and the flowing movements that constitute actions. Anatomy for Fantasy Artists trains you in creating professional quality illustrations for comic book art, graphic novels, fantasy posters, sci-fi book covers and illustrations, and even computer games. In this book you will find valuable instruction from experts in the field, expanded from the original edition with additional pages that feature many more how-to, step-by-step illustrations. Instruction starts with the basics of human anatomical drawing and musculature, facial expressions, hands and body language, and then follows with a review of the principles of perspective and composition. Subsequent sections instruct on ways to distort, develop, and transform the human figure, giving it features that range from monstrous or magical to super-agile or larger than life, including dynamic poses for superheroes and villans, as well as fantasy female poses. Detailed artist's references and step-by-step instructions show how to build bodies that truly stretch the imagination. You also learn how to render characters in many different dynamic action poses, such as flying, spinning, punching, and jumping, as well as how to express each character's emotions through facial expressions. The cast of characters includes wizards, ogres, werewolves, winged avengers, goblins, aliens, enchantresses, barbarians, robots and more. Author Glenn Fabry is a successful comic book and fantasy artist who has spent many years working in this field including work for both DC and Marvel Comics. Through his professional experience he has honed his skills, which he generously shares in this book, alongside professional artists Michael Cunningham and Ben Cormac.

Ira "Iraville" Sluyterman van Langewedye is a popular contemporary illustrator beloved for her charming watercolour illustrations of nature, small towns, idyllic scenes, and everyday life. This title brings together a collection of her best work in a giftworthy, lavishly presented hardback art book, which includes never-before-seen images, impressive portfolio pieces, insightful works in progress, beautiful photography, and the artist's own guides to handcrafting sketchbooks and watercolour paints at home. Supported by a Kickstarter campaign in summer 2018, Cozy Days: The Art of Iraville marks another high quality collaboration between 3dtotal Publishing and some of the best illustrators working today.

Lois van Baarle is a freelance animator/illustrator from the Netherlands who graduated in 2009 from the Hogeschool voor de Kunsten Utrecht. Since then, her work has become very popular across the internet, with her Facebook followers closing in on one million and her Twitter account watched by over nineteen thousand eager eyes. The Art of Loish is her first "art of" book, and will examine her inspirations while showcasing some of her early work. Following this, the reader will learn how she developed her very distinctive style and discover advice as she discusses her working methods, offering tips on a variety of techniques that she utilizes in her art every day! The additional exclusive content of this book makes it a must-have for any lover of Loish's work!

The essential, bestselling guide for all artists who draw the human figure!In this book, Michel Lauricella presents both his artistic and systematic methods for drawing the human body--with drawing techniques from the ecorche (showing the musculature underneath the skin) to sketches of models in action. In more than 1,000 illustrations, the human body is shown from a new perspective--from bone structure to musculature, from anatomical detail to the body in motion.Geared toward artists of all levels--from beginners through professionals--this handy, pocket-sized book will help spark your imagination and creativity. Whether your interest is in figure drawing, fine arts, fashion design, game design, or creating comic book or manga art, you will find this helpful book filled with actionable insights. Morpho is a rich and fascinating book that can go with you everywhere on your sketching journey. TABLE OF CONTENTSForewordIntroductionHead and NeckTorsoRoots of the ArmUpper LimbsLower LimbsOverviewsBibliography

At the close of the eighteenth century, women began to discover a new sense of freedom, adventure, and self-determination, simply by walking in public unaccompanied. Previously, solitary walks by women were considered unseemly. An unaccompanied hike in the country was beyond imagination; to promenade by oneself on city boulevards was unthinkable. This book features evocative paintings of women doing just that, by a range of artists, from the late eighteenth to the early twentieth century, among them British portraitist Thomas Gainsborough, the scandalous Gustave Courbet, Impressionist Gustave Caillebotte, American masters Winslow Homer and John Singer Sargent, and Nabi artist Felix Vallotton. With paintings act her guide, Karin Sagner takes us on a visual journey through this vital yet oft-overlooked aspect of women's emancipation, from the promenades of the nobility to everyday walks in the city, on gentle strolls in the country or hikes up mountain summits. Quotes by luminaries like the Marquise de Sevigne, Jane Austen, and Simone de Beauvoir gracefully support her points. A thoughtful gift for graduates, teachers, or Mother's Day, this subtle but profound book is not only an illuminating history but a beautiful art historical survey and an inspirational guide.

Faces are everywhere in the National Gallery's collection: in portraits and narrative scenes, in allegories and paintings of everyday life. It is often the faces shown that communicate most directly in a picture; their expressions may reveal the drama of a story, or the character of a sitter in a portrait. A Closer Look: Faces examines a wide array of fascinating faces found in paintings at the National Gallery. It explains why artists in the past created faces to look as they do, what painters through the ages have considered the "ideal" face, how faces are painted, and the reasons for the development of portrait painting. Illustrated with seventy pictures and beautiful details, this book provides an insider's view of the many faces in Western European art. Published by National Gallery Company/Distributed by Yale University Press

The British painter Francis Bacon (1909-1992) is famed for his idiosyncratic mode of depicting the human figure. Thirty years after his death, his working methods remain underexplored. New research on the Francis Bacon Studio Archive at Hugh Lane Gallery, Dublin, sheds light on the genesis of his works, namely the photographic source material he collected in his studios, on which he consistently based his paintings. The book brings together the artist's pictorial springboards for the first time, delineating and interpreting recurring patterns and methods in his preparatory work and adoption of photographic material. In addition, it correctly locates 'chance' as a driving force in Bacon's working method and qualifies the significance of photography for the painter.

Drawing on hundreds of tombstones from Rome, Italy and the Western provinces, this study assesses how parents visualised childhood. By considering the most popular funerary themes and iconographic models, it emphasises both the emotional and social investment placed in children, bringing to the fore many little-known examples. From Britannia to Dacia, Aquitania to Pannonia, it highlights the rich artistic diversity of the provinces and shows that not all trends were borrowed from the capital. With a wide range of social groups in evidence, including freedmen, soldiers and peregrini, it also considers the varying reasons which underlay child commemoration and demonstrates the importance of studying the material in context. Amply supported by a catalogue of examples and over a hundred images, it will be essential reading for anyone working on Roman childhood or family studies.

As scholars debate the most appropriate way to teach evolutionary theory, Constance Areson Clark provides an intriguing reflection on similar debates in the not-too-distant past. Set against the backdrop of the Jazz Age, God-or Gorilla explores the efforts of biologists to explain evolution to a confused and conflicted public during the 1920s. Focusing on the use of images and popularization, Clark shows how scientists and anti-evolutionists deployed schematics, cartoons, photographs, sculptures, and paintings to win the battle for public acceptance. She uses representative illustrations and popular media accounts of the struggle to reveal how concepts of evolutionary theory changed as they were presented to, and absorbed into, popular culture. Engagingly written and deftly argued, God-or Gorilla offers original insights into the role of images in communicating-and miscommunicating-scientific ideas to the lay public.

Throughout India images of babies appear everywhere - on posters, in calendars and on billboards. But these are no ordinary babies. Chairman Baby, Scientist Baby, Farmer Baby, Doctor Baby and Army Baby all make an appearance. Carriers of dreams, both personal and social, these babies find themselves in a bewildering and delightful variety of professional roles. One hundred classic baby posters go to make this book unashamedly zany.