This title was first published in 2001. Explaining and defending a Heideggarian account of the self and our knowledge of the world, this book addresses the fundamental issues of selfhood and the elemental question of what it means to be human. Mitchell critically examines theories of the self derived from two distinct schools of thought: Descartes, Hume, Kant, Sartre and Stirner representing a tradition which has dominated Western philosophy since Descartes; Heidegger and Laing representing a radical departure from the tradition. Mitchell focuses on two key philosophical problems throughout: the problem of knowledge and the problem of identity. Mitchell argues that ultimately Heidegger does no more than echo Stirner's empty egoism and provides a bleak, inescapable heroism for the individual.

This book elaborates Jean Amery's critique of philosophy and his discussion of some central philosophical themes in At the Mind's Limits and his other writings. It shows how Amery elaborates the shortcomings and unfitness of philosophical theories to account for torture, the experience of homelessness, and other indignities, and their inability to assist with overcoming resentment. It thus teases out the philosophical import of Jean Amery's critique of philosophy, which constitutes his own philosophical testament of being an inmate at Auschwitz. This book situates At the Mind's Limits in the context of twentieth-century Continental philosophy. On the one hand, it elaborates Amery's engagement with key philosophical figures. On the other hand, it shows how thoroughly Amery denounces the limits of the philosophical enterprise, and its impotence in capturing and accounting for the crimes of the Third Reich.

G.E.M. Anscombe (1919-2001) was one of the most important, outspoken, and misunderstood philosophers of the twentieth century. More than anyone else she revived virtue ethics and the philosophy of action. She was also almost alone in publicly opposing Oxford University's decision to award an honorary degree to President Truman. She regarded his decision to authorize bombing Hiroshima and Nagasaki as murderous. Some liberals admire her for this stand, but conservatives also admire her for her opposition to abortion, contraception, and same-sex marriage. Clearly her values were not those of her times. This led her to reflect on the differences, producing such works as Modern Moral Philosophy, in which she rejected all modern theories of ethics. In this paper she coins the term "consequentialism" to describe the dominant view, which she rejects, that what matters morally is the results of what one does. Put crudely, the ends can justify the means. If enough lives can be saved by targeting civilians, then civilians should be targeted. Against this, Anscombe insisted that certain actions are forbidden, which prompted her interest in the nature of action and its relation to a person's character. Whether one agrees with her or not, these are all issues that continue to be relevant and on which Anscombe's views are always strong and intelligently defended. Her presentation of these views, unfortunately, is often dense, and they are often badly misunderstood even by some very able minds. Anscombe's Moral Philosophy clarifies what Anscombe thought about ethics, showing how her different ideas connect and how she supported them. It also evaluates her reasoning, showing that it is stronger in some parts than in others. The five main chapters of the book deal in turn with her work on military ethics (including the so-called doctrine of double effect), her rejection of consequentialism, her attack on the modern, atheist notion of moral obligation, her analysis of intention and its relevance for ethics, an

Wittgenstein once wrote that 'The philosopher strives to find the liberating word, that is, the word that finally permits us to grasp what up until now has intangibly weighed down our consciousness'. Would Wittgenstein have been willing to describe the Tractatus as an attempt to find 'the liberating word'? This is the basic contention of this strikingly innovative study of the Tractatus. Matthew Ostrow argues that, far from seeking to offer a new theory in logic in the tradition of Frege and Russell, Wittgenstein from the very beginning viewed all such endeavors as the ensnarement of thought. Providing a lucid and systematic analysis of the Tractatus, he argues that Wittgenstein's ultimate aim is to put an end to philosophy itself. He also highlights the intrinsic obstacles to any kind of interpretation that claims to summarize Wittgenstein's thought.

Shape-Shifting Capital: Spiritual Management, Critical Theory, and the Ethnographic Project is positioned at the intersection of anthropology, critical theory, and philosophy of religion. First, Gonzalez explores the phenomena of "workplace spirituality" in a language that is accessible to a general readership. Taking contemporary trends in organizational management as a case study, he argues, by way of a detailed ethnographic study of practitioners of workplace spirituality, that the conceptual and institutional boundaries between religion, science, and capitalism are being redrawn by theologized management appropriations of tropes borrowed from creativity theory and quantum mechanics. Second, Gonzalez makes a case for a critical anthropology of religion that combines existential concerns for biography and intentionality with poststructuralist concerns for power, arguing that the ways in which the personalization of metaphor bridges personal and social histories also helps bring about broader epistemic shifts in society. Finally, in a postsecular age in which capitalism itself is explicitly and confidently "spiritual," Gonzalez suggests that it is imperative to reorient our critical energies towards a present day evaluation of postmodern capitalism's boundary-blurring. Gonzalez further argues that the kind of "existential deconstruction" performed by what he calls "existential archeology" can serve the needs of any social criticism of neoliberal "religion" and corporate spirituality.

In this publication, the author attempts to develop an aesthetic theory from Heidegger's phenomenological concepts. She analyzes Heidegger`s concepts of truth, world, space, and related concepts and establishes a formal, contextual and material method of analysis for the purpose of examining works of art. This new method of analysis is applied to three pieces by the artist Joseph Beuys as a case study.

This book offers a clear and informative interpretation of Heidegger's extremely complex later philosophy (which is often dismissed as unintelligible mysticism), exploring its main themes and offering analyses of its most obscure formulations. It will be widely welcomed by students as well as scholars in Heidegger studies.

A Wittgensteinian Way with Paradoxes examines how some of the classic philosophical paradoxes that have so puzzled philosophers over the centuries can be dissolved. Read argues that paradoxes such as the Sorites, Russell's Paradox and the paradoxes of time travel do not, in fact, need to be solved. Rather, using a resolute Wittgensteinian 'therapeutic' method, the book explores how virtually all apparent philosophical paradoxes can be diagnosed and dissolved through examining their conditions of arising; to loosen their grip and therapeutically liberate those philosophers suffering from them (including oneself). The book contrasts such paradoxes with real, 'lived paradoxes': paradoxes that are genuinely experienced outside of the philosopher's study, in everyday life. Thus Read explores instances of lived paradox (such as paradoxes of self-hatred and of denial of other humans' humanity) and the harm they can cause, psychically, morally or politically. These lived paradoxes, he argues, sometimes cannot be dissolved using a Wittgensteinian treatment. Moreover, in some cases they do not need to be: for some, such as the paradoxical practices of Zen Buddhism (and indeed of Wittgenstein himself), can in fact be beneficial. The book shows how, once philosophers' paradoxes have been exorcized, real lived paradoxes can be given their due.

There are various forms of suffering that are best described as social suffering, such as stress, harassment, experience of poverty and domination. Such suffering is a matter of social concern, but it is rarely a matter of discussion in the social sciences, political theory or philosophy. This book aims to change this by making social suffering central to an interdisciplinary critical theory of society. The author advances the various contemporary debates about social suffering, connecting their epistemological and political stakes. He provides tools for recasting these debates, constructs a consistent conception of social suffering, and thereby equips us with a better understanding of our social world, and more accurate models of social critique. The book contributes to contemporary debates about social suffering in sociology, social psychology, political theory and philosophy. Renault argues that social suffering should be taken seriously in social theory as well as in social critique and provides a systematic account of the ways in which social suffering could be conceptualised. He goes on to inquire into the political uses of references to social suffering, surveys contemporary controversies in the social sciences, and distinguishes between economical, socio-medical, sociological, and psychoanalytic approaches, before proposing an integrative model and discussing the implications for social critique. He claims that the notion of social suffering captures some of the most specific features of the contemporary social question and that the most appropriate approach to social suffering is that of an interdisciplinary critical theory of society.

This book explores rhythmanalysis as a philosophy and as a research method for the study of cultural historical experiences. It formulates 'rhythm' as a critical concept which is defined in dialogic relationships to intellectual traditions, yet introducing unique philosophical positions that serve to re-think ways of conceiving and addressing cultural political issues. Engaging with the notion of 'conjunctural shift', which for Stuart Hall captures the ruptured social landscape of Britain in the 1970s, the book then puts the method of rhythmanalysis to work by testifying the changing cultural experiences in rhythmic terms. This particular rhythmanalytical project instantiates while opening up ways of using rhythmanalysis for exploring cultural historical experiences.

In this book, which revises and greatly expands his classic work Sameness and Substance (Blackwell, 1980), David Wiggins examines the logic of identity, the ideas of substance and change, essence, predication and mortal predication, personhood, and personal memory. This important book will appeal to a wide range of readers in metaphysics, philosophical logic, and analytic philosophy.

The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.

In Defense of Dialogue: Reading Habermas and Postwar American Literature offers a timely investigation of the value of dialogue in contemporary American culture. Using Jurgen Habermas's theory of communicative action to read the work of Frank O'Hara, James Baldwin, Grace Paley, and Andy Warhol, In Defense of Dialogue assembles postwar writers who have never been studied alongside one another, showing how they overcame the pervading skepticism of their contemporaries to imagine sincere and rational speakers who seek to cultivate intersubjective discourse.

This collection of specially commissioned essays offers a wide array of new psychoanalytic approaches impacted by Lacanian theory, queer studies, post-colonial studies, feminism, and deconstruction in the domains of film and literature. We have witnessed a remarkable return to psychoanalysis in those fields, fields from which it had been excluded or discredited for a while. This has changed recently, and we need to understand why. The fourteen essays make use a freshly minted psychoanalytic concepts to read diverse texts, films and social practices. The distinguished authors gathered here, an international group of scholars coming from Japan, China, Korea, India, Belgium, Greece, France, Australia, and the USA, are all cognizant of the advances of theory under the form of deconstruction, feminism, post-colonial studies and trauma studies. These essays take into account the latest developments in Lacanian theory and never bracket off subjective agency when dealing with literature or film. The authors make sense of changes brought to psychoanalytical theory by redefinitions of the Oedipus complex, reconsiderations of the death drive, applications of Lacan's symptom and the concept of the Real, reassessments of the links between affect and trauma, insights into the resilience of Romantic excess and jouissance, awareness of the role of transference in classical and modernist texts, and pedagogical techniques aimed at teaching difficult texts, all the while testifying to the influence on Lacanian theory of thinkers like Maurice Blanchot, Roland Barthes, Melanie Klein, Didier Anzieu, Jacques Derrida, Judith Butler, Gilles Deleuze, Alain Badiou, and Slavoj Zizek. Chapter 3 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781003002727

Religion Within the Limits of Language Alone provides a critical examination of the Wittgensteinian philosophers of religion who claim that the word 'God' cannot be understood as referring to a metaphysical being who may or may not exist. McCutcheon traces the arguments offered by these philosophers of religion back to Wittgenstein's own criticisms of speculative metaphysics, arguing that in its religious usage the concept of God does not fall under Wittgenstein's anti-metaphysical gaze. In presenting a detailed account of Wittgenstein's own philosophical method, including his criticisms of metaphysics, McCutcheon shows that it is possible to accept Wittgenstein's criticisms of metaphysics whilst retaining the metaphysical content of religious language. This book offers a fresh understanding of Wittgenstein's philosophical method and a new critique of religious discourse for those studying philosophy and religious studies.

The author is not sure that his philosophical career merits an epilogue, but he had an itch to write one, and he thought of composing it in dialogue form, mainly for brevity's sake but also in the hope of imparting a touch of vitality. Yet writers of philosophical dialogue, except Plato, commonly leave one feeling that they would have served their purpose better by straight exposition, or by some sort of Cartesian meditation if they wished to capture benevolence with something a little more human and intimate. The author found that Berkeley had not the art of Plato despite the subtlety of his theme and the beauty of his prose. He also had no intention of defending his views against all corners.

Derrida and Textual Animality: For a Zoogrammatology of Literature analyses what has come to be known, in the Humanities, as 'the question of the animal', in relation to literary texts. Rodolfo Piskorski intervenes in the current debate regarding the non-human and its representation in literature, resisting popular materialist methodological approaches in the field by revisiting and revitalising the post-structuralist thought of Derrida and the 'linguistic turn'. The book focuses on Derrida's early work in order to frame deconstructive approaches to literature as necessary for a theory and practice of literary criticism that addresses the question of the animal, arguing that texts are like animals, and animals are like texts. While Derrida's late writings have been embraced by animal studies scholars due to its overt focus on animality, ethics, and the non-human, Piskorski demonstrates the additional value of these early Derridean texts for the field of literary animal studies by proposing detailed zoogrammatological readings of texts by Freud, Clarice Lispector, Ted Hughes, and Darren Aronofsky, while in dialogue with thinkers such as Butler, Kristeva, Genette, Deleuze and Guattari, and Attridge.

This book presents a new and radical interpretation of some of Martin Heidegger's most influential texts. The unfamiliar interpretations all seek to question and unframe hasty assessments of the concepts and constellations of thoughts surrounding Heidegger's notion of modern technology. Heidegger's impressive work still hides many treasures and strange thoughts giving original insights into the rise of biotechnology, transgressions between art and technology and the writing of Western history. By way of surprising thought experiments, critical questioning, allusions and systematic conclusions, this book presents Heidegger's thoughts on technology in a way that not only shows his importance for philosophy and modern society, but also identifies his shortcomings and uses his original thoughts and concepts against him.

A comprehensive and authoritative collection on Anscombe's philosophy edited by leading figures in the field Deep and thorough coverage of Anscombe's papers, essential for any student studying Anscombe. Illustrates the fundamental importance of Anscombe's philosophy in both a historical and contemporary context

This book offers a plurality of perspectives on the historical origins of logicism and on contemporary developments of logicist insights in philosophy of mathematics. It uniquely provides up-to-date research and novel interpretations on a variety of intertwined themes and historical figures related to different versions of logicism. The essays, written by prominent scholars, are divided into three thematic sections. Part I focuses on major authors like Frege, Dedekind, and Russell, providing a historical and theoretical exploration of such figures in the philosophical and mathematical milieu in which logicist views were first expounded. Part II sheds new light on the interconnections between these founding figures and a number of influential other traditions, represented by authors like Hilbert, Husserl, and Peano, as well as on the reconsideration of logicism by Carnap and the logical empiricists. Finally, Part III assesses the legacy of such authors and of logicist themes for contemporary philosophy of mathematics, offering new perspectives on highly debated topics-neo-logicism and its extension to accounts of ordinal numbers and set-theory, the comparison between neo-Fregean and neo-Dedekindian varieties of logicism, and the relation between logicist foundational issues and empirical research on numerical cognition-which define the prospects of logicism in the years to come. This book offers a comprehensive account of the development of logicism and its contemporary relevance for the logico-philosophical foundations of mathematics. It will be of interest to graduate students and researchers working in philosophy of mathematics, philosophy of logic, and the history of analytic philosophy.

In today's society, everything is in question. The reflexive questioning of modernity has fundamentally problematized society, including philosophy, which has experienced a crisis of metaphysics. Michel Meyer's problematology answers this crisis by questioning questioning, unfolding a new way of doing philosophy, with special relevance for the study of society. In this first-ever extended treatment of Meyer's work, Nick Turnbull examines the main features of problematology, including the principle of questioning and the deduction of an original conception of difference, based on the question-answer relationship. Turnbull shows how these concepts produce new perspectives in the philosophy of the emotions, history, meaning, politics, rhetoric and science. He applies Meyer's ideas to key questions in the philosophy of social science, showing how problematology offers important insights for understanding contemporary society. The book compares problematology with the work of well-known thinkers, including Bourdieu, Castoriadis, Collingwood, Derrida, Dewey, Gadamer, Heidegger and Lyotard. Turnbull uses problematology and rhetoric to explain how meaning is constructed through practice in the negotiation of social distance.

The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart's panoramic study of Hegel's deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel's notions of 'alienation' and 'recognition' became the central motifs for the era's thinking; how these concepts spilled over into other fields - like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called 'Hegel's century.' This book is required reading for historians of ideas as well as of philosophy.

This intellectual biography recovers the legacy of Karl Popper (1902-1994), the progressive, cosmopolitan, Viennese socialist who combated fascism, revolutionized the philosophy of science, and envisioned the Open Society. Malachi Hacohen draws a compelling portrait of the philosopher, the assimilated Jewish intelligentsia, and the vanished culture of Red Vienna, which was decimated by Nazism. Seeking to rescue Popper from his postwar conservative and anticommunist reputation, Hacohen restores his works to their original Central European contexts and, at the same time, shows that they have urgent messages for contemporary politics and philosophy.

Contents:
Introduction; 1. Historical sociology of Realism Part I: Realism from containment to detente 2. Classical Realism: Carr, Morgenthau and the Crisis of Collective Security 3. The evolutionof Realist core concepts during the 'Second Debate' 4. Realism and the US policy of Containment 5. The turning point of the Cuban Missile crisis 6. Epilogue: Soviet Theories of International Relations Interlude: The Crisis of Realism: 7. The Policy of Detente: Kissinger and the limits of Concept diplomacy 8. International Relations in a dissaray: The Inter-paradigm debate Part II: Realist responses to the crisis of Realism: 9. Systemic Neorealism: Kenneth Waltz The Theory of International Politics 10. IPE as an attempt to update Realism: the end of the GBreton Woods and Hegemonic Stability Theory 11. IPE at the convergence of Realism and Structuralism Conclusion: The Fragmentation of Realism: 13. Realism gets lost 14. Realism at crossroads Bibliography