This volume brings together many of the world's leading theorists of free will and philosophers of law to critically discuss the ground-breaking contribution of David Hodgson's libertarianism and its application to philosophy of law. The book begins with a comprehensive introduction, providing an overview of the intersection of theories of free will and philosophy of law over the last fifty years. The eleven chapters collected together divide into two groups: the first five address libertarianism within the free will debate, with particular attention to Hodgson's theory, and in Part II, six contributors discuss Hodgson's libertarianism in relation to issues not often pursued by free will scholars, such as mitigation of punishment, the responsibility of judges, the nature of judicial reasoning and the criminal law process more generally. Thus the volume's importance lies not only in examining Hodgson's distinctive libertarian theory from within the free will literature, but also in considering new directions for research in applying that theory to enduring questions about legal responsibility and punishment.

Read through the lens of a single key concept in twentieth-century French philosophy, that of the "problem", this book relates the concept to specific thinkers and situates it in relation both to the wider history of philosophy and contemporary concerns. How exactly should the notion of problems be understood? What must a problem be in order to play an inaugurating role in thought? Does the word "problem" have a univocal sense? What is at stake - theoretically, ethically, politically, and institutionally - when philosophers use the word? This book addresses these and other questions, and is devoted to making historical and philosophical sense of the various uses and conceptualisations of notions of problems, problematics, and problematisations in twentieth-century French thought. In the process, it augments our understanding of the philosophical programs of a number of recent French thinkers, reconfigures our perception of the history and wider stakes of twentieth-century French philosophy, and reveals the ongoing theoretical richness and critical potential of the notion of the problem and its cognates. Working through the twentieth-century, and focussing on specific thinkers including Foucault and Deleuze, this book will be of interest to all scholars of French philosophy. This book was originally published as a special issue of Angelaki.

In this book, Clare Connors sets out to answer the question: What is the pervasive character of the world?, tracing a genealogy of the idea of force through the writings of Friedrich Nietzsche, Martin Heidegger, Michel Foucault and Jacques Derrida.

Originally published in 1937. This book addresses the importance of the theory of values that rests on a general metaphysical understanding founded on a comprehensive view of all aspects of the world. The author speaks against the absolutist theories with a realistic one encompassing a theory of space and time and considering value as an object of immediate intuition. These great philosophical questions feed into discussions of the philosophy of religion and of science. Garnett distinguishes between spiritual and other values on the ground that the spiritual values are not subjective to satiety, while other values are. He contends that our knowledge of mind is as direct and reliable as our knowledge of the physical world. This is an important early book by an influential 20th Century thinker.

Winner of the Canadian Society for Continental Philosophy 2020 Annual Symposium Book Award Stella Gaon provides the first fully philosophical account of the critical nature of deconstruction, and she does so by turning in an original way to psychoanalysis. Drawing on close readings of Freud and Laplanche, Gaon argues that Derridean deconstruction is driven by a normative investment in reason's psychological force. Indeed, deconstruction is more faithful to the principle of reason than the various forms of critical theory prevalent today. For if one pursues the classical demand for rational grounds vigilantly, one finds that claims to ethical or political legitimacy cannot be rationally justified, because they are undone by logical undecidability. Gaon's argument is borne out in the cases of Kantian deontology, Deweyan pragmatism, progressive pedagogy, Habermasian moral theory, Levinasian ethics and others. What emerges is the groundbreaking demonstration that deconstruction is impelled by a quasi-ethical critical drive, and that to read deconstructively is to radicalize the emancipatory practice of reason as self-critique. This important volume will be of great value to critical theorists as well as to Derrida scholars and researchers in social and political thought.

Inspired by the philosophy of Wittgenstein and his idea that the purpose of real philosophical thinking is not to discover something new, but to show in a strikingly different light what is already there, this book provides philosophical readings of a number of 'arthouse' and Hollywood films. Each chapter contains a discussion of two films-one explored in greater detail and the other analyzed as a minor key which reveals the possibility for the book's ideas to be applied across different films, registers, and genres. The readings are not only interpretive, but they offer a way of thinking and feeling about, with, and through films which is genuinely transformative. Rupert Read's main contention is that certain films can bring about a change in how we see the world. He advocates an ecological approach to film-philosophy analysis, arguing that film can re-shape the viewer's relationship to the environment and other living beings. The transformative 'wake-up call' of these films is enlightenment in its true sense. The result is a book that ambitiously aims to change, though film, how we think of ourselves and our place in the world, at a time when such change is more needed than ever before.

Kant, in the Critique of pure reason, only dedicates a few pages to the principle of Anticipations of Perception and only a few critical studies are outspokenly dedicated to this issue in recent critical literature. But if one considers the history of post-Kantian philosophy, one can immediately perceive the great importance of the new definition of the relationship between reality and negation, which Kant's principle proposes. Critical philosophy is here radically opposed to the pre-critical metaphysical tradition: "Reality" no longer appears as absolutely positive being, which excludes all negativity from itself, and "negation" is not reduced to being a simple removal, the mere absence of being. Instead, reality and negation behave as an equally positive something in respect to one another such that negation is itself a reality that is actively opposed to another reality. Such a definition of the relation between reality and negation became indispensible for post-Kantian Philosophy and represents a central aspect of Kantian-inspired philosophy in respect to Leibnizian metaphysics. The present work therefore departs from the hypothesis that the essential philosophical importance of the Anticipations of Perception can only be fully measured by exploring its impact in the Post-Kantian debate.

What is the meaning of life? How should I live? Is there any purpose to the universe? Generations have turned to the great German philosopher Arthur Schopenhauer because he tackled the big issues. His influence has extended not only to later philosophers - Nietzsche foremost among them - but across the most brilliant novelists, musicians, and artists of all disciplines. Schopenhauer believed that the world was a cold, absurd place, and that it was only by the force of an individual's Will that any meaning could be created. He also believed that the universe itself had a Will-a spiritual force many have likened to The Way, spoken of by Taoists. This, the first English collection of Schopenhauer's work, is a much-needed book. Schopenhauer wrote thousands of pages. Volume 1 of his most famous work, "The World as Will and Representation", alone runs over 750 pages. As a result, it has been daunting to know where to begin to read Schopenhauer, despite his immense reputation. Now, just as Basic Writings did for Heidegger and Nietzsche, our new collection will open English readers to Schopenhauer's profound ideas - almost as if for the first time.

This book provides a theoretical framework for understanding the micropolitics of speed; a rich, nuanced, and embodied account of life in an accelerating world. What does it feel like to live in an era of profound social acceleration? What kinds of affects, perceptions, and identities does an accelerating world produce? The answers to these questions mean more than simply understanding the psychology of speed; they also mean understanding issues in contemporary politics as diverse as xenophobia and anti-immigration policies, patterns of transnational identification and solidarity, social isolation and alienation, and the ability of new media to coordinate social movements. While drawing extensively on the work of contemporary theorists, Simon Glezos recognizes that social acceleration is not a purely recent phenomenon. He therefore turns to thinkers such as Nietzsche, Spinoza, Bergson, and Merleau-Ponty, to ask how they sought to understand, and respond to, the rapid changes and unsettling temporalities of their eras, and how their insights can be applied to our own. Advancing theoretical understanding and offering a useful way to analytically conceptualize the nature of time, Speed and Micropolitics will be of interest to students and scholars studying affect theory, theories of the body, new materialism, phenomenology, as well as the history of political thought.

Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and Peter Forgacs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-siecle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.

In this work of philosophy, theology, and intellectual history, Duane Armitage offers a clear interpretation of Heidegger's enigmatic theology as uniquely Pauline and Lutheran. He argues that the real impetus, aim, and structure of Heidegger's philosophy of religion as well as his philosophy as a whole, are rooted in Pauline (and Lutheran) ontology. He thus demonstrates that continental philosophy of religion, and, to an extent, Continental Philosophy as a whole, is indebted to St. Paul and Martin Luther. This examination also shows how much of continental thinking itself is traceable to Heidegger's onto-theological critique and hence to Luther and St. Paul. Armitage argues that St. Paul and Luther, or at least Luther's specific reading of St. Paul, remain the un-thought origins of postmodern thinking on religion, and perhaps postmodern thinking in general.

In 1688 the Irish scientist and politician William Molyneux sent a letter to the philosopher John Locke. In it, he asked him a question: could someone who was born blind, and able to distinguish a globe and a cube by touch, be able to immediately distinguish and name these shapes by sight if given the ability to see? The philosophical puzzle offered in Molyneux's letter fascinated not only Locke, but major thinkers such as Leibniz, Berkeley, Diderot, Reid, and numerous others including psychologists and cognitive scientists today. Does such a question represent a philosophical puzzle or a problem that can be solved by experimental tests? Can vision be fully restored after blindness? What is the relation between vision and touch? Are the senses linked through learning or bound at birth? Molyneux's Question and the History of Philosophy is a major collection of essays that explore the long-standing issues Molyneux's problem presents to philosophy of mind, perception and the senses. In addition, the volume considers the question from an interdisciplinary angle, examines the pre-history of the question, and aspects of it that have been ignored, such as perspectives from religion and disability. As such, Molyneux's Question and the History of Philosophy presents a set of philosophically rich, empirically informed, and scientifically rigorous original investigations into this famous puzzle. It will be of great interest to students and researchers in philosophy, psychology, and the cognitive sciences including neuroscience, neurobiology and ophthalmology, as well as those studying the mind, perception and the senses.

"The Philosophy of Symbolic Forms is a milestone in twentieth century philosophy. Promoting a philosophical vision informed by Kant, it incorporates the philosophical advances achieved in the nineteenth century by German Idealism and Neo-Kantianism, whilst acknowledging the contributions made by his contemporary phenomenologists. It also encompasses empirical and historical research on culture and the most contemporary work on myth, linguistics and psychopathology. As such, it ranks in philosophical importance along with other major works of the twentieth century, such as Edmund Husserl's Logical Investigations, Martin Heidegger's Being and Time, and Ludwig Wittgenstein's Tractatus Logico-Philosophicus. In the first volume, Cassirer explores the symbolic form of language. Already recognized by thinkers in the tradition of German Idealism, such as Wilhelm von Humboldt, language is the primary medium by which we interact with others and form a common world. As Cassirer emphasizes in the famous Davos Debate with Heidegger, 'there is one objective human world, in which a bridge is built from individual to individual. That I find in the primal phenomenon of language.' The famous trias Cassirer discerns in the functioning of language - the functions of expression (Ausdruck), presentation (Darstellung), and signification (Bedeutung) - has become paradigmatic for accounts of language, philosophical, linguistic, and anthropological alike." Sebastian Luft, Professor of Philosophy, Marquette University, USA. This new translation makes Cassirer's seminal work available to a new generation of scholars. Each volume includes a translator's introduction by Steve G. Lofts, a foreword by Peter E. Gordon, a glossary of key terms, and an index.

"The Philosophy of Symbolic Forms is one of the landmarks of twentieth century philosophy. Drawing from the influential work of Wilhelm Dilthey, it transformed neo-Kantianism into a new robust philosophy of culture. The second volume, on Mythical Thinking, analyzes the fundamental layers of perception and expression as well as the articulations with religion and the dialectic with other forms, essentially language and art. The intellectual breadth of the volume is remarkable. It initiated the debate with Martin Heidegger and prompted a long-lasting meditation by Hans Blumenberg. We are only beginning to recognize its importance for our understanding of the power of images in the construction of aesthetics, the self, and the socio-political world. It initiated a discussion within French sociology (Emile Durkheim, Marcel Mauss) that ultimately resurfaced in Pierre Bourdieu, while today it is considered as a resourceful path for cultural and critical theory (Drucilla Cornell and Kenneth M. Panfilio). Finally, this volume also offers solid grounds for a political critique of Nazism - specifically: Alfred Rosenberg's Myth of the 20th Century and Adolf Hitler's Mein Kampf - as well as the new emerging totalitarian ideologies." Fabien Capeilleres, Professor of Philosophy, editor of the French edition of Cassirer's Works. This new translation makes Cassirer's seminal work available to a new generation of scholars. Each volume includes a translator's introduction by Steve G. Lofts, a foreword by Peter E. Gordon, a glossary of key terms, and an index.

Even though important developments within 20th and 21st century philosophy have widened the scope of epistemology, this has not yet resulted in a systematic meta-epistemological debate about epistemology's aims, methods, and criteria of success. Ideas such as the methodology of reflective equilibrium, the proposal to "naturalize" epistemology, constructivist impulses fuelling the "sociology of scientific knowledge", pragmatist calls for taking into account the practical point of epistemic evaluations, as well as feminist criticism of the abstract and individualist assumptions built into traditional epistemology are widely discussed, but they have not typically resulted in the call for, let alone the construction of, a suitable meta-epistemological framework. This book motivates and elaborates such a new meta-epistemology. It provides a pragmatist, social and functionalist account of epistemic states that offers the conceptual space for revised or even replaced epistemic concepts. This is what it means to "refurbish epistemology": The book assesses conceptual tools in relation to epistemology's functionally defined conceptual space, responsive to both intra-epistemic considerations and political and moral values.

The 'end of the world' opens up philosophical questions concerning the very notion of the world, which is a fundamental element of all existential, phenomenological and hermeneutical philosophy. Is the 'end of the world' for us 'somebody's' death (the end of 'being-in-the-world') or the extinction of many or of all (the end of the world itself)? Is the erosion of the 'world' a phenomenon that does not in fact affect the notion of the world as a fundamental feature of all existential-ontological inquiry? This volume examines the present state of these concerns in philosophy, film and literature. It presents a philosophical hermeneutics of the present state of the world and explores the principal questions of the philosophical accounts of the end of the world, such as finality and finitude. It also shows how literature and cinema have ventured to express the end of the world while asking if a consequent expression of the end of the world is also an end of its expression.

This book represents a primer on artistic research, presenting diverse perspectives, strategies, methodologies, and concrete examples of research projects situated at the crossroads of art and academia. Exposing international work of significant research projects from Europe, Asia, Australia, South- and North America, it provides a multidisciplinary overview on different discourses and practices, exploring cutting-edge questions coming from the burgeoning field of artistic research. The first part includes chapters on artistic research and diverse artistic fields, addressing a common thread of questions and problematics. The second part provides insights into six internationally relevant artistic research projects. The comprehensive editors' introduction offers a much-needed and extensive overview practice-based artistic research in general. Ideal for graduate students across Philosophy, Cultural Studies, Art, Music, Performance Studies and more, The book is enhanced by a range of multimedia components (images, videos, sounds).

This book provides a wide-ranging, systematic, and comprehensive approach to the moral philosophy of John Dewey, one of the most important philosophers of the 20th century. It does so by focusing on his greatest achievement in this field: the Ethics he jointly published with James Hayden Tufts in 1908 and then republished in a heavily revised version in 1932. The essays in this volume are divided into two distinct parts. The first features essays that provide a running commentary on the chapters of the 1932 Ethics written by Dewey. Each chapter is introduced, situated within a historical perspective, and then its main achievements are highlighted and discussed. The second part of the book interprets the Ethics and demonstrates its contemporary relevance and vitality. The essays in this part situate the Ethics in the broader interpretive frameworks of Dewey's philosophy, American pragmatism, and 20th-century moral theory at large. Taken together, these essays show that, far from being a mere survey of moral theories, the 1932 Ethics presents the theoretical highpoint in Dewey's thinking about moral philosophy. This book features contributions by some of the most influential Dewey scholars from North America and Europe. It will be of keen interest to scholars and students of American pragmatism, ethics and moral philosophy, and the history of 20th-century philosophy.

Jean-Michel Rabate uses Nietzsche's image of a "pathos of distance," the notion that values are created by a few gifted and lofty individuals, as the basis for a wide-ranging investigation into the ethics of the moderns. Revealing overlooked connections between Nietzsche's and Benjamin's ideas of history and ethics, Rabate provides an original genealogy for modernist thought, moving through figures and moments as varied as Yeats and the birth of Irish Modernism, the ethics of courage in Virginia Woolf, Rilke, Apollinaire, and others in 1910, T. S. Eliot's post-war despair, Jean Cocteau's formidable selfmythology in his first film The Blood of a Poet, Siri Hustvedt's novel of American trauma, and J. M. Coetzee's dystopia portraying an affectless future haunted by a messianic promise.

In Society as a Department Store Ryszard Legutko wrestles with the emancipatory ideology promulgated by postmodernists, libertarians, and liberal thinkers. Legutko argues that modern Western liberals have embraced a revolutionary ethic; they have turned their backs on their own cultural heritage, and used its political and ideological apparatus to destroy classical metaphysics and epistemology. The book considers the paradoxical implications of this state of affairs for Eastern European intellectuals arguing that, with the triumph of liberalism over communism, these intellectuals feel compelled to digest an ideology that shares many elements with the oppressive system from which they just liberated themselves. Based on hubris rather than genuine humane concerns, Legutko mourns not simply the loss of faith in classical Western culture, but the way in which that loss is becoming a central point of identity.

This is a short introduction to the work, ideas and influence of one of the twentieth century's most important and widely-read thinkers. Merleau-Ponty was one of the most important European philosophers of the 20th century, whose work made enormous contributions to the development of phenomenology and the concept of the lived-body. Clearly and thematically structured, covering all Merleau-Ponty's key works and focussing particularly on the hugely important "The Phenomenology of Perception, Starting with Merleau-Ponty" leads the reader through a thorough overview of the development of his thought, resulting in a more thorough understanding of the roots of his philosophical concerns. Offering coverage of the full range of Merleau-Ponty's ideas, the book firmly sets his work in the context of the 20th century intellectual landscape and explores his contributions to phenomenology, existentialism, empiricism, objective thought and his vision of human reality. Crucially the book introduces the major thinkers and events that proved influential in the development of Merleau-Ponty's work, including Husserl, Sartre, Heidegger and those philosophers and psychologists whom he labelled 'intellectualists' and 'empiricists'. This is the ideal introduction for anyone coming to the work of this hugely important thinker for the first time. "Continuum's Starting with" ...series offers clear, concise and accessible introductions to the key thinkers in philosophy. The books explore and illuminate the roots of each philosopher's work and ideas, leading readers to a thorough understanding of the key influences and philosophical foundations from which his or her thought developed. Ideal for first-year students starting out in philosophy, the series will serve as the ideal companion to study of this fascinating subject.

The question of what characterizes feelings of being alive is a puzzling and controversial one. Are we dealing with a unique affective phenomenon or can it be integrated into existing classifications of emotions and moods? What might be the natural basis for such feelings? What could be considered their specifically human dimension? These issues are addressed by researchers from various disciplines, including philosophy of mind and emotions, psychology, and history of art. This volume contains original papers on the topic of feelings of being alive by Fiorella Battaglia, Eva-Maria Engelen, Joerg Fingerhut, Thomas Fuchs, Alice Holzhey-Kunz, Matthias Jung, Tanja Klemm, Riccardo Manzotti, Sabine Marienberg, Matthew Ratcliffe, Arbogast Schmitt, Jan Slaby, and Achim Stephan.