Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

In the first half of the nineteenth century, Southern Africa was a jumble of British colonies, Boer republics and African chiefdoms, a troublesome region of little interest to the outside world. Into this frontier world came the Reitz family, Afrikaner gentry from the Cape, who settled in Bloemfontein and played a key role in the building of the Orange Free State.

Frank Reitz, successively chief justice and modernising president of the young republic, went on to serve as State Secretary of the Transvaal Republic. In 1899, he stood shoulder to shoulder with President Paul Kruger to resist Britain’s war of conquest in Southern Africa. At the heart of this tale is the extraordinary life of Deneys Reitz, third son of Frank Reitz and Bianca Thesen. The young Reitz’s account of his adventures in the field during the Anglo-Boer War (1899–1902), published as Commando, became a classic of irregular warfare. After a period of exile in Madagascar, he went on become one of South Africa’s most distinguished lawyers, statesmen and soldiers. Martin Meredith interweaves Reitz’s experiences, taken from his unpublished notebooks, with the wider story of Britain’s brutal suppression of Boer resistance.

Concise and readable, Afrikaner Odyssey is a wide-ranging portrait of an aristocratic Afrikaner family whose achievements run like fine thread through these turbulent times, and whose presence is still marked on the South African landscape.

Die skrywer Erika Murray-Theron wou weet waar die vroue in haar familie vandaan kom. Wat kry ’n mens van wie? Waar kom alles wat jý is vandaan? Hoe is die vroue in haar familie se lewe geraak deur trauma en groot wêreldgebeurtenisse waaroor hulle geen beheer gehad het nie? Theron se ouma Issie is op 3 Mei 1885 gebore; 133 jaar gelede. In hierdie verhaalbiografie gaan soek Theron in ou kookboeke, aantekeninge, foto’s, herinneringe, albums, briewe en geslagsregisters na haar ouma Issie se storie. ’n Lewe ontvou wat geraak is deur die verlies van ouers, die Anglo-Boereoorlog, die Rebellie van 1914 en daarna die energie wat dit verg om ’n groot huisgesin te behartig. ’n Skerfie glas wys hoe die verlede, selfs die verre verlede, spore op latere geslagte laat.

Founded by MK Gandhi early in his career, the Natal Indian Congress is one of the oldest political organizations in South Africa. This book traces its course through colonial anti-Asiatic feeling, past apartheid, and into the new democracy.

Wanneer ’n mens aan die ervarings van Boerevroue en -kinders tydens die Anglo-Boereoorlog dink, is die outomatiese konnotasie die van konsentrasiekamplyding. ’n Fassinerende en grotendeels onbekende buitebeentjie in hierdie genre is die dagboek van Anna Barry, waaruit ’n unieke en veelkantige beeld van die oorlog na vore kom. Aan die een kant van Anna se oorlogservaring staan haar broer Japie – ’n begeesterde jong soldaat wat uiteindelik as krygsgevangene op Ceylon sterf. Hierteenoor le haar geliefde pa Thomas (aanvanklik ’n gerespekteerde veldkornet) al in 1900 die eed van neutraliteit af, en wag hy die grootste gedeelte van die oorlog in die neutrale Basoetoland uit. Vir die tienderjarige Anna is die oorlog as gevolg hiervan ’n uiters verwarrende ervaring en haar dagboek bied ’n sonderlinge blik op die gefragmenteerdheid en buigbaarheid van konsepte soos “identiteit”, “nasie” en “volk”. Die feit dat die dagboek eers in 1960 vir die eerste keer gepubliseer is en daarna grotendeels in die vergetelheid verval het, is verder veelseggend in terme van hoe Anna self verwag het haar ervarings kort na die oorlog ontvang sou word – maar ook in terme van hoe blinde lojaliteit aan sekere groepe so dikwels in die geskiedenis van Suid-Afrikaners vereis is. Die dagboekteks, geboekstut deur Ena Jansen se insiggewende en verhelderende voor- en nawoord, bied nie slegs ’n sonderlinge blik op die Anglo-Boereoorlog nie, maar is verweef met kwessies van taal, politieke mag en sosiale status wat vandag nog net so relevant is soos toe die dagboek geskryf is.

Edmund Allenby, Viscount Allenby of Megiddo and Felixstowe, as he became later, was the principal British military figure in the Middle East from 1917 to 1919. He fulfilled a similar proconsular role in Egypt from the latter year until 1925. In these two roles Allenby's eight years in the Middle East were of great impact, and in probing his life an especially revealing window can be found through which to observe closely and understand more fully the history that has resulted in the terminal roil afflicting the Middle East and international affairs today. In this biography Brad Faught explores the events and actions of Allenby's life, examining his thinking on both the British Empire and the post-World War I international order. Faught brings clarity to Allenby's decisive impact on British imperial policy in the making of the modern Middle East, and thereby on the long arc of the region's continuing and controversial place in world affairs.

Louis Botha was ’n briljante Boeregeneraal wie se taktiese vernuf en intuïtiewe aanslag vir etlike oorwinnings oor die Britse magte in die Anglo-Boereoorlog gesorg het. Maar dit was sy enigmatiese karakter en vaste oortuiging om te hou by wat hy geglo het reg was, wat hom as ’n leier van die Boerevolk bevestig het.

Richard Steyn gee op meesterlike wyse insae in die lewe van hierdie grootse Suid-Afrikaanse krygsman en staatsman. Hy beskryf verhelderend hoe Botha saam met sy hegte vriend, Jan Smuts, die vier Suid-Afrikaanse kolonies na Uniewording in 1910 gelei het waarna Botha as die eerste eerste minister van die Unie aangewys is.

Gedurende die Eerste Wêreldoorlog was Botha aan die voorpunt van die Suid-Afrikaanse magte se suksesvolle inval van Duits-Suidwes-Afrika. Tog is hy deur talle Afrikaners verkwalik vir sy steun aan Brittanje, en die Afrikaner-rebellie van 1914, waartydens hy teen voormalige makkers moes optree, het sy hart gebreek.

Botha se groothartig en vrygewige omgang met mense – van Vereeniging tot Versailles – het hom bo sy tydgenote laat uitstaan.

Infused with colour, scenes from the Anglo-Boer War suddenly come to life in this striking collection of colourised photos from one of the biggest conflicts on South African soil.

The Anglo-Boer War, or South African War, pitted the two Boer republics of Transvaal and the Orange Free State against British imperial might. The effects of this devastating war on the political, economic and social landscape were felt long after its end. The Boer War in Colour contains many iconic photos from the war, as well as several previously unpublished images.

Over the past 120 years, hundreds of books on the Anglo-Boer War have been published, but this will be the first to show this conflict in full colour – introducing a fresh perspective and transforming it into living history.

Ben Viljoen (1868–1917) was ’n prominente jonger generaal in die Anglo-Boereoorlog, maar ná die oorlog is hy nie opgeneem in die nuwe politieke elite van die Afrikaners nie. Nadat hy die eed van getrouheid op St. Helena onderteken het, het hy noot weer permanent na Suid-Afrika teruggekeer nie.

Carel van der Merwe het besluit om Viljoen se spore te volg na Brittanje, Nederland, Mexiko en Amerika en te gaan uitvind hoe dit gebeur het dat dié Boereoorloggeneraal burgerskap van vier verskillende lande gehad het, die ster was van ’n Boereoorlogskouspel, aan ’n Mexikaanse revolusie deelgeneem het, as vredeskommissaris tussen die Yaqui-Indiane opgetree het en voor sy dood op die punt was om ’n film in Hollywood te vervaardig.

’n Prentjie van ’n komplekse persoonlikheid kom na vore wat herinner aan ’n deel van die huidige generasie Afrikaners – minder godvresend, gemaklik in verskillende kulture, en bereid om te emigreer wanneer hulle dink dit tot hul voordeel is.

Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.

This book explores an Australian regional community's reaction to, and involvement with, the Boer War. It argues that after the initial year the war became an 'occasional war' in that it was assumed that the empire would triumph. But it also laid the foundations for reactions to the outbreak of the Great War in 1914. This is the first exploration of the place of the Boer War in Australian history at the community level. Indeed, even at the national level the literature is limited. It is often forgotten that, despite the claims that Australia became a federation via peaceful means, the colonies and the new nation were, in fact, at war. This study aims to bring back into focus a forgotten part of Australian and imperial history, and argues that the Australian experience of the Boer War was more than the execution of Morant and Hancock.

Today AIDS dominates the headlines, but a century ago it was fears of syphilis epidemics. This book looks at how the spread of syphilis was linked to socio-economic transformation as land dispossession, migrancy and urbanization disrupted social networks--factors similarly important in the AIDS crisis. Medical explanations of syphilis and state medical policy were also shaped by contemporary beliefs about race. Doctors drew on ideas from social darwinism, eugenics, and social anthropology to explain the incidence of syphilis among poor whites and Africans, and to define "normal" abnormal sexual behavior for racial groups.

A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.

Much of the work in the field of African studies still relies on rigid distinctions of 'tradition' and 'modernity', 'collaboration' and 'resistance', 'indigenous' and 'foreign'. This book moves well beyond these frameworks to probe the complex entanglements of different intellectual traditions in the South African context, by examining two case studies.

The case studies constitute the core around which is woven this intriguing story of the development of black theatre in South Africa in the early years of the century. It also highlights the dialogue between African and African-American intellectuals, and the intellectual formation of the early African elite in relation to colonial authority and how each affected the other in complicated ways.

The first case study centres on Mariannhill Mission in KwaZulu-Natal. Here the evangelical and pedagogical drama pioneered by the Rev Bernard Huss, is considered alongside the work of one of the mission's most eminent alumni, the poet and scholar, B.W. Vilakazi. The second moves to Johannesburg and gives a detailed insight into the working of the Bantu Dramatic Society and the drama of H.I.E. Dhlomo in relation to the British Drama League and other white liberal cultural activities.

General Jannie Geldenhuys is widely regarded as one of the leading military commanders South Africa has ever produced. As Chief of the South African Defence Force from 1985 to 1990 he brought his experience to bear on the South African Border War, and was part of the negotiating team which brought an end to the conflict in 1989. In this edition, Geldenhuys reflects on a life defined as much by a military career spanning more than four decades as it was by politics and indeed the need for peace on the African sub-continent. At the Front covers the years before and during the protracted Border War. But rather than a blow-by-blow official history, it consists of Geldenhuys’ personal experiences and insights. These include facts unknown to civilians and even to some high-ranking military officials. In particular, Geldenhuys sheds light on the final years of the conflict and the negotiated settlement. Geldenhuys also writes of his early years, as he evolved from a rugby-mad young subaltern officer to a deep-thinking, reflective man with ever-sharpening insights into, war, peace, politics and, most of all, himself.

In A Man Apart Richard Steyn once again brings to life a South African icon. Louis Botha was the first Prime Minister of the Union of South Africa, a union he did much to create in the decade after the devastation of the Anglo-Boer War. During the war Botha was a brilliant young Boer general who through his battlefield strategy won significant victories over the British in the early stages of the war. When the weight of British arms overhelmed the Boers, Botha along with Smuts did much to encourage peace between English and Afrikaner and led the country to Union in 1910 and dominion status.

Botha was a big-hearted and generous man who showed magnanimity in his dealings with all, including former enemies. He led the South African troops to victory and the capture of German South West Africa – prior to this he had to put down a revolt of pro-German Afrikaners. At the Peace of Versailles, representing South Africa, he pleaded unsuccessfully for magnanimity towards the Germans. Botha was a globally respected figure – he and Smuts effectively operated as a double act in South Africa and on the international stage before Botha’s untimely death in August 1919 at only 57. In A Man Apart this tragically short life is illuminated in full.

The war in South Africa (1899-1902) marked a turning point in British military history, after the war many aspects of British policy-making and military organisation were scrutinised. The first part of this book focuses on these issues as they have been represented by scholars in the light of recent works. The bias towards work on the failures of the British is here redressed with the inclusion of studies of the roles of the Boers, Afrikaaners and Zulus by four South African historians. The social and cultural dimensions of the war as viewed from the South African perspective is also analyzed. The final section of the book concentrates on how the conflict was presented to the public back in Britain, explaining how manipulation of the media helped to centre the Boer War within British history.

Daar is nie ’n grondpad te sinkplaat, plaasdraad te hoog of aanwysings te gebrekkig om Jackie Grobler te keer nie. As hy eers ’n monument in sy visier het, sal hy dit vind.

In hierdie boek reis hy oor berge en dale van Lichtenburg in Noordwes tot die heuwels van Tabankulu in die Oos-Kaap. Grobler reis onder meer op die spoor van Voortrekker Carel Trichardt deur Mpumalanga en in KwaZulu-Natal gaan hy na die slagvelde van die Anglo-Zoeloeoorlog. In Gauteng vind hy monumente ter ere van twee van Suid-Afrika se grootste leiers: Nelson Mandela en Jan Smuts. In die Vrystaat soek hy na oorblyfsels van twee konsentrasiekampe en in Limpopo kom hy af op monumente aan ’n Anglo-Boereoorlogkanon (die Long Tom). Sy reise na die Oos-Kaap neem hom na gedenkplekke vir Steve Biko en in die Wes-Kaap gaan hy op die spoor van die Portugese ontdekkingsreisigers.

Elke provinsie sal ’n kaart hê wat die monumente aandui.

Meer as ’n honderd jaar na die laaste skote in die Anglo-Boereoorlog geklap het, word genl. Christiaan de Wet steeds bewonder as onverbiddelike bittereinder, die held wat tot die einde toe volhard het. Sy jonger broer, Piet, word onthou as die joiner. In Broedertwis probeer Albert Blake verstaan waarom hulle lynreg in stryd met mekaar gekom het. Wie was reg? Christiaan, wat ten alle koste die vryheidstryd wou voer, of Piet, wat ’n einde aan die smart en lyding van die oorlog wou bring?

Nelson Mandela is one of the world's most revered public figures, a man synonymous with the long, bitter struggle to rid South Africa of an apartheid regime and replace it with a multi-racial democracy. Today he is seen as the face of world freedom, an ambassador for civil rights, a heroic liberator whose influence and image of moral integrity extend way beyond his homeland. Fully illustrated, this book chronicles the remarkable life of Nelson Mandela, from his days as a student activist and guerrilla leader to his position as iconic statesman. After spending 27 years in prison, his eventual release and election as South Africa's first black president were landmark events in 20th century history.

This collections of essays by leading British and South African scholars, looking at the Boer War, focuses on three aspects: how the British Military functioned; the role of the Boers, Afrikaners and Zulus; and the media presentation of the war to the public.

Waged across an inhospitable terrain which varied from open African savannah to broken mountain country and arid semi-desert, the Anglo-Boer wars of 1880-81 and 1899-1902 pitted the British Army and its allies against the Boers' commandos. The nature of warfare across these campaigns was shaped by the realities of the terrain and by Boer fighting techniques. Independent and individualistic, the Boers were not professional soldiers but a civilian militia who were bound by the terms of the 'Commando system' to come together to protect their community against an outside threat. By contrast the British Army was a full-time professional body with an established military ethos, but its over-dependence on conventional infantry tactics led to a string of Boer victories. This fully illustrated study examines the evolving nature of Boer military techniques, and contrasts them with the British experience, charting the development of effective British mounted tactics from the first faltering steps of 1881 through to the final successes of 1902.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The experience of the South African War sharpened the desire to commemorate for a number of reasons. An increasingly literate public, a burgeoning populist press, an army reinforced by waves of volunteers and, to contemporaries at least, a shockingly high death toll embedded the war firmly in the national consciousness. In addition, with the fallen buried far from home those left behind required other forms of commemoration. For these reasons, the South African War was an important moment of transition in commemorative practice and foreshadowed the rituals of remembrance that engulfed Britain in the aftermath of the Great War. This work provides the first comprehensive survey of the memorialisation process in Britain in the aftermath of the South African War. The approach goes beyond the simple deconstruction of memorial iconography and, instead, looks at the often tortuous and lengthy gestation of remembrance sites, from the formation of committees to the raising of finance and debates over form. In the process both Edwardian Britain's sense of self and the contested memory of the conflict in South Africa are thrown into relief. In the concluding sections of the book the focus falls on other forms of remembrance sites, namely the multi-volume histories produced by the War Office and The Times, and the seminal television documentaries of Kenneth Griffith. Once again the approach goes beyond simple textual deconstruction to place the sources firmly in their wider context by exploring both production and reception. By uncovering the themes and myths that underpinned these interpretations of the war, shifting patterns in how the war was represented and conceived are revealed.