Infused with colour, scenes from the Anglo-Boer War suddenly come to life in this striking collection of colourised photos from one of the biggest conflicts on South African soil.

The Anglo-Boer War, or South African War, pitted the two Boer republics of Transvaal and the Orange Free State against British imperial might. The effects of this devastating war on the political, economic and social landscape were felt long after its end. The Boer War in Colour contains many iconic photos from the war, as well as several previously unpublished images.

Over the past 120 years, hundreds of books on the Anglo-Boer War have been published, but this will be the first to show this conflict in full colour – introducing a fresh perspective and transforming it into living history.

Maggie is a remarkable firsthand account of a teenage girl’s experiences during the AngloBoer War.

Margaretha (Maggie) Jooste was only 13 years old when the AngloBoer War broke out and her life was irrevocably changed. After months of house arrest in their Heidelberg (Transvaal) home, she, her mother and younger siblings were sent away to concentration camps in Natal. There they experienced hunger, deprivation and loss, but also surprising acts of kindness from British guards.

This very personal account is a story of hardships, but also one of humanity and friendships over enemy lines. A golden threat is the close bond between the Jooste family and the Englishspeaking Russells who lived as neighbours and friends before the war broke out. While the British soldiers and Boer commandos fought the war, the Russells secretly provided food to the Joostes to help them survive, and supported them after the war.

A poignant and deeply moving, but also heartbreaking, true story.

In A Man Apart Richard Steyn once again brings to life a South African icon. Louis Botha was the first Prime Minister of the Union of South Africa, a union he did much to create in the decade after the devastation of the Anglo-Boer War. During the war Botha was a brilliant young Boer general who through his battlefield strategy won significant victories over the British in the early stages of the war. When the weight of British arms overhelmed the Boers, Botha along with Smuts did much to encourage peace between English and Afrikaner and led the country to Union in 1910 and dominion status.

Botha was a big-hearted and generous man who showed magnanimity in his dealings with all, including former enemies. He led the South African troops to victory and the capture of German South West Africa – prior to this he had to put down a revolt of pro-German Afrikaners. At the Peace of Versailles, representing South Africa, he pleaded unsuccessfully for magnanimity towards the Germans. Botha was a globally respected figure – he and Smuts effectively operated as a double act in South Africa and on the international stage before Botha’s untimely death in August 1919 at only 57. In A Man Apart this tragically short life is illuminated in full.

A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.

Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

Die Nederlandse historikus, Martin Bossenbroek, het in 2013 die Nasionale Nederlandse Geskiedenis-prys gewen vir sy nuwe kroniek oor die oorlog wat Suid-Afrika gevorm het, en die boek is ook in 2013 op die kortlys vir die AKO Letterkunde-prys geplaas. Beide hierdie toekennings is vername Nederlandse letterkundige pryse. Hierdie Afrikaanse hardeband, wat in 2015 as 'n Engelse en 'n Afrikaanse sagteband uitgegee gaan word, sal die lof en byval bevestig wat Bossenbroek reeds ontvang het, en aan Suid-Afrikaanse lesers die geleentheid bied om sy unieke storieverteltegniek te ervaar. Die Anglo-Boereoorlog (1899-1902) is al verskeie dinge genoem: die oorsaak van apartheid, die voorganger van die Eerste en Tweede Wereldoorloe, en die eerste media-oorlog (waar joernaliste vir die eerste keer by 'n oorlog ingebed was). Dit het gehelp om die nasiestaat van Suid-Afrika te skep en meer as 'n honderd jaar nadat die oorlog geeindig het, lei dit steeds tot vurige debatte. In Die Boereoorlog bied Martin Bossenbroek vir die eerste keer aan lesers die volledige storie met ongeewenaarde insig en detail. Bossenbroek volg drie kleurvolle hoofkarakters: die Nederlandse prokureur, staatsprokureur van die Suid-Afrikaanse Republiek, staatsekretaris en uiteindelike Europese gesant Willem Leyds; die Britse oorlogsjoernalis Winston Churchill, en die Boerekryger en toekomstige Suid-Afrikaanse politikus, Deneys Reitz. Bossenbroek se fassinerende nuwe blik op die oorlog troef Thomas Pakenham se klassieke topverkoper, en is 'n moet-lees vir alle Suid-Afrikaanse geskiedenis-entoesiaste.

Ben Viljoen (1868–1917) was ’n prominente jonger generaal in die Anglo-Boereoorlog, maar ná die oorlog is hy nie opgeneem in die nuwe politieke elite van die Afrikaners nie. Nadat hy die eed van getrouheid op St. Helena onderteken het, het hy noot weer permanent na Suid-Afrika teruggekeer nie.

Carel van der Merwe het besluit om Viljoen se spore te volg na Brittanje, Nederland, Mexiko en Amerika en te gaan uitvind hoe dit gebeur het dat dié Boereoorloggeneraal burgerskap van vier verskillende lande gehad het, die ster was van ’n Boereoorlogskouspel, aan ’n Mexikaanse revolusie deelgeneem het, as vredeskommissaris tussen die Yaqui-Indiane opgetree het en voor sy dood op die punt was om ’n film in Hollywood te vervaardig.

’n Prentjie van ’n komplekse persoonlikheid kom na vore wat herinner aan ’n deel van die huidige generasie Afrikaners – minder godvresend, gemaklik in verskillende kulture, en bereid om te emigreer wanneer hulle dink dit tot hul voordeel is.

Die skrywer Erika Murray-Theron wou weet waar die vroue in haar familie vandaan kom. Wat kry ’n mens van wie? Waar kom alles wat jý is vandaan? Hoe is die vroue in haar familie se lewe geraak deur trauma en groot wêreldgebeurtenisse waaroor hulle geen beheer gehad het nie? Theron se ouma Issie is op 3 Mei 1885 gebore; 133 jaar gelede. In hierdie verhaalbiografie gaan soek Theron in ou kookboeke, aantekeninge, foto’s, herinneringe, albums, briewe en geslagsregisters na haar ouma Issie se storie. ’n Lewe ontvou wat geraak is deur die verlies van ouers, die Anglo-Boereoorlog, die Rebellie van 1914 en daarna die energie wat dit verg om ’n groot huisgesin te behartig. ’n Skerfie glas wys hoe die verlede, selfs die verre verlede, spore op latere geslagte laat.

Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.

Wanneer ’n mens aan die ervarings van Boerevroue en -kinders tydens die Anglo-Boereoorlog dink, is die outomatiese konnotasie die van konsentrasiekamplyding. ’n Fassinerende en grotendeels onbekende buitebeentjie in hierdie genre is die dagboek van Anna Barry, waaruit ’n unieke en veelkantige beeld van die oorlog na vore kom. Aan die een kant van Anna se oorlogservaring staan haar broer Japie – ’n begeesterde jong soldaat wat uiteindelik as krygsgevangene op Ceylon sterf. Hierteenoor le haar geliefde pa Thomas (aanvanklik ’n gerespekteerde veldkornet) al in 1900 die eed van neutraliteit af, en wag hy die grootste gedeelte van die oorlog in die neutrale Basoetoland uit. Vir die tienderjarige Anna is die oorlog as gevolg hiervan ’n uiters verwarrende ervaring en haar dagboek bied ’n sonderlinge blik op die gefragmenteerdheid en buigbaarheid van konsepte soos “identiteit”, “nasie” en “volk”. Die feit dat die dagboek eers in 1960 vir die eerste keer gepubliseer is en daarna grotendeels in die vergetelheid verval het, is verder veelseggend in terme van hoe Anna self verwag het haar ervarings kort na die oorlog ontvang sou word – maar ook in terme van hoe blinde lojaliteit aan sekere groepe so dikwels in die geskiedenis van Suid-Afrikaners vereis is. Die dagboekteks, geboekstut deur Ena Jansen se insiggewende en verhelderende voor- en nawoord, bied nie slegs ’n sonderlinge blik op die Anglo-Boereoorlog nie, maar is verweef met kwessies van taal, politieke mag en sosiale status wat vandag nog net so relevant is soos toe die dagboek geskryf is.

Louis Botha was ’n briljante Boeregeneraal wie se taktiese vernuf en intuïtiewe aanslag vir etlike oorwinnings oor die Britse magte in die Anglo-Boereoorlog gesorg het. Maar dit was sy enigmatiese karakter en vaste oortuiging om te hou by wat hy geglo het reg was, wat hom as ’n leier van die Boerevolk bevestig het.

Richard Steyn gee op meesterlike wyse insae in die lewe van hierdie grootse Suid-Afrikaanse krygsman en staatsman. Hy beskryf verhelderend hoe Botha saam met sy hegte vriend, Jan Smuts, die vier Suid-Afrikaanse kolonies na Uniewording in 1910 gelei het waarna Botha as die eerste eerste minister van die Unie aangewys is.

Gedurende die Eerste Wêreldoorlog was Botha aan die voorpunt van die Suid-Afrikaanse magte se suksesvolle inval van Duits-Suidwes-Afrika. Tog is hy deur talle Afrikaners verkwalik vir sy steun aan Brittanje, en die Afrikaner-rebellie van 1914, waartydens hy teen voormalige makkers moes optree, het sy hart gebreek.

Botha se groothartig en vrygewige omgang met mense – van Vereeniging tot Versailles – het hom bo sy tydgenote laat uitstaan.

Meer as ’n honderd jaar na die laaste skote in die Anglo-Boereoorlog geklap het, word genl. Christiaan de Wet steeds bewonder as onverbiddelike bittereinder, die held wat tot die einde toe volhard het. Sy jonger broer, Piet, word onthou as die joiner. In Broedertwis probeer Albert Blake verstaan waarom hulle lynreg in stryd met mekaar gekom het. Wie was reg? Christiaan, wat ten alle koste die vryheidstryd wou voer, of Piet, wat ’n einde aan die smart en lyding van die oorlog wou bring?

General Jannie Geldenhuys is widely regarded as one of the leading military commanders South Africa has ever produced. As Chief of the South African Defence Force from 1985 to 1990 he brought his experience to bear on the South African Border War, and was part of the negotiating team which brought an end to the conflict in 1989. In this edition, Geldenhuys reflects on a life defined as much by a military career spanning more than four decades as it was by politics and indeed the need for peace on the African sub-continent. At the Front covers the years before and during the protracted Border War. But rather than a blow-by-blow official history, it consists of Geldenhuys’ personal experiences and insights. These include facts unknown to civilians and even to some high-ranking military officials. In particular, Geldenhuys sheds light on the final years of the conflict and the negotiated settlement. Geldenhuys also writes of his early years, as he evolved from a rugby-mad young subaltern officer to a deep-thinking, reflective man with ever-sharpening insights into, war, peace, politics and, most of all, himself.

Toe die Britse Imperiale Ryk in 1899-1902 sy volle militêre mag teen die Boererepublieke van Suider-Afrika in die veld gestoot het, het ‘n groot gedeelte van die res van die wêreld hulle morele ondersteuning aan die dapper burgerkrygers toegesê ... maar sedert die bitter uiteinde van daardie ongelyke stryd het geskiedskrywers die verhaal van die oorlog grotendeels uit ‘n Britse oogpunt benader.

Hierdie is ‘n geskiedenisboek wat anders is.

Oorlog-Beeld voer ‘n verbeeldingsprong uit om die krygswêreld van daardie stryders wat deur Nelson Mandela as die ‘eerste Afrika-vryheidsvegters van die 20ste eeu’ beskryf is, te laat herleef. Hier, in koerantformaat soos dit destyds kon gewees het, volg die verhaal van die ‘Engelse Oorlog’ wat deur Boere vertel word: deur die offisiere wat hulle burgers op die slagvelde by Magersfontein, Colenso en Spioenkop aanvoer; deur bittereinderburgers wat tot op die laaste volgehou het; deur verveelde burgers wat Mafeking, Ladysmith en Kimberley tevergeefs beleër het; deur vroue en kinders in die konsentrasiekampe; deur regeerders en krygsgevangenes in ballingskap asook verskeie ander deelnemers – alles toegelig uit ‘n magdom kontemporêre bronne en met ‘n menigte foto’s wat destyds geneem is.

Daar word nie net oor militêre konfrontasies berig nie, maar ook oor die kommandolewe, oor die ervaringe van krygsgevangenes in kampe oor die aardbol heen versprei, oor die aktiwiteite van die Boere-afgevaardigdes in die buiteland wat buitelandse inmenging aan Boerekant teweeg moes bring, oor die aktiwiteite van prominente individue, soos president Paul Kruger en Emily Hobhouse, en oor die treurige lot van vroue en kinders in die konsentrasiekampe.

Founded by MK Gandhi early in his career, the Natal Indian Congress is one of the oldest political organizations in South Africa. This book traces its course through colonial anti-Asiatic feeling, past apartheid, and into the new democracy.

Betrayed Trust is the first close, scholarly examination of African homestead society in Natal during the colonial period. Carefully researched and dispassionately written, it is an account of dispossession - and of what dispossession meant in real terms. John Lambert has added a very important dimension to the history of this region. In delineating the wider implications of land deprivation, he has provided vital background to the emotionally charged question of land redistribution.

The war in South Africa (1899-1902) marked a turning point in British military history, after the war many aspects of British policy-making and military organisation were scrutinised. The first part of this book focuses on these issues as they have been represented by scholars in the light of recent works. The bias towards work on the failures of the British is here redressed with the inclusion of studies of the roles of the Boers, Afrikaaners and Zulus by four South African historians. The social and cultural dimensions of the war as viewed from the South African perspective is also analyzed. The final section of the book concentrates on how the conflict was presented to the public back in Britain, explaining how manipulation of the media helped to centre the Boer War within British history.

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess.

In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam.

Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said.

Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The experience of the South African War sharpened the desire to commemorate for a number of reasons. An increasingly literate public, a burgeoning populist press, an army reinforced by waves of volunteers and, to contemporaries at least, a shockingly high death toll embedded the war firmly in the national consciousness. In addition, with the fallen buried far from home those left behind required other forms of commemoration. For these reasons, the South African War was an important moment of transition in commemorative practice and foreshadowed the rituals of remembrance that engulfed Britain in the aftermath of the Great War. This work provides the first comprehensive survey of the memorialisation process in Britain in the aftermath of the South African War. The approach goes beyond the simple deconstruction of memorial iconography and, instead, looks at the often tortuous and lengthy gestation of remembrance sites, from the formation of committees to the raising of finance and debates over form. In the process both Edwardian Britain's sense of self and the contested memory of the conflict in South Africa are thrown into relief. In the concluding sections of the book the focus falls on other forms of remembrance sites, namely the multi-volume histories produced by the War Office and The Times, and the seminal television documentaries of Kenneth Griffith. Once again the approach goes beyond simple textual deconstruction to place the sources firmly in their wider context by exploring both production and reception. By uncovering the themes and myths that underpinned these interpretations of the war, shifting patterns in how the war was represented and conceived are revealed.

In early 1900, the paths of three British writers-Rudyard Kipling, Mary Kingsley and Arthur Conan Doyle-crossed in South Africa, during what's become known as Britain's last imperial war. Each of the three had pressing personal reasons to leave England behind, but they were also motivated by notions of duty, service, patriotism and, in Kipling's case, jingoism. Sarah LeFanu compellingly opens an unexplored chapter of these writers' lives, at a turning point for Britain and its imperial ambitions. Was the South African War, as Kipling claimed, a dress rehearsal for the Armageddon of World War One? Or did it instead foreshadow the anti-colonial guerrilla wars of the later twentieth century? Weaving a rich and varied narrative, LeFanu charts the writers' paths in the theatre of war, and explores how this crucial period shaped their cultural legacies, their shifting reputations, and their influence on colonial policy.

This collections of essays by leading British and South African scholars, looking at the Boer War, focuses on three aspects: how the British Military functioned; the role of the Boers, Afrikaners and Zulus; and the media presentation of the war to the public.

Even though the Anglo-Boer War of 1899-1902 ended more than 110 years ago, no extensive study on the sites of remembrance of this war that covers the country as a whole and is based on methodological research has thus far been published.

This book is aimed at filling that void. This is a study of commemorative sites with a difference. The text guides the reader in two ways simultaneously. In the first place it provides information on the vast number (more than 1 200) and wide range of Anglo-Boer War places of remembrance in South Africa. These include monuments, memorials such as plaques and tablets, historical sites such as battlefields and concentration camp locations, buildings that have a specific connection with the war, statues, busts and bas-relief sculptures, historical paintings, museum collections and, of course, since it has to do with a war, cemeteries and graves.

Secondly, the book places all the sites that are included in their historical context. To simply indicate the approximate location of a war site, without providing a proper indication on how the site fits into the broad history of the event that it commemorates, is of limited value. For that reason the places of remembrance are introduced to the reader against the background of the history which they mirror. This means in effect that the reader acquires, together with information on the places of remembrance, a concise history of the war as a whole. As a result the book will not only be useful to readers who travel to the sites, but also to readers and users who are not actually travelling (virtual tourists).

Following on an introduction on the nature and scope of the commemorative places of the Anglo-Boer War, the sites are introduced in a thematic-chronological manner. The book is based on extensive research and field work. The author himself visited and photographed more than 90% of the sites that are included. A large number of sources were consulted to ensure the correctness of the information that is provided.

Even though the book is research-based, and will be useful to both scholars on the war and the general public, ideological issues are not discussed. The focus is on the physical places of remembrance as such. The book is written from a neutral point of departure – it is neither pro-Briton nor pro-Boer. Approximately 60% of the places of remembrance that are included in the book commemorate the British forces and 40% the Republican forces.

The Boer War took place between 1899 and 1902, just 15 years before the start of the First World War. Some 180,00 Britons, mainly volunteers, travelled 6,000 miles to fight and die in boiling conditions on the veld and atop 'kopjes'. Of the over 20,000 who died more than half suffered enteric, an illness consequent on insanitary water. This book will act as an informative research guide for those seeking to discover and uncover the stories of the men who fought and the families they left behind. It will look in particular at the kind of support the men received if they were war injured and that offered to the families of the bereaved. Some pensions were available to regular soldiers and the Patriotic Fund, a charitable organisation , had been resurrected at the beginning of the conflict. However for those who did not fit these categories the Poor Law was the only support available at the time.The book will explore a variety of research materials such as: contemporary national and local newspapers; military records via websites and directly through regimental archives; census, electoral, marriage and death records; records at the National Archives including the Book of Wounds from the Boer War, the Transvaal Widows' Fund and others.

The Boer War of 1899-1902 was an epic of heroism and bungling, cunning and barbarism, with an extraordinary cast of characters - including Churchill, Rhodes, Conan Doyle, Smuts, Kipling, Gandhi, Kruger and Kitchener. The war revealed the ineptitude of the British military and unexpectedly exposed the corrupt underside of imperialism in the establishment of the first concentration camps, the shooting of Boer prisoners-of-war and the embezzlement of military supplies by British officers. This acclaimed book provides a complete history of the Boer War - from the first signs of unrest to the eventual peace. In the process, it debunks several of the myths which have grown up around the conflict and explores the deadly legacy it left for southern Africa.