The Archaeology of the Spanish Civil War offers the first comprehensive account of the Spanish Civil War from an archaeological perspective, providing an alternative narrative on one of the most important conflicts of the twentieth century, widely seen as a prelude to the Second World War. Between 1936 and 1939, totalitarianism and democracy, fascism and revolution clashed in Spain, while the latest military technologies were being tested, including strategic bombing and combined arms warfare, and violence against civilians became widespread. Archaeology, however, complicates the picture as it brings forgotten actors into play: obsolete weapons, vernacular architecture, ancient structures (from Iron Age hillforts to sheepfolds), peasant traditions, and makeshift arms. By looking at these things, another story of the war unfolds, one that pays more attention to intimate experiences and anonymous individuals. Archaeology also helps to clarify battles, which were often chaotic and only partially documented, and to understand better the patterns of political violence, whose effects were literally buried for over 70 years. The narrative starts with the coup against the Second Spanish Republic on 18 July 1936, follows the massacres and battles that marked the path of the war, and ends in the early 1950s, when the last forced labor camps were closed and the anti-Francoist guerrillas suppressed. The book draws on 20 years of research to bring together perspectives from battlefield archaeology, archaeologies of internment, and forensics. It will be of interest to anybody interested in historical and contemporary archaeology, human rights violations, modern military history, and negative heritage.

More than 2500 volunteers took the extraordinary decision to risk their lives in a foreign war, and more than 500 of them died. The book looks at their role in the key battles in Spain, including the heroic work of the medical volunteers. Drawing on contemporary photographs and images, Antifascistas documents the artistic and historical legacy of the International Brigades, and demonstrates the idealism, commitment and sacrifice of these exceptional men and women.

Told for the first time in English, Paul Preston's new book tells the story of a preventable tragedy that cost many thousands of lives and ruined tens of thousands more at the end of the Spanish Civil War. This is the story of an avoidable humanitarian tragedy that cost many thousands of lives and ruined tens of thousands more. On 5 March 1939, the eternally malcontent Colonel Segismundo Casado launched a military coup against the government of Juan Negrin. To fulfil his ambition to go down in history as the man who ended the Spanish Civil War, he claimed that Negrin was the puppet of Moscow and that a coup was imminent to establish a Communist dictatorship. Instead his action ensured the Republic ended in catastrophe and shame. Paul Preston, the leading historian of twentieth-century Spain, tells this shocking story for the first time in English. It is a harrowing tale of how the flawed decisions of politicans can lead to tragedy.

A NATION TORN APART BY WAR. ONE WOMAN STEPS INTO THE CROSSFIRE. _____________________________ 'This amazing book has everything in it: love, war, history and relevance to today. Gripping.' Russell Kane 'I insist you read this intelligent empathetic novel. You won't regret it.' Frost Magazine 'Extraordinary events sensitively told.' Lucy Jago, A Net For Small Fishes 'I couldn't put it down.' Gill Paul, The Collector's Daughter 'A heartrending tale of love, courage and sacrifice.' Nikki Marmery, On Wilder Seas ____________ 1936. Civil war in Spain. A world on the brink of chaos ... Twenty-one-year-old Lucy is frustrated with her constrained life in Hertfordshire, teaching and keeping house for her domineering father. But she is happy to be living next door to Tom and Jamie, two brothers she has known since childhood, and whom she loves equally. But her life is turned upside down when Tom decides he must travel to Spain to fight in the bloody Spanish Civil War. He is quickly followed by Jamie who, much to Lucy's despair, is supporting General Franco. To the dismay of her irascible father, Lucy decides that the only way to bring her boys back safely is to travel to Spain herself to persuade them to come home. Yet when she sees the horrific effects of the war, she quickly becomes immersed in the lifesaving work the Quakers are doing to help the civilian population, many of whom are refugees. As the war progresses and the situation becomes increasingly perilous, Lucy realises that the challenge going forward is not so much which brother she will end up with, but whether any of them will survive the carnage long enough to decide ... ____________ More praise for Acts of Love and War ... 'Be prepared to lose your heart in the simmering heat of war-torn Spain.' Miranda Malins, The Puritan Princess 'This is a marvellous book on any level, I thoroughly enjoyed it and could hardly put it down.' Deborahjs 'Wide in scope and told with honesty, insight and tenderness, a moving and unputdownable story' Judith Allnatt, The Poet's Wife 'Accomplished and expansive' Anne Morgan, Reading The World 'Insightful and moving' Katherine Clements, The Crimson Ribbon 'One of historical fiction's most lyrical and intelligent voices' Rachel McMillan, The London Restoration 'Emotionally captivating and authentic ... an unforgettable story' Susan Meissner, The Nature of Fragile Things _______________ Readers can't get enough of Acts of Love and War ... ***** 'A tale of passion and passionate caring, and how that can manifest in very different ways.' ***** 'A masterpiece.' ***** 'Highly recommended if you enjoy historical fiction.' ***** 'An amazing and compelling read.' ***** 'An immersive and powerful story.'

'An unrivalled picture of the rumours, suspicions and treachery of civil war' Antony Beevor Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism as I understand it'. Thus wrote Orwell following his experiences as a militiaman in the Spanish Civil War, chronicled in Homage to Catalonia. Here he brings to bear all the force of his humanity, passion and clarity, describing with bitter intensity the bright hopes and cynical betrayals of that chaotic episode: the revolutionary euphoria of Barcelona, the courage of ordinary Spanish men and women he fought alongside, the terror and confusion of the front, his near-fatal bullet wound and the vicious treachery of his supposed allies. A firsthand account of the brutal conditions of the Spanish Civil War, George Orwell's Homage to Catalonia includes an introduction by Julian Symons.

This book examines the most polemical atrocity of the Spanish civil war: The massacre of 2,500 political prisoners by Republican security forces in the villages of Paracuellos and Torrejon de Ardoz near Madrid in November/December 1936. The atrocity took place while Santiago Carrillo -- later Communist Party leader in the 1970s -- was responsible for public order. Although Carrillo played a key role in the transition to democracy after Franco's death in 1975, he passed away at the age of 97 in 2012 still denying any involvement in 'Paracuellos' (the generic term for the massacres). The issue of Carrillo's responsibility has been the focus of much historical research. Julius Ruiz places Paracuellos in the wider context of the 'Red Terror' in Madrid, where a minimum of 8,000 'fascists' were murdered after the failure of military rebellion in July 1936. He rejects both 'revisionist' right-wing writers such as Cesar Vidal who cite Paracuellos as evidence that the Republic committed Soviet-style genocide and left-wing historians such as Paul Preston, who in his Spanish Holocaust argues that the massacres were primarily the responsibility of the Soviet secret police, the NKVD. The book argues that Republican actions influenced the Soviets, not the other way round: Paracuellos intensified Stalin's fears of a 'Fifth Column' within the USSR that facilitated the Great Terror of 193738. It concludes that the perpetrators were primarily members of the Provincial Committee of Public Investigation (CPIP), a murderous all-leftist revolutionary tribunal created in August 1936, and that its work of eliminating the 'Fifth Column' (an imaginary clandestine Francoist organisation) was supported not just by Carrillo, but also by the Republican government. In Autumn 2015 the book was serialised in El Mundo, Spain's second largest selling daily, to great acclaim.

This detailed study of the naval Spanish Civil War describes how the Spanish Navy, torn in two and comprising a Republican and Nationalist part, fought a civil war at sea involving both Hitler's and Mussolini's navies. In July 1936, a pro-fascist coup orchestrated by General Franco tore Spain apart and plunged the country into a bitter civil war. Like Spain itself, the Spanish Navy was torn in two: crews and most ships remained loyal to the Republican government but many of the Navy's officers joined Franco's rebels, and warships under repair or 'mothballed' in southern ports soon fell to the rebel advance. These formed the basis of Franco's 'Nationalist fleet,' and with both Italian and German help, the rebels were able to contest the Republic's control of Spanish waters. Overall the Republican Navy held its own, despite mounting losses, until the collapse of the Republican Army led to the fleet seeking internment in French North Africa. Packed with contemporary photographs and full colour illustrations, this study examines the composition and organization of the two rival fleets, the capabilities of their ships and submarines, and the performance of their crews. It also covers the warships of the Basque Auxiliary Navy - an offshoot of the Republican Fleet - and other navies who played a part in the conflict, most notably the Italian Regia Marina.

From the moment it began in 1936, the Spanish Civil War became the political question of the age. Hitler and Mussolini quickly sent aircraft, troops and supplies to the right-wing generals bent on overthrowing Spain's elected government. Millions of people around the world felt passionately that rapidly advancing fascism must be halted in Spain; if not there, where? More than 35,000 volunteers from dozens of other countries went to help defend the Spanish Republic. Adam Hochschild, the acclaimed author of King Leopold's Ghost, evokes this tumultuous period mainly through the lives of Americans involved in the war. A few are famous, such as Ernest Hemingway, but others are less familiar. They include a nineteen-year-old Kentucky woman, a fiery leftist who came to wartime Spain on her honeymoon; a young man who ran away from his Pennsylvania college and became the first American casualty in the battle for Madrid; and a swashbuckling Texas oilman who covertly violated US law and sold Generalissimo Francisco Franco most of the fuel for his army. Two New York Times reporters, fierce rivals, covered the war from opposite sides, with opposite sympathies. There are Britons in Hochschild's cast of characters as well: one, a London sculptor, fought with the American battalion; another, who had just gone down from Cambridge, joined Franco's army and found himself fighting against the Americans; and a third is someone whose experience of combat in Spain had a profound effect on his life, George Orwell.

In this distinctive new history of the origins of the Spanish Civil War, James Simpson and Juan Carmona tackle the highly-debated issue of why it was that Spain's democratic Second Republic failed. They explore the interconnections between economic growth, state capacity, rural social mobility and the creation of mass competitive political parties, and how these limited the effectiveness of the new republican governments, and especially their attempts to tackle economic and social problems within the agricultural sector. They show how political change during the Republic had a major economic impact on the different groups in village society, leading to social conflicts that turned to polarization and finally, with the civil war, to violence and brutality. The democratic Republic failed not so much because of the opposition from the landed elites, but rather because small farmers had been unable to exploit more effectively their newly found political voice.

The Spanish Civil War: A Military History takes a new, military approach to the conflict that tore Spain apart from 1936 to 1939. In many histories, the war has been treated as a primarily political event with the military narrative subsumed into a much broader picture of the Spain of 1936-9 in which the chief themes are revolution and counter-revolution. While remaining conscious of the politics of the struggle, this book looks at the war as above all a military event, and as one in whose outbreak specifically military issues - particularly the split in the armed forces produced by the long struggle in Morocco (1909-27) - were fundamental. Across nine chapters that consider the war from beginning to endgame, Charles J. Esdaile revisits traditional themes from a new perspective, deconstructs many epics and puts received ideas to the test, as well as introducing readers to foreign-language historiography that has previously been largely inaccessible to an anglophone audience. In taking this new approach, The Spanish Civil War: A Military History is essential reading for all students of twentieth-century Spain.

The International Bestseller of the Spanish Civil War - Winner of the Independent Foreign Fiction Prize In the final moments of the Spanish Civil War, fifty prominent Nationalist prisoners are executed by firing squad. Among them is the writer and fascist Rafael Sanchez Mazas. As the guns fire, he escapes into the forest, and can hear a search party and their dogs hunting him down. The branches move and he finds himself looking into the eyes of a militiaman, and faces death for the second time that day. But the unknown soldier simply turns and walks away. Sanchez Mazas becomes a national hero and the soldier disappears into history. As Cercas sifts the evidence to establish what happened, he realises that the true hero may not be Sanchez Mazas at all, but the soldier who chose not to shoot him. Who was he? Why did he spare him? And might he still be alive? Translated from the Spanish by Anne McLean

'One of the great autobiographies of the twentieth century' New Republic

'Moving and dramatic' New York Review of Books

The Forging of a Rebel is an unsurpassed account of Spanish history and society from early in the twentieth century through the cataclysmic events of the Spanish Civil War.

Arturo Barea's masterpiece charts the author's coming-of-age in a bruised and starkly unequal Spain. These three volumes recount in lively detail Barea's daily experience of his country as it pitched towards disaster: we are taken from his youthful play and rebellion on the streets of Madrid, to his apprenticeship in the business world and to the horrors he witnessed as part of the Spanish army in Morocco during the Rif War. The trilogy culminates in an indelible portrait of the Republican fight against Fascist forces, in which the Madrid of Barea's childhood becomes a shell and bullet-strewn warzone.

Combining historical sweep and authority with poignant characterization and novelistic detail, The Forging of a Rebel is a towering literary and historical achievement.

This book brings together different and interdisciplinary perspectives on the Spanish Civil War, its victims, its contentious ending, and its aftermath. In exploring the slow demise of republican ideals, contributors range over many diverse historical and cultural topics - discussing, for instance, the attitudes of both Left and Right to the poet Federico Garcia Lorca and to his assassination, examining the documentary evidence offered in surviving memoirs of the Civil War, and assessing the major characteristics of the new order in Spain under Franco. Cinematic and literary depictions of the Civil War and its consequences are also studied. Other topics investigated include: contemporary French reactions to the Spanish conflict, Stalinist policies towards Spain, the activities and motives of the anarcho-syndicalists and the role of the International Brigades. This collection of essays published on the 75th anniversary of the end of the Civil War, not only places the events and experiences studied within the context of the 'new state' of Franco's Spain, but also offers timely fresh insights into wider European and international issues during what was a period of seismic change in world history. This book was originally published as a special issue of Bulletin of Spanish Studies.

Spain in Arms is a new military history of the Spanish Civil War. It examines how the Spanish Civil War conflict developed on the battlefield through the prism of eight campaigns between 1937-1939 and shows how many accounts of military operations during this conflict are based upon half-truths and propaganda. The book is based upon nearly 60 years of extensive research into the Spanish Civil War, augmented by information from specialised German, Italian and Russian works. The Italian campaign against the Basques on the Northern Front in 1937 was one of the most spectacular Nationalist successes of the Civil War, with 60,000 prisoners taken. This is also the first book to quote secret data about Italian air operations intercepted by the British. The figures intercepted by the British show the Italians flew 1,215 sorties and dropped 231 tons of bombs during the campaign, whilst also suffering the heaviest losses. It also demonstrates how the Nationalists won not simply by benefitting from a cornucopia of modern arms from the Fascist powers but by using its limited resources to maximum effect. Spain in Arms reveals the Nationalist battlefield superiority in terms of training and overall command, and the Republic's corresponding weaknesses in the same fields. The Republican Brunete and Belchite offensives of 1937 are described in detail, from the weapons they carried and the tactics they employed to the dynamic Nationalist response and reaction of the generals. This book also explores how the extent of foreign intervention on both sides has been greatly exaggerated throughout history and provides the first accurate information on this military intervention, using British and French archives to produce a radically different but more accurate account of the battles and the factors and men who shaped them. Hooton finally gives the historical context and operational implications of the battlefield events to provide a link between the First and Second World Wars.

A detailed history of the commemorations of US activist involvement in the Spanish Civil War, based on a combination of archival and ethnographic evidence. Nostalgia can serve as a vital tool in the emotional reconstitution and preservation of suppressed histories, rather than sentimentally privileging the past at the expense of present concerns and limiting a culture's progressive potential. Between 1936 and 1938, responding to a military coup in Spain led by Francisco Franco with the support of both Hitler and Mussolini, over 2700 US anti-fascists joined 30,000 volunteers from around the world to form the International Brigade. They came together to defend the democratically elected Spanish government against this early manifestation of the fascist Axis. After three bloody years, Franco's rebellion succeeded, and his dictatorship lasted until his death in 1975. From the moment the first American volunteers returned home, and to this day, they have been holding commemorative events recalling the struggle. For nearly seventy years, the Veterans of the Abraham Lincoln Brigade have cited and re-cited their activist past in theatrically eclectic, highly emotional commemorative performances, a site for both nostalgia and progressive politics. Literary recitations, scripted dramatic pieces, songs, films, photographs, and celebrity appearances have been juxtaposed with speeches, fundraising, and a rigorous attention to pressing political and social concerns of the day. The history and content of these events isdetailed and analyzed here based on a combination of archival and ethnographic evidence. The exemplary role of songs from the war, as both nostalgic triggers and historical artifacts, is also examined. Commemorations of theSpanish Civil War have provided necessary anchors for a period in U.S. history when views now thought extreme were an accepted part of mass political discourse. Through this rich, inter-generational performance practice, a marginalized, vernacular political minority has deployed radical nostalgia as a necessary corrective to an official culture disinterested in America's leftist past, and threatened by its implications. Peter Glazer is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley.

What do you do when a beloved foreign country plunges into civil war? And how do you square your political views on that war with the demands of scholarly objectivity? In this book, Sebastiaan Faber assesses the long-term impact of the Spanish Civil War on Hispanic Studies as an academic field in the United States and Great Britain. Combining institutional history with biography, the book gives a compelling account of the dilemmas that the war posed for four Hispanists who turned their love of Spain into their life's work.

The Archaeology of the Spanish Civil War offers the first comprehensive account of the Spanish Civil War from an archaeological perspective, providing an alternative narrative on one of the most important conflicts of the twentieth century, widely seen as a prelude to the Second World War. Between 1936 and 1939, totalitarianism and democracy, fascism and revolution clashed in Spain, while the latest military technologies were being tested, including strategic bombing and combined arms warfare, and violence against civilians became widespread. Archaeology, however, complicates the picture as it brings forgotten actors into play: obsolete weapons, vernacular architecture, ancient structures (from Iron Age hillforts to sheepfolds), peasant traditions, and makeshift arms. By looking at these things, another story of the war unfolds, one that pays more attention to intimate experiences and anonymous individuals. Archaeology also helps to clarify battles, which were often chaotic and only partially documented, and to understand better the patterns of political violence, whose effects were literally buried for over 70 years. The narrative starts with the coup against the Second Spanish Republic on 18 July 1936, follows the massacres and battles that marked the path of the war, and ends in the early 1950s, when the last forced labor camps were closed and the anti-Francoist guerrillas suppressed. The book draws on 20 years of research to bring together perspectives from battlefield archaeology, archaeologies of internment, and forensics. It will be of interest to anybody interested in historical and contemporary archaeology, human rights violations, modern military history, and negative heritage.

The Spanish Civil War, 1936-39, was the curtain-raiser to World War II, and the major international event of the 1930s. It was the first great clash of 20th-century ideologies, between the rebel Nationalist army led by General Franco (right-wing, and aided by Nazi Germany and Fascist Italy), and the Republican army of the government (left-wing, and aided by the Communist Soviet Union and many volunteers from liberal democracies). Three years of widespread campaigns involved the most modern weapons available. The war was fought ruthlessly by both sides, and when the Nationalists secured victory they installed a dictatorship that lasted until November 1975 - the last such regime in Western Europe. Featuring specially commissioned full-color artwork, this first part of a two-part study depicts the fighting men of the Nationalist forces that strove to take control of Spain alongside their German and Italian allies.

This book analyses the processes of revolution and state reconstruction that took place in the Republican zone during the Spanish civil war. It focuses on the radical anarchists who sought to advance the revolutionary agenda. Their activity came into conflict with the leaders of the libertarian organisations committed to the reconstruction of the Republican state following its near collapse in July 1936. This process implied participation not only in the organs of governance but also in the ideological reconstitution of the Republic as a patriarchal and national entity. Using original sources, the book shows that the opposition to this process was both broader and more ideologically consistent than has hitherto been assumed, and that, in spite of its heterogeneity, it united around a common revolutionary programme. This resistance to state reconstruction was informed by the essential insight of anarchism: that the function and purpose of the modern state cannot be transformed from within. By situating the struggles of the radical anarchists within the contested process of state reconstruction, the book affirms the continued relevance of this insight to the study of the Spanish revolution.

Portrays the cultural bohemia of turn-of-the-century Paris who carried the arts into a period of renewal and accomplishment, who laid the ground-work for Dadaism and Surrealism.

Despite over 20,000 published books on the Spanish civil war, it remains the case that the social and cultural dimensions of the conflict have been relatively under-researched. Ruptura focuses on how nationalism, and extremist conceptions and projects, defined daily life experiences in both the battlefield and civilian cities and towns. A principal objective is to demonstrate that the civil war was not a struggle waged between ideologies disconnected from the preoccupations and daily lives of the Spanish people. A tripartite division of the chapter contributions -- Construction of the war; Wartime experiences; Memory and legacies -- brings to light the climate of violence, the social and symbolic transformations resulting from political divergence, and the widespread uncertainty that shaped the behavior, attitudes, lifestyles, practices and experiences of both combatants and civilians. New theoretical approaches on so-called war studies are addressed and engaged with. Several contributions frame their analyses within the international context of radicalization and political violence of interwar Europe. However, attention to the European frame does not diminish the importance accorded throughout the volume to the events that occurred in Spain. Without an understanding of the development of extremist projects, ideologies and attitudes in their particular and international dimensions it is impossible to explain the atmosphere of severe social radicalization and the unprecedented levels of violence reached during and after the civil war. In present times, when the relationship of extremism and nationalism to civil war is once again at the heart of public discourse and a preoccupation of media and governments, an historical perspective on these questions could not be more timely or necessary. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

This interdisciplinary edited collection establishes a new dialogue between translation, conflict and memory studies focusing on fictional texts, reports from war zones and audiovisual representations of the Spanish Civil War and the Franco Dictatorship. It explores the significant role of translation in transmitting a recent past that continues to resonate within current debates on how to memorialize this inconclusive historical episode. The volume combines a detailed analysis of well-known authors such as Langston Hughes and John Dos Passos, with an investigation into the challenges found in translating novels such as The Group by Mary McCarthy (considered a threat to the policies established by the dictatorial regime), and includes more recent works such as El tiempo entre costuras by Maria Duenas. Further, it examines the reception of the translations and whether the narratives cross over effectively in various contexts. In doing so it provides an analysis of the landscape of the Spanish conflict and dictatorship in translation that allows for an intergenerational and transcultural dialogue. It will appeal to students and scholars of translation, history, literature and cultural studies.

A comprehensive and up-to-date study of the combat and logistics vehicles which formed part of the German contingent that fought in the Spanish Civil War alongside the rebels. The Panzer I, which so surprised the world in the Polish campaign and initially equipped the German Panzerdivisionen, was first seen in the Spanish Civil War, together with a wide range of war materiel such as anti-tank guns, flamethrowers, and so on. This book looks at a wide range of vehicles: from the humblest motorcycle to the Horch staff car; from Opel 'Blitz', MAN Diesel, Mercedes, and Krupp trucks to the enormous Vomag 3LR 443 truck; not forgetting all the different types of military ambulances seen in Spain during the war years. Never has such a comprehensive, painstaking and graphical study been made of vehicles used by the German contingent in the Spanish Civil War. The book contains over 500 top quality images, most of them previously unpublished, with each model that served in Spain perfectly identified.

In this revised edition of A Short History of the Spanish Civil War, Julian Casanova tells the gripping story of the Spanish Civil War. Written in elegant and accessible prose, the book charts the most significant events and battles alongside the main players in the tragedy. Casanova provides answers to some of the pressing questions (such as the roots and extent of anticlerical violence) that have been asked in the 70 years that have passed since the painful defeat of the Second Republic. Now with a revised introduction, Casanova offers an overview of recent historiographical shifts; not least the wielding of the conflict to political ends in certain strands of contemporary historiography towards an alarming neo- Francoist revisionism. It is the ideal introduction to the Spanish Civil War.