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Books > History > European history > From 1900 > General
CHOICE Outstanding Academic Title 2017 This book provides a comparative history of the domestic and international nature of Spain's First Carlist War (1833-40) and the Spanish Civil War (1936-39), as well as the impact of both conflicts. The book demonstrates how and why Spain's struggle for liberty was won in the 1830s only for it to be lost one hundred years later. It shows how both civil wars were world wars in miniature, fought in part by foreign volunteers under the gaze and in the political consciousness of the outside world. Prefaced by a short introduction, The Spanish Civil Wars is arranged into two domestic and international sections, each with three thematic chapters comparing each civil war in detail. The main analytical perspectives are political, social and new military history in nature, but they also explore aspects of gender, culture, nationalism and separatism, economy, religion and, especially, the war in its international context. The book integrates international archival research with the latest scholarship on both subjects and also includes a glossary, a bibliography and several images. It is a key resource tailored to the needs of students and scholars of modern Spain which offers an intriguing and original new perspective on the Spanish Civil War.
Incorporating local, national and international dimensions of the conflict, Gibraltar and the Spanish Civil War, 1936-39 provides the first detailed account of the British enclave Gibraltar's role during and after the Spanish Civil War. The neutral stance adopted by democratic powers upon the outbreak of the Spanish Civil War is well-known. The Non-Intervention Committee played a key role in this strategy, with Great Britain a key player in what became known as the "London Committee". British interests in the Iberian Peninsula, however, meant that events in Spain were of crucial importance to the Foreign Office and the victory of the Popular Front in February, 1936 was deemed a potential threat that could drive the country towards instability. This book explores how British authorities in Gibraltar ostensibly initiated a formal policy of neutrality when the uprising took place, only for the Gibraltarian authorities to provide real support for the Nationalists under the surface. The book draws on a wealth of primary source material,some of it little-known before now, to deliver a significant contribution to our knowledge of the part played by democratic powers in the 1930s' confrontation between Communism and Fascism. It is essential reading for anyone seeking a complete understanding of the Spanish Civil War.
Through case studies of prominent cultural products, this book takes a longitudinal approach to the influence and conceptualization of the Civil War in democratic Spain. Stafford explores the stories told about the war during the transition to democracy and how these narratives have morphed in light of the polemics about historical memory.
On May 20, 1938, a young man from the Bronx informs his parents that he is leaving for the Catskills to begin his new job as a waiter. Instead, he sails for Europe to join the Abraham Lincoln Brigade in the Spanish Civil War, the opening round in the fight against Hitler and Mussolini. The man, Dave Lipton-the author's uncle-sends letter after letter home detailing his hopes and begging for forgiveness. He never receives a reply.Decades later, Eunice Lipton stumbles upon clues for this silence, uncovering details of Dave's exhilarating political life in New York, his shuttered romantic life, and his deep friendship with another volunteer. A Distant Heartbeat tells a tale of passion and heroism, centered on a fierce competition between brothers, a packet of missing letters, and the unforeseen results of family betrayal.
Incorporating local, national and international dimensions of the conflict, Gibraltar and the Spanish Civil War, 1936-39 provides the first detailed account of the British enclave Gibraltar's role during and after the Spanish Civil War. The neutral stance adopted by democratic powers upon the outbreak of the Spanish Civil War is well-known. The Non-Intervention Committee played a key role in this strategy, with Great Britain a key player in what became known as the "London Committee". British interests in the Iberian Peninsula, however, meant that events in Spain were of crucial importance to the Foreign Office and the victory of the Popular Front in February, 1936 was deemed a potential threat that could drive the country towards instability. This book explores how British authorities in Gibraltar ostensibly initiated a formal policy of neutrality when the uprising took place, only for the Gibraltarian authorities to provide real support for the Nationalists under the surface. The book draws on a wealth of primary source material,some of it little-known before now, to deliver a significant contribution to our knowledge of the part played by democratic powers in the 1930s' confrontation between Communism and Fascism. It is essential reading for anyone seeking a complete understanding of the Spanish Civil War.
September 1938. Spain's Civil War has been raging for two years, the outcome still in the balance. But rebel General Franco is so confident of winning that he has opened up battlefield tourism along the country's north coast. Jack Telford, a left-wing reporter, finds himself with an eccentric group of touristson one of the War Route's yellow Chrysler buses. Driven by his passion for peace, Telford attempts to uncover the hidden truths beneath the conflict. But Jack must contend first with his own gullibility, the tragic death of a fellow passenger, capture by Republican guerrilleros, a final showdown at Spain's most holy shrine and the possibility that he has been badly betrayed. Betrayed and in serious danger.
Few characters in history are as fascinating or controversial as Nicholas and Alexandra. From their passionate love to their horrifying execution, they are alternately viewed as innocent victims of Bolshevik assassins or blamed for causing the Revolution themselves. Much has already been written about their lives. But acting as a curator of the many conflicting histories, acclaimed author Virginia Rounding offers a different kind of biography, with an intimate look that probes the souls of these unforgettable figures, and tells the story of their passion and its consequences for Russia. Through newly revealed letters and diaries, Rounding explores the Empress' ill health, examines the enigmatic triangular relationship between Nicky, Alix and her confidante Ania Vyrubova, and looks anew at the reasons behind their reliance on the infamous Rasputin. Her conclusions are surprising. With eloquence and compassion, Rounding makes these characters come alive, presenting them in all their complexity and ardour, guiding the reader into their vanished world.
Right-Wing Spain in the Civil War Era explores the lives of the leading Spanish conservatives in the turbulent period 1914-1945. The volume is a collection of biographies of the most important figures of the Spanish Right during the last years of the Restoration (1914-1923), the Dictatorship of Primo de Rivera (1923-1930), the Second Republic (1931-1936), the Civil War (1936-39) and the early years of the Franco regime (1939-45). This book brings together a number of leading historians of twentieth-century Spain. By adopting a biographical approach, the volume aims at providing a new insight of the origins, development and aftermath of the Spanish Civil War. Contrary to the traditional view, Right-Wing Spain in the Civil War Era shows a diverse and fragmented Spanish right which, far from being isolated, was profoundly influenced by German Nazism, Italian Fascism and French Traditionalism. This remarkable and innovative collection of essays will be welcomed by students and lecturers of Spanish history alike.
This book presents an original new history of the most important conflict in European affairs during the 1930s, prior to the events that produced World War II the Spanish Civil War. It describes the complex origins of the conflict, the collapse of the Spanish Republic, and the outbreak of the only mass worker revolution in the history of Western Europe. Stanley Payne explains the character of the Spanish revolution and the complex web of republican politics, while also examining in detail the development of Franco's counterrevolutionary dictatorship. Payne gives attention to the multiple meanings and interpretations of war and examines why the conflict provoked such strong reactions in its own time, and long after. The book also explains the military history of the war and its place in the history of military development, the non-intervention policy of the democracies, and the role of German, Italian, and Soviet intervention, concluding with an analysis of the place of the war in European affairs and in comparative perspective of revolutionary civil wars of the twentieth century."
During the first few days of the Spanish Civil War, women played an integral role in the spontaneous uprising that prevented the immediate success of the Nationalist coup. Around one thousand of these women went on to join the militias who fought at the front. Women also played an important role in the defense of cities, with another several thousand forming sections of the armed rearguard. Indeed, women s participation in the anti-fascist resistance constituted one of the greatest mass political mobilizations of women in Spain s history. Milicianas provides a comprehensive picture of what life was like for the women who fought during the first year of the civil war, focusing on how the women themselves viewed this experience. It demonstrates that the significance of the miliciana phenomenon lies in the fact that these women took up arms in relatively large numbers, were self-motivated, participated in combat equally with their male comrades, and played an extensive and sophisticated military role. By late 1936, attitudes towards women in combat began to change drastically, and by March 1937, the majority of milicianas had been removed from their combat positions. Though there existed a consensus around this issue among the male leadership of both the Republican government and left-wing political groups, female combatants viewed this turn of events differently. The majority of the milicianas had deep reservations about their recall from the front, and saw it as a retreat from the gains women had made during the war and revolution. Indeed, while the political leadership within the Republic presented numerous arguments for why it was necessary to remove women from combat, this book argues that the reason it was initially considered acceptable for women to fight, and then seen as undesirable eight months later, was connected to the course of the social revolution.
Film, Memory and the Legacy of the Spanish Civil War reconstructs the legacy of the Spanish Civil War through an investigation of the anti-Franco guerrilla of the 1940s and 1950s. The book explores the memory of Spanish resistance fighters and their civilian supporters, concentrating on their cinematic representations in films and documentaries released between 1953 and 2010. This research fits within the emerging comparative field of Memory Studies, which has grown considerably in the last two decades. Along those lines, the efforts of civil society to understand and come to terms with the past have gathered momentum in twenty-first century Spain. One visible outcome of this determination has been the recovery of corpses from unmarked graves, which has been accompanied by a renewed interest in the cultural, historical, legal and archaeological traces of the millions who suffered under Franco's protracted dictatorship. This book sheds light especially on the silent roles played by women and children in the struggle against fascism.
On 9 April 1953 an attractive twenty-one-year-old woman went missing from her family home in Rome. Thirty-six hours later her body was found washed up on a neglected beach at Torvaianica, forty kilometres from the Italian capital. Some said it was suicide; others, a tragic accident. But as the police tried to close the case, darker rumours bubbled to the surface. Could it be that the mysterious death of this quiet, conservative girl was linked to a drug-fuelled orgy, involving some of the richest and most powerful men in Italy? It was a crime that the newspapers, the public and one particularly determined detective wanted to get to the heart of. The short life and tragic death of Wilma Montesi was played out against a fascinating backdrop. By the 1950s Italy, in the wake of Mussolini's brutal Fascist government, was in the process of reinventing itself. And with the help of Hollywood stars such as Audrey Hepburn and Gregory Peck, it seemed to be succeeding. Suddenly Italy, and Rome in particular, was the most glamorous place on earth. But the murder of Wilma Montesi exposed a darker side of Roman life - a life of corruption, cover-ups and carnal pleasures. In Death and the Dolce Vita the distinguished cultural historian Stephen Gundle uses the gripping and tragic story of Wilma Montesi to explore the fascinating contradictions of this most complex country.
A detailed history of the commemorations of US activist involvement in the Spanish Civil War, based on a combination of archival and ethnographic evidence. Nostalgia can serve as a vital tool in the emotional reconstitution and preservation of suppressed histories, rather than sentimentally privileging the past at the expense of present concerns and limiting a culture's progressive potential. Between 1936 and 1938, responding to a military coup in Spain led by Francisco Franco with the support of both Hitler and Mussolini, over 2700 US anti-fascists joined 30,000 volunteers from around the world to form the International Brigade. They came together to defend the democratically elected Spanish government against this early manifestation of the fascist Axis. After three bloody years, Franco's rebellion succeeded, and his dictatorship lasted until his death in 1975. From the moment the first American volunteers returned home, and to this day, they have been holding commemorative events recalling the struggle. For nearly seventy years, the Veterans of the Abraham Lincoln Brigade have cited and re-cited their activist past in theatrically eclectic, highly emotional commemorative performances, a site for both nostalgia and progressive politics. Literary recitations, scripted dramatic pieces, songs, films, photographs, and celebrity appearances have been juxtaposed with speeches, fundraising, and a rigorous attention to pressing political and social concerns of the day. The history and content of these events isdetailed and analyzed here based on a combination of archival and ethnographic evidence. The exemplary role of songs from the war, as both nostalgic triggers and historical artifacts, is also examined. Commemorations of theSpanish Civil War have provided necessary anchors for a period in U.S. history when views now thought extreme were an accepted part of mass political discourse. Through this rich, inter-generational performance practice, a marginalized, vernacular political minority has deployed radical nostalgia as a necessary corrective to an official culture disinterested in America's leftist past, and threatened by its implications. Peter Glazer is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley.
Through the eyes of a young American female radical socialist, living and working in Barcelona during the Catalan Revolution and the Spanish Civil War, the dreams, the nightmares and the realities of European politics in the age of dictatorship are fully brought to life. An autobiographical commentary written on the eve of World War Two.
This book examines the internal controversies of the Roosevelt Administration in connection with Spain during World War II, the role of the President in these controversies, and the foundations of the policy that was followed from the outbreak of the Spanish Civil War until the launching of Operation Torch in 1942.
What do you do when a beloved foreign country plunges into civil war? And how do you square your political views on that war with the demands of scholarly objectivity? In this book, Sebastiaan Faber assesses the long-term impact of the Spanish Civil War on Hispanic Studies as an academic field in the United States and Great Britain. Combining institutional history with biography, the book gives a compelling account of the dilemmas that the war posed for four Hispanists who turned their love of Spain into their life's work.
This book is the first detailed look in English at the German Legion Condor's motorized Flak Abteilung F/88 in the Spanish Civil War. Along with organiztional and operational histories, are detailed looks at flak guns, range finders, trucks and towing vehicles, and personalities.
Perhaps more than any other war in the twentieth century, the Spanish Civil War was seen as a 'writers' war' - names such as Hemingway and Orwell spring to mind. But the women who went to Spain and wrote about it have often been forgotten. This anthology is part of efforts to redress the balance. It includes writing by women from Britain, the United States, Australia and New Zealand - and from unsung nurses and relief workers as well as internationally celebrated writers. Bringing together extracts from memoirs, letters, diaries and poems, this collection provides a moving overview of the Spanish Civil War from the perspective of women participants. Contributors include Emma Goldman, Lillian Hellman, Jessica Mitford and Sylvia Townsend Warner.
Nick Miller argues in this provacative study that to comprehend Yugoslavia's collapse, we must examine the development and nature of Serbian nationalism, and the typical approaches will not suffice.
Introduction by Garret Fitzgerald. This book seeks to interpret the events of Easter Week 1916 as the central defining event of a 'long revolution' in Irish history. The origins of the long revolution lie in the second half of the nineteenth century, and its legacy is still being played out in the first years of the twenty-first century.Acknowledged experts on specific topics seek to explore the layered domestic and international, political, legal and moral aspects of this uniquely influential and controversial event.Contributors are: Rory O' Dwyer, Michael Wheatley, Brendan O'Shea and Gerry White, D.G. Boyce, Francis M. Carroll, Rosemary Cullen Owens, J r me aan de Wiel, Adrian Hardiman, Keith Jeffery, Mary McAleese, Owen McGee, Seamus Murphy and Brian P. Murphy.
Meet the inspirational woman behind the much-publicized emergency medical evacuations of wounded children from war-torn Sarajevo At the height of the Serbian siege of Sarajevo, Ellen Blackman could no longer bear the televised images of wounded children desperate for medical care. So she set off for Bosnia. There she shared the tragedies and occasional triumphs of a brave people whose world was crumbling around them while a seemingly indifferent world stood by. And despite tremendous bureaucratic and dangerous obstacles, she got the children out.
This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet culture. In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future - all under the fatherly guidance of Joseph Stalin. the contributors show how Soviet space was sanctified, coded, and sold as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls a cartography of power - an organization of the entire country into a hierarchy of spheres of relative sacredness, with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. hikers' magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the boundless longing inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.
The memoir of Stipe Mesic which anatyzes events,personalities and motivations inside Yugoslavia and its former nations, as well as in the international arena.
Drawing on extensive research in the archives of Russia and Uzbekistan, Douglas Northrop here reconstructs the turbulent history of a Soviet campaign that sought to end the seclusion of Muslim women. In Uzbekistan it focused above all on a massive effort to eliminate the heavy horsehair-and-cotton veils worn by many women and girls. This campaign against the veil was, in Northrop's view, emblematic of the larger Soviet attempt to bring the proletarian revolution to Muslim Central Asia, a region Bolsheviks saw as primitive and backward. The Soviets focused on women and the family in an effort to forge a new, "liberated" social order.This unveiling campaign, however, took place in the context of a half-century of Russian colonization and the long-standing suspicion of rural Muslim peasants toward an urban, colonial state. Widespread resistance to the idea of unveiling quickly appeared and developed into a broader anti-Soviet animosity among Uzbeks of both sexes. Over the next quarter-century a bitter and often violent confrontation ensued, with battles being waged over indigenous practices of veiling and seclusion. New local and national identities coalesced around these very practices that had been placed under attack. Veils became powerful anticolonial symbols for the Uzbek nation as well as important markers of Muslim propriety. Bolshevik leaders, who had seen this campaign as an excellent way to enlist allies while proving their own European credentials as enlightened reformers, thus inadvertently strengthened the seclusion of Uzbek women precisely the reverse of what they set out to do. Northrop's fascinating and evocative book shows both the fluidity of Central Asian cultural practices and the real limits that existed on Stalinist authority, even during the ostensibly totalitarian 1930s." |
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