During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power.

Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.

Russians have often been characterized as people with souls rather than selves. Self and Story in Russian History challenges the portrayal of the Russian character as selfless, self-effacing, or self-torturing by exploring the texts through which Russians have defined themselves as private persons and shaped their relation to the cultural community. The stories of self under consideration here reflect the perspectives of men and women from the last two hundred years, ranging from westernized nobles to simple peasants, from such famous people as Tolstoy, Dostoyevsky, Akhmatova, and Nicholas II to lowly religious sectarians.

Fifteen distinguished historians and literary scholars situate the narratives of self in their historical context and show how, since the eighteenth century, Russians have used expressive genres -- including diaries, novels, medical case studies, films, letters, and theater -- to make political and moral statements.

The first book to examine the narration of self as idea and ideal in Russia, this vital work contemplates the shifting historical manifestations of identity, the strategies of self-creation, and the diversity of narrative forms. Its authors establish that there is a history of the individual in Russian culture roughly analogous to the one associated with the West.

Women faced conflicting demands under Franco's programme of National Catholicism. State-sponsored economic development created a modern consumer society, yet women were expected to remain passive and private, conforming to 16th-century ideals of Catholic womanhood. Using diverse sources - including oral interviews, magazine advertisements and university archives, Morcillo explores the contradictions between modernization and traditional gender expectations. Using a textured history of major women's organizations from the 1940s through the 1960s it demonstrates that Spanish women successfully negotiated these contradictions, creating a vibrant and meaningful public space for women's social activism. Their very spirituality protected these women from state retribution in their search for "true Catholic womanhood". "True Catholic Womanhood" adds new insights into the gender dynamics of authoritarian states. It should be useful reading for all those interested in modern Spain, Catholicism, European women's history and authoritarian social politics.

During World War II, movements organized to resist Nazi occupation grew throughout Europe. In Greece the resistance movement also involved an unprecedented opportunity for social and political change initiated by the largest organization, the National Liberation Front or EAM. Key leaders envisioned postwar Greece as a popular democracy structured to allow a range of new voices to be heard. Believing gender equality to be one of the hallmarks of modernity, they attempted to expand the category of "national citizen" to include women as well as men. Janet Hart describes, often in the words of the Greek women involved, how lives were transformed by active participation in the resistance against the Nazis and in the anticommunist aftermath of the war. Political action proved exhilarating for women who had grown up in a prewar world of narrowly constricted gender roles. Hart has interviewed many survivors, and their testimony transcends local boundaries to capture the experience of emancipation. New Voices in the Nation explores the historical memory of social transformation, finding in personal narrative a key to new conceptions of societal change. The author places the resistance movement in an international context by examining how the struggle to promote modern political culture among ordinary people took shape on the ground in the course of the battle against conquering Axis forces. Hart uses insights gleaned from former partisans, Italian leader and political philosopher Antonio Gramsci, histories of black consciousness, and her own perceptions as an African American to explore topics of compelling current concern: the relation between gender and political action, the role ofnationalism in the raising of gender-based consciousness, and the ways in which social movements, by challenging the political status quo, may ultimately find themselves targeted as threats to state equilibrium.

The New Germany provides a picture of contemporary Germany from a variety of perspectives, establishing relationships between recent political events and society and cultural life. Contributors include distinguished specialists in German Studies, including John Sandford, Michael Patterson, Karl Koch and Charles Jeffery. Part 1 sets the scene, discussing the demise of East Germany from historical perspective and unification in terms of the social problems that have been provoked. Part 2 covers the new political structure and Germany's role as a European power as well as the social, educational and economic problems generated, especially in the east, by the western takeover of the former GDR. Part 3 is an extensive section devoted to culture and the arts, with studies of the media, literature, theatre, film and language.

Portrays the cultural bohemia of turn-of-the-century Paris who carried the arts into a period of renewal and accomplishment, who laid the ground-work for Dadaism and Surrealism.

In Volume I, E. H. Carr begins with an analysis of the events in Russian history from 1898 to 1917 that shaped the course of the Revolution. He examines the constitutional structure erected by the new government and then turns to the multifarious problems facing the Bolsheviks as they took possession of a rapidly disintegrating Russian empire.

In virtually all sectors of the economy, evidence of stagnation, waste, and mismanagement proliferates. The convergence of these problems is no historical accident. As Marshall Goldman. a leading analyst of the Soviet economy, demonstrates, the Russians continue to adhere to a planning model set forth by Stalin in the 1920s. The chances of a turnaround, therefore, hinge on reform of the system reform that the Soviet leaders fear might trigger unpredictable and uncontrollable forces that have been pent up for sixty-five years."

The book is dedicated to the extraordinary cardboard by Pablo Picasso depicting his masterpiece - Guernica - the tapestry of which was displayed at the entrance to the UN Security Council room. The cartoon, created eighteen years after the oil painting, arises from an exceptional collaboration - as well as friendship - between Pablo Picasso, Nelson Rockefeller, one of the greatest patrons of the twentieth century, and the artist Jacqueline de la Baume Durrbach, who recreated the painting of Guernica through the ancient art of the tapestry. The book tells the story of cardboard, while offering a critical reading of the painting, which has become a universal symbol of values linked to democracy, freedom and peace. Text in English and Italian.

This book is an archaeological exploration of a conflict landscape encountered by the volunteers of the International Brigades in the Spanish Civil War of 1936-39. A great deal is known about the Brigades in terms of inter-world war geopolitics, their history and make-up, but less is known about the materiality of the landscapes in which they lived, fought, and died. The Spanish Civil War was a relatively static conflict. As in the First World War, it consisted of entrenched Republican government lines facing similarly entrenched Nationalist (rebel) lines, and these ran north to south across Spain. Fighting was intermittent, so the front line soldiers had to settle in, and make what was an attritional war-scape, a place to live in and survive. This research examines one such war-scape as a place of 'settlement', where soldiers lived their daily lives as well as confronting the rigours of war - and these were the volunteers of the International Brigades, both foreign and Spanish, who occupied a section of lines southeast of Zaragoza in Aragon in 1937 and 1938. This research draws, not only on the techniques of landscape archaeology, but also on the writings of international volunteers in Spain - in particular, George Orwell - and it incorporates historical photography as a uniquely analytical, archaeological resource.

On 20th November 1975, General Francisco Franco died in Madrid, just before his 83rd birthday. At the time of his death he had been the head of a dictatorial regime with the title of 'Caudillo' for almost 40 years. In this book, Enrique Moradiellos redraws Franco in three dimensions - Franco, the man; Franco, the Caudillo and Franco's Spain. In so doing, he offers a reappraisal of Franco's personality, his leadership style and the nature of the regime that he established and led until his death. As a dictator who established his power prior to World War II and maintained it well into the 1970s, Franco was one of the most central figures of twentieth-century European history. In Spain today, he is a spectre from a regrettable recent past, uncomfortable yet still very real and significant. Although a realtively minor dictator in comparison with Mussolini, Hitler or Stalin, Franco was more fortunate than them in terms of survival, long-lasting influence and public image. A study of his regime and its historical evolution sheds new light on fundamental questions of European history, including the social and cultural bases for totalitarian or authoritarian challenges to democracy and sources of political legitimacy grounded in the charisma of a leader. In this book, Enrique Moradiellos Garcia examines the dictatorship as well as the dictator and, in doing so, reveals new aspects to our understanding of General Franco, the Caudillo.

With its selection as the court of the Spanish Habsburgs, Madrid became the de facto capital of a global empire, a place from which momentous decisions were made whose implications were felt in all corners of a vast domain. By the seventeenth century, however, political theory produced in the Monarquia Hispanica dealt primarily with the concept of decline. In this book, Jesus Escobar argues that the buildings of Madrid tell a different story about the final years of the Habsburg dynasty. Madrid took on a grander public face over the course of the seventeenth century, creating a "court space" for residents and visitors alike. Drawing from the representation of the city's architecture in prints, books, and paintings, as well as re-created plans standing in for lost documents, Escobar demonstrates how, through shared forms and building materials, the architecture of Madrid embodied the monarchy and promoted its chief political ideals of justice and good government. Habsburg Madrid explores palaces, public plazas, a town hall, a courthouse, and a prison, narrating the lived experience of architecture in a city where a wide roster of protagonists, from architects and builders to royal patrons, court bureaucrats, and private citizens, helped shape a modern capital. Richly illustrated, highly original, and written by a leading scholar in the field, this volume disrupts the traditional narrative about seventeenth-century Spanish decadencia. It will be welcomed by specialists in Habsburg Spain and by historians of art, architecture, culture, economics, and politics.

In Transcending Textuality, Ariadna Garcia-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo's place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo's highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo's poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display.

**** EXPORT AND IRELAND ONLY **** The Spanish Civil War, which raged from 1936-9, was a brutal and intense war which claimed well over 500,000 lives. Rightly predicting that the rise of Fascism in Spain could develop into a more global conflict, almost 2500 British volunteers travelled to Spain under the banner of the International Brigade to fight for the Spanish Republic in an attempt to stem the tide. Acclaimed oral historian Max Arthur has tracked down the eight survivors of this conflict, and interviewed them for their unique perspective, their memories of their time fighting and the motives which compelled them to fight. Theirs is a unique story, of men and women volunteering to lay down their lives for a cause, believing passionately that the Spanish Republic's fight was their fight too. From Union leader to nurse, Egyptologist to IRA activist, these survivors have incredible, compelling and sometimes harrowing tales to tell of their experiences, revealing their ideologies, pride, regrets, and feelings about the legacy of the actions they took. "For most young people there was a feeling of frustration, but some were determined to do anything that seemed possible, even if it meant death, to try to stop the spread of Fascism. It was real, and it had to be stopped." Jack Jones - Volunteer, 94

This book revises what we thought we knew about one of the most famous witch hunts in European history. Between 1608 and 1614, thousands of witchcraft accusations were leveled against men, women, and children in the northern Spanish kingdom of Navarre. The Inquisition intervened quickly but incompetently, and the denunciations continued to accelerate. As the phenomenon spread, children began to play a crucial role. Not only were they reportedly victims of the witches' harmful magic, but hundreds of them also insisted that witches were taking them to the Devil's gatherings against their will. Presenting important archival discoveries, Lu Ann Homza restores the perspectives of illiterate, Basque-speaking individuals to the history of this shocking event and demonstrates what could happen when the Spanish Inquisition tried to take charge of a liminal space. Because the Spanish Inquisition was the body putting those accused of witchcraft on trial, modern scholars have depended upon Inquisition sources for their research. Homza's groundbreaking book combines new readings of the Inquisitional evidence with fresh archival finds from non-Inquisitional sources, including local secular and religious courts, and from notarial and census records. Expanding our understanding of this witch hunt as well as the history of children, community norms, and legal expertise in early modern Europe, Village Infernos and Witches' Advocates is required reading for students and scholars of the Spanish Inquisition and the history of witchcraft in early modern Europe.

In The Fight for Status and Privilege in Late Medieval and Early Modern Castile, 1465-1598, Michael Crawford investigates conflicts about and resistance to the status of hidalgo, conventionally understood as the lowest, most heavily populated rank in the Castilian nobility. It is generally accepted that legal privileges were based on status and class in this premodern society. Crawford presents and explains the contentious realities and limitations of such legal privileges, particularly the conventional claim of hidalgo exemption from taxation. He focuses on efforts to claim these privileges as well as opposing efforts to limit and manage them. Although historians of Spain acknowledge such conflicts, especially lawsuits associated with this status, none have focused a study on this extraordinarily widespread phenomenon. This book analyzes the inevitable contradictions inherent in negotiation for and the implementation of privilege, scrutinizing the many jurisdictions that intervened in these struggles and debates, including the crown, judiciary, city council, and financial authorities. Ultimately, this analysis imparts important insights about the nature of sixteenth-century Castilian society with wide-ranging implications about the relationship between social status and legal privileges in the early modern period as a whole.

The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath. Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain-from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos-provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.

In early seventeenth-century Spain, the Castilian parliament voted to elevate the newly beatified Teresa of Avila to co-patron saint of Spain alongside the traditional patron, Santiago. Saint and Nation examines Spanish devotion to the cult of saints and the controversy over national patron sainthood to provide an original account of the diverse ways in which the early modern nation was expressed and experienced by monarch and town, center and periphery. By analyzing the dynamic interplay of local and extra-local, royal authority and nation, tradition and modernity, church and state, and masculine and feminine within the co-patronage debate, Erin Rowe reconstructs the sophisticated balance of plural identities that emerged in Castile during a central period of crisis and change in the Spanish world.

This monumental book offers a comprehensive history and analysis of Republican political life during the Spanish Civil War. Completed by Burnett Bolloten just before his death in 1987 and first published in English in 1991, The Spanish Civil War is the culmination of fifty years of dedicated and painstaking research and is the most exhaustive study on the subject in any language. It has been regarded as the authoritative political history of the war and an indispensable encyclopedic guide to Republican affairs during the Spanish conflict. This new edition includes a new introduction by Spanish Civil War scholar George Esenwein, an updated bibliography featuring books on the Spanish Civil War published since 1987, and seventy-three photos of the war's participants.

Los yacimientos olvidados: registro y musealizacion de campos de batalla is a project that aims to encompass all aspects of battlefield archaeology, in order to be a reference work in this study area. Therefore, a detailed historiographical study about this branch of archaeology has been made, from early origins until the present day, allowing us to gain a deeper understanding of the evolution of battlefield archaeology. Two methodologies, archaeological and museographical, are proposed for the treatment of this particular type of archaeological site. In order to prove the viability of both methodologies, a theoretical application has been carried out in two research examples from different periods, demonstrating both the project's methodological validity and reinforcing our theories. Two registers were made regarding battlefields - one historical and another archaeological. The purpose of this was to catalogue all possible existing sites in the interior of the Iberian Peninsula from Roman times through to the Spanish Civil War, which will hopefully serve as a point of reference for future researchers. Through this book, people will be able to understand the great potential of Spanish battlefields and their heritage. Furthermore, Spain could be regarded as a very important country regarding battlefield archaeology. Spanish Description: Los yacimientos olvidados: registro y musealizacion de campos de batalla es un trabajo que recoge todos los aspectos referentes a la arqueologia de campos de batalla, con el objetivo de ser una obra de referencia en esta area de estudio. En ella se ha llevado a cabo un estudio historiografico pormenorizado de esta rama de la arqueologia, remontandose hasta los origenes de la misma, permitiendo comprender su evolucion hasta nuestros dias. Se han planteado dos propuestas metodologicas, arqueologica y museografica, para el tratamiento de esta tipologia de yacimiento. Para comprobar la viabilidad de ambas metodologias se realizo una aplicacion teorica en dos casos de estudio de distinta epoca, lo que nos permitio ver su validez y reforzar nuestras teorias. Para esta obra elaboramos dos registros de campos de batalla, uno de tipo historico y otro de tipo arqueologico, con el objetivo de catalogar todos los posibles yacimientos existentes en interior peninsular desde la epoca romana hasta la Guerra Civil, sirviendo asi de punto de partida para futuros investigadores. A traves de este libro se puede comprobar el gran potencial que posee Espana en campos de batalla y que podria situarse entre los paises mas destacados.

Patience Darton's unpublished letters and papers from 1930s Spain and 1950s China are at the heart of this new biography by Angela Jackson, together with testimony from recorded interviews and a wealth of photographs that illustrate the life of this remarkable woman. 'For us it was Heaven' tells the story of a young, upper middle-class nurse in the 1930s who becomes dramatically caught up in Spain's civil war and the passionate political issues of her times, but whose intimate writings reveal emotions and attitudes that will strike a chord with most self-aware and determined women today. While Patience nursed near the front lines in Spain, she met and fell in love with Robert, a German volunteer in the International Brigades, deeply committed to fighting fascism. Their passionate relationship coloured the rest of her long life, taking her to communist China and then, finally, back to Spain. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

In the thriving urban economies of late thirteenth-century Catalonia, Jewish and Christian women labored to support their families and their communities. The Fruit of Her Hands examines how gender, socioeconomic status, and religious identity shaped how these women lived and worked. Sarah Ifft Decker draws on thousands of notarial contracts as well as legal codes, urban ordinances, and Hebrew responsa literature to explore the lived experiences of Jewish and Christian women in the cities of Barcelona, Girona, and Vic between 1250 and 1350. Relying on an expanded definition of women's work that includes the management of household resources as well as wage labor and artisanal production, this study highlights the crucial contributions women made both to their families and to urban economies. Christian women, Ifft Decker finds, were deeply embedded in urban economic life in ways that challenge traditional dichotomies between women in northern and Mediterranean Europe. And while Jewish women typically played a less active role than their Christian counterparts, Ifft Decker shows how, in moments of communal change and crisis, they could and did assume prominent roles in urban economies. Through its attention to the distinct experiences of Jewish and Christian women, The Fruit of Her Hands advances our understanding of Jewish acculturation in the Iberian Peninsula and the shared experiences of women of different faiths. It will be welcomed by specialists in gender studies and religious studies as well as students and scholars of medieval Iberia.

Jewish Imaginaries of the Spanish Civil War inaugurates a new field of research in literary and Jewish studies at the intersection of Jewish history and the internationalist cultural phenomenon emerging from the Spanish Civil War (1936-1939), the Republican exile, and the Shoah. With the Spanish Civil War as a point of departure, this volume proposes a definition of Jewish textualities based on the entanglement of multiple poetic modes. Through the examination of a variety of narrative fiction and non-fiction, memoir, poetry, epistles, journalism, and music in Yiddish, Spanish, French, German, and English, these essays unveil non-canonic authors across the West and explore these works in the context of antisemitism, orientalism, and philo-Sephardism, among other cultural phenomena. Jewish writings from the war have much to tell about the encounter between old traditions and new experimentations, framed by urgency, migration, and messianic hope. They offer perspectives on memorial and post-memorial literatures triggered by transhistorical imagination, and many were written against the grain of canonic literature, where subtle forms of dissidence, manifested through language, structure, sound, and thought, sought to tune with the anti-fascist fight. This book revindicates the polyglossia of Jewish cultures and literatures in the context of genocide and epistemicide and proposes to remember the cultural phenomena produced by the Spanish Civil War, demanding a new understanding of the cosmopolitan imaginaries in Jewish literature.