'I Am Spain' focuses on the experiences of an interconnected group of individuals - some famous, others largely unkown - to tell the story of the Spanish Civil War.

Using hitherto unavailable material from the Italian foreign ministry, Franco's headquarters, and Mussolini's secretariat, John F. Coverdale traces the development of Italo-Spanish relations from the beginning of the Fascist regime. His analysis reveals that traditional foreign policy outweighed ideological and internal political considerations in Mussolini's decision making. John F. Coverdale finds that while Italy's support was essential to Franco's victory, Rome exercised very little influence on his decisions. The author concludes that participation in the Spanish Civil War was less important than is generally believed in determining Italy's entrance into World War II on Hitler's side, and that it did not significantly weaken her armed forces. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

News of War: Civilian Poetry 1936-1945 is a powerful account of how civilian poets confront the urgent problem of writing about war. The six poets Rachel Galvin discusses-W. H. Auden, Marianne Moore, Raymond Queneau, Gertrude Stein, Wallace Stevens, and Cesar Vallejo-all wrote memorably about war, but still they felt they did not have authority to write about what they had not experienced firsthand. Consequently, these writers developed a wartime poetics engaging with both classical rhetoric and the daily news in texts that encourage readers to take critical distance from war culture. News of War is the first book to address the complex relationship between poetry and journalism. In two chapters on civilian literatures of the Spanish Civil War, five chapters on World War II, and an epilogue on contemporary poetry about the wars in Iraq and Afghanistan, Galvin combines analysis of poetic form with attention to socio-historical context, drawing on rare archival sources and furnishing new translations. In comparing how poets wrestled with the limits of bodily experience, and with the ethical, political, and aesthetic problems they faced, Galvin theorizes the concept of meta-rhetoric, a type of ethical self-interference. She argues that civilian writers employed strategies drawn from journalism precisely to question the objectivity and facticity of war reporting. Civilian poetics of the 1930s and 1940s was born from writers' desire to acknowledge their own socio-historical position and to write poems that responded ethically to the gravest events of their day.

Foreign volunteers fought on behalf of General Franco and the Nationalists in the Spanish Civil War for a right-wing cause whose aim was to smash democracy. These assorted adventurers, fascists, and Catholic crusaders were on the winning side, but their role has remained strangely hidden until now. Men from Portugal and Morocco signed on for money and adventure. General Eoin O'Duffy organised 700 Irishmen in a modern Crusade; 500 Catholic Frenchmen fought in the 'Jeanne D'Arc' unit; and thirty British volunteers, including aristocrats and working-class fascists, also took up arms. Romanian Iron Guard extremists died at Majadahonda and an Indian volunteer fought in the fascist militia. There were Russians, Americans, Finns, Belgians, Greeks, Cubans, and many more. Goose-stepping alongside the volunteers were fascist conscripts from Germany and Italy, in training for the next world war. Foreigners, whether unknown individuals like British pilot Cecil Bebb or infamous figures like the German dictator Adolf Hitler, were essential to Franco's victory. Without Bebb - - who flew General Francisco Franco from the Canary Islands to Spanish Morocco in 1936, a journey which was to precipitate the onset of the Spanish Civil War - - the war would never have started; without Hitler, Franco would never have won.

The Spanish Civil War was fought on land and at sea but also in an age of great interest in air warfare and the rapid development of warplanes. The war in Spain came a turning point in the development of military aircraft and was the arena in which new techniques of air war were rehearsed including high-speed dogfights, attacks on ships, bombing of civilian areas and tactical air-ground cooperation. At the heart of the air war were the Condor Legion, a unit composed of military personnel from Hitler's Germany who fought for Franco's Nationalists in Spain. In this book, Michael Alpert provides the first study in English of the Spanish Civil War in the air. He describes and analyses the intervention of German, Italian and Soviet aircraft in the Spanish conflict, as well as the supply of aircraft in general and the role of volunteer and mercenary airmen. His book provides new perspectives on the air war in Spain, the precedents set for World War II and the possible lessons learnt.

A Moment of War is the powerful and harrowing final book in Laurie Lee's acclaimed trilogy that began with Cider with Rosie Laurie Lee was still a young man when he decided to fight for the Republican cause in Spain's civil war. But though he braved icy, storm-swept mountains alone to contact Republican sympathisers, he was immediately suspected of being a Nationalist spy. Imprisoned and almost executed by his own side, he eventually joined the International Brigade. This is the story of his experiences as a Republican soldier, fighting for the losing side in a doomed war. 'A great, heart-stopping narrative of one young Englishman's part in the war in Spain . . . crafted by a poet, stamping an indelible image of the boredom, random cruelty and stupidity of war' - Literary Review 'This story aches with unforgotten cold and trembles with unforgotten terror' -Guardian Laurie Lee has written some of the best-loved travel books in the English language. Born in Stroud, Gloucestershire, in 1914, he was educated at Slad village school and Stroud Central School. At the age of nineteen he walked to London and then travelled on foot through Spain, where he was trapped by the outbreak of the Civil War. He later returned by crossing the Pyrenees, as he recounted in A Moment of War. In 1950 he married Catherine Polge and they had one daughter. Laurie Lee published four collections of poems: The Sun My Monument (1944), The Bloom of Candles (1947), My Many-Coated Man (1955) and Pocket Poems (1960). His other works include The Voyage of Magellan (1948), A Rose for Winter (1955), The Firstborn (1964), I Can't Stay Long (1975) and Two Women (1983). He also wrote three bestselling volumes of autobiography: Cider with Rosie (1959), which has sold over six million copies worldwide, As I Walked Out One Midsummer Morning (1969) and A Moment of War (1991). He died in May 1997.

Reluctant Warriors challenges traditional political interpretations of the Spanish Civil War, and sets it in a new and immediately human light. It is a comparative study of Nationalist Army and Republican Popular Army conscripts, and analyses the conflict from the perspective of those who were involved against their will. While militants on both sides joined the conflict voluntarily, millions of Spanish men coped with the military uprising as an unwanted intrusion into their lives.
James Matthews firstly examines the climate in which both sides implemented mass conscription within their zones. He analyses the process of conscription from call-up to placement in a unit, and looks at the methods employed to motivate and maintain the morale of drafted men, as well as the approaches to discipline in the two armies. Finally, he examines situations in which men avoided front line service. These accounted for constant manpower losses on both sides, and were particularly marked for the Republic.
Reluctant Warriors reveals that the Nationalist Army managed its conscripted men better than the Republican Popular Army; a vital factor in determining the ultimate outcome of the war.

In conflict zones around the world, the phenomenon of foreign insurgents fighting on behalf of local rebel groups is a common occurrence. They have been an increasing source of concern because they engage in deadlier attacks than local fighters do. They also violate international laws and norms of citizenship. And because of their zeal, their adversaries - often the most powerful countries in the world - are frequently incapable of deterring them. Foreign fighters have made headlines in recent wars in Afghanistan, Iraq, and Syria, and the term is widely equated with militant Islamists. However, foreign fighters are not a new phenomenon. Throughout modern history, outside combatants have fought on behalf of causes ranging from international communism to aggrieved ethnic groups. Analyzing the long history of foreign fighters in the modern era helps us understand why they join insurgencies, what drives their behavior, and what policymakers can do in response. In Foreign Fighters, David Malet examines how insurgencies recruit individuals from abroad who would seem to have no direct connection to a distant war. Remarkably, the same recruiting strategies have been employed successfully in all foreign fighter cases, regardless of the particular circumstances of a conflict. Malet also catalogues foreign fighters in civil wars over the past two centuries, providing data indicating that they are disproportionately successful and growing in number. Detailed case histories constructed from archival material and original interviews demonstrate the same recruitment patterns in highly diverse conflicts including the Texas Revolution, the Spanish Civil War, the Israeli War of Independence, and the Afghanistan War. The results show that foreign fighters from Davy Crockett to George Orwell to Osama bin Laden create and respond to strategically crafted appeals to defend transnational communities under dire threat.

Despite the repression, violence, and social hardship which characterised Spanish life in the 1940s and 1950s, the Franco regime sought to win popular support by promoting its apparent commitment to social justice. David Brydan reveals the vital role which the idea of the Francoist 'social state' also played in the regime's ongoing search for international legitimacy. Using research from eighteen archives across six countries, Brydan shows how social experts, particularly those working in the fields of public health, medicine, and social insurance, were at the forefront of efforts to promote the regime abroad. By working with international organisations in Geneva, Paris, and New York and with transnational networks of colleagues across Europe, Africa, and Latin America, they sought to sell the idea of Franco's Spain as a respectable, modern, and socially-just state. They were internationalists, but they were Franco's internationalists. In telling this story, the study disrupts our understanding of the modern history of internationalism. Exploring what it meant for Francoist experts to think and act internationally, it challenges dominant accounts of internationalism as a liberal, progressive movement by foregrounding the history of fascist, nationalist, imperialist, and religious forms of international cooperation. It also brings into focus the overlooked continuities between international structures and projects before and after 1945. The case of Spain reveals the contested and heterogeneous nature of mid-twentieth century internationalism, characterised by the competition between overlapping global, regional, and imperial projects.

Using hitherto unavailable material from the Italian foreign ministry, Franco's headquarters, and Mussolini's secretariat, John F. Coverdale traces the development of Italo-Spanish relations from the beginning of the Fascist regime. His analysis reveals that traditional foreign policy outweighed ideological and internal political considerations in Mussolini's decision making. John F. Coverdale finds that while Italy's support was essential to Franco's victory, Rome exercised very little influence on his decisions. The author concludes that participation in the Spanish Civil War was less important than is generally believed in determining Italy's entrance into World War II on Hitler's side, and that it did not significantly weaken her armed forces. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'One of the great autobiographies of the twentieth century' New Republic

'Moving and dramatic' New York Review of Books

The Forging of a Rebel is an unsurpassed account of Spanish history and society from early in the twentieth century through the cataclysmic events of the Spanish Civil War.

Arturo Barea's masterpiece charts the author's coming-of-age in a bruised and starkly unequal Spain. These three volumes recount in lively detail Barea's daily experience of his country as it pitched towards disaster: we are taken from his youthful play and rebellion on the streets of Madrid, to his apprenticeship in the business world and to the horrors he witnessed as part of the Spanish army in Morocco during the Rif War. The trilogy culminates in an indelible portrait of the Republican fight against Fascist forces, in which the Madrid of Barea's childhood becomes a shell and bullet-strewn warzone.

Combining historical sweep and authority with poignant characterization and novelistic detail, The Forging of a Rebel is a towering literary and historical achievement.

In 1918 the U.S. government decided to involve itself with the Russian Revolution by sending troops to Siberia. This book re-creates that unhappily memorable storythe arrival of British marines at Murmansk, the diplomatic maneuvering, the growing Russian hostility, the uprising of Czechoslovak troops in central Siberia which threatened to overturn the Bolsheviks, the acquisitive ambitions of the Japanese in Manchuria, and finally the decision by President Wilson to intervene with American troops. Of this period Kennan writes, "Never, surely, in the history of American diplomacy, has so much been paid for so little."

At its peak in the twelfth and thirteenth centuries, the so-called Spanish Reconquest transformed the societies of the Iberian Peninsula at nearly every level. Among the most vivid signs of this change were the innovative images developed by Christians to depict the subjugated Muslims and Jews within their vastly expanded kingdoms. In Art of Estrangement, Pamela Patton traces the transformation of Iberia's Jews in the visual culture of Spain's Christian-ruled kingdoms as those rulers strove to affiliate with mainstream Europe and distance themselves from an uncomfortably multicultural past.

Art of Estrangement scrutinizes a wide range of works--from luxury manuscripts and cloister sculptures to household ceramics and scribal doodles--to show how imported and local motifs were brought together to articulate and reinforce the efforts of Spain's Christian communities to renegotiate their relationships with a vibrant Jewish minority. The arsenal of stereotypes, symbols, and narratives deployed to characterize Jews and their changing social roles often paralleled those found in contemporaneous literature and folklore; they ranged from such time-honored European formulae as the greedy usurer and the "Jewish nose" to locally resonant conflations of Jews with Muslims. The book's close, contextualized reading of works from the late twelfth through early fourteenth centuries draws on recent scholarship in Iberian history, religion, and cultural studies, shedding new light on the delicate processes by which communal and religious identities were negotiated in medieval Spain.

What has Germany made of its Nazi past?

A significant new look at the legacy of the Nazi regime, this book exposes the workings of past beliefs and political interests on how--and how differently--the two Germanys have recalled the crimes of Nazism, from the anti-Nazi emigration of the 1930s through the establishment of a day of remembrance for the victims of National Socialism in 1996.

Why, Jeffrey Herf asks, would German politicians raise the specter of the Holocaust at all, in view of the considerable depth and breadth of support its authors and their agenda had found in Nazi Germany? Why did the public memory of Nazi anti-Jewish persecution and the Holocaust emerge, if selectively, in West Germany, yet was repressed and marginalized in "anti-fascist" East Germany? And how do the politics of left and right come into play in this divided memory? The answers reveal the surprising relationship between how the crimes of Nazism were publicly recalled and how East and West Germany separately evolved a Communist dictatorship and a liberal democracy. This book, for the first time, points to the impact of the Cold War confrontation in both West and East Germany on the public memory of anti-Jewish persecution and the Holocaust.

Konrad Adenauer, Theodor Heuss, Kurt Schumacher, Willy Brandt, Richard von Weizsacker, and Helmut Kohl in the West and Walter Ulbricht, Wilhelm Pieck, Otto Grotewohl, Paul Merker, and Erich Honnecker in the East are among the many national figures whose private and public papers and statements Herf examines. His work makes the German memory of Nazism--suppressed on the one hand and selective on the other, from Nuremberg to Bitburg--comprehensible withinthe historical context of the ideologies and experiences of pre-1945 German and European history as well as within the international context of shifting alliances from World War II to the Cold War. Drawing on West German and recently opened East German archives, this book is a significant contribution to the history of belief that shaped public memory of Germany's recent past.

Lord of All the Dead is a courageous journey into Javier Cercas' family history and that of a country collapsing from a fratricidal war. The author revisits Ibahernando, his parents' village in southern Spain, to research the life of Manuel Mena. This ancestor, dearly loved by Cercas' mother, died in combat at the age of nineteen during the battle of the Ebro, the bloodiest episode in Spain's history. Who was Manuel Mena? A fascist hero whose memory is an embarrassment to the author, or a young idealist who happened to fight on the wrong side? And how should we judge him, as grandchildren and great-grandchildren of that generation, interpreting history from our supposed omniscience and the misleading perspective of a present full of automatic answers, that fails to consider the particularities of each personal and family drama? Wartime epics, heroism and death are some of the underlying themes of this unclassifiable novel that combines road trips, personal confessions, war stories and historical scholarship, finally becoming an incomparable tribute to the author's mother and the incurable scars of an entire generation. Translated from the Spanish by Anne McLean

The Spanish Civil War (1936-1939) was reported by some of the most eminent journalists of the twentieth century and was the subject of reportage that still endures in public memory. However, these represent just a small fraction of the total news coverage of the war, raising the possibility that they provide a partial, even atypical, view of the international media's engagement with, and performance in, the conflict. This book provides the most extensive and detailed analysis of the reporting of the conflict ever undertaken, examining the personalities, routines, pressures and structures that shaped news coverage of the war in Britain as it unfolded. The book combines a comprehensive overview of the existing literature on the role of the news media in the conflict, with a vast amount of new evidence, gleaned from the author's detailed investigations in a range of official and media archives.

Highlights include: Analysis of the strategies used by Republican and Nationalist forces to control and manage international press opinion. Examination of journalists' personal experiences in Spain, and how these affected their political opinions and professional values. Scrutiny of the pressures exerted by the British government on news correspondents, editors and proprietors as it sought to convince domestic and international opinion of the validity of its policy of international non-intervention in the war. A systematic analysis of actual news coverage of the conflict, examining the extent to which media evaluations and interpretations of the conflict altered as events unfolded.

Written in a highly accessible manner, this book will appeal to a wide readership, including students andacademics working in the fields of politics, history and cultural, communication and media studies, as well as any other readers interested in the history and legacy of the Spanish Civil War.

A NATION TORN APART BY WAR. ONE WOMAN STEPS INTO THE CROSSFIRE. _____________________________ 'This amazing book has everything in it: love, war, history and relevance to today. Gripping.' Russell Kane 'I insist you read this intelligent empathetic novel. You won't regret it.' Frost Magazine 'Extraordinary events sensitively told.' Lucy Jago, A Net For Small Fishes 'I couldn't put it down.' Gill Paul, The Collector's Daughter 'A heartrending tale of love, courage and sacrifice.' Nikki Marmery, On Wilder Seas ____________ 1936. Civil war in Spain. A world on the brink of chaos ... Twenty-one-year-old Lucy is frustrated with her constrained life in Hertfordshire, teaching and keeping house for her domineering father. But she is happy to be living next door to Tom and Jamie, two brothers she has known since childhood, and whom she loves equally. But her life is turned upside down when Tom decides he must travel to Spain to fight in the bloody Spanish Civil War. He is quickly followed by Jamie who, much to Lucy's despair, is supporting General Franco. To the dismay of her irascible father, Lucy decides that the only way to bring her boys back safely is to travel to Spain herself to persuade them to come home. Yet when she sees the horrific effects of the war, she quickly becomes immersed in the lifesaving work the Quakers are doing to help the civilian population, many of whom are refugees. As the war progresses and the situation becomes increasingly perilous, Lucy realises that the challenge going forward is not so much which brother she will end up with, but whether any of them will survive the carnage long enough to decide ... ____________ More praise for Acts of Love and War ... 'Be prepared to lose your heart in the simmering heat of war-torn Spain.' Miranda Malins, The Puritan Princess 'This is a marvellous book on any level, I thoroughly enjoyed it and could hardly put it down.' Deborahjs 'Wide in scope and told with honesty, insight and tenderness, a moving and unputdownable story' Judith Allnatt, The Poet's Wife 'Accomplished and expansive' Anne Morgan, Reading The World 'Insightful and moving' Katherine Clements, The Crimson Ribbon 'One of historical fiction's most lyrical and intelligent voices' Rachel McMillan, The London Restoration 'Emotionally captivating and authentic ... an unforgettable story' Susan Meissner, The Nature of Fragile Things _______________ Readers can't get enough of Acts of Love and War ... ***** 'A tale of passion and passionate caring, and how that can manifest in very different ways.' ***** 'A masterpiece.' ***** 'Highly recommended if you enjoy historical fiction.' ***** 'An amazing and compelling read.' ***** 'An immersive and powerful story.'

Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies - the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army - engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War. In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain in the 20th century have focused relatively little on the interaction of society and culture, and their roles in wartime mobilization. Spain at War addresses this omission through an examination of individual experiences of conflict and the mobilization of society. This edited volume acknowledges the agency of low-ranking individuals and the impact of their choices upon the historical processes that shaped the conflict and its aftermath. In doing so, this new military history provides a more complex and nuanced understanding of Spain's most intense period of wartime cultural mobilization between the years 1936 to 1944 and challenges traditional political accounts of the period.

Barcelona, City of Margins studies the creation of a space of dissent in the 1950s and 1960s that became the pillar of the protest movements during the final years of the Franco dictatorship and the transition to democracy. This space of dissent took shape in the margins of what is considered the official space of the city of Barcelona, revealing the interconnection of urbanism, literature, and photography in the formation of the political, social, and cultural movements to come in the 1970s. Olga Sendra Ferrer draws from theoretical readings on built environments, neighbourhoods, housing projects and developments, and everyday life within Spanish urban spaces. Literature and photography demonstrate the political value of cultural production and forms of cultural representation that occur from peripheral zones - those pushed aside by exclusionary politics, fascist forms of control, surveillance, and homogenization. In search of the origins of the protest movements and counter culture that would come in the final years of the Franco regime, Barcelona, City of Margins asserts the value of urban movement and cultural practice as a challenge to the spatial and urbanistic regime of Francoism.

In the late fourteenth century, the medieval Crown of Aragon experienced a series of food crises that created conflict and led to widespread starvation. Adam Franklin-Lyons applies contemporary understandings of complex human disasters, vulnerability, and resilience to explain how these famines occurred and to describe more accurately who suffered and why. Shortage and Famine in the Late Medieval Crown of Aragon details the social causes and responses to three events of varying magnitude that struck the western Mediterranean: the minor food shortage of 1372, the serious but short-lived crisis of 1384-85, and the major famine of 1374-76, the worst famine of the century in the region. Shifts in military action, international competition, and violent attempts to control trade routes created systemic panic and widespread starvation-which in turn influenced decades of economic policy, social practices, and even the course of geopolitical conflicts, such as the War of the Two Pedros and the papal schism in Italy. Providing new insights into the intersecting factors that led to famine in the fourteenth-century Mediterranean, this deeply researched, convincingly argued book presents tools and models that are broadly applicable to any historical study of vulnerabilities in the human food supply. It will be of interest to scholars of medieval Iberia and the medieval Mediterranean as well as to historians of food and of economics.

Told for the first time in English, Paul Preston's new book tells the story of a preventable tragedy that cost many thousands of lives and ruined tens of thousands more at the end of the Spanish Civil War. This is the story of an avoidable humanitarian tragedy that cost many thousands of lives and ruined tens of thousands more. On 5 March 1939, the eternally malcontent Colonel Segismundo Casado launched a military coup against the government of Juan Negrin. To fulfil his ambition to go down in history as the man who ended the Spanish Civil War, he claimed that Negrin was the puppet of Moscow and that a coup was imminent to establish a Communist dictatorship. Instead his action ensured the Republic ended in catastrophe and shame. Paul Preston, the leading historian of twentieth-century Spain, tells this shocking story for the first time in English. It is a harrowing tale of how the flawed decisions of politicans can lead to tragedy.

Jewish Volunteers, the International Brigades and the Spanish Civil War discusses the participation of volunteers of Jewish descent in the International Brigades during the Spanish Civil War, focusing particularly on the establishment of the Naftali Botwin Company, a Jewish military unit that was created in the Polish Dombrowski Brigade. Gerben Zaagsma analyses the symbolic meaning of the participation of Jewish volunteers and the Botwin Company both during and after the civil war. He puts this participation in the broader context of Jewish involvement in the left and Jewish/non-Jewish relations in the communist movement and beyond. To this end, the book examines representations of Jewish volunteers in the Parisian Yiddish press (both communist and non-communist). In addition, it analyses the various ways in which Jewish volunteers and the Botwin Company have been commemorated after WWII, tracing how discourses about Jewish volunteers became decisively shaped by post-Holocaust debates on Jewish responses to fascism and Nazism, and discusses claims that Jewish volunteers can be seen as 'the first Jews to resist Hitler with arms'.

The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath. Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain-from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos-provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.

On 20th November 1975, General Francisco Franco died in Madrid, just before his 83rd birthday. At the time of his death he had been the head of a dictatorial regime with the title of 'Caudillo' for almost 40 years. In this book, Enrique Moradiellos redraws Franco in three dimensions - Franco, the man; Franco, the Caudillo and Franco's Spain. In so doing, he offers a reappraisal of Franco's personality, his leadership style and the nature of the regime that he established and led until his death. As a dictator who established his power prior to World War II and maintained it well into the 1970s, Franco was one of the most central figures of twentieth-century European history. In Spain today, he is a spectre from a regrettable recent past, uncomfortable yet still very real and significant. Although a realtively minor dictator in comparison with Mussolini, Hitler or Stalin, Franco was more fortunate than them in terms of survival, long-lasting influence and public image. A study of his regime and its historical evolution sheds new light on fundamental questions of European history, including the social and cultural bases for totalitarian or authoritarian challenges to democracy and sources of political legitimacy grounded in the charisma of a leader. In this book, Enrique Moradiellos Garcia examines the dictatorship as well as the dictator and, in doing so, reveals new aspects to our understanding of General Franco, the Caudillo.