On the day in 1936 that Franco invaded Spain, a fifteen-year-old girl from Madrid was on vacation in the Sierra de Gredos, a mountain range popular for hikers. Isa (Conchita) Reyes fled Spain for Paris with her mother and sister, taking only what they could carry in their suitcases. Her father stayed behind to fight on the Loyalist side. It was not long before the last piece of jewelry had been sold, and ways had to be found to make a living. Working as a model, she was discovered and given the stage name Isa. A renowned Flamenco dancer, she performed in Paris and in the capitals and resorts of Europe. In 1938 she was crowned Miss Spain in Exile. In Venice, she was courted by Count Ciano, Mussolinis son-in-law, and used an imaginative lie to avoid his affections. In Berlin, in 1939, she performed (unwillingly) at Hitlers fiftieth birthday celebrations organized by Joseph Goebbels. Later in the year, whilst on a dancing tour in Athens, she met the man she would marry my father. Together, they escaped Europe for the New World. This is Isas story, from the nightclubs and ateliers of Paris, to the performance halls of Europe, to the harrowing inspections by the Gestapo while transiting Germany. This is a story of a young girl who had to grow up quickly when war turned her world upside down. Isa fulfilled her dream of becoming a dancer, albeit in ways she could not have imagined when growing up. Her story is told against the backdrop of the Spanish Civil War and Europes inexorable march to conflict. Isa never lost her optimism or her sense of humor. Her dream came true, but the circumstances were tragic and tumultuous.

The word "bibliophilia" indicates a love of books, both as texts to be read and objects to be cherished for their physical qualities. Throughout the history of Iberian print culture, bibliophiles have attempted to explain the psychological experiences of reading and collecting books, as well as the social and economic conditions of book production. Bibliophiles, Murderous Bookmen, and Mad Librarians analyses Spanish bibliophiles who catalogue, organize, and archive books, as well as the publishers, artists, and writers who create them. Robert Richmond Ellis examines how books are represented in modern Spanish writing and how Spanish bibliophiles reflect on the role of books in their lives and in the histories and cultures of modern Spain. Through the combined approaches of literary studies, book history, and the book arts, Ellis argues that two strains of Spanish bibliophilia coalesce in the modern period: one that envisions books as a means of achieving personal fulfilment, and another that engages with politics and uses books to affirm linguistic, cultural, and regional and national identities.

At the end of the Spanish Civil War the Nationalist government instigated mass repression against anyone suspected of loyalty to the defeated Republican side. Around 200,000 people were imprisoned for political crimes in the weeks and months following 1st April 1939, including thousands of women who were charged with offences ranging from directing the home front to supporting their loved ones engaged in combat. Many women wrote and published texts about their experiences, seeking to make their voices heard and to counteract the dehumanising master narrative of the right-wing victors that had criminalised their existence. The memoirs of Communist women, such as Tomasa Cuevas and Juana Dona, have heavily influenced our understanding of life in prison for women under franquismo, while texts by non-Communist women have largely been ignored. This monograph offers a comparative study of the life writing of female political prisoners in Spain, focusing on six texts in particular: the two volumes of Carcel de mujeres by Tomasa Cuevas; Desde la noche y la niebla by Juana Dona; Requiem por la libertad by Angeles Garcia Madrid; Abajo las dictaduras by Josefa Garcia Segret; and Aquello sucedio asi by Angeles Malonda. All the texts share common themes, such as describing the hunger and repression that all political prisoners suffered. However, the ideologically-driven narratives of Communist women often foreground representations of resistance at the expense of exploring the emotional and intellectual struggle for survival that many women political prisoners faced in the aftermath of the Spanish Civil War. This study nuances our understanding of imprisoned women as individuals and as a collective, analysing how women political prisoners sought recognition and justice in the face of a vindictive dictatorship. It also explores the womens response to the spirit of convivencia during the transition to democracy, which once again threatened to silence them.

The tragedy that devastated Spain for 33 months from July 1936 to April 1939, was, first and foremost, a brutal fratricidal conflict, the product of the fatal clash between diametrically opposed views of Spain and an attempt to settle crucial issues which had divided Spaniards for generations: agrarian reform, recognition of the identity of the historical regions (Catalonia, the Basque Country), and the roles of the Catholic Church and the armed forces in a modern state. Being a war between Spaniards, it was particularly brutal, but it was also part of the broader move toward war in Europe and thus sucked in many "volunteers" from abroad. And it left a deep imprint since General Francisco Franco remained at the helm of the country until his death in 1975. The Historical Dictionary of the Spanish Civil war covers the history of the war, first through a long chronology, which highlights the major steps from the incubation to the conclusion. The overall situation is summed up in the introduction. Then the dictionary section fleshes it out, with over 600 entries on persons, places, events, institutions, battles, and campaigns. More reading can be found in an extensive bibliography. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Spanish Civil War.

The history of the Moroccan troops in the Spanish Civil War (1936-1939) is the story of an encounter between two culturally and ethnically different people, and the attempts by both sides, Moroccan and Spanish, to take control of this contact. This book shows to what extent colonials could participate in negotiating limits and taboos rather than being only on the receiving end of them. The examination of this encounter, in its military, religious, as well as sexual aspects, sheds new light on colonial relations, and on how unique or typical the Spanish colonial case is in comparison to other European ones.

This book focuses on an important but neglected aspect of the Spanish Civil War, the evolution of medical and surgical care of the wounded during the conflict. Importantly, the focus is from a mainly Spanish perspective - as the Spanish are given a voice in their own story, which has not always been the case. Central to the book is General Franco's treatment of Muslim combatants, the anarchist contribution to health, and the medicalisation of propaganda - themes that come together in a medico-cultural study of the Spanish Civil War. Suffusing the narrative and the analysis is the traumatic legacy of conflict, an untreated wound that a new generation of Spaniards are struggling to heal.

Dr. Juan Negrin Lopez (18921956) was a man of immense talent, energy, and socialist convictions who served the Spanish people in different capacities: as a physiologist of international reputation and as chairman of the medical faculty of the Complutense University in Madrid during the 1920s; as an active member of the Parliamentary wing of the Socialist Party, 19311936; during the Civil War as Minister of Finance in the Popular Front government led by Francisco Largo Caballero (September 1936May 1937); and as Prime Minister from late May until March 1939. In all these roles he was highly competent: improving the laboratories and experimental methods in physiology, obtaining scholarships for students, suggesting subjects for doctoral theses, encouraging his students to learn foreign languages and read scientific literature in the original, and also to think of public health as a national, public responsibility. As Minister of Finance he conceived of Spains relatively large gold reserve as the only means by which the Republic could buy the quality of modern arms that were being supplied to General Franco by Hitler and Mussolini. In European politics of the mid-1930s he understood much better than did the English, French, and United States political classes that Nazism and Fascism were a much greater threat to European democracy than was Soviet Communism. But the appeasement policy culminating in the Munich Pact of September 29, 1938 sealed the fate of the Spanish Republic as well as that of the Republic of Czechoslovakia. From 1940 onward Negrin was reviled in Franco Spain for having supposedly delivered the Republic into the hands of the Communists; many republican and socialist exiles also rejected him for continuing his Numantian policy of resistance when, after Munich, the military possibilities of the Republic were truly hopeless. Gabriel Jackson sets out to understand the moral and political thinking of Dr. Negrin of those who supported him to the end and of those who felt that the last months of the war merely prolonged the suffering of the population. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies

This is a long-awaited translation of a definitive account of the Republican Army in the Spanish Civil War. Michael Alpert examines the origins, formation and performance of the Republican Army and sets the Spanish Civil War in its broader military context. He explores the conflicts between communists and Spanish anarchists about how the war should be fought, as well as the experience of individual conscripts, problems of food, clothing and arms, and the role of women in the new army. The book contains extensive discussion of international aspects, particularly the role of the International Brigades and of the Soviet Russian advisers. Finally, it discusses the final uprising of professional Republican officers against the Government and the almost unconditional surrender to Franco. Professor Alpert also provides detailed statistics for the military forces available to Franco and to the Republic and biographies of the key figures on both sides.

This book proposes an interpretation of Francoism as the Spanish variant of fascism. Unlike Italian fascism and Nazism, the Franco regime survived the Second World War and continued its existence until the death of dictator Francisco Franco. Francoism was, therefore, the Last Survivor of the fascisms of the interwar period. And indeed this designation applies equally to Franco. The work begins with an analysis of the historical identity of Spanish fascism, constituted in the process of fascistization of the Spanish right during the crisis of the Second Republic, and consolidated in the formation of the fascist single-party and the New State during the civil war. Subsequent chapter contributions focus on various cultural and social projects (the university, political-cultural journals, the Labor University Service, local policies and social insurance) that sought to socialize Spaniards in the political principles of the Franco regime and thereby to strengthen social cohesion around it. Francoism faced varying degrees of non-compliance and outright hostility, expressed as different forms of cultural opposition to the Franco regime, especially in the years of its maturity (decades of the fifties and sixties), from Spaniards both inside Spain and in exile. Such opposition is explored in the context of how the regime reacted via the social, cultural and economic inducements at its disposal. The editors and contributors are widely published in the field of Spain of the Second Republic, the civil war and the Franco dictatorship. Research material is drawn from primary archival sources, and provides new information and new interpretations on Spanish politics, culture and society during the dictatorship.

Marking the 80th anniversary of the outbreak of the Spanish Civil War, this volume takes a close look at the initial political moves, military actions and consequences of the fratricidal conflict and their impact on both Spaniards and contemporary European powers. The contributors re-examine the crystallisation of the political alliances formed in the Republican and the Nationalist zones; the support mobilised by the two warring camps; and the different attitudes and policies adopted by neighbouring and far away countries. This book goes beyond and against commonly held assumptions as to the supposed unity of the Nationalist camp vis-a-vis the fragmentation of the Republican one; and likewise brings to the fore the complexities of initial support of the military rebellion by Nazi Germany and Soviet support of the beleaguered Republic. Situating the Iberian conflict in the larger international context, senior and junior scholars from various countries challenge the multitude of hitherto accepted ideas about the beginnings of the Spanish Civil War. A primary aim of the editors is to enable discussion on the Spanish Civil War from lesser known or realized perspectives by investigating the civil wars impact on countries such as Argentina, Japan, and Jewish Palestine; and from lesser heard voices at the time of women, intellectuals, and athletes. Original contributions are devoted to the Popular Olympiad organised in Barcelona in July 1936, Japanese perceptions of the Spanish conflict in light of the 1931 invasion to Manchuria, and international volunteers in the International Brigades.

Based on a combination of a wide range of second-hand sources with previously unknown archival material from Spain, Britain, France and the United States, this book explores the Spanish Civil War of 1936-39 as a propaganda battle aimed mainly at foreign public opinion. It shows how both Nationalists and Republicans used the experiences of previous conflicts such as World War I, as well as that of their totalitarian allies, in order to set up a number of propaganda and censorship services with the goal of persuading foreign -- and specifically British -- audiences of the legitimacy of their causes, and of the need to give them political, military, and relief assistance. The propaganda messages designed by both sides -- ranging from the atrocities committed by the enemy to illegal foreign intervention on its behalf -- are analysed in detail, together with the techniques that were employed to transmit these messages: eye-witness accounts, official commissions, unofficial missions of investigation, documentaries, art exhibitions, etc. As to the impact of both campaigns on the British population, the author argues that their crude nature helped to mobilise both the extreme right and the extreme left, but alienated the great majority, who preferred to rally to the Non-Intervention policy adopted by the Baldwin and Chamberlain governments. The chronicle of this relatively neglected topic demonstrates not only the utter modernity of the Spanish conflict, but also the origin of some of the arguments still employed by current historians of the war.

This book is the first detailed look in English at the German Legion Condor's motorized Flak Abteilung F/88 in the Spanish Civil War. Along with organiztional and operational histories, are detailed looks at flak guns, range finders, trucks and towing vehicles, and personalities.

Conspiracy, Coup detat and Civil War in Seville, 19361939 dissects the conspiracy against the democratic Second Spanish Republic in the context of the uprising and civil war in Seville, the capital of Spains largest region, Andalusia, and the most populous urban centre seized by the military rebels during the coup detat of July 1936. As the major industrial and economic centre in insurgent Spain, Seville remains central to understanding the rebels repressive project, for this Andalusian province witnessed the highest number of extra-judicial assassinations throughout the war. This is the first book in any language to bring together the subject of the civil war in Seville, the career of one of the most influential leaders of the rebel faction, General Queipo de Llano, and Francoisms most resilient myth. It dismantles, one by one, a series of carefully constructed narratives employed as rhetorical weapons to justify both the rebellion and the murderous rule of Queipo de Llano. The size and importance of the city meant that it became a critical battleground in the struggle for political legitimacy and it remains so for Spains on-going memory wars, a series of public and academic disputes over the historical memory of the Franco regime. Ruben Serem examines the socio-economic context of Queipos great purge, the painful transition from democracy to autocracy and the political nature of the generals rule in Andalusia. In doing so, this work demonstrates how several features of Queipos system of government were enthusiastically embraced by the nascent Francoist state, hence Sevilles unenviable status as a Laboratory of Terror.

The history of the Moroccan troops in the Spanish Civil War (1936-1939) is the story of an encounter between two culturally and ethnically different people, and the attempts by both sides, Moroccan and Spanish, to take control of this contact. This book shows to what extent colonials could participate in negotiating limits and taboos rather than being only on the receiving end of them. The examination of this encounter, in its military, religious, as well as sexual aspects, sheds new light on colonial relations, and on how unique or typical the Spanish colonial case is in comparison to other European ones.

Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation's past"monuments, cultural property, and art-historical icons"were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.

The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miro - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic. -- .

"A remarkable act of personal history: brave, revelatory and unflinchingly honest" WILLIAM BOYD "There is no-one writing in English like this: engaged humanity achieving a hard-won wisdom" DAVID MILLS, The Times Lord of All the Dead is a courageous journey into Javier Cercas' family history and that of a country collapsing from a fratricidal war. The author revisits Ibahernando, his parents' village in southern Spain, to research the life of Manuel Mena. This ancestor, dearly loved by Cercas' mother, died in combat at the age of nineteen during the battle of the Ebro, the bloodiest episode in Spain's history. Who was Manuel Mena? A fascist hero whose memory is an embarrassment to the author, or a young idealist who happened to fight on the wrong side? And how should we judge him, as grandchildren and great-grandchildren of that generation, interpreting history from our supposed omniscience and the misleading perspective of a present full of automatic answers, that fails to consider the particularities of each personal and family drama? Wartime epics, heroism and death are some of the underlying themes of this unclassifiable novel that combines road trips, personal confessions, war stories and historical scholarship, finally becoming an incomparable tribute to the author's mother and the incurable scars of an entire generation.

This book deals with one of most controversial issues of the Spanish Civil War (1936-9): the 'Red Terror'. Approximately 50,000 Spaniards were extrajudicially executed in Republican Spain following the failure of the military rebellion in July 1936. This mass killing of 'fascists' seriously undermined attempts by the legally constituted Republican government to present itself in foreign quarters as fighting a war for democracy. This study, based on a wealth of scholarship and archival sources, challenges the common view that executions were the work of criminal or anarchist 'uncontrollables'. Its focus is on Madrid, which witnessed at least 8,000 executions in 1936. It shows that the terror was organized and was carried out with the complicity of the police, and argues that terror was seen as integral to the antifascist war effort. Indeed, the elimination of the internal enemy - the 'Fifth Column' - was regarded as important as the war on the front line.

'Today with the Red Army captive and disarmed, the Nationalist [nacionales] troops have achieved their final military objectives. The war is over.' With these two sentences, on 1 April 1939, General Franco announced that his writ ran across the whole of Spain. His words marked a high point for those who had flocked to Franco's side and since the start of the Civil War in July 1936 had carried out what they regarded as the steady occupation of the country. The history of this occupation remains conspicuous by its absence and the term occupation lies discredited for many historians. The danger of leaving the history of the occupation unexplored, however, is that a major process designed to control the conquered population remains in the shadows and, unlike many other European countries, the view of occupation as an imposition by outsiders remains unchallenged. Friend or Foe? explores how Francoist occupation saw members of the state and society collaborate to win control of Spanish society. At the heart of the process lay the challenging task in civil war of distinguishing between supporter and opponent. Occupation also witnessed a move from arbitrary violence towards selecting opponents for carefully graded punishment. Such selection depended upon fine-grained information about vast swathes of the population. The massive scale of the surveillance meant that regime officials depended on collaborators within the community to furnish them with the information needed to write huge numbers of biographies. Accordingly, knowledge as a form of power became as crucial as naked force as neighbours of the defeated helped define who would gain reward as a friend and who would suffer punishment as a foe.

Among the different Luftwaffe units that formed the Legion Condor, one in particular stands out for its important Naval Air contribution: the Aufklarungsstaffel See/88 (AS./88 or the Maritime Reconnaissance Squadron), although it was also officially designated the Seefliegerstaffel AS./88 or Naval Air Squadron AS./88. AS./88 Squadron employed the following aircraft during the Spanish campaign: Heinkel He 59 bomber, torpedo and reconnaissance seaplanes; He 60 close reconnaissance/bomber seaplanes; He 115 A-0 reconnaissance/torpedo seaplanes; and float-fitted Junkers Ju 52s. Presented here are previously unpublished aspects regarding the operations and war service of both the personnel and aircraft of AS./88, which, during a period of three years, participated directly in the Spanish Civil War of 1936-1939 on the Nationalist side.

Valencia has traditionally been seen as somewhat exceptional within Spain: a prosperous, agricultural export-oriented economy dominated by small- and medium-sized farmers. This tranquil image of Levante feliz contrasts sharply with those of rebellious, proletarian Barcelona, or impoverished, feudal Andalusia, with which the CNT and the Spanish anarchist movement is most closely associated. However, this new study shows that Valencia in the 1920s and 1930s was anything but tranquil. The vertiginous growth of the CNT between 1918 and 1920 led to the province being a major target of government repression. The situation there was considered by one Interior Minister as more worrying than in Barcelona. Later, in the 1930s, urban Valencia became the focus of a fierce struggle between hard-line revolutionaries linked to the anarchist FAI and more moderate trade unions, whilst numerous local insurrections broke out in rural areas of the province. Eventually, these two factions would form an uneasy truce in time to lead the Valencian left in the battle to overcome the military coup of July 1936 and secure this vital economic region for the Republican side. In providing the first English-language study of this important movement, Dr Purkiss fills a significant gap in the historiography of the Spanish left. Drawing on a wide range of previously underused primary sources, he shows that not only was Valencia a hugely important source of anarchist support, but that the local movement was far more radical than has previously been thought. He thus provides a vital insight into the origins of the revolutionary and anti-clerical violence which swept the province in the early months of Civil War, introducing us to the 'expropriators' and 'men of action' whose activities terrified bourgeois Valencia in the 1930s. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

The Spanish Civil War (1936-1939) pitted conservative forces including the army, the Church, the Falange (fascist party), landowners, and industrial capitalists against the Republic, installed in 1931 and supported by intellectuals, the petite bourgeoisie, many campesinos (farm laborers), and the urban proletariat. Provoking heated passions on both sides, the Civil War soon became an international phenomenon that inspired a number of literary works reflecting the impact of the war on foreign and national writers. While the literature of the period has been the subject of scholarship, women's literary production has not been studied as a body of work in the same way that literature by men has been, and its unique features have not been examined. Addressing this lacuna in literary studies, this volume provides fresh perspectives on well-known women writers, as well as less studied ones, whose works take the Spanish Civil War as a theme. The authors represented in this collection reflect a wide range of political positions. Writers such as Maria Zambrano, Merce Rodoreda, and Josefina Aldecoa were clearly aligned with the Republic, whereas others, including Mercedes Salisachs and Liberata Masoliver, sympathized with the Nationalists. Most, however, are situated in a more ambiguous political space, although the ethics and character portraits that emerge in their works might suggest Republican sympathies. Taken together, the essays are an important contribution to scholarship on literature inspired by this pivotal point in Spanish history.

Based on first-hand diplomatic, political and journalistic sources, most unpublished, Mexico and the Spanish Civil War investigates the backing of the Second Republic by Mexico during the Spanish Civil War. Significant military, material and financial aid was given by the government of Lazaro Cardenas (19341940) to the Republic, which involved not only direct sales of arms, but also smuggling operations covertly undertaken by Mexican diplomatic agents in order to circumvent the embargo imposed by the London Committee of Non Intervention. This path-breaking account reveals the operations in Spain of Mexican workers, soldiers, artists and intellectuals -- such as later Nobel Laureate Octavio Paz and the Muralist David Alfaro Siqueiros -- as volunteers and propagandists for the Republican cause. Engagement with the Spanish Civil War also had a profound impact upon Mexico's domestic politics as support for the Republic was equated by Cardenas with his own revolutionary project. The defeat of the Republic in 1939 therefore had far-reaching repercussions for the post-1940 governments. Originally published to critical acclaim in Spanish, the work has been quoted and reviewed by many leading specialists on the Civil War, including Anthony Beevor, Angel Vinas, Santos Julia, and Pedro Perez Herrero. This book is essential reading for students and scholars specialising in contemporary European history and politics, Latin American studies, and all those with an interest in the Spanish Civil War and the Mexican Revolution.

The year 1492 has long divided the study of Sephardic culture into two distinct periods, before and after the expulsion of Jews from Spain. David A. Wacks examines the works of Sephardic writers from the 13th to the 16th centuries and shows that this literature was shaped by two interwoven experiences of diaspora: first from the Biblical homeland Zion and later from the ancestral hostland, Sefarad. Jewish in Spain and Spanish abroad, these writers negotiated Jewish, Spanish, and diasporic idioms to produce a uniquely Sephardic perspective. Wacks brings Diaspora Studies into dialogue with medieval and early modern Sephardic literature for the first time.

The Spanish Republican exile of 1939 impacted music as much as it did literature and academia, with well-known figures such as Adolfo Salazar and Roberto Gerhard forced to leave Spain. Exile is typically regarded as a discontinuity - an irreparable dissociation between the home country and the host country. Spanish exiled composers, however, were never totally cut off from the musical life of Francoist Spain (1939-1975), be it through private correspondence, public performances of their work, honorary appointments and invitations from Francoist institutions, or a physical return to Spanish soil. Music and Exile in Francoist Spain analyses the connections of Spanish exiled composers with their homeland throughout 1939-1975. Taking the diversity and heterogeneity of the Spanish Republican exile as its starting point, the volume presents extended comparative case studies in order to broaden and advance current conceptions of, and debates surrounding, exile in musicology and Spanish studies. In doing so, it significantly furthers academic research on individual composers including Salvador Bacarisse, Julian Bautista, Roberto Gerhard, Rodolfo Halffter, Julian Orbon and Adolfo Salazar. As the first English-language monograph to explore the exiled composers from the perspectives of historiography, music criticism, performance and correspondence, Eva Moreda Rodriguez's vivid reconception of the role of place and nation in twentieth-century music history will be of particular interest for scholars of Spanish music, Spanish Republican history, and exile and displacement more broadly.