Henry E. Allison presents a comprehensive commentary on Kant's Groundwork for the Metaphysics of Morals (1785). It differs from most recent commentaries in paying special attention to the structure of the work, the historical context in which it was written, and the views to which Kant was responding. Allison argues that, despite its relative brevity, the Groundwork is the single most important work in modern moral philosophy and that its significance lies mainly in two closely related factors. The first is that it is here that Kant first articulates his revolutionary principle of the autonomy of the will, that is, the paradoxical thesis that moral requirements (duties) are self-imposed and that it is only in virtue of this that they can be unconditionally binding. The second is that for Kant all other moral theories are united by the assumption that the ground of moral requirements must be located in some object of the will (the good) rather than the will itself, which Kant terms heteronomy. Accordingly, what from the standpoint of previous moral theories was seen as a fundamental conflict between various views of the good is reconceived by Kant as a family quarrel between various forms of heteronomy, none of which are capable of accounting for the unconditionally binding nature of morality. Allison goes on to argue that Kant expresses this incapacity by claiming that the various forms of heteronomy unavoidably reduce the categorical to a merely hypothetical imperative.

This work examines the unique way in which Benedict de Spinoza (1632-77) combines two significant philosophical principles: that real existence requires causal power and that geometrical objects display exceptionally clearly how things have properties in virtue of their essences. Valtteri Viljanen argues that underlying Spinoza's psychology and ethics is a compelling metaphysical theory according to which each and every genuine thing is an entity of power endowed with an internal structure akin to that of geometrical objects. This allows Spinoza to offer a theory of existence and of action - human and non-human alike - as dynamic striving that takes place with the same kind of necessity and intelligibility that pertain to geometry. Viljanen's fresh and original study will interest a wide range of readers in Spinoza studies and early modern philosophy more generally.

This book presents new research into key areas of the work of German philosopher and mathematician Gottfried Wilhelm Leibniz (1646-1716). Reflecting various aspects of Leibniz's thought, this book offers a collection of original research arranged into four separate themes: Science, Metaphysics, Epistemology, and Religion and Theology. With in-depth articles by experts such as Maria Rosa Antognazza, Nicholas Jolley, Agustin Echavarria, Richard Arthur and Paul Lodge, this book is an invaluable resource not only for readers just beginning to discover Leibniz, but also for scholars long familiar with his philosophy and eager to gain new perspectives on his work.

Originally published in 1988, this collection brings together a wide range of original readings on Friedrich Nietzsche, reflecting many aspects of Neitzsche in contemporary philosophy, literature and the social sciences. The Nietzsche these contributors discuss is the Nietzsche who exceeds any attempt at determinate interpretation, the Nietzsche whose capacity for renewing thought seems limitless. This is a powerful collection of essays and a major contribution to modern Nietzsche interpretation.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Though Kant never used the word 'emotion' in his writings, it is of vital significance to understanding his philosophy. This book offers a captivating argument for reading Kant considering the importance of emotion, taking into account its many manifestations in his work including affect and passion. Emotion, Reason, and Action in Kant explores how, in Kant's world view, our actions are informed, contextualized and dependent on the tension between emotion and reason. On the one hand, there are positive moral emotions that can and should be cultivated. On the other hand, affects and passions are considered illnesses of the mind, in that they lead to the weakness of the will, in the case of affects, and evil, in the case of passions. Seeing the role of these emotions enriches our understanding of Kant's moral theory. Exploring the full range of negative and positive emotions in Kant's work, including anger, compassion and sympathy, as well as moral feeling, Borges shows how Kant's theory of emotion includes both physiological and cognitive aspects. This is an important new contribution to Kant Studies, suitable for students of Kant, ethics, and moral psychology.

This book explores and details the actuality (Aktualit t) of Hegel 's social and political philosophy--its relevance, topicality, presence, and contemporary validity. It asserts--against the assumptions of those in a wide range of traditions--that Hegel 's thought not only remains relevant to debates in current social and political theory, but is capable of productively enhancing and enriching those debates. The book is divided into three main sections. Part I considers the actuality of Hegel 's social and political thought in the context of a constructed dialogues with later social and political theorists, including Marx, Adorno, Habermas, and Rawls. Part II explores Hegel s internal criticism of Enlightenment rationality as well as the unique manner in which his thought reaffirms both the classical tradition of politics and the Christian conception of freedom in order to deepen and further develop our understanding of modernity and modern secularity. And, Part III considers Hegel 's contribution to current theorizing about globalization.

The question of how far Dewey's thought is indebted to Hegel has long been a conundrum for philosophers. This book shows that, far from repudiating Hegel, Dewey's entire pragmatic philosophy is premised on a "philosophy of spirit" inspired by Hegel's project. Two essays by Shook and Good defending this radical viewpoint are joined by the definitive text of Dewey's 1897 Lecture at the University of Chicago on Hegel's "Philosophy of Spirit." Previously cited by scholars only from the archival manuscript, this edited Lecture is now available to fully expose the basic concern shared by Hegel and Dewey for the full and free development of the individual in the social context. Dewey's and Hegel's philosophies are at the center of modern philosophy's hopes for advancing human freedom.

This is a book about the ethics of authorship. Most directly, it explores different conceptualizations of the responsibilities of the author to the reader. But it also engages the question of what styles of authorship allow these responsibilities to be met. Style itself is an ethical issue, since the relation between the writing subject and the reader--and the dynamics of authority and influence, of gift giving and friendship in this relation--have as much to do with how one writes as what one says. The two writers who serve as the main subjects for this work, the German idealist philosopher G. W. F. Hegel and the Danish Christian existentialist Soren Kierkegaard, invite us to confront particularly challenging questions about the ethics of authorship. Each in his own way explores styles of authorship that employ a variety of strategies of seduction in order to entice the reader into his narratives, strategies that at least on the surface appear to be fundamentally manipulative and unethical. Further, both seek to enact their own deaths as authors, effectively disappearing as reliable guides for the reader. That might also seem to be ethically irresponsible, an abandonment of the reader, who has been seduced only to be deserted. This is the first work to undertake a sustained questioning of Kierkegaard's central distinction between his own "indirect" style of communication and the (purportedly) "direct" style of Hegel's philosophy. Hegel was in fact a much more subtle practitioner of style than Kierkegaard represents him as being, indeed, a practitioner whose style is in the service of an ambitious reconceptualization of the ethics of authorship. As for Kierkegaard, his own indirect style raises a whole series of ethical questions about how the reader is imagined in relation to the author. There is finally an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship. Rather, the either/or is between two competing practices of authorship, one daunting with the cadences of a highly technical style, the other delightful for its elegance and playfulness--but both powerful experiments in the ethics of style.

How do minds cause events in the world? How does wanting to write a letter cause a person's hands to move across the page, or believing something to be true cause a person to make a promise? In Actions and Objects, Jonathan Kramnick examines the literature and philosophy of action during the late seventeenth and early eighteenth centuries, when philosophers and novelists, poets and scientists were all concerned with the place of the mind in the world. These writers asked whether belief, desire, and emotion were part of nature-and thus subject to laws of cause and effect-or in a special place outside the natural order. Kramnick puts particular emphasis on those who tried to make actions compatible with external determination and to blur the boundary between mind and matter. He follows a long tradition of examining the close relation between literary and philosophical writing during the period, but fundamentally revises the terrain. Rather than emphasizing psychological depth and interiority or asking how literary works were understood as true or fictional, he situates literature alongside philosophy as jointly interested in discovering how minds work.

This book reveals a thread that runs through Leibniz s metaphysics: from his logical notion of possible individuals to his notion of actual, nested ones. It presents Leibniz s subtle approach to possibility and explores some of its consequential repercussions in his metaphysics. The book provides an original approach to the questions of individuation and relations in Leibniz, offering a novel account of Leibniz s notion of Nested Individuals."

In western philosophy today, the three leading approaches to normative ethics are those of Kantian ethics, virtue ethics and utilitarianism. In recent years the debate between Kantian ethicists and virtue ethicists has assumed an especially prominent position. The twelve newly-commissioned essays in this volume, by leading scholars in both traditions, explore key aspects of each approach as related to the debate, and identify new common ground but also real and lasting differences between these approaches. The volume provides a rich overview of the continuing debate between two powerful forms of enquiry, and will be valuable for a wide range of students and scholars working in these fields.

This volume explores the attention awarded in the English-speaking world to German philosopher Gottfried Wilhelm Leibniz. Complete with an introductory overview, the book collects fourteen essays that consider Leibniz s connections with his English-speaking contemporaries and near contemporaries as well as the later reception of his thought in Anglo-American philosophy. It sheds new light on Leibniz's philosophy and that of his contemporaries."

This volume of previously unpublished essays examines the place of the sciences within Kant's philosophical system. The twelve contributors address Kant's views on physics, psychology, cosmology, chemistry, anthropology, and biology, as well as the relationship between his distinctive metaphysical system and science in general. Taken as a whole, they raise fundamental questions about Kant's conceptions of science and how it fits into his systematic philosophy, and will encourage new discussions about the driving forces of his thought.

Rachel Cohon offers an original interpretation of the moral philosophy of David Hume, focusing on two areas. Firstly, his metaethics. Cohon reinterprets Hume's claim that moral distinctions are not derived from reason and explains why he makes it. She finds that Hume did not actually hold three "Humean" claims: 1) that beliefs alone cannot move us to act, 2) that evaluative propositions cannot be validly inferred from purely factual propositions, or 3) that moral judgments lack truth value. According to Hume, human beings discern moral virtues and vices by means of feeling or emotion in a way rather like sensing; but this also gives the moral judge a truth-apt idea of a virtue or vice as a felt property. Secondly, Cohon examines the artificial virtues. Hume says that although many virtues are refinements of natural human tendencies, others (such as honesty) are constructed by social convention to make cooperation possible; and some of these generate paradoxes. She argues that Hume sees these traits as prosthetic virtues that compensate for deficiencies in human nature. However, their true status clashes with our common-sense conception of a virtue, and so has been concealed, giving rise to the paradoxes.

Immanuel Kant's Metaphysics of Morals (1797), containing the Doctrine of Right and Doctrine of Virtue, is his final major work of practical philosophy. Its focus is not rational beings in general but human beings in particular, and it presupposes and deepens Kant's earlier accounts of morality, freedom and moral psychology. In this volume of newly-commissioned essays, a distinguished team of contributors explores the Metaphysics of Morals in relation to Kant's earlier works, as well as examining themes which emerge from the text itself. Topics include the relation between right and virtue, property, punishment, and moral feeling. Their diversity of questions, perspectives and approaches will provide new insights into the work for scholars in Kant's moral and political theory.

Soren Kierkegaard is often cast as the forefather of existentialism and an anti-Hegelian proponent of the single individual. Yet this book calls these traditional characterizations into question by arguing that Kierkegaard offers not only a systematic critique of idealist philosophy, but more surprisingly, a political ontology that is paradoxically at home in the context of twenty-first-century philosophical and political thought. Through a close consideration of his authorship in the context of nineteenth-century German idealism, Michael O'Neill Burns argues that Kierkegaard develops an ontology, anthropology and theory of the political that are outcomes of his critical appropriation of the philosophical projects of Hegel, Schelling, and Fichte. While starting out in the philosophical concerns of the nineteenth century, the book offers an interpretation of Kierkegaard that shows his relevance to philosophers and political theorists in the twenty-first century.

Michael Inwood, an eminent scholar of German philosophy, presents a full and detailed new commentary on a classic work of the nineteenth century. Philosophy of Mind is the third part of Hegel's Encyclopaedia of the Philosophical Sciences, in which he summarizes his philosophical system. It is one of the main pillars of his thought. Inwood gives the clear and careful guidance needed for an understanding of this challenging work. In his editorial introduction he offers a philosophically sophisticated evaluation of Hegel's ideas which includes a survey of the whole of his thought and detailed analysis of the terminology he used.

Recovers a sense of John Locke's central role in the making of the modern world. It demonstrates that his vision of modern life was constructed on a philosophy of human freedom that is the intellectual nerve connecting the various strands of his thought. By revealing the depth and originality of Locke's critique of the metaphysical assumptions and authoritative institutions of pre-modern life, this book rejects the notion of Locke as an intellectual anachronism. Indeed, the radical core of Locke's modern project was the 'democratization of mind', according to which he challenged practically every previous mode of philosophical analysis by making the autonomous individual the sole determinant of truth. It was on the basis of this new philosophical dispensation that Locke crafted a modern vision not only of government but also of the churches, the family, education, and the conduct of international relations.

Although it is widely recognized that David Hume's A Treatise of Human Nature (1729-40) belongs among the greatest works of philosophy, there is little aggreement about the correct way to interpret his fundamental intentions. The solution to this riddle depends on challenging another, closely related, point of orthodoxy: namely, that before Hume published the Treatise he removed almost all material concerned with problems of religion. Russell argues, contrary to this view, that irreligious aims and objectives are fundamental to the Treatise and account for its underlying unity and coherence. It is Hume's basic anti-Christian aims and objectives that serve to shape and direct both his skeptical and naturalistic commitments. When Hume's arguments are viewed from this perspective we can solve, not only puzzles arising from his discussion of various specific issues, we can also explain the intimate and intricate connections that hold his entire project together. This "irreligious" interpretation provides a comprehensive fresh account of the nature of Hume's fundamental aims and ambitions in the Treatise. It also presents a radically different picture of the way in which Hume's project was rooted in the debates and controversies of his own time, placing the Treatise in an irreligious or anti-Christian philosophical tradition that includes Hobbes, Spinoza and freethinking followers. Considered in these terms, Hume's Treatise constitutes the crowning achievement of the Radical Enlightenment.

Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike.

A concise and very readable summary of Nietzsche's "Beyond Good and Evil," geared toward students embarking on their studies and general readers. It is an ideal companion for those new to the study of this challenging and often misunderstood classic.
Offers clear explanations of the central themes and ideas, terminology, and argumentsIncludes a glossary of difficult terms as well as helpful biographical and historical informationIllustrates arguments and ideas with useful tables, diagrams, and images; and includes references to further readingsForms part of a series of Guides designed specifically for A-level philosophy students by an experienced teacher and founder of the popular website Philosophy Online

Friedrich Schleiermacher (1768-1834) is sometimes referred to as the ''father of liberal Protestant theology, '' largely on the strength of his massive work of systematic theology, The Christian Faith. It is generally recognized that Schleiermacher grounded his theological work in an innovative and historically important understanding of religion in general, and that the influence of his thought about religion has extended beyond the boundaries of theology.
In Schleiermacher on Religion and the Natural Order, Andrew Dole presents a new account of Schleiermacher's theory of religion. His purpose is to challenge a deeply entrenched tradition that characterizes Schleiermacher's account of religion as ''subjective'' or ''individualistic.'' While many scholars view Schleiermacher primarily as a theorist of "religious experience," Dole argues that Schleiermacher integrates the individualistic side of religion with a set of claims about its social dynamics, and that this takes place within a broader understanding of all events in the world as the product of a universal, law-governed ''causal nexus.'' Schleiermacher argued that religion emerges out of the interactions of cause and effect that constitute the 'natural order'-or Naturzusammenhang-and is thus to be understood as naturally caused.
Properly understood, says Dole, Schleiermacher's account of religion is an early and important example of a combination of theology and the ''scientific'' study of religion. Dole focuses particularly on Schleiermacher's lectures in ethics at Halle and Berlin, wherein he developed an understanding of religion as a process of the social formation of feeling, and also investigates the relationship between this account of religion and Schleiermacher's theological account of Christianity in The Christian Faith. By calling attention to this under-discussed aspect of Schleiermacher's work, Dole hopes to correct the historical record and stimulate interest in Schleiermacher outside the field of theological studies.

The Attempt at a Critique of All Revelation (1792) was the first published work of Johann Gottlieb Fichte (1762-1814), the founder of the German idealist movement in philosophy. It predated the system of philosophy which Fichte developed during his years in Jena, and for that reason - and possibly also because of its religious orientation - later commentators have tended to overlook the work in their treatments of Fichte's philosophy. It is, however, already representative of the most interesting aspects of Fichte's thought. It displays an affinity with his later moral psychology, introduces (in theological form) Fichte's distinctively 'second-person' conception of moral requirements, and employs the 'synthetic method' which is crucial to the transcendental systems Fichte developed during his Jena period. This volume offers a clear and accessible translation of the work by Garrett Green, while an introduction by Allen Wood sets the work in its historical and philosophical contexts.

David Hume (1711-1776) is one of the greatest of philosophers. Today he probably ranks highest of all British philosophers in terms of influence and philosophical standing. His philosophical work ranges across morals, the mind, metaphysics, epistemology, religion, and aesthetics; he had broad interests not only in philosophy as it is now conceived but in history, politics, economics, religion, and the arts. He was a master of English prose.
The Clarendon Hume Edition will include all of his works except his History of England and minor historical writings. It is the only thorough critical edition, and will provide a far more extensive scholarly treatment than any previous editions. This edition (which has been in preparation since the 1970s) offers authoritative annotation, bibliographical information, and indexes, and draws upon the major advances in textual scholarship that have been made since the publication of earlier editions--advances both in the understanding of editorial principle and practice and in knowledge of the history of Hume's own texts.
In this volume, Tom Beauchamp presents two essays from Four Dissertations (1757), the last philosophical work written by Hume, which was subsequently revised by the philosopher in the remaining years of his life. While the bulk of A Dissertation on the Passions was extracted from passages in ATreatise of Human Nature, The Natural History of Religion was an original work when published in 1757, as well as the only major work devoted exclusively to the subject of religion that Hume published in his lifetime. Together with Hume's earlier work on religious topics, this essay drew considerable philosophical commentary from his contemporaries.
The last edition of the two works in this volume seen through the press by Hume himself appeared in 1772. It provides the copy-text for this critical edition. The editor's primarily historical Introduction discusses the genesis, revision, and reception of these two dissertations, which went into ten editions at the author's hand. It will appeal to scholars across many disciplines.

Nietzsche wrote in a scientific culture transformed by Darwin. He read extensively in German and British Darwinists, and his own works dealt often with such obvious Darwinian themes as struggle and evolution. Yet most of what Nietzsche said about Darwin was hostile: he sharply attacked many of his ideas, and often slurred Darwin himself as "mediocre." So most readers of Nietzsche have inferred that he must have cast Darwin quite aside.
But in fact, John Richardson argues, Nietzsche was deeply and pervasively influenced by Darwin. He stressed his disagreements, but was silent about several core points he took over from Darwin. Moreover, Richardson claims, these Darwinian borrowings were to Nietzsche's credit: when we bring them to the surface we discover his positions to be much stronger than we had thought. Even Nietzsche's radical innovations are more plausible when we expose their Darwinian ground; we see that they amount to a "new Darwinism."
The book's four chapters show how four of Nietzsche's most problematic ideas benefit from this Darwinian setting. These are: his claim that life is "will to power," his insistence that his values are "higher" yet also "just his," his disturbing ethics of selfishness and politics of inequality, and his elevation of aesthetic over moral values. Richardson argues that each of these Nietzschean ideas has a clearer and stronger sense when set on the scientific ground he takes from Darwin.