Originally published in 1929, this book presents a selection of Thomas Carlyle's writings, aiming 'to collect and arrange the passages most representative of Carlyle's contribution to culture and to thought, particularly in the spheres of Literary Criticism, Philosophy, Political Economy, and History.' A detailed editorial introduction is also included, with information on Carlyle's life and intellectual views. This book will be of value to anyone with an interest in Thomas Carlyle and his works.

The Absolute, philosophized most saliently about by Georg Hegel, encompasses the entirety of reality. The absolute (reality) is composed of five dimensions - height, length, width, time, and justice. The five dimensions operate dialectically, and the normative values of reality inhere within the fifth dimension (justice) - hard, soft, moral, ethical, yellow, etc. ad infinitum. The normative values from the fifth dimension (justice), in combination with the brain, comprise the human mind. With the issues of climate change, world-wide biosphere destruction, nuclear weapons, international trade regimes, humanity has created the phenomenon of global politics - thereby changing the fifth dimension. The argument in this volume is that the broadcast iterations of Star Trek allow us to comprehend significant aspects of justice and the politics of globalism - created through the advent of science, technology, engineering, etc. The creators of Star Trek hold that nationalism is a psychological pathology and internationalism is rationality.

This volume brings to English readers the finest postwar German-language scholarship on Kant s moral and legal philosophy. Examining Kant s relation to predecessors such as Hutcheson, Wolff, and Baumgarten, it clarifies the central issues in each of Kant s major works in practical philosophy, including The Groundwork of the Metaphysics of Morals, The Critique of Practical Reason, and The Metaphysics of Morals. It also examines the relation of Kant s philosophy to politics. Collectively, the essays in this volume provide English readers with a direct view of how leading German philosophers are now regarding Kant s revolutionary practical philosophy, one of the outstanding achievements of German thought."

Rousseau's Discourse on the Origin of Inequality among Mankind, published in 1755, is a vastly influential study of the foundations of human society, including the economic inequalities it tends to create. To date, however, there has been little philosophical analysis of the Discourse in the literature. In this book, Frederick Neuhouser offers a rich and incisive philosophical examination of the work. He clarifies Rousseau's arguments as to why social inequalities are so prevalent in human society and why they pose fundamental dangers to human well-being, including unhappiness, loss of freedom, immorality, conflict, and alienation. He also reconstructs Rousseau's four criteria for assessing when inequalities are or are not legitimate, and why. His reconstruction and evaluation of Rousseau's arguments are accessible to both scholars and students, and will be of interest to a broad range of readers including philosophers, political theorists, cultural historians, sociologists, and economists.

This work examines the unique way in which Benedict de Spinoza (1632-77) combines two significant philosophical principles: that real existence requires causal power and that geometrical objects display exceptionally clearly how things have properties in virtue of their essences. Valtteri Viljanen argues that underlying Spinoza's psychology and ethics is a compelling metaphysical theory according to which each and every genuine thing is an entity of power endowed with an internal structure akin to that of geometrical objects. This allows Spinoza to offer a theory of existence and of action - human and non-human alike - as dynamic striving that takes place with the same kind of necessity and intelligibility that pertain to geometry. Viljanen's fresh and original study will interest a wide range of readers in Spinoza studies and early modern philosophy more generally.

George Berkeley's Principles of Human Knowledge is a crucial text in the history of empiricism and in the history of philosophy more generally. Its central and seemingly astonishing claim is that the physical world cannot exist independently of the perceiving mind. The meaning of this claim, the powerful arguments in its favour, and the system in which it is embedded, are explained in a highly lucid and readable fashion and placed in their historical context. Berkeley's philosophy is, in part, a response to the deep tensions and problems in the new philosophy of the early modern period and the reader is offered an account of this intellectual milieu. The book then follows the order and substance of the Principles whilst drawing on materials from Berkeley's other writings. This volume is the ideal introduction to Berkeley's Principles and will be of great interest to historians of philosophy in general.

Weltschmerz is a study of the pessimism that dominated German philosophy in the second half of the nineteenth century. Pessimism was essentially the theory that life is not worth living. This theory was introduced into German philosophy by Schopenhauer, whose philosophy became very fashionable in the 1860s. Frederick C. Beiser examines the intense and long controversy that arose from Schopenhauer's pessimism, which changed the agenda of philosophy in Germany away from the logic of the sciences and toward an examination of the value of life. He examines the major defenders of pessimism (Philipp Mainlander, Eduard von Hartmann and Julius Bahnsen) and its chief critics, especially Eugen Duhring and the neo-Kantians. The pessimism dispute of the second half of the century has been largely ignored in secondary literature and this book is a first attempt since the 1880s to re-examine it and to analyze the important philosophical issues raised by it. The dispute concerned the most fundamental philosophical issue of them all: whether life is worth living.

Originally published in 1937, this book presents the philosophy of James Ward, the Professor of Mental Philosophy and Logic at the University of Cambridge. Ward was primarily concerned with the perceived antagonism between science and philosophy or religion, and Murray supplies a psychological background to Ward's thinking that helps to explain his interest in this topic. This book will be of value to anyone with an interest in Ward or the duality of faith and reason.

The great eighteenth-century French thinker Denis Diderot (1713-84) once compared himself to a weathervane, by which he meant that his mind was in constant motion. In an extraordinarily diverse career he produced novels, plays, art criticism, works of philosophy and poetics, and also reflected on music and opera. Perhaps most famously, he ensured the publication of the Encyclopedie, which has often been credited with hastening the onset of the French Revolution. Known as one of the three greatest philosophes of the Enlightenment, Diderot rejected the Christian ideas in which he had been raised. Instead, he became an atheist and a determinist. His radical questioning of received ideas and established religion led to a brief imprisonment, and for that reason, no doubt, some of his subsequent works were written for posterity. This collection of essays celebrates the life and work of this extraordinary figure as we approach the tercentenary of his birth.

One of the great American pragmatic philosophers alongside Peirce and Dewey, William James (1842 1910) delivered these eight lectures in Boston and New York in the winter of 1906 7. Though he credits Peirce with coining the term 'pragmatism', James highlights in his subtitle that this 'new name' describes a philosophical temperament as old as Socrates. The pragmatic approach, he says, takes a middle way between rationalism's airy principles and empiricism's hard facts. James' pragmatism is both a method of interpreting ideas by their practical consequences and an epistemology which identifies truths according to their useful outcomes. Furnished with many examples, the lectures illustrate pragmatism's response to classic problems such as the question of free will versus determinism. Published in 1907, this work further develops James's approach to religion and morality, introduced in The Will to Believe (1897) and The Varieties of Religious Experience (1902), both reissued in this series."

Friedrich Nietzsche regarded himself as the most musical philosopher - he played the piano, wrote his own compositions and espoused a philosophy encouraging all to dance for joy. Central to his life and his ideas were the music and personality of Richard Wagner, whom he both loved and loathed at different times of his life. Nietzsche had considerable influence on contemporary composers, many of whom employed Wagnerian sonorities set to his words (although he had by then broken with Wagner, advocating Bizet instead). This book explores Nietzsche's relationship with Wagner, the influence of his writings on the music of Strauss, Mahler, Delius, Scriabin, Busoni and others, his place in Thomas Mann's critique of German Romantic music in the novel Doctor Faustus and his impact on 20th-century popular music.

This book reconstructs, both from the historical and theoretical points of view, Leibniza (TM)s geometrical studies, focusing in particular on the research Leibniz carried on in the last years of his life. The main purpose of the work is to offer a better understanding of the philosophy of space and in general of the mature Leibnizean metaphysics, through a pressing confrontation with the problems of geometric foundation. Regarding this scope of problems, the book also deals quite in depth with Leibniza (TM)s theory of sensibility, thus favouring the comparison and contrast between Leibniza (TM)s philosophy and Kanta (TM)s transcendentalist solution. The Appendix gives editing to a number of previously unpublished manuscripts on geometry from the Leibniz Archiv.

With the publication of the Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', the Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes his 'Aphorisms on the Wisdom of Life', reflections on fate and clairvoyance, trenchant views on the philosophers and universities of his day, and an enlightening survey of the history of philosophy. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.

In his quest to solve 'the ever-disquieting riddle of existence', Schopenhauer explored almost every dimension of human existence, developing a darkly compelling worldview that found deep resonance in contemporary literature, music, philosophy, and psychology. This is the first comprehensive biography of Schopenhauer written in English. Placing him in his historical and philosophical contexts, David E. Cartwright tells the story of Schopenhauer's life to convey the full range of his philosophy. He offers a fully documented portrait in which he explores Schopenhauer's fractured family life, his early formative influences, his critical loyalty to Kant, his personal interactions with Fichte and Goethe, his ambivalent relationship with Schelling, his contempt for Hegel, his struggle to make his philosophy known, and his reaction to his late-arriving fame.

More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.

Anthony Ashley Cooper, 3rd Earl of Shaftesbury (1671 1713) was an English philosopher and author. Originally published in 1914, this book presents the edited text of the sequel to Cooper's major work, Characteristics. An editorial introduction and detailed notes are included. This book will be of value to anyone with an interest in Cooper's writings and philosophy.

Originally published in 1914, this book examines the French Voluntarist school of philosophy and the key ways in which it differs from the Pragmatists. Stebbing argues that Voluntarism and Pragmatism both prove inadequate in their definition of truth, and suggests that an acknowledgment of the 'non-existential character of truth' is needed. This book will be of value to anyone with an interest in philosophy.

This is the first modern edition of the works of Lady Mary Shepherd, one of the most important women philosophers of the early modern period. Shepherd has been widely neglected in the history of philosophy, but her work engaged with the dominant philosophers of the time - among them Hume, Berkeley, and Reid. In particular, her 1827 volume Essays on the Perception of an External Universe outlines a theory of causation, perception, and knowledge which Shepherd presents as an alternative to what she sees as the mistaken views of Berkeley and Hume. What she ultimately presents is an original and systematic metaphysics and epistemology. Shepherd's Essays consists of two parts. The first is a theory of perception and knowledge of the external world, which is designed to rebut idealism and skepticism about the external world and show that our ordinary beliefs are based on reason. The second is a collection of essays on topics in metaphysics and epistemology, including the immateriality and eternity of the mind, the relationship between mind and body, the possibility of miracles, the association of ideas, the relationship between physical and mathematical reasoning, and the epistemology of testimony. Antonia LoLordo's edition of Shepherd's Essays includes scholarly notes throughout the text that provide historical and philosophical context and expand on the major concepts of Shepherd's system. Her extensive introduction to Shepherd's life and works surveys some of the major points of Shepherd's system, points out directions for future research, and offers guidance for readers planning to teach her work in their courses. This volume is an invaluable primary resource for scholars, graduate students, and undergraduates interested in metaphysics, epistemology, and early modern philosophy.

This richly annotated second edition of the now-classic pairing of Bacon s masterpieces, New Atlantis and The Great Instauration features the addition of other works by Bacon, including The Idols of the Mind, Of Unity in Religion and Of the True Greatness of Kingdoms and Estates, as well a Summary of the each work and Questions for the reader. S * Includes works new to the second edition, including The Idols of the Mind, Of Unity in Religion, and Of the True Greatness of Kingdoms and Estates * Updates the layout of the previous edition with a more generous interior design, making this work more student-friendly and easier to navigate in the classroom * Each work is introduced and subsequently discussed, revealing the importance of Bacon s work to his contemporaries as well as to modern readers * Includes a comprehensive introduction and annotations throughout the text; as well as an appendix of Principal Dates in the Life of Sir Francis Bacon; a selected bibliography; and synopses and questions to accompany each work

The Aesthetic Commonplace is a study of the everyday as a region of overlooked value in the work of William Wordsworth, George Eliot, and Ludwig Wittgenstein. The Romantic poet, the realist novelist, and the modern philosopher are each separately associated with a commitment to the common, the ordinary, and the everyday as a vital resource for reflection on language, on feeling, on ethical insight, and social attunement. The Aesthetic Commonplace is the first study to draw substantive lines of connection between Wittgenstein and the cultural and literary history of nineteenth century England. Tracing conceptual and formal affinities between the poet, the novelist, and the philosopher, the book brings to light significant links between the intellectual history of the nineteenth century and the early decades of the twentieth, making the case for a continuous cultural commitment to the aesthetic as a distinctive mode of investigating thought, feeling, and the everyday language upon which we depend for their articulation. Addressed to both literary studies and to philosophy, The Aesthetic Commonplace makes a compelling case for the interdependence of form, concept, and emotion in the history and interpretive practices of both disciplines.

Originally published in 1920, this book contains three pieces of Burke's writing, together with analysis and critical notes. A chronological table of Burke's life and contemporary events is also provided. This book will be of value to anyone with an interest in Burke and his writings.

The orphaned son of an Anglican clergyman, David Hartley (1705-57) was originally destined for holy orders. Declining to subscribe to the Thirty-Nine Articles, he turned to medicine and science yet remained a religious believer. This, his most significant work, provides a rigorous analysis of human nature, blending philosophy, psychology and theology. First published in two volumes in 1749, Observations on Man is notable for being based on the doctrine of the association of ideas. It greatly influenced scientists, theologians, social reformers and poets: Samuel Taylor Coleridge, who named his eldest son after Hartley, had his portrait painted while holding a copy. Volume 2 is particularly concerned with human morality and the duty and expectations of mankind. Here the author is keen to show that scientific observation is not necessarily in conflict with religious conviction.

The orphaned son of an Anglican clergyman, David Hartley (1705-57) was originally destined for holy orders. Declining to subscribe to the Thirty-Nine Articles, he turned to medicine and science yet remained a religious believer. This, his most significant work, provides a rigorous analysis of human nature, blending philosophy, psychology and theology. First published in two volumes in 1749, Observations on Man is notable for being based on the doctrine of the association of ideas. It greatly influenced scientists, theologians, social reformers and poets: Samuel Taylor Coleridge, who named his eldest son after Hartley, had his portrait painted while holding a copy. In Volume 1, Hartley utilises Newtonian science in his observations. He presents a theory of 'vibrations', explaining how the elements of the nerves and brain interact as a result of stimulation, creating 'associations' and emotions.

Samuel C. Rickless presents a novel interpretation of the thought of George Berkeley. In A Treatise Concerning the Principles of Human Knowledge (1710) and Three Dialogues Between Hylas and Philonous (1713), Berkeley argues for the astonishing view that physical objects (such as tables and chairs) are nothing but collections of ideas (idealism); that there is no such thing as material substance (immaterialism); that abstract ideas are impossible (anti-abstractionism); and that an idea can be like nothing but an idea (the likeness principle). It is a matter of great controversy what Berkeley's argument for idealism is and whether it succeeds. Most scholars believe that the argument is based on immaterialism, anti-abstractionism, or the likeness principle. In Berkeley's Argument for Idealism, Rickless argues that Berkeley distinguishes between two kinds of abstraction, 'singling' abstraction and 'generalizing' abstraction; that his argument for idealism depends on the impossibility of singling abstraction but not on the impossibility of generalizing abstraction; and that the argument depends neither on immaterialism nor the likeness principle. According to Rickless, the heart of the argument for idealism rests on the distinction between mediate and immediate perception, and in particular on the thesis that everything that is perceived by means of the senses is immediately perceived. After analyzing the argument, Rickless concludes that it is valid and may well be sound. This is Berkeley's most enduring philosophical legacy.

This collection of specially commissioned essays by leading scholars presents research on Isaac Newton and his main philosophical interlocutors and critics. The essays analyze Newton's relation to his contemporaries, especially Barrow, Descartes, Leibniz and Locke and discuss the ways in which a broad range of figures, including Hume, Maclaurin, Maupertuis and Kant, reacted to his thought. The wide range of topics discussed includes the laws of nature, the notion of force, the relation of mathematics to nature, Newton's argument for universal gravitation, his attitude toward philosophical empiricism, his use of 'fluxions', his approach toward measurement problems and his concept of absolute motion, together with new interpretations of Newton's matter theory. The volume concludes with an extended essay that analyzes the changes in physics wrought by Newton's Principia. A substantial introduction and bibliography provide essential reference guides.