Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Boris I. Jones the author of "The Illusion of Parole" is an unknown author that makes no claim to having all the answers or to the knowledge he possess as he looks upon all knowledge not only as a blessing but as a birthright. He explains how we all inherit the knowledge of the universe at birth but loses it throughout our journey herein the physical realm resulting in our very spirits being imprisoned. In a captivating way he have shared some of the knowledge that we all once held but had stripped away by a carefully laid out plan by the Corporation a name he uses to represent negative and evil energies of the universe. He lays out the beginning and the end showing how life came to be on the small planet we all inhabits and call home and how it will come to an end. Through the years, with the blessing of the Creator, lies were exposed, secrets revealed, and veils were lifted as this unknown; author, man, sinner, son, brother, friend, husband, father, subordinate, leader, and veteran of foreign wars journeyed through the great court room. Boris believes that everything and everyone in the universe is all connected and that all knowledge is meant to be shared for the betterment of mankind, which is why he wrote the "The Illusion of Parole" so he could share, "The Revelation" as it was revealed to him.

In this landmark new book, Iain McGilchrist addresses some of the oldest and hardest questions humanity faces – ones that, however, have a practical urgency for all of us today. Who are we? What is the world? How can we understand consciousness, matter, space and time? Is the cosmos without purpose or value? Can we really neglect the sacred and divine?

In doing so, he argues that we have become enslaved to an account of things dominated by the brain’s left hemisphere, one that blinds us to an awe-inspiring reality that is all around us, had we but eyes to see it. He suggests that in order to understand ourselves and the world we need science and intuition, reason and imagination, not just one or two; that they are in any case far from being in conflict; and that the brain’s right hemisphere plays the most important part in each. And he shows us how to recognise the ‘signature’ of the left hemisphere in our thinking, so as to avoid making decisions that bring disaster in their wake.

Following the paths of cutting-edge neurology, philosophy and physics, he reveals how each leads us to a similar vision of the world, one that is both profound and beautiful – and happens to be in line with the deepest traditions of human wisdom. It is a vision that returns the world to life, and us to a better way of living in it: one we must embrace if we are to survive.

How can we create and sustain an America that never was, but should be? How can we build a truly multiracial democracy in which everyone is valued and possesses the needed political, economic and social capital so that democracy becomes a meaningful way of life, for all citizens? By critically probing these questions, the editors of Community Wealth Building and the Reconstruction of American Democracy seize the opportunity to bridge the gap between our democratic aspirations and our current reality.   In a moment of democratic disappointment and anxiety, politicians, policy officials, scholars and citizens desire an effective response. This book assembles new voices and novel perspectives that offer a compelling vision for democracy and the prospects and possibilities afforded by community wealth building, an emerging policy paradigm focused on community-based, creative solutions to systemic problems. The contributors explore how, by cultivating the capacities of citizens, American democracy can be revived - indeed, created - as a veritable practice of everyday life. Scholars of democracy in political science, history, sociology, public policy, economics, African-American studies and related topics as well as policy practitioners, journalists and students will appreciate the cutting-edge work by leading scholars and the contributions from impactful practitioners from the White House to City Halls, in this discussion of the challenges facing contemporary American democracy and the prospects for reform and change.

Nonfiction. Philosophy. Winner of the 2010 Next Generation Indie Book Award for Social Change. "Sedulously argued, this thoughtful book attempts nothing less than a revalorization of prejudice--its meaning, the way it manifests itself, and its effect on individuals (the prejudiced and those who feel the sting of it) as well as the world around them. It's an ambitious undertaking, deftly navigated by Michael Eskin, who cogently offers an entirely original framework for identifying prejudice and even confronting it. In an environment that has been optimistically (if naively) called post-racial--in which racial, gender, and ethnic divides appear to have as much poignant resolve as ever--Eskin's important book offers a set of powerful pathways for comprehending and addressing a pernicious aspect of life that remains far too at home in the headlines, the rural backroads, and the chill of urban streets"--Jeffrey Rothfeder, former BusinessWeek, Time Inc., and Bloomberg News editor, and author of McIlhenny's Gold: How a Louisiana Family Built the Tabasco Empire and Every Drop for Sale: Our Desperate Battle over Water in a World About to Run Out.

One of this century's most original philosophical thinkers, Nozick brilliantly renews Socrates's quest to uncover the life that is worth living. In brave and moving meditations on love, creativity, happiness, sexuality, parents and children, the Holocaust, religious faith, politics, and wisdom, The Examined Life brings philosophy back to its preeminent subject, the things that matter most. We join in Nozick's reflections, weighing our experiences and judgments alongside those of past thinkers, to embark upon our own voyages of understanding and change.

Any country can lawfully defend itself against terrorists who initiate wars, shield themselves among civilians, and ignore the rules governing armed combat—even the Jewish state of Israel.

“A necessary book that addresses a moral and military question: What can a nation do to defend itself against terrorists who pay no mind to the laws of war? Must it value the lives of its enemies more than its own citizens?” – Jeb Bush, Two-term Governor of Florida and Presidential candidate

Imagine a war without battlefields. There are no uniforms. Civilians and combatants are indistinguishable. Homes, schools, hospitals, and religious buildings are used as command and communication centers, and for the warehousing of weapons. Apartment rooftops are launching pads; the civilians who live inside…human shields. There are over 300 miles of reinforced tunnels, all outfitted with weapons and passageways for terrorists to take hostages and travel freely.

Beyond Proportionality examines Israel’s battles against Hamas and Hezbollah under the laws of war and concludes that its wartime conduct was based on military necessity and fought justly. The targets are terrorists, weapons, and tunnels—not civilians. Israel relies upon verifiable intelligence, deploys precise weapons, and endangers its own soldiers in order to minimize civilian death.

The bombings over Hiroshima, Nagasaki, and Dresden, and the urban warfare in Iraq and Afghanistan, produced large numbers of civilian dead that were not considered acts of genocide; the war in Gaza was no different.

The gruesome double-murder upon which the novel Crime and Punishment hinges leads its culprit, Raskolnikov, into emotional trauma and obsessive, destructive self-reflection. But Raskolnikov's famous philosophical musings are just part of the full philosophical thought manifest in one of Dostoevsky's most famous novels. This volume, uniquely, brings together prominent philosophers and literary scholars to deepen our understanding of the novel's full range of philosophical thought. The seven essays treat a diversity of topics, including: language and the representation of the human mind, emotions and the susceptibility to loss, the nature of agency, freedom and the possibility of evil, the family and the failure of utopian critique, the authority of law and morality, and the dialogical self. Further, authors provide new approaches for thinking about the relationship between literary representation and philosophy, and the way that Dostoevsky labored over intricate problems of narrative form in Crime and Punishment. Together, these essays demonstrate a seminal work's full philosophical worth-a novel rich with complex themes whose questions reverberate powerfully into the 21st century.

Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse’s influence on the “cultural turn� in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped.