Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

One of this century's most original philosophical thinkers, Nozick brilliantly renews Socrates's quest to uncover the life that is worth living. In brave and moving meditations on love, creativity, happiness, sexuality, parents and children, the Holocaust, religious faith, politics, and wisdom, The Examined Life brings philosophy back to its preeminent subject, the things that matter most. We join in Nozick's reflections, weighing our experiences and judgments alongside those of past thinkers, to embark upon our own voyages of understanding and change.

This collection of book reviews from the pen of Michael Milston brings together the great minds of twentieth-century Jewish philosophy and offers up critical but compassionate interpretations of their works. Milston's approach is not neutral but he has recognised and put into practice that most important aspect of book reviewing: 'the sublimation of the ego of the reviewer to the book'. The result is a body of essays that refuse to be in conflict or collusion, preferring a dialogic relationship with influential philosophers such as Fackenheim, Amery and Hannah Arendt. A Critical Review is a profound and eloquent introduction to post-Holocaust Jewish thought.

An essential companion to the most relevant works of Michel de Montaigne Essays: The Philosophy Classic delivers a carefully curated collection of thought-provoking works by sixteenth-century thinker Michel De Montaigne. Exploring topics as diverse as politics, poetry, love, friendship and the purpose of philosophy, this latest entry in the celebrated Capstone Classics series is accessible and intuitively organized. Follow the thoughts of the person who created the essay genre in literature as he expresses his philosophy, interests, and learning. Throughout, you'll be guided by an expansive introduction by leading Montaigne scholar Philippe Desan and the comments of series editor Tom Butler-Bowdon, placing the work of Montaigne in its historical and philosophical context. You'll also find: Celebrated and famous works by Montaigne, including noted classics like "That to Study Philosophy is to Learn to Die" Lesser-known works that have taken on increased importance in the unique context of the 21st-century A version of the popular Charles Cotton translation first published in 1685: a simple, faithful, and clear adaptation of the French original An invaluable resource for anyone interested in the insightful and illuminating work of one of the most enduring thinkers of the 16th-century, Essays: The Philosophy Classic is an essential addition to the libraries of philosophers, historians, and laypeople seeking an eye-opening and fascinating exploration of life itself.

Literary Nonfiction. Philosophy. Economics & Statistics. Translated from the German by Karen Leeder. Acclaimed poet, essayist, and cultural critic Hans Magnus Enzensberger takes a fresh, sobering look at our faith in statistics, our desire to predict the future, and our dependence on fortuitousness. Tracing the interface between chance and probability in medical diagnostics, risk models, economics, and the fluctuations of financial markets, FATAL NUMBERS goes straight to the heart of what it means to live, plan, and make decisions in a globalized, digitized, hyperlinked, science-driven, and uncertain world. Foreword by Gerd Gigerenzer. Illustrations by David Fried.

Boris I. Jones the author of "The Illusion of Parole" is an unknown author that makes no claim to having all the answers or to the knowledge he possess as he looks upon all knowledge not only as a blessing but as a birthright. He explains how we all inherit the knowledge of the universe at birth but loses it throughout our journey herein the physical realm resulting in our very spirits being imprisoned. In a captivating way he have shared some of the knowledge that we all once held but had stripped away by a carefully laid out plan by the Corporation a name he uses to represent negative and evil energies of the universe. He lays out the beginning and the end showing how life came to be on the small planet we all inhabits and call home and how it will come to an end. Through the years, with the blessing of the Creator, lies were exposed, secrets revealed, and veils were lifted as this unknown; author, man, sinner, son, brother, friend, husband, father, subordinate, leader, and veteran of foreign wars journeyed through the great court room. Boris believes that everything and everyone in the universe is all connected and that all knowledge is meant to be shared for the betterment of mankind, which is why he wrote the "The Illusion of Parole" so he could share, "The Revelation" as it was revealed to him.

Nonfiction. Philosophy. Winner of the 2010 Next Generation Indie Book Award for Social Change. "Sedulously argued, this thoughtful book attempts nothing less than a revalorization of prejudice--its meaning, the way it manifests itself, and its effect on individuals (the prejudiced and those who feel the sting of it) as well as the world around them. It's an ambitious undertaking, deftly navigated by Michael Eskin, who cogently offers an entirely original framework for identifying prejudice and even confronting it. In an environment that has been optimistically (if naively) called post-racial--in which racial, gender, and ethnic divides appear to have as much poignant resolve as ever--Eskin's important book offers a set of powerful pathways for comprehending and addressing a pernicious aspect of life that remains far too at home in the headlines, the rural backroads, and the chill of urban streets"--Jeffrey Rothfeder, former BusinessWeek, Time Inc., and Bloomberg News editor, and author of McIlhenny's Gold: How a Louisiana Family Built the Tabasco Empire and Every Drop for Sale: Our Desperate Battle over Water in a World About to Run Out.

What we can learn from a Renaissance nowhere In 1516, a book was published in Latin with the enigmatic Greek-derived word as its title. Utopia--which could mean either "good-place" or "no-place"--gives a traveler's account of a newly discovered island somewhere in the New World where the inhabitants enjoy a social order based purely on natural reason and justice. As the traveler describes the harmony, prosperity, and equality found there, a dramatic contrast is drawn between the ideal community he portrays and the poverty, crime, and often frightening political conditions of 16th century Europe. Written by Sir Thomas More (1477-1535)--then a rising intellectual star of the Renaissance and ultimately the advisor and friend of Henry VIII who was executed for his devoutly Catholic opposition to the king--Utopia is as complex as its author. In the form of a Platonic dialogue, Utopia explores topics such as money, property, crime, education, religious tolerance, euthanasia, and feminism. Claimed as a paean to communism (Lenin had More's name inscribed on a statue in Moscow) as often as it has been seen as a defense of traditional medieval values, Utopia began the lineage of utopian thinkers who use storytelling to explore new possibilities for human society--and remains as relevant today as when it was written in Antwerp 500 years ago. Explore the issues like feminism, euthanasia, and equality through Renaissance eyes Early communist tract or a defense of medieval values? You decide. Peer inside the enigmatic mind of the man who dared stand up to Henry VIII Appreciate the postmodern possibilities of Platonic dialogue Part of the bestselling Capstone Classics series edited by Tom Butler-Bowdon, this edition features an introduction from writer, economist, and historian Niall Kishtainy.

A fascinating exploration of how computer algorithms can be applied to our everyday lives. In this dazzlingly interdisciplinary work, acclaimed author Brian Christian and cognitive scientist Tom Griffiths show us how the simple, precise algorithms used by computers can also untangle very human questions. Modern life is constrained by limited space and time, limits that give rise to a particular set of problems. What should we do, or leave undone, in a day or a lifetime? How much messiness should we accept? The authors explain how to have better hunches and when to leave things to chance, how to deal with overwhelming choices and how best to connect with others. From finding a spouse to finding a parking spot, from organizing one's inbox to understanding the workings of human memory, Algorithms To Live By is full of practical takeaways to help you solve common decision-making problems and illuminate the workings of the human mind.

'Everything he writes is an enlightening education in how to be human.' - Elizabeth Day That Little Voice in Your Head is the practical guide to retraining your brain for optimal joy by Mo Gawdat, the internationally bestselling author of Solve for Happy. Mo reveals how by beating negative self-talk, we can change our thought processes, turning our greed into generosity, our apathy into compassion and investing in our own happiness. To fix a machine, first you need to find out what’s wrong with it. To fix unhappiness, you need to find out what causes it. This book provides readers with exercises to help reshape their mental processes. Drawing on his expertise in programming and his knowledge of neuroscience, Mo explains how – despite their incredible complexity – our brains behave in ways that are largely predictable. From these insights, he delivers this user manual for happiness. Inspired by the life of his late son, Ali, Mo Gawdat has set out to share a model for happiness based on generosity and empathy towards ourselves and others. Using his experience as a former Google engineer and Chief Business Officer, Mo shares his 'code' for reprogramming our brain and moving away from the misconceptions modern life gives us.