This book analyses the resolution of the psychic problem of diasporic existence from a postcolonial feminist perspective, by inscribing and defining the meaning of "virtual diaspora" through the lens of the East/India and the West. It explores the situation that arises when one leaves one's country and becomes an emigrant/immigrant, which often causes pain both in the departure from one's motherland and in the adaptation to a new environment. The book employs the theory of Deleuze and Guattari and explores the interstices of real and virtual diaspora and the aftermath of diaspora as a mental journey. Adding a new interpretation of transcendence, taken from the Indian perspective, the book examines the Deleuze's theory of immanence and transcendence and the two major concepts of "becoming" and "real/virtual." The book also examines the works of Helene Cixous, J.M. Coetzee, Jhumpa Lahiri, Kunal Basu, and Tagore in light of the concept of virtual diaspora and from a postcolonial feminist angle. It does so by raising the following questions: When one has emigrated to a different country, can one conceive of that existence as real or virtual or both? Do emigrants or diasporic individuals live a life of both real and virtual diaspora? This comes from the idea that both real and virtual diaspora, under different paradigms, may be related to the power struggle and master-slave dialectic that affects all of humanity. A valuable addition to the study of postcolonial literature, the book will also be of interest to researchers in the fields of diaspora studies, postcolonial feminist theory, postcolonial literature, feminist philosophy, interdisciplinary studies, and Asian Studies, in particular South Asian Studies.

- first volume to address the philosophical and psychological parameters of Critical Theory in psychoanalysis - broad market potential, namely academics and scholars in a variety of disciplines with interdisciplinary interests i.e. philosophers, psychoanalysts, political scientists, cultural theorists, sociologists, psychologists, religious studies

Examines five early modern novels from the seventeenth century in Spain and France: Cervantes's Don Quijote, Zayas's Desenganos amorosos, Scarron's Roman comique, Cyrano de Bergerac's L'Autre Monde, and Mme. de Lafayette's Zayde. This book enables upper level students and scholars to see how the authors use the developing form of the novel to engage in skeptical inquiry. This book allows students and scholars of early modern literature, history and philosophy to see how the novel can shed new light on the period by exploring how literature becomes a means to express these differences and put them in productive dialogue. By identifying the philosophic stakes of these literary works, this book shows students and scholars how these novels are part of the larger skeptical turn of the late sixteenth and early seventeenth century in Europe enabling them to see the importance of studying literature alongside history and philosophy.

Writing and Immanence is a book that is attentive to the unabatingly potent, sometimes agonistic, forces at play in the continuing unfoldings of crises of representation. As immanent doing, the writing in the book writes to destabilise the orthodoxies, conventions and unquestioned givens of writing in the academy and, in so doing, is troubled by the ontogenetic uncertainties of its own writing coming into being. In the always active processualism of presencing, the fragility of word and concept creation animates, what Meillassoux has described as 'the absolute necessity of the contingency of everything'. In working to avoid the formational and structural linearities of a series of numbered consecutive chapters, the book is constructed in and around the movements of the always actualising capaciousness of Acts. In offering engagements with education research and pedagogy and always sensitive to the dynamics of multiplicity, each Act emanates from and feeds into other en(Act)ments in the unfolding emergence of the book. Hence, in agencement, the book offers multiple points of entry and departure. Deleuze has said that a creator is 'someone who creates their own impossibilities, and thereby creates possibilities...it's by banging your head on the wall that you find a way through.' Therefore, the writing of this book writes to the writing, pedagogic and qualitative research practices of those in education and the humanities who are writing to the creation of such impossibilities.

Writing and Immanence is a book that is attentive to the unabatingly potent, sometimes agonistic, forces at play in the continuing unfoldings of crises of representation. As immanent doing, the writing in the book writes to destabilise the orthodoxies, conventions and unquestioned givens of writing in the academy and, in so doing, is troubled by the ontogenetic uncertainties of its own writing coming into being. In the always active processualism of presencing, the fragility of word and concept creation animates, what Meillassoux has described as 'the absolute necessity of the contingency of everything'. In working to avoid the formational and structural linearities of a series of numbered consecutive chapters, the book is constructed in and around the movements of the always actualising capaciousness of Acts. In offering engagements with education research and pedagogy and always sensitive to the dynamics of multiplicity, each Act emanates from and feeds into other en(Act)ments in the unfolding emergence of the book. Hence, in agencement, the book offers multiple points of entry and departure. Deleuze has said that a creator is 'someone who creates their own impossibilities, and thereby creates possibilities...it's by banging your head on the wall that you find a way through.' Therefore, the writing of this book writes to the writing, pedagogic and qualitative research practices of those in education and the humanities who are writing to the creation of such impossibilities.

In Middlemarch, George Eliot famously warns readers not to see themselves as the centre of their own world, which produces a 'flattering illusion of concentric arrangement'. The scholarly contributors to Antipodean George Eliot resist this form of centrism. Hailing from four continents and six countries, they consider Eliot from a variety of de-centred vantage points, exploring how the obscure and marginal in Eliot's life and work sheds surprising light on the central and familiar. With essays that span the full range of Eliot's career-from her early journalism, to her major novels, to eccentric late works such as Impressions of Theophrastus Such-Antipodean George Eliot is committed to challenging orthodoxies about Eliot's development as a writer, overturning received ideas about her moral and political thought, and unveiling new contexts for appreciating her unparalleled significance in nineteenth-century letters.

Thomas Paine is a unique political thinker who has continued to attract scholarly and popular attention from the time he wrote about both the American and French Revolutions at the end of the eighteenth century. This collection brings together the most recent essays debating the meaning and relevance of Paine's works. It includes an historiographical survey of scholarship about Paine and articles by the leading authorities in the field. The essays survey his life, analyze his ideas, place them in their social and intellectual context, and appraise their significance today.

- author has an international reputation - book has the potential to be a classic in the field

In showing how the great philosophers of human history lived and thought - and what they thought about - Peter Cave provides an accessible and enjoyable introduction to thinking philosophically and how it can change our everyday lives. With a lightness of touch, he addresses questions such as: Is there anything 'out there' that gives meaning to our lives? Does reality tell us how we ought to live? What indeed is reality and what is appearance - and how can we tell the difference?

This book paints vivid portraits of an assortment of inspiring thinkers: from Lao Tzu to Avicenna to Iris Murdoch; from Hannah Arendt to Socrates and Plato to Karl Marx; from Kierkegaard and Nietzsche to Sartre to Samuel Beckett - and let us not forget Lewis Carroll for some thought-provoking fantasies and Ludwig Wittgenstein for the anguishes of a genius. As well as displaying optimists and pessimists, believers and non-believers, the book displays relevance to current affairs, from free speech to abortion to the treatment of animals to our leaders' moral character.

In each brief chapter, Cave brings to life these often prescient, always compelling philosophical thinkers, showing how their ways of approaching the world grew out of their own lives and times and how we may make valuable use of their insights today. Now, more than ever, we need to understand how to live, and how to understand the world around us. This is the perfect guide.

The Cambridge Handbook of Religious Epistemology, the first to appear on the topic, introduces the current state of religious epistemology and provides a discussion of fundamental topics related to the epistemology of religious belief. Its wide-ranging chapters not only survey fundamental topics, but also develop non-traditional epistemic theories and explore the religious epistemology endorsed by non-Western traditions. In the first section, Faith and Rationality, readers will find new essays on Reformed epistemology, skepticism and religious belief, and on the nature of evidence with respect to religious belief. The rich second section, Religious Traditions, contains chapters on Hindu, Buddhist, Islamic, Jewish, and Christian epistemologies. The final section, New Directions, contains chapters ranging from applying disjunctivism and knowledge-first approaches to religious belief, to surveying responses to debunking arguments. Comprehensive and accessible, this Handbook will advance the field for years to come.

It is not words, song, or art that are tremendous, but the human soul, and what is set in motion when it is stirred to the depths. Where Epics Fail is a collection of over 800 aphorisms from acclaimed writer, essayist and poet Yahia Lababidi. Offering wit and wisdom, inspiration and spirituality, these meditations appeal to our shared humanity and attempt, with art, to guide us through the landscape of everyday life.

In everyday life, we generally assume that we can make our own decisions on matters which concern our own lives. We assume that a life followed only according to decisions taken by other people, against our will, cannot be a well-lived life - we assume, in other words, that we are and should be autonomous. However, it is equally true that many aspects of our lives are not chosen freely: this is true of social relations and commitments but also of all those situations we simply seem to stumble into, situations which just seem to happen to us. The possibility of both the success of an autonomous life and its failure are part of our everyday experiences. In this brilliant and illuminating book, Beate Roessler examines the tension between failing and succeeding to live an autonomous life and the obstacles we have to face when we try to live our life autonomously, obstacles within ourselves as well as those that stem from social and political conditions. She highlights the ambiguities we encounter, examines the roles of self-awareness and self-deception, explores the role of autonomy for the meaning of life, and maps out the social and political conditions necessary for autonomy. Informed by philosophical perspectives but also drawing on literary texts, such as those of Siri Hustvedt and Jane Austen, and diaries, including those of Franz Kafka and Sylvia Plath, Roessler develops a formidable defense of autonomy against excessive expectations and, above all, against overpowering skepticism.

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies, author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.

This book explores the analyst's countertransference experience in clinical settings from a number of theoretical perspectives in order to develop a transtheoretical definition of countertransference. Stemming from an examination of the definition of countertransference itself, the author utilizes a philosophical hermeneutic approach to ask how pathological countertransference develops, how analysts separate themselves from the patient's experience, and what analysts should do to prevent their countertransference response from interfering with treatment. Through the unique hermeneutic methodology, philosophical themes within selected writings are explored as a way of gaining a deeper meaning and understanding of countertransference. By re-interpreting these selected writings in a new light, the book develops a transtheoretical definition and approach to countertransference. As such, the author offers a timely reassessment of the meaning and understanding of countertransference as it has evolved over the past century, going from being considered an obstacle to treatment brought on by the analyst's unconscious conflicts to being understood as a way of communicating and understanding the patient's unconscious material. It also provides a unique pathway through various depth psychological, therapeutic, and theoretical approaches to countertransference, foregrounding the significance and therapeutic value of the concept and seeking a new transtheoretical definition. This volume will appeal to scholars and researchers of psychology and mental health.

This collection of new essays interprets and critically evaluates the philosophy of Paul Feyerabend. It offers innovative historical scholarship on Feyerabend's take on topics such as realism, empiricism, mimesis, voluntarism, pluralism, materialism, and the mind-body problem, as well as certain debates in the philosophy of physics. It also considers the ways in which Feyerabend's thought can contribute to contemporary debates in science and public policy, including questions about the nature of scientific methodology, the role of science in society, citizen science, scientism, and the role of expertise in public policy. The volume will provide readers with a comprehensive overview of the topics which Feyerabend engaged with throughout his career, showing both the breadth and the depth of his thought.

This volume clearly communicates that Weber's influence is of great significance to the history of social science, and to appreciating the theoretical work of other social scientists in the modern age. Its insightful and timely publication comprises topical and innovative work discussing Weber in a range of historical and contemporary questions including: the controversy surrounding the Da Vinci code; the charismatic role of martyrs; the nuclear weapons strategy in a post-cold-war age and the affinity between Hindu belief systems and disenchanted computer science. Max Weber Matters illustrates the multidisciplinary and continued relevance of Weber's work and will be of interest to scholars across a range of disciplines, including historians, sociologists, political scientists and social theorists.

Routledge Great Minds presents ten of the best shorter works from the Classics series where some of its leading authors provide, in brief and accessible form, pithy statements of their ideas and arguments. Ideal for those unfamiliar with their work as a whole, for the time-pressed, or for the merely curious, these books contain the ideas of a great thinker in a nutshell. They are also an excellent starting point for anyone coming to Routledge Classics for the first time. Each volume includes a new foreword by a leading authority in the field.

  Brown Boy is an uncompromising interrogation of identity, family, religion, race, and class, told through Omer Aziz’s incisive and luminous prose. In the early 2000s, Toronto, Omer Aziz’s working-class neighbourhood is miles away from the wealthy white downtown. A first-generation Pakistani Muslim boy, Omer struggles to find his place in a world of violence and uncertainty, torn between cultures old and new. Dreading the aimless, angry future that he sees other young men succumbing to, Omer clings to his love for books and education, dreaming of a wider world.   That dream sees him through some of the most prestigious international institutions, from Ontario to Paris to Cambridge—and finally to Yale Law School. Yet despite his success, Omer has never banished the insecurities and doubts that come with being an outsider; a brown-skinned boy in an elite white universe that has never really accepted him. The more books he reads and the higher Omer soars, the stronger his need for community and identity becomes, pushing him to question everything and everyone around him. Was assimilation ever really an option? Can you truly transcend the barriers of race and class in a system that throws up obstacles at every turn? And can we—the collective West—ever honestly confront the darkness and consequences of our past?   Weaving together Omer’s powerful personal narrative with the stories and people that moved him, Brown Boy is an articulation of contradictions, displacement, and belonging. It’s a book for anybody who has ever felt unwanted or out of place; a testament to the complex process of creating an identity that fuses where you’re from, what people see in you, and who you know yourself to be. "A sterling portrait of personal revelation, cuts to the bone." -- Publisher's Weekly (starred review) "A brilliant and moving memoir of, among other things, class migration and the choices made by outsiders. Aziz writes with sensitivity and honesty about the tensions between growing up in a working class immigrant home and the worlds of elite education and politics. This book will surely make it onto any reading list exploring the twin preoccupations of our time: race and class." -- Zia Haider Rahman, author of In The Light of What We Know  "Omer Aziz’s astonishing journey from economic hardship and violence to Yale and becoming a foreign policy advisor would be fascinating even if it didn’t tell us things we absolutely need to know: Why have the white and minority communities withdrawn into their separate corners; what can be done to bring them together? An essential memoir." -- Akhil Sharma, author of Family Life and An Obedient Father. “This breathtaking, brilliant memoir had me from page one—I couldn’t put it down. Omer Aziz is a poet, his writing luminous. Brown Boy is eye-opening, achingly honest, alternately hilarious and heartbreaking—an unforgettable book.� —Amy Chua, author of Political Tribes and Battle Hymn of the Tiger Mother "Brown Boy is a poignant, unflinching exploration of cultural identity: the roles we perform, the ways we are misperceived, and the conflicted feelings we can have about our pasts. Omer Aziz illuminates what it is like to be the child of immigrants and the unique invisibility that comes with being South Asian. I saw myself reflected in these pages. How rare, to encounter one’s story with such candor and vulnerability. How rare, and how necessary." —Maya Shanbhag Lang, author of What We Carry, a New York Times Editors’ Choice

Wilber's groundbreaking synthesis of religion, philosophy, physics, and psychology started a revolution in transpersonal psychology. He was the first to suggest in a systematic way that the great psychological systems of the West could be integrated with the noble contemplative traditions of the East. Spectrum of Consciousness, first released by Quest in 1977, has been the prominent reference point for all subsequent attempts at integrating psychology and spirituality.

One of the only volumes that brings the humanities, social sciences and even the natural sciences under one remit to look at how they can be researched in an integrated and useful way, with policy and real world implications in terms of how we relate in and to the world. Interdisciplinarity and Transdisciplinarity have been around for a long time, but as as we move through a digital age they are becoming more and more important and interesting to the scholarly community and beyond. There is nothing on the market that pulls all of these subjects across disciplines together and works out a framework to construct the analysis in a way that asks and answers useful questions.

Philosophy begins with questions about the nature of reality and how we should live. These were the concerns of Socrates, who spent his days in the ancient Athenian marketplace asking awkward questions, disconcerting the people he met by showing them how little they genuinely understood. This engaging book introduces the great thinkers in Western philosophy and explores their most compelling ideas about the world and how best to live in it. In forty brief chapters, Nigel Warburton guides us on a chronological tour of the major ideas in the history of philosophy. He provides interesting and often quirky stories of the lives and deaths of thought-provoking philosophers from Socrates, who chose to die by hemlock poisoning rather than live on without the freedom to think for himself, to Peter Singer, who asks the disquieting philosophical and ethical questions that haunt our own times. Warburton not only makes philosophy accessible, he offers inspiration to think, argue, reason, and ask in the tradition of Socrates. A Little History of Philosophy presents the grand sweep of humanity's search for philosophical understanding and invites all to join in the discussion.

REASON AND RESPONSIBILITY: READINGS IN SOME BASIC PROBLEMS OF PHILOSOPHY, 15E, International Edition has a well-earned reputation for clarity and breadth, with a proven selection of high-quality readings that cover centuries of philosophical debate. The anthology includes the central issues in metaphysics, epistemology, philosophy of religion, philosophy of mind, and ethics, as well as debates over the value of philosophy and the meaning of life. The book is clearly organized so that the readings complement each other, guiding readers through contrasting positions on key philosophical issues. Clear, concise introductions provide reading tips and background information to help readers engage directly and meaningfully with the primary sources.

Our societies today are characterized by a universal algophobia: a generalized fear of pain. We strive to avoid all painful conditions - even the pain of love is treated as suspect. This algophobia extends into society: less and less space is given to conflicts and controversies that might prompt painful discussions. It takes hold of politics too: politics becomes a palliative politics that is incapable of implementing radical reforms that might be painful, so all we get is more of the same. Faced with the coronavirus pandemic, the palliative society is transformed into a society of survival. The virus enters the palliative zone of well-being and turns it into a quarantine zone in which life is increasingly focused on survival. And the more life becomes survival, the greater the fear of death: the pandemic makes death, which we had carefully repressed and set aside, visible again. Everywhere, the prolongation of life at any cost is the preeminent value, and we are prepared to sacrifice everything that makes life worth living for the sake of survival. This trenchant analysis of our contemporary societies by one of the most original cultural critics of our time will appeal to a wide readership.