"Art and War in Japan and its Empire: 1931-1960" is an anthology that investigates the impact of the Fifteen-Year War (1931-1945) on artistic practices and brings together twenty scholars including art historians, historians, and museum curators from the United States, Canada, France, Taiwan, Korea, and Japan. This will be the first art-historical anthology that examines responses to the war within and outside Japan in the wartime and postwar period. The anthology will scrutinize official and unofficial war artists who recorded, propagated, or resented the war; explore the unprecedented transnationality of artistic activity under Japan s colonial expansion; and consider the role of today s museum institutions in remembering the war through art. Contributors include: Asato Ikeda, Aya Lousa McDonald, Ming Tiampo, Akihisa Kawata, Mikiko Hirayama, Mayu Tsuruya, Michael Lucken, Bert Winther-Tamaki, Mark H. Sandler, Maki Kaneko, Kendall Brown, Reita Hirase, Gennifer Weisenfeld, Kari Shepherdson-Scott, Aida-Yuen Wong, Hyeshin Kim, Laura Hein, and Julia Adeney Thomas.

`[The student] should look at the world with keen, healthy senses and quickened power of observation, and then give himself up to the feeling that arises within him... This feeling penetrates the superficial aspect of things and in so doing touches their secrets.' - Rudolf Steiner How can one progress from the ordinary, everyday vision of the senses to a perception of the subtle life- and spiritual forces around us - the very forces that shape nature? Basing his work on the research of both J. W. Goethe and Rudolf Steiner, Roger Druitt begins with the fundamental question, `What can you see?' He presents a series of practical exercises for observing nature which, through diligent practise, allow for the maturation of subtle capacities of perception. Considering multiple species of leaves, for example, leads to the concept of `leaf' itself. After this basic groundwork is established, steps can be taken towards a comprehension of further aspects, such as metamorphosis, gesture and type. Druitt demonstrates how this method - what he calls `anthroposophical phenomenology' - can be applied in other fields of nature observation, opening the way for its use in all areas of life. In each case, whether working with bees, rocks, stars or colour, he shows how one can access the `individuality' manifested in what is studied. Through a thorough step-by-step process we are led to the ultimate task: that of redeeming the beings of nature and of the earth itself.

This volume contains Rudolf Steiner''s leadin g thoughts and letters written for the Anthroposophical Soci ety. In brief paragraphs they succinctly present Steiner''s s cience of the spirit '