Divination, the use of special talents and techniques to gain divine knowledge, was practiced in many different forms in ancient Israel and throughout the ancient world. The Hebrew Bible reveals a variety of traditions of women associated with divination. This sensitive and incisive book by respected scholar Esther J. Hamori examines the wide scope of women's divinatory activities as portrayed in the Hebrew texts, offering readers a new appreciation of the surprising breadth of women's "arts of knowledge" in biblical times. Unlike earlier approaches to the subject that have viewed prophecy separately from other forms of divination, Hamori's study encompasses the full range of divinatory practices and the personages who performed them, from the female prophets and the medium of En-dor to the matriarch who interprets a birth omen and the "wise women" of Tekoa and Abel and more. In doing so, the author brings into clearer focus the complex, rich, and diverse world of ancient Israelite divination.

Behind the stereotype of a solitary meditator closing his eyes to the world, meditation always takes place in close interaction with the surrounding culture. Meditation and Culture: The Interplay of Practice and Context explores cases in which the relation between meditative practice and cultural context is particularly complex. The internationally-renowned contributors discuss practices that travel from one culture to another, or are surrounded by competing cultures. They explore cultures that bring together competing practices, or that are themselves mosaics of elements of different origins. They seek to answer the question: What is the relationship between meditation and culture? The effects of meditation may arise from its symbolic value within larger webs of cultural meaning, as in the contextual view that still dominates cultural and religious studies. They may also be psychobiological responses to the practice itself, the cultural context merely acting as a catalyst for processes originating in the body and mind of the practitioner. Meditation and Culture gives no single definitive explanation, but taken together, the different viewpoints presented point to the complexity of the relationship.

Bringing together the innovative work of scholars from a variety of disciplines, Matsuri and Religion explores festivals in Japan through their interconnectedness to religious life in both urban and rural communities. Each chapter, informed by extensive ethnographic engagement, focuses on a specific festival to unpack the role of religion in collective ritualized activities. With attention to contemporary performance and historical transformation, the study sheds light on understandings of change, identity and community, as well as questions regarding intangible cultural heritage, tourism, and the intersection of religion with politics. Read as a whole, the volume provides a uniquely multi-sited ethnographic, historical, and theoretical study, contributing to discourses on religion and festival/ritual/performance in Japan and elsewhere around the globe.

Japan's Sexual Gods is an authoritative and original work that describes the unique deities represented by sexual objects in certain Japanese shrines and temples. Hundreds of sexual shrines still exist in spite of previous repression and range from the Tagata Shrine with its well-known giant festival phallus to small obscure places. Many also contain female sexual imagery and some phalluses act in a protective role. The study is based on observations of over 500 sexual sites including phallic festivals, many of which are modern inventions created purely for commercial reasons. The study makes an assessment of the place of sexual beliefs in modern Japan and includes almost 300 stunning original photographs, a glossary and a highly detailed map.

This monograph explores the nature of the Elijah traditions in rabbinic literature and their connection to the wisdom tradition. By examining the diverse Elijah traditions in connection to the wisdom and apocalyptic traditions, Alouf-Aboody sheds new light on the manner in which Elijah's role developed in rabbinic literature.

Temples for a Modern God is one of the first major studies of American religious architecture in the postwar period, and it reveals the diverse and complicated set of issues that emerged just as one of the nation's biggest building booms unfolded. Jay Price tells the story of how a movement consisting of denominational architectural bureaus, freelance consultants, architects, professional and religious organizations, religious building journals, professional conferences, artistic studios, and specialized businesses came to have a profound influence on the nature of sacred space. Debates over architectural style coincided with equally significant changes in worship practice. Meanwhile, suburbanization and the baby boom required a new type of worship facility, one that had to attract members and serve a social role as much as it had to to honor the Divine. Price uses religious architecture to explore how Mainline Protestantism, Catholicism, Judaism, and other traditions moved beyond their ethnic, regional, and cultural enclaves to create a built environment that was simultaneously intertwined with technology and social change, yet rooted in fluid and shifting sense of tradition. Price argues that these structures, as often mocked as loved, were physical embodiments of a significant, if underappreciated, era in American religious history.